Scenes That I Love: Cillian Murphy in 28 Days Later


Today, we wish a happy birthday to Cillian Murphy!

Two years ago, Murphy won the Oscar for his role in Oppenheimer.  However, before playing the lead role in Christopher Nolan’s epic, Cillian Murphy been an intriguing cinematic presence for over two decades.  I first became aware of him after watching Danny Boyle’s 2002 classic, 28 Days Later.  Here he is, showing what he can do without even uttering a word of dialogue, in a haunting scene from that film.

Live Tweet Alert: Watch Killer Workout With #ScarySocial!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, for #ScarySocial, I will be hosting 1987’s Killer Workout!

If you want to join us on Saturday night, just hop onto twitter, start the film at 9 pm et, and use the #ScarySocial hashtag!  The film is available on Prime!  I’ll be there co-hosting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy!

 

Late Night Retro Television Review: Freddy’s Nightmares 2.14 “Easy Come, Easy Go”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Freddy’s Nightmares, a horror anthology show which ran in syndication from 1988 to 1990. The entire series can be found on Tubi!

This week, Mary Crosby returns.  And hey — is that Wings Hauser!?

Episode 2.14 “Easy Come, Easy Go”

(Dir by William Malone, originally aired on January 14th, 1990)

In this sequel to Lucky Stiff, Greta (Mary Crosby) is still living in her mansion with her new husband, Eugene (Tracey Walter).  She’s married to Eugene so that Eugene won’t turn her in for having killed her previous husband.  Eugene says that he’ll leave the mansion as soon as they consummate the marriage.  Greta, however, has standards.  As a result, Eugene lives in the basement.

When her former brother-in-law, Wes Roscoe (Richard Eden), shows up, it doesn’t take long for a lingerie-clad Greta to seduce him.  It soon becomes apparent that Wes wants her money and vengeance for the death of his brother.  She makes plans to poison him but, when Wes attacks her, her life is saved by Eugene.  Greta realizes that she loves Eugene.  She sleeps with him.  Immediately afterwards, Eugene accidentally drinks the poison and dies.  Sorry, Eugene!

Shortly afterwards, Greta’s sister, Peggy (Jill Jacobson), shows up with her husband, eyepatch-wearing Sonny (Wings Hauser).  Sonny is Greta’s ex.  In fact, he blames her for the loss of his eye.  (They got into an argument in a car and a slap from Greta sent Sonny plunging eye-first into the gear shift.)  Greta seduces and then kills Sonny, just as she’s done with every man who has tried to take her money.  But then Peggy turns out to be a sociopath herself (“I killed mom and dad.”) and proceeds to shoot Greta.

“Easy come, easy go,” Greta gasps.

This episode was so over-the-top and cheerfully sordid that it was impossible not to enjoy it.  Mary Crosby threw herself into the femme fatale role.  Wings Hauser, as always, was amusingly disturbed as the bad guy.  Both stories were wonderfully sordid.  Even without any supernatural elements, this was a truly fun episode.

Live Tweet Alert: Join #ScarySocial For Kill, Baby, Kill!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on Twitter and Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, #ScarySocial presents 1966’s Kill, Baby, Kill,, directed by Mario Bava!

If you want to join us this Saturday, just hop onto twitter, start the movie at 10 pm et, and use the #ScarySocial hashtag!  It’s a friendly group and welcoming of newcomers so don’t be shy.

Kill, Baby, Kill is available on Prime!  See you there!

Late Night Retro Television Reviews: Freddy’s Nightmares 2.13 “What You Don’t Know Can Kill You”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Freddy’s Nightmares, a horror anthology show which ran in syndication from 1988 to 1990. The entire series can be found on Tubi!

This week, Freddy is just as confused as the rest of us.

Episode 2.13 “What You Don’t Know Can Kill You”

(Dir by Ken Wiederhorn, originally aired on January 7th, 1990)

Psychiatrist Dr. Rothman (David Hern) has been hypnotizing his female patients and then molesting them.   (This was something that apparently used to happen quite often with Victorian-era hypnotists.)  When a colleague (Phil Proctor) discovers what Rothman is doing, Rothman hypnotizes and programs one of his patients, Derby Brown (Fran Montano), to become an assassin.  However, Rothman screws up the programming and ends up getting shot by a hypnotized Derby.  Derby’s girlfriend suggests that Derby should have plastic surgery to disguise his appearance.  They see a handsome man’s photograph in a newspaper and they decide that’s the face they want.  As a result of the surgery, Derby now looks exactly like Vinnie (Paul Regina, playing both roles).  Unfortunately, Vinnie is a mob informant and there’s a hitman after him.

Got all that?

This episode was pretty dumb.  Paul Regina did a good job as Vinnie and his new doppelganger but, for the most part, I’m not really sure why this was even an episode of Freddy’s Nightmares.  There was nothing supernatural about either story and neither story was particularly scary.  Freddy only appeared in his host segments and he seemed to be fairly bored with the whole thing.

