About three weeks ago, I attended the Vanilla Fudge 50th Anniversary show at the Narrows Center for the Arts in Fall River, MA. It’s a great venue to see a concert, with an intimate 280 seat capacity. Three of the four original members performed (bassist Tim Bogert is retired from active touring), and their psychedelic, proto-metal stylings had the joint rocking hard. Keyboard wizard Mark Stein, guitarist Vinnie Martell, new bass player Pete Bremy, and legendary drummer Carmine Appice tore the house down with their renditions of hits like “You Keep Me Hangin’ On”, “Take Me for a Little While”, and “People Get Ready”.
Much as I enjoyed all their musicianship, the main reason I went was to catch Carmine Appice, one of rock’s all-time greatest drummers. The band did a meet-and-greet after the show, and I snatched by a copy of Appice’s recent book, STICK IT! MY LIFE OF SEX…
So, the latest “Song of the Day” comes courtesy of Led Zeppelin and also in no small part from the release of the first trailer for the third Thor in the MCU (that’s Marvel Cinematic Universe for those who have been living in a cave the last 10 years).
“Immigrant Song” has been used in past trailers though not as often as people think. Led Zeppelin has been very selective of who uses (and pays) for the license to use their songs.
Whether the song makes it into Thor: Ragnarok still to be determined, but it definitely fits the trailer as it sings of Vikings and their call to ship off to find new lands, adventure and battle.
So, yes, Lisa Marie, that song in the Thor: Ragnarok teaser trailer was definitely Led Zeppelin.
Immigrant Song
We come from the land of the ice and snow
From the midnight sun where the hot springs blow
Hammer of the gods will drive our ships to new lands
To fight the horde and sing and cry
Valhalla, I am coming
On we sweep with the threshing oar
Our only goal will be the western shore
We come from the land of the ice and snow
From the midnight sun where the hot springs blow
How soft your fields so green can whisper tales of gore
Of how we calmed the tides of war
We are your overlords
On we sweep with the threshing oar
Our only goal will be the western shore
So now you’d better stop and rebuild all your ruins
For peace and trust can win the day despite of all your losing
One cannot reminisce about the 80’s music scene without including the biggest (and most dangerous) band of that decade. Well, the band and it’s handlers sure thought of them that way. The band I speak of is Guns N’ Roses. this was the band that dared to put the word hard back into hard rock after the glam metal scene began to turn it into a joke.
Nothing against glam metal. Mötley Crüe was and is a favorite rock band of the 80’s for me. Yet, even they succumbed to the hairspray overload that glam metal would turn into. These bands became more about their look (especially in their music videos) than actually playing good music.
Guns N’ Roses still had the teased hair, but their music when they released their Appetite for Destruction album was a breath of fresh air in the hard rock scene and would grab glam metal fans from the vapors of hairnet spray into the dark, dingy bluesy lounges and then the overwhelming open air arenas.
I’ve already featured two of the bands most famous tracks from their first album, “Welcome to the Jungle” and “Sweet Child o’ Mine”, so it’s time to give their third biggest hit from this album time to shine.
“Paradise City” is a place we all should aspire to visit.
Paradise City
Take me down to the paradise city Where the grass is green and the girls are pretty Take me home (Oh, won’t you please take me home?)
Take me down to the paradise city Where the grass is green and the girls are pretty Take me home (Oh, won’t you please take me home?)
Just an urchin livin’ under the street I’m a hard case that’s tough to beat I’m your charity case so buy me somethin’ to eat I’ll pay you at another time Take it to the end of the line
Rags to riches or so they say You gotta keep pushin’ for the fortune and fame You know it’s, it’s all a gamble when it’s just a game You treat it like a capital crime Everybody’s doin’ their time
Take me down to the paradise city Where the grass is green and the girls are pretty Oh, won’t you please take me home, yeah, yeah?
Take me down to the paradise city Where the grass is green and the girls are pretty Take me home
Strapped in the chair of the city’s gas chamber Why I’m here, I can’t quite remember The surgeon general says it’s hazardous to breathe I’d have another cigarette but I can’t see Tell me who ya gonna believe
Take me down to the paradise city Where the grass is green and the girls are pretty Take me home, yeah, yeah Take me down to the paradise city Where the grass is green and the girls are pretty Oh, won’t you please take me home, yeah?
So far away So far away So far away So far away
Captain America’s been torn apart Now he’s a court jester with a broken heart He said “Turn me around and take me back to the start” I must be losin’ my mind, are you blind? I’ve seen it all a million times
Take me down to the paradise city Where the grass is green and the girls are pretty Take me home, yeah, yeah
Take me down to the paradise city Where the grass is green and the girls are pretty Oh, won’t you please take me home?
Take me down to the paradise city Where the grass is green and the girls are pretty Take me home, yeah, yeah
Take me down to the paradise city Where the grass is green and the girls are pretty Oh, won’t you please take me home, home
Oh, I want to go, I want to know Oh, won’t you please take me home? I want to see how good it can be Oh, won’t you please take me home?
Take me down to the paradise city Where the grass is green and the girls are pretty Take me home
Take me down to the paradise city Where the grass is green and the girls are pretty Oh, won’t you please take me home?
Take me down, take me down Oh, won’t you please take me home? I want to see how good it can be Oh, won’t you please take me home?
I want to see how good it can be Oh, oh take me home
Take me down to the paradise city Where the grass is green and the girls are pretty Oh, won’t you please take me home?
I want to know, I want to know Oh, won’t you please take me home? Yeah, baby
To say that the Wilson Sisters (Nancy and Ann) who fronted the band Heart will forever be crushes would be an understatement. These ladies, for a growing teenager whose hormones were on overdrive, were a surprising find during the early years of MTV when they actually showed music videos. The sisters and their band had already made their bones during the 70’s but for most boys and girls of my era it would be the “Big Hair” Era of hard rock during the 1980’s that would introduce Nancy and Ann Wilson to a new generation of fans.
I was already on board the Wilson train (Nancy being my favorite) with their two power ballads from their 1985 self-titled album, “Alone” and “These Dreams”, but these ladies were not just about power ballads. They could rock out with the best of their male counterparts. The fact that both Ann and Nancy were accomplished singers in their own right put them heads and shoulders above most of the hard rock frontmen. Ann Wilson could belt out a tune, hold a note for ages and not lose any power behind those vocals. Nancy would do back-up duties, but no less impressive as a soprano, but it would be her work as lead guitarist that would mesmerize a certain young teenager.
It would be in the track “Never” that the band busts out their hard rock chops. They sure don’t make bands like these anymore. These ladies rocked then and they rock now. Rock on, ladies!
Never
Hey baby I’m talking to you Stop yourself and listen Some things you can never never choose Even if you try, yeah You’re bangin’ your head again ‘Cause somebody won’t let you in One chance . . . one love Your chance to let me know
We can’t go on Just running away If we stay any longer We will surely never get away Anything you want—we can make it happen Stand up and turn around Never let them shoot us down Never—Never Never—Never run away
Hey baby you know it’s true Why you bother lying when you know That you want it too Don’t you dare deny me Walk those legs right over here Give me what I’m dying for One chance . . . one love Hold me down never let me go
We can’t go on Just running away If we wait any longer We will surely never get away Anything you want—we can make it happen Stand up and turn around Never let them shoot us down Never—Never Never—Never run away Never—Never Never—Never run away
Hey baby I’m talking to you Stop yourself and listen Some things you can never choose Even if you try, yeah You’re bangin’ your head again ‘Cause somebody won’t let you in One chance . . . one love Your chance to let me know
We can’t go on Just running away If we stay any longer We will surely never get away
Last year, I did a mini-series of “Song of the Day” that featured some of my favorite rock and metal guitar solos. This time around I plan to showcase some of my favorite guitar riffs from the world of rock and metal. I’ll be limiting my choice on the metal side to the basic metal. I’m not as well-versed on the more unique and esoteric offshoots of metal. For that one must go to our resident metal intellectual necromoonyeti.
To start things off is a classic hard rock tune the began the post-Bon Scott Era (the band’s previous frontman who had tragically passed away before recording this follow-up album). The band would tap ex-Geordie frontman Brian Johnson to front the band. The rest as they say is rock history.
The Back In Black album would become one of the biggest-selling rock albums in history and it’s title track would become just one of many platinum-certified hits from that album. The song would become not just one of rock’s greatest songs, but become a pop icon as films, tv shows and event sporting events would use it’s iconic opening riff and follow-up melody to celebrate one’s rebellious nature.
Back In Black
Back in black I hit the sack It’s been too long I’m glad to be back Yes, I’m let loose From the noose That’s kept me hanging around I’ve been looking at the sky and it’s gettin’ me high Forget the hearse ’cause I never die I got nine lives Cats eyes Cruisin’ every woman, never wonderin’ why
CHORUS: ‘Cause I’m back Yes, I’m back Well, I’m back Yes, I’m back Well, I’m back, back Well I’m back in black Yes, I’m back in black
Back in the back Of a Cadillac Number one with a bullet, I’m a power pack Yes, I’m in a bang With a gang They’ve got to catch me if they want me to hang Cause I’m back on the track And I’m beatin’ the flack Nobody’s gonna get me on another rap So look at me now I’m just makin’ my play Don’t try to push your luck, just get out of my way
CHORUS
Well, I’m back, Yes I’m back Well, I’m back, Yes I’m back Well, I’m back, back Well I’m back in black Yes I’m back in black
hooo yeah Ohh yeah Yes I am Oooh yeah, yeah Oh yeah Back in now Well I’m back, I’m back Back, I’m back Back, I’m back Back, I’m back Back, I’m back Back Back in black Yes I’m back in black
Late today the heavy metal and hard rock world were hit with some sad news. Lemmy Kilmister (born Ian Fraser Kilmister) died at the age of 70 from cancer.
Lemmy was the frontman and the face of the band Motörhead and one the great bassist of hard rock and heavy metal. His band would help influence the rise of both speed metal and thrash metal. The band would combine the speed of punk with the heavy sound of metal. While he would never acknowledge his contribution to both speed and thrash, Lemmy and his band’s influence would be felt early on. Metallica even covered one of the band’s classic songs, “Overkill”, as a birthday gift to Lemmy.
Lemmy lived his life as he saw fit. He drank, did the drugs, had the sex and continued to do so despite what the world at large thought of such behavior. He was one of the true gods of rock and his presence will be sorely missed. Yet, despite his passing he would be the first to tell everyone to get off their asses and celebrate his life and not mourn his death.
I plan to do just that and drink a couple fingers of bourbon in his honor.
Rest in peace Lemmy.
Killed by Death
If you squeeze my lizard I´ll put my snake on you I´m a romantic adventure And I´m a reptile too
CHORUS: But it don´t make no difference ´cos I ain´t gonna be, easy, easy the only time I´m gonna be easy´s when I´m Killed by death Killed by death Killed by death Killed by death
I´m a lone wolf ligger But I ain´t no pretty boy I´m a backbone shiver and I´m a bundle of joy
CHORUS
But it don´t make no difference ´cos I ain´t gonna be, easy, easy the only time I´m easy´s when I´m Killed by death Killed by death Killed by death Killed by death
Killed by death Killed by death Killed by death Killed by death
Through good times and bad I have always been a huge fan and follower of Metallica. Even as they foolishly went off track following the path Bob Rock set for them throughout most of the 1990’s through the disastrous St. Anger debacle as they tried to return to their earlier sound, I have always followed this band which made up the original Big 4 of thrash metal (Metallica, Anthrax, Slayer and Megadeth).
It was on their 1998 cover album, Garage Inc., that the band released one of their most popular songs. It wasn’t an original, but a cover of the classic Bob Seger hard rock song about the hard road and life of a musician. Seger’s “Turn the Page” is just one of those hard rock tunes that latches onto the listener and forces them to listen and understand. Most such songs tend to be quite pretentious with nothing much to say once the listener really pays attention. The same cannot be said about Seger’s song.
Metallica decided to cover this song for their Garage Inc. album which was all about them covering their own favorite hard rock and metal songs of the past. While Metallica kept the original’s tempo, they added their own heavier and harder edge to song that straddles the line between hard rock and heavy metal. Even James Hetfield’s alcohol and cigarette ravaged vocals lent a sense of the hard road and life the track sings about.
The biggest change from the Seger song to Metallica’s cover has to be the accompanying music video which still remains one of the most controversial in MTV’s music video history (well, when they still played music videos). Seger’s song was released in 1973 when the concept of music video was nonexistent. With Metallica’s cover it was almost a guarantee that it would get a music video and what a video it was and still is.
The video was directed by Jonas Akerlund who had made a name for himself directing some of the most creative and innovative music videos of the day. His take on the song switches from a musician’s hard road and life on the road to that of a single mother trying to make ends meet as an erotic dancer by day and a prostitute by night to provide for her young daughter. The video was banned from receiving any sort of airplay on MTV as it dealt and showed the disturbing side of such a life. The fact that the tamer version of the video (below) still couldn’t make it on the airwaves just showed how much more haunting and controversial the uncensored version turned out to be.
Turn the Page
On a long and lonesome highway, East of Omaha You can listen to the engines Moanin’ out it’s one note song You can think about the woman, Or the girl you knew the night before But your thoughts will soon be wanderin’, The way they always do When you’re ridin’ 16 hours, And there’s nothin’ much to do And you don’t feel much like ridin’, You just wish the trip was through
(Chorus)
Here I am, on the road again, There I am, up on the stage There I go, playin’ star again, There I go, turn the page
So you walk into this restaurant, All strung out from the road And you feel the eyes upon you, As you’re shakin’ off the cold You pretend it doesn’t bother you, But you just want to explode Yeah, most times you can’t hear ’em talk, Other times you can
All the same old cliches, Is it woman, is it man And you always seem outnumbered, You don’t dare make a stand Make your stand
(Chorus) Ah But here I am, on the road again, There I am, up on the stage Here I go, ah playin’ star again, There I go, turn the page Woah
Out there in the spotlight, You’re a million miles away Every ounce of energy, You try and give away As the sweat pours out your body, Like the music that you play
Later in the evenin’, As you lie awake in bed With the echoes of the amplifiers, Ringin’ in your head You smoke the day’s last cigarette, Rememberin’ what she said
What she said
Yeah, and here I am, On the road again, There I am, up on that stage Here I go, playin’ star again, There I go, turn the page And there I go, turn that page
There I go, yeah, Here I go, yeah, yeah There I go, yeah, Here I go, yeah Here I go, There I go And I’m gone
If there was ever a song that’s become synonymous with a TV series (and there’s been a lot of them) then I would say that the latest “Song of the Day” would be at the top of this particular mountain. This particular song became the signature song of the series. I am talking about that classic song from 70’s progressive rock group Kansas, “Carry On Wayward Song”.
The song was released as part of the band’s Leftoverture full-length album. The single for the song was released around 1976 and became one of the band’s biggest hits. “Carry On Wayward Son” is just one of those songs which instantly hooks you and won’t let go. From the acapella intro followed up by a prolonged progressive section that leads up to vocals accompanied by some subtle percussions and keyboards.
Then there’s lead guitarist and founding member Kerry Livgren starting, bridging then ending the song with guitar solos that were all different from each other. One usually will see two solos, but three in and in three different instances tend to be the exception to the rule.
In the long run this song will stick to your mind once it catches a hold of you and you’ll be happy to sing-along whenever it comes on. For Supernatural fans this song has become an anthem for their favorite show and definitely will send Wincest fans of the two brothers in the show into a-twitter.
Carry On Wayward Son
Carry on my wayward son
There’ll be peace when you are done
Lay your weary head to rest
Don’t you cry no more
(guitar solo)
Once I rose above the noise and confusion Just to get a glimpse beyond this illusion I was soaring ever higher But I flew too high Though my eyes could see I still was a blind man Though my mind could think I still was a madman I hear the voices when I’m dreaming I can hear them say
Carry on my wayward son There’ll be peace when you are done Lay your weary head to rest Don’t you cry no more
(guitar solo)
Masquerading as a man with a reason My charade is the event of the season And if I claim to be a wise man It surely means that I don’t know On a stormy sea of moving emotion Tossed about I’m like a ship on the ocean I set a course for winds of fortune But I hear the voices say
Carry on, you will always remember Carry on, nothing equals the splendor Now your life’s no longer empty Surely heaven waits for you
Carry on my wayward son
There’ll be peace when you are done
Lay your weary head to rest
Don’t you cry no more
I think I’ve been saying that all day and it’s all because of a very catchy and classic hard rock song from my youth. It’s also the latest “Song of the Day” and marks another entry in the current series of great guitar solos.
“Rock You Like A Hurricane” by Scorpions was one of those rock songs during the 1980’s that really help propel a very good rock band into the next level of epicness (yes, that’s a word I decided is a real one). It was also a song that took advantage of the new visual media called music video to help market it to a much wider audience.
Many people tend to just fixate on the chorus of the song and tend to not remember the bulk of the songs lyrics. If they did they would realize it’s quite the raunchy bit of songwriting. The song is pretty much about someone looking to hook up and once partner has been chosen…well we know by the chorus how the encounter will develop and end up.
For a song about no-nonsense one-night stands it also has a classic guitar solo in the middle by lead guitarist Matthias Jabs that has been admired by listeners since the song’s inception. Jabs might not be as well known outside of the hard rock and heavy metal community, but his guitar playing talent was and is just as good as any of his contemporaries during the early 80’s.
Rock You Like A Hurricane
It’s early morning, the sun comes out Last night was shaking and pretty loud My cat is purring, it scratches my skin So what is wrong with another sin?
The bitch is hungry, she needs to tell So give her inches and feed her well More days to come, new places to go I’ve got to leave, it’s time for a show
Here I am Rock you like a hurricane Here I am Rock you like a hurricane
My body is burning, it starts to shout Desire is coming, it breaks out loud Lust is in cages till storm breaks loose Just have to make it with someone I choose
The night is calling, I have to go The wolf is hungry, he runs the show He’s licking his lips, he’s ready to win On the hunt tonight for love at first sting
Here I am Rock you like a hurricane (Are you ready, baby?) Here I am Rock you like a hurricane Here I am Rock you like a hurricane (Come on, come on, baby) Here I am Rock you like a hurricane
Rock you like a hurricane
(guitar solo)
It’s early morning, the sun comes out Last night was shaking and pretty loud My cat is purring, it scratched my skin So what is wrong with another sin?
The night is calling, I have to go The wolf is hungry, he runs the show He’s licking his lips, he’s ready to win On the hunt tonight for love at first sting
Here I am Rock you like a hurricane (Are you ready, baby?) Here I am Rock you like a hurricane Here I am Rock you like a hurricane (Come on, come on, come on, come on, come on) Here I am Rock you like a hurricane
Even though it’s a day late I should still include as the latest “Song of the Day” an epic song from the greatest rock band to come out of the Emerald Isle.
The band is Thin Lizzy. The song is “Róisín Dubh (Black Rose)”.
I would’ve added this song somewhere down in the future even if it didn’t have an awesome guitar solo that segues into dueling guitars during the middle section. Why you ask would I have added it well it’s because it’s Thin Lizzy and was a great marriage of traditional Celtic music with that very American folksy blues rock that was huge during the 1970’s.
Phil Lynott (R.I.P.) does an amazing job on bass and with the vocals (one of the best there ever was on the mic). Yet, the song soars once Gary Moore and Scott Gorham start battling it out in the middle section with an opening guitar solo and then both going at it.
So, yes it is a great addition to our ongoing “Greatest Guitar Solos” series within the “Song of the Day” feature.
Róisín Dubh
Tell me the legends of long ago When the kings and queens would dance in the realm of the Black Rose Play me their melodies I want to know So I can teach my children, oh
Pray tell me the story of young Cuchulainn How his eyes were dark his expression sullen And how he’d fight and always won And how they cried when he was fallen
Oh tell me the story of the Queen of this land And how her sons died at her own hand And how fools obey commands Oh tell me the legends of long ago
Where the mountains of Mourne come down to the sea Will she no come back to me Will she no come back to me
Oh Shenandoah I hear you calling Far away you rolling river All down the mountain side All around the green heather go lassie go
(dueling guitar solos)
Oh Tell me the legends of long ago When the kings and queens would dance in the realms of the Black Rose Play me their melodies so I might know So I can tell my children, oh
My Roisin Dubh is my one and only true love It was a joy that Joyce brought to me While William Butler waits And Oscar, he’s going Wilde
Ah sure, Brendan where have you Behan? Looking for a girl with green eyes My dark Rosaleen is my only colleen That Georgie knows Best
But Van is the man Starvation once again Drinking whiskey in the jar-o Synge’s Playboy of the Western World
As Shaw, Sean I was born and reared there Where the Mountains of Mourne come down to the sea It’s such a long, long way from Tipperary
Through the Shattered Lens 