Tag Archives: Film

The Boston Online Film Critics Honor Nomadland

Posted on by Lisa Marie Bowman

The Boston Online Film Critics announced their picks for the best of 2020 today and Nomadland picked up another win.  I have a feeling that I’m going to soon get bored with Nomadland winning awards from the critics.  That’s not a knock on Nomadland as much as it’s just a lament for a more varied awards season.  Oh well!

​Top 10 of 2020
1. Nomadland
2. First Cow
3. Da 5 Bloods
4. Never Rarely Sometimes Always
5. Minari
6. Lovers Rock
7. Promising Young Woman
8. Mank
9. Dick Johnson is Dead
10. Ma Rainey’s Black Bottom

Best Director
Chloé Zhao – Nomadland

Best Actress
Frances McDormand – Nomadland

Best Actor
Delroy Lindo – Da 5 Bloods

Best Supporting Actor
Paul Raci – Sound of Metal

Best Supporting Actress
Maria Bakalova – Borat: Subsequent Moviefilm

Best Screenplay
Charlie Kaufman – I’m Thinking of Ending Things

Best Cinematography
Joshua James Richards – Nomadland

Best Editing
Chloé Zhao – Nomadland

Best Score
Trent Reznor and Atticus Ross – Soul

Best Ensemble
Ma Rainey’s Black Bottom

Best Animated Film
Wolfwalkers

Best Documentary
The Painter and the Thief

Best International Feature
Bacurau

The New York Film Critics Circle Honors First Cow

Posted on by Lisa Marie Bowman

Earlier today, the New York Film Critics Circle (NYFCC) announced their picks for the best of 2020!

And here they are:

Best Film
First Cow

Best Director
Chloé Zhao – Nomadland

Best Screenplay
Eliza Hittman – Never Rarely Sometimes Always

Best Actress
Sidney Flanigan – Never Rarely Sometimes Always
​
Best Actor
Delroy Lindo – Da 5 Bloods
​
​Best Supporting Actress
Maria Bakalova – Borat Subsequent Moviefilm
​
Best Supporting Actor
Chadwick Boseman – Da 5 Bloods

Best Cinematography
Small Axe (All Films)
​​
​Best Animated Feature
Wolfwalkers

Best Non-Fiction Film
Time

Best Foreign Language Film
Bacurau
​
Best First Film
The Forty-Year-Old-Version

Special Awards
Kino Lorber, for their creation of Kino Marquee, a virtual cinema distribution service that was designed to help support movie theaters, not destroy them.
Spike Lee for inspiring the New York community with his short film “New York New York” and for advocating for a better society through cinema.

The 2020 Chicago Film Critics Association Snubs Capone

Posted on by Lisa Marie Bowman

Here are the 2020 nominees of the Chicago Film Critics Association!  While they nominated many worthy films and performers, one cannot help but notice that they totally snubbed Capone and Tom Hardy.  That seems a bit ungrateful, considering all that Al Capone did for the city of Chicago.

The winners will be announced on December 21st!

BEST PICTURE
Da 5 Bloods
First Cow
Lovers Rock
Nomadland
Promising Young Woman

BEST DIRECTOR
Emerald Fennell – Promising Young Woman
Spike Lee – Da 5 Bloods
Steve McQueen – Lovers Rock
Kelly Reichardt – First Cow
Chloé Zhao – Nomadland

BEST ACTOR
Riz Ahmed – Sound of Metal
Chadwick Boseman – Ma Rainey’s Black Bottom
Anthony Hopkins – The Father
Delroy Lindo – Da 5 Bloods
Steven Yeun – Minari

BEST ACTRESS
Jessie Buckley – I’m Thinking of Ending Things
Carrie Coon – The Nest
Viola Davis – Ma Rainey’s Black Bottom
Frances McDormand – Nomadland
Carey Mulligan – Promising Young Woman

BEST SUPPORTING ACTOR
Chadwick Boseman – Da 5 Bloods
Bill Murray – On the Rocks
Leslie Odom, Jr. – One Night in Miami
Paul Raci – Sound of Metal
David Strathairn – Nomadland

BEST SUPPORTING ACTRESS
Maria Bakalova – Borat Subsequent Moviefilm
Toni Collette – I’m Thinking of Ending Things
Amanda Seyfried – Mank
Letitia Wright – Mangrove
Yuh-Jung Youn – Minari

BEST ORIGINAL SCREENPLAY
Da 5 Bloods – Danny Bilson, Paul De Meo, Kevin Willmott & Spike Lee
Never Rarely Sometimes Always – Eliza Hittman
Promising Young Woman – Emerald Fennell
Soul – Pete Docter, Mike Jones & Kemp Powers
The Trial of the Chicago 7 – Aaron Sorkin

BEST ADAPTED SCREENPLAY
The Father – Christopher Hampton & Florian Zeller
First Cow – Jonathan Raymond & Kelly Reichardt
I’m Thinking of Ending Things – Charlie Kaufman
Nomadland – Chloé Zhao
One Night in Miami – Kemp Powers

BEST ANIMATED FILM
Onward
A Shaun the Sheep Movie: Farmageddon
Soul
The Wolf House
Wolfwalkers

BEST DOCUMENTARY
Collective
David Byrne’s American Utopia
Dick Johnson is Dead
The Social Dilemma
Time

BEST FOREIGN LANGUAGE FILM
(A tie in the nominations process resulted in six nominees in this category)
Another Round
Bacurau
Beanpole
Collective
La Llorona
Vitalina Varela

BEST CINEMATOGRAPHY
First Cow – Christopher Blauvelt
Lovers Rock – Shabier Kirchner
Mank – Erik Messerschmidt
Nomadland – Joshua James Richards
The Vast of Night – Miguel Ioann Littin Menz

BEST ORIGINAL SCORE
Da 5 Bloods – Terence Blanchard
Ma Rainey’s Black Bottom – Branford Marsalis
Mank – Trent Reznor & Atticus Ross
Soul – Trent Reznor & Atticus Ross and Jon Batiste
Tenet – Ludwig Goransson

BEST ART DIRECTION
Birds of Prey
Emma.
First Cow
I’m Thinking of Ending Things
Mank

BEST COSTUME DESIGN
Birds of Prey
Emma.
First Cow
Ma Rainey’s Black Bottom
Mank

BEST USE OF VISUAL EFFECTS
I’m Thinking of Ending Things
The Invisible Man
The Midnight Sky
Possessor
Tenet

BEST EDITING
I’m Thinking of Ending Things – Robert Frazen
Lovers Rock – Chris Dickens & Steve McQueen
Nomadland – Chloé Zhao
Tenet – Jennifer Lame
The Trial of the Chicago 7 – Alan Baumgarten

MILOS STEHLIK AWARD FOR PROMISING FILMMAKER
Radha Blank – The Forty-Year-Old Version
Lee Isaac Chung – Minari
Emerald Fennell – Promising Young Woman
Darius Marder – Sound of Metal
Andrew Patterson – The Vast of Night

MOST PROMISING PERFORMER
Maria Bakalova – Borat Subsequent Moviefilm
Kingsley Ben-Adir – One Night in Miami
Sidney Flanigan – Never Rarely Sometimes Always
Kelly O’Sullivan – Saint Frances
Helena Zengel – News of the World

Here Are The 2020 Florida Film Critics Circle Nominations!

Posted on by Lisa Marie Bowman

The Florida Film Critics Circle announced their nominees for the best of 2020 earlier today!

All I can say is “Thank you, Florida, for doing the right thing!”  Seriously, the best films of 2020 should be announced in December of 2020 and January of 2021.  This whole extended eligibility window that a lot of groups are doing because of the pandemic is idiotic.

Another thing that I’ve noticed is that the late Brian Dennehy has been getting some critical support for his final performance in Driveways.  (I’ll be seeing Driveways next week.)  It would be interesting if both Denney and Chadwick Boseman landed nominations.  I’m not sure which year holds the record for the most posthumous nominations but, if both Boseman and Denney were nominated for Oscars, it would be the first time that there was more than one posthumous acting nominee.

Here’s the nominees.  The winners will be announced on the 21st!

BEST PICTURE
First Cow
Nomadland
The Trial of the Chicago 7
Minari

BEST ACTOR
Chadwick Boseman – Ma Rainey’s Black Bottom
Anthony Hopkins – The Father
John Magaro – First Cow
Riz Ahmed – Sound of Metal

BEST ACTRESS
Viola Davis – Ma Rainey’s Black Bottom
Carrie Coon – The Nest
Elisabeth Moss – Shirley
Frances McDormand – Nomadland
Carey Mulligan – Promising Young Woman

BEST SUPPORTING ACTOR
Chadwick Boseman – Da 5 Bloods
Paul Raci – Sound of Metal
Brian Dennehy – Driveways
Sacha Baron Cohen – The Trial of the Chicago 7
Bill Murray – On the Rocks

BEST SUPPORTING ACTRESS
Maria Bakalova – Borat Subsequent Moviefilm
Swankie – Nomadland
Yuh-Jung Youn – Minari
Jane Adams – She Dies Tomorrow

BEST ENSEMBLE
Mangrove
The Trial of the Chicago 7
Ma Rainey’s Black Bottom
Minari

BEST DIRECTOR
Florian Zeller – The Father
Kelly Reichardt – First Cow
Chloé Zhao – Nomadland
Lee Isaac Chung – Minari
Aaron Sorkin – The Trial of the Chicago 7

BEST ORIGINAL SCREENPLAY
Aaron Sorkin – The Trial of the Chicago 7
Peter Docter/ Kemp Powers/Mike Jones – Soul
Jack Fincher – Mank
Emerald Fennell – Promising Young Woman
Lee Isaac Chung – Minari

BEST ADAPTED SCREENPLAY
Ruben Santiago-Hudson – Ma Rainey’s Black Bottom
Jon Raymond/ Kelly Reichardt – First Cow
Florian Zeller/Christopher Hampton – The Father
Chloé Zhao – Nomadland
Charlie Kaufman – I’m Thinking of Ending Things

BEST CINEMATOGRAPHY
Shabier Kirchner – Lovers Rock
Hoyte van Hoytema – Tenet
Victor Kossakovsky/Egil Håskjold Larsen – Gunda
Erik Messerschmidt – Mank
Joshua James Richards – Nomadland

BEST VISUAL EFFECTS
Andrew Jackson – Tenet
Mark Bakowski – The Midnight Sky
Murray Barber – Possessor

BEST ART DIRECTION/PRODUCTIOIN
Dan Webster – Mank
Kirby Feagan – Shirley
Adam Marshall – Lovers Rock

BEST SCORE
Ludwig Göransson – Tenet
William Tyler – First Cow
Trent Reznor/Atticus Ross/Jon Batiste – Soul
Alexandre Desplat – The Midnight Sky

BEST DOCUMENTARY
Dick Johnson is Dead
Gunda
You Don’t Nomi
Time
David Byrne’s American Utopia

BEST FOREIGN LANGUAGE FILM
Los Fuertes
Those Who Remained
Minari
The Painted Bird
Dry Wind

BEST ANIMATED FILM
Wolfwalkers
Soul
Ride Your Wave
The Wolf House
Over the Moon

BEST FIRST FILM
Promising Young Woman
The Forty-Year-Old Version
Relic
The Father
Some Kind of Heaven

BREAKOUT AWARD
Sidney Flanigan – Never Rarely Sometimes Always
Odessa Young – Shirley
Maria Bakalova – Borat Subsequent Moviefilm
Marin Ireland – The Dark and the Wicked
Lucas Jaye – Driveways

THE GOLDEN ORANGE AWARD
ENZIAN Theater
Keisha Rae Witherspoon
Amy Seimetz

Here Are The Nominees of the 2020 Indiana Film Journalists Assosciation!

Posted on by Lisa Marie Bowman

Bad Education

The Indiana Film Journalists Association (IJA) has announced their nominees for the best of 2020!  They’ll be announcing the winners on December 21st!

What I like about these nominations is that there’s a lot of them.  2020 may have been a difficult year for many but there were a lot of good films released and it does seem kind of silly (as it does every year) to limit things to some sort of arbitrary number.  Why only nominate 10 films when you could nominate 20 or 30?  Many of the nominees below will appear on my own personal best lists in January.

The other thing that I like about these nominees is that the include films like Bad Education and Mangrove.  There’s some debate as to whether or not these films should be considered Oscar eligible.  I feel that they should be so it’s nice to see that the folks in Indiana agree with me!

Here are the nominees:

BEST FILM
Da 5 Bloods
Another Round
The Assistant
Athlete A
Bad Education
Crip Camp: A Disability Revolution
Dick Johnson is Dead
Emma.
The Father
First Cow
I’m Thinking of Ending Things
Ma Rainey’s Black Bottom
Minari
The Nest
Never Rarely Sometimes Always
Nomadland
One Night in Miami
Palm Springs
The Personal History of David Copperfield
Possessor
Promising Young Woman
Small Axe: Mangrove
Song Without a Name
Soul
Sound of Metal
The Trial of the Chicago 7
The Twentieth Century
The Vast of Night

BEST ANIMATED FEATURE
Onward
Soul
Wolfwalkers

BEST FOREIGN LANGUAGE FILM
76 Days
Another Round
Bacurau
Beanpole
La Dosis
Song Without a Name

BEST DOCUMENTARY
76 Days
All In: The Fight for Democracy
Athlete A
Boys State
Crip Camp: A Disability Revolution
Desert One
Dick Johnson is Dead
Disclosure
John Lewis: Good Trouble
The Last Out
Miss Americana
MLK/FBI
Time
Totally Under Control
Welcome to Chechnya

BEST ORIGINAL SCREENPLAY
Lee Isaac Chung – Minari
Brandon Cronenberg – Possessor
Pete Docter, Mike Jones and Kemp Powers – Soul
Sean Durkin – The Nest
Emerald Fennell – Promising Young Woman
Kitty Green – The Assistant
Eliza Hittman – Never Rarely Sometimes Always
Tobias Lindholm and Thomas Vinterberg – Another Round
James Montague and Craig W. Sanger – The Vast of Night
Matthew Rankin – The Twentieth Century
Andy Siara – Palm Springs
Aaron Sorkin – The Trial of the Chicago 7
Alice Wu – The Half of It

BEST ADAPTED SCREENPLAY
Christopher Hampton and Florian Zeller – The Father
Armando Iannucci and Simon Blackwell – The Personal History of David Copperfield
Charlie Kaufman – I’m Thinking of Ending Things
Mike Makowsky – Bad Education
Kemp Powers – One Night in Miami
Jonathan Raymond and Kelly Reichardt – First Cow
Ruben Santiago-Hudson – Ma Rainey’s Black Bottom
Chloé Zhao – Nomadland

BEST DIRECTOR
Lee Isaac Chung – Minari
Brandon Cronenberg – Possessor
Pete Docter – Soul
Sean Durkin – The Nest
Emerald Fennell – Promising Young Woman
Kitty Green – The Assistant
Eliza Hittman – Never Rarely Sometimes Always
Kirsten Johnson – Dick Johnson is Dead
Charlie Kaufman – I’m Thinking of Ending Things
Regina King – One Night in Miami
Spike Lee – Da 5 Bloods
Melina Léon – Song Without a Name
Steve McQueen – Small Axe: Mangrove
Matthew Rankin – The Twentieth Century
Kelly Reichardt – First Cow
Aaron Sorkin – The Trial of the Chicago 7
George C. Wolfe – Ma Rainey’s Black Bottom
Alice Wu – The Half of It
Chloé Zhao – Nomadland

BEST ACTRESS
Haley Bennett – Swallow
Jessie Buckley – I’m Thinking of Ending Things
Carrie Coon – The Nest
Viola Davis – Ma Rainey’s Black Bottom
Sidney Flanigin – Never Rarely Sometimes Always
Julia Garner – The Assistant
Han Ye-ri – Minari
Leah Lewis – The Half of It
Rachel McAdams – Eurovision Song Contest: The Story of Fire Saga
Frances McDormand – Nomadland
Pamela Mendoza – Song Without a Name
Cristin Milioti – Palm Springs
Elisabeth Moss – The Invisible Man
Carey Mulligan – Promising Young Woman
Aubrey Plaza – Black Bear
Margot Robbie – BIrds of Prey (and the Fantabulous Emancipation of One Harley Quinn)
Anya Taylor-Joy – Emma.

BEST SUPPORTING ACTRESS
Jane Adams – She Dies Tomorrow
Maria Bakalova – Borat Subsequent Moviefilm
Toni Collette – I’m Thinking of Ending Things
Olivia Colman – The Father
Olivia Cooke – Sound of Metal
Allison Janney – Bad Education
Margo Martindale – Blow the Man Down
Talia Ryder – Never Rarely Sometimes Always
Youn Yuh-jung – Minari

BEST ACTOR
Christopher Abbott – Possessor
Ben Affleck – The Way Back
Riz Ahmed – Sound of Metal
Kingsley Ben-Adir – One Night in Miami
Paul Bettany – Uncle Frank
Chadwick Boseman – Ma Rainey’s Black Bottom
Eli Goree – One Night in Miami
Anthony Hopkins – The Father
Hugh Jackman – Bad Education
Jude Law – The Nest
Delroy Lindo – Da 5 Bloods
Mads Mikkelsen – Another Round
Jesse Plemons – I’m Thinking of Ending Things
Eddie Redmayne – The Trial of the Chicago 7
Steven Yeun – Minari

BEST SUPPORTING ACTOR
Chadwick Boseman, Da 5 Bloods
Bo Burnham – Promising Young Woman
Bill Burr – The King of Staten Island
Peter Capaldi – The Personal History of David Copperfield
Colman Domingo – Ma Rainey’s Black Bottom
Aldis Hodge – One Night in Miami
Caleb Landry Jones – The Outpost
Alan Kim – Minari
Frank Langella – The Trial of the Chicago 7
Orion Lee – First Cow
Ewan McGregor – BIrds of Prey (and the Fantabulous Emancipation of One Harley Quinn)
Bill Murray – On the Rocks
Leslie Odom, Jr. – One Night in Miami
Paul Raci – Sound of Metal
J.K. Simmons – Palm Springs
Dan Stevens – Eurovision Song Contest: The Story of Fire Saga
David Strathairn – Nomadland
David Thewlis – I’m Thinking of Ending Things

BEST VOCAL / MOTION CAPTURE PERFORMANCE
Sean Bean – Wolfwalkers
Tina Fey – Soul
Jamie Foxx – Soul
Oliver Platt – I’m Thinking of Ending Things
Donald Ray Pollock – The Devil All the Time
Ben Schwartz – Sonic the Hedgehog

BEST ENSEMBLE ACTING
Da 5 Bloods
Another Round
The Devil All the Time
I’m Thinking of Ending Things
The King of Staten Island
Ma Rainey’s Black Bottom
Minari
One Night in Miami
The Personal History of David Copperfield
She Dies Tomorrow
The Trial of the Chicago 7
Uncle Frank

BEST MUSICAL SCORE
Erick Alexander and Jared Bulmer – The Vast of Night
Terence Blanchard – One Night in Miami
Ludovico Einaudi – Nomadland
Ludwig Göransson – Tenet
Emile Mosseri – Minari
Richard Reed Parry – The Nest
Trent Reznor and Atticus Ross – Soul
William Tyler – First Cow
Jay Wadley – I’m Thinking of Ending Things
Isobel Waller-Bridge and David Schweitzer – Emma.
Benjamin Wallfisch – The Invisible Man
Jim Williams – Possessor

BREAKOUT OF THE YEAR
Maria Bakalova (actress) – Borat Subsequent Moviefilm
Max Barbakow (director) – Palm Springs
Emerald Fennell (writer / director) – Promising Young Woman
Sidney Flanigin (actress) – Never Rarely Sometimes Always
Alan Kim (actor) – Minari
Orion Lee (actor) – First Cow
Leah Lewis (actress) – The Half of It
Darius Marder (writer / director) – Sound of Metal
Andrew Patterson (director) – The Vast of Night
Tayarisha Poe (writer / director) – Selah and the Spades
Kemp Powers – co-writer / co-director for Soul and writer for One Night in Miami
Matthew Rankin (writer / director) – The Twentieth Century
Andy Siara (writer) – Palm Springs
Autumn de Wilde (director) – Emma.

HOOSIER AWARD
Athlete A
Eliza Hittman, writer / director of Never Rarely Sometimes Always and graduate of Indiana University

ORIGINAL VISION AWARD
After Midnight
Assassin 33 A.D.
Dick Johnson is Dead
I’m Thinking of Ending Things
Possessor
Promising Young Woman
She Dies Tomorrow
The Twentieth Century
The Vast of Night
Vivarium

Mangrove

The Boston Society of Film Critics Honors Nomadland

Posted on by Lisa Marie Bowman

Like all things this year, 2020’s Awards Season is a bit strange.  Because the Academy foolishly decided to extend the Oscar-eligibility window to February, several groups sold out and moved their annual awards back as well.  The National Board of Review, for instance, won’t be giving out their awards until February or something stupid like that.

Fortunately, some groups — like the Boston Society of Film Critics — are continuing to honor the best of 2020 at the end of 2020.  I love these groups because they’re reminding us that these awards are supposed to be about the movies and not about influencing the Academy.  I mean — seriously, the best films of 2020 should be films that came out in 2020, not films that came out in 2020 and the first two months of 2021.

On that note, earlier today, the Boston Society of Film Critics announced their picks for the best of 2020.

And here they are:

Best Picture
Nomadland
Runners Up: First Cow

Best Foreign Language Film
La Llorona
Runner Up – The Painted Bird
​
Best Director
Chloé Zhao – Nomadland
Runner Up: Kelly Reichardt – First Cow

Best Ensemble
Ma Rainey’s Black Bottom
Runner Up: Minari

Best Actor
Anthony Hopkins – The Father
Runner Up: Riz Ahmed – Sound of Metal

Best Actress
Sidney Flanigan – Never Rarely Sometimes Always
​Runner Up: Julia Garner – The Assistant
​
Best Supporting Actor
Paul Raci – Sound of Metal
Runner Up: Brian Dennehy – Driveways

Best Supporting Actress
Youn Yuh-jung – Minari
Runner Up: Amanda Seyfried – Mank

Best Screenplay
I’m Thinking Of Ending Things
​Runner Up: First Cow

Best New Filmmaker
Florian Zeller – The Father
Runner Up: Autumn de Wilde – Emma.

Best Documentary
Collective
​Runner Up: The Painter & The Thief

Best Animated Feature
The Wolf House
​Runner Up: Wolfwalkers

Best Cinematography
Nomadland
Runner Up: Lover’s Rock

Best Editing
I’m Thinking Of Ending Things
Runner Up: Nomadland

Best Score
Minari
Runner Up: Mank

Holiday Film Review: A Very British Christmas (dir by Steven Nesbit)

Posted on by Lisa Marie Bowman

2019’s A Very British Christmas tells the story of Jessica (Rachel Shenton), a world-famous singer who misses her flight to Vienna and somehow ends up stuck in a small country village in England.  Now, to be honest, I’m not really sure how Jessica missed her flight or why she ended up in that village.  I probably missed some important dialogue in the beginning to explain the problem with the flight and arriving in the village had something to do with getting too relaxed on a train.  But, to be honest, in the grand scheme of the film’s overall story, it really doesn’t matter why she’s in the village or why she missed her plane.

Instead, what’s important is that it’s nearly Christmas and Jessica needs a place to stay.  Fortunately, the local B&B is owned by a handsome widower named Andrew (Mark Killeen).  Andrew lives with his adorable daughter and his caring mother.  He’s not only a perfect host but he’s also an aspiring artist and he’s also the one man in the village who can hopefully convince the rest of the landowners not to sell out to a mining company….

Does all this sound familiar?  This may be a very British Christmas but it’s also a very Hallmark-y Christmas, even though this is not technically a Hallmark film.  That said, it has everything that you would typically expect from a Hallmark Christmas film.  Rachel and Andrew fall in love.  They do Christmas stuff.  They tour the countryside.  Rachel has to decide whether to stay in the village or to leave so that she can continue with her career.  You already know what’s going to happen.

I have to admit that I do wish that the film had been a bit more British.  Nowadays, when I hear the term “Very British,” I assume that means that there will at least be a fierce debate over Brexit, a good deal of casual profanity, and a lot of football talk.  Instead, this movie takes place in the type of British village that we Americans like to fantasize about, the place where all of the streets are cobblestone, all the citizens are friendly and earnest and everyone has mince pies for breakfast.

That said, it’s a sweet movie and, if you like this sort of thing, you should enjoy A Very British Christmas.  The scenery is nice, the actors are all likable, and the Christmas cheer cannot be denied.  One thing that I particularly appreciated about this film is that Rachel wasn’t presented as being someone who hated Christmas or who needed a man to show her how to embrace the holiday spirit.  Instead, Rachel pretty much falls in love with both the village and the B&B as soon as she sees it.  She’s not a snob or a cynic who needs be taught the importance of family and love.  Instead, she’s a nice person who meets a bunch of other nice people in a nice village and they all have a nice holiday.  You may have noticed that the key word here is “nice.”  There’s no darkness to be found in A Very British Christmas.  Andrew is a surprisingly cheerful widower and everything pretty much works out wonderfully for everyone.  Yay!

Documentary Review: Alabama Snake (dir by Theo Love)

Posted on by Lisa Marie Bowman

Snake handling has never been for me.

Oh, don’t get me wrong.  I know that there are a lot of people who incorporate handling poisonous serpents into their religious rituals.  And I can even kind of see the appeal of it.  If the idea is that your faith is so strong that you don’t have to worry about what’s going to happen to you if you die, why not prove it by holding something that could potentially kill you?  If you believe that God is going to protect you, why would you fear handling a creature that can inject toxin straight into your bloodstream?

In fact, I’ll even go further and I’ll even acknowledge that there’s probably quite a rush that comes from successfully grabbing a snake and dancing around without getting bit.  I mean, it only makes sense.  Before you pick up the snake, you would undoubtedly be terrified.  But once you grabbed it and started to move around with it, the relief of not being bitten would have to be overwhelming.  In fact, it would probably be so overwhelming that it could potentially put you in a bit of a trance.  When I was eighteen, I was in a pretty serious car accident.  The car flipped over with me in it.  It was terrifying when it happened but after I realized that I had somehow survived the experience without only a few cuts and bruises, I was so exhilarated that I felt like I could fly.  I felt as if I had proof that I was special.  If I wasn’t special, how else could you explain me totaling my car without breaking my neck?

So, don’t get me wrong.  I get it.  That said, snake handling is not something that I could ever see myself doing.  Seriously, snake are scary!  I’ve seen my share of them and they always freak me out.  I once nearly stepped on a rattlesnake in New Mexico.  In Arkansas, I saw a water moccasin slithering down a creek.  I swear that I once saw a boa constrictor in Oklahoma, though my sisters swear that I was just dreaming and that there aren’t any boa constrictors in Oklahoma.  Maybe they’re right but still, the point stands.  I could flip my car and survive a hundred times, I’m still never going to go anywhere near a snake.

Alabama Snake is a creepy true crime documentary about Glenn Summerfield, a Pentecostal minister who did handle snakes.  In fact, he had an entire farm of them.  In 1991, he was arrested for trying to murder his wife, Darlene, with those snakes.  Darlene claimed that Glenn was an angry and mentally unbalanced drunk who forced her to stick her hand into a box of rattlesnakes, not once but twice.  The defense claimed that Darlene was trying to kill Glenn with the snakes but that she accidentally got bitten instead.

Featuring commentary from local historian and folklorist Thomas Burton, Alabama Snake takes a look at the crime, the trial, and the culture of fundamentalist serpent handling.  It’s a Southern Gothic horror story and it makes for creepy and atmospheric viewing.  Though the documentary doesn’t always go as far beneath the surface as one might hope that it would, it tells an interesting story and Thomas Burton provides lively commentary.  Fans of strange true crime will enjoy it and those of us who need another excuse to be wary of snakes will find one.

Holiday Film Review: The Christmas Chronicles 2 (dir by Chris Columbus)

Posted on by Lisa Marie Bowman

If I ever actually meet Santa Claus, I’ll be really disappointed if he doesn’t look like a bearded Kurt Russell.

Russell plays the role of St. Nicholas in The Christmas Chronicles 2 and he’s absolutely perfect in the role.  It’s not just that Russell is an intensely likable actor, though that’s certainly some of it.  Santa, after all, should be a likable character and it’s pretty much impossible not to like Kurt Russell.  Even when he was killing people in Death Proof, he was still the most likable serial killer that you could ever hope to meet.  Beyond just being likable, though, Russell brings a lot of joi de vivre to the role of Santa.  As played by Russell, Santa loves what he does.  Spreading Christmas cheer and keeping the holiday spirit alive is what he lives for.  Over the years, movies have given us stern Santas and humorous Santas and occasionally even incompetent Santas.  Kurt Russell is the fun Santa.

In The Christmas Chronicles 2, Russell is joined by his real-life partner, Goldie Hawn.  Goldie plays Mrs. Claus, who turns out to be a witch but a good one.  She’s the type of witch who makes gingerbread cookies the explode, which is certainly the best type of witch to be.  As I watched Goldie Hawn in this film, it occurred to me that if Hollywood is ever foolish enough to try to remake The Wizard of Oz, Goldie would be the perfect choice for Glinda.  Not surprisingly, Hawn and Russell have a lot of chemistry in The Christmas Chronicles 2.  They’re the perfect couple.  They’re exactly who you would hope Santa and Mrs. Claus would turn out to be.

(I have to say that, of all the Hollywood couples out there, Kurt Russell and Goldie Hawn are the couple that I would want to actually live next door to.  Kurt seems like he would be good about repairing stuff around the neighborhood while Goldie seems like she would be the type to keep an eye on my Amazon deliveries until I got home from work or wherever.  I’d much rather live next to them than George and Amal Clooney, if just because the Clooneys seem like they would be the type to complain because you accidentally clipped their yard with a lawn mower or something.)

The Christmas Chronicles 2 actually does have a plot and it tells a pretty sweet little story.  A bitter elf named Belsnickel (Julian Dennison) is trying to ruin Christmas and it’s all up to Katie (Darby Camp) and Jack (Jahzir Bruno) to help Santa and Mrs. Claus save the world’s Christmas spirit.  Along the way, Katie gets to travel through time and meet her father and both Katie and Jack learn about the importance of family.  It’s all very sincere and very sweet and if it doesn’t bring at least one tear to your eyes this holiday season, you’re hopeless.  That said, The Christmas Chronicles 2 is ultimately all about star power and charisma.  The film works because Russell and Hawn are a total joy to watch.  Consider this: it’s a 114-minute film but the main story is resolved in 90 minutes.  The remaining 24 minutes are spent watching Russell and Hawn light a Christmas tree and hang out with Santa’s elves and it’s absolutely delightful to watch!  By the end of the film, you basically just want to move to the North Pole and live with the Clauses.

The Christmas Chronicles 2 is currently on Netlfix and it’s a fun little holiday romp.  It’s perfect for kids and the adults who sometimes have to watch movies with them.  There’s a great musical number and a few surprisingly clever jokes.  (I loved that when Santa and Mrs. Claus watched It’s A Wonderful Life, it was a version that had been dubbed into the Elvish language.)  Check it out.  It’ll lift your holiday spirits.

 

Holiday Film Review: Christmas Lodge (dir by Terry Ingram)

Posted on by Lisa Marie Bowman

So, here you are.  You’re hiking in the wilderness with your boyfriend