Usually, I love it when a show embraces the melodrama but this episode wasn’t subversive enough to work as a satire.  Despite the over the top plot, it still felt oddly generic.

Scenes I Love: Norman Bates Talks About His Mother In Psycho


Norman Bates, now there’s someone who probably made a big deal out of every Mother’s Day.  Today’s scene that I love comes from 1960’s Psycho and features Hitchcock, Janet Leigh, and Anthony Perkins at their absolute best.

Live Tweet Alert: Watch Reptilicus With #ScarySocial!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, for #ScarySocial, I will be hosting 1961’s Reptilicus!

If you want to join us on Saturday night, just hop onto twitter, start the film at 9 pm et, and use the #ScarySocial hashtag!  The film is available on Prime!  I’ll be there co-hosting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy!

 

Late Night Retro Television Review: Freddy’s Nightmares 2.12 “It’s My Party And You’ll Die If I Want You To”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Freddy’s Nightmares, a horror anthology show which ran in syndication from 1988 to 1990. The entire series can be found on Tubi!

Guess who is making trouble …. again.

Episode 2.12 “It’s My Party And You’ll Die If I Want You To”

(Dir by Tom DeSimone, originally aired on December 24th, 1989)

This aired when?

Wow!  Happy Christmas Eve!

Freddy takes center stage in this week’s episode.  First, he possesses a phony psychic (Gwen Banta) and uses her to kill a bunch of people because …. well, why not?  He’s Freddy.  It’s kind of what he does.  The second story features Freddy seeking revenge on the woman who stood him up for prom and it features an occasionally clever subplot about a man attempting to write a film about Freddy’s life.  Freddy complains that the script doesn’t have a heart.  That’s because Freddy ripped it out of the screenwriter.

This was not a bad episode.  Director Tom DeSimone does a good job of keeping the action moving and he allows Freddy to be genuinely menacing.  This entire season has pretty much been a reminder of the fact that Freddy isn’t just an undead spirit who makes joke  He’s also very scary.  If the first season treated Freddy like a quip machine, the second season has gone out of its way to show that Freddy is pure evil and you’re better off not being in his presence.

This week’s stories were tied together by the presence of Oliver Michaels (Richard Speight), a spacey young man who previously appeared in Photo Finish.  Oliver does his best to warn people in this episode but no one’s willing to listen until it’s too late.

That’s life in Springwood.

Live Tweet Alert: Join #ScarySocial for The Amityville Horror!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 9 pm et, Deanna Dawn will be hosting #ScarySocial!  The movie?  The Amityville Horror!  

If you want to join us this Saturday, just hop onto twitter, start the movie at 9 pm et, and use the #ScarySocial hashtag!  It’s a friendly group and welcoming of newcomers so don’t be shy.

The film is available on Prime!

Late Night Retro Television Review: Freddy’s Nightmares 2.11 “Dreams that Kill”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Freddy’s Nightmares, a horror anthology show which ran in syndication from 1988 to 1990. The entire series can be found on Tubi!

This week, Springwood Confidential struggles to keep a host.

Episode 2.11 “Dreams That Kill”

(Dir by Tom DeSimone, originally aired on December 17th, 1989)

In this follow-up to Dream Come True, Dick Gautier plays Charlies Nickels, the new host of Springwood Confidential.  When he announced that his next show will be a discussion about whether or not a nightmare can kill you, he soon finds that his dreams are being haunted by Freddy Krueger (Robert Englund, hamming it up and apparently enjoying the opportunity to do more than just host for once).  Freddy is worried that the show will cause people to stop sleeping.  I’m not really sure that I follow Freddy’s logic — sleep is unavoidable, no matter how much you want to stay up for days at a time — but whatever.  Eventually, Freddy torments Charlie to the point that Charlie ends up in a coma, where Freddy can torture him 24/7.

At the hospital, a doctor (Nicholas Cascone) removes some of Charlie’s brain fluid and injects it into a comatose teenager named Mark Lindstrom (Christian Borcher).  Mark comes out of his coma but now he has Charlie’s personality and he desperately wants to be the next host of Springwood Confidential.  Mark gets the job but soon, he’s having nightmares involving Freddy.

“This is supposed to be Charlie Nickels’s dream!” Freddy says, spying Mark.  “Two for the price of one!”

As you probably already guessed, this episode ends with a vengeful Mark injecting his brain fluid into the doctor.  So now, it’s three for the price of one….

I kind of liked the idea of Freddy being passed from one victim to another.  And Robert Englund was entertaining as Freddy.  That said, this episode basically felt like the same story told twice.  Freddy haunted Charlie.  Freddy haunts Mark in the exact same way.  It was better than anything the first season had to offer but this episode still ultimately felt a bit redundant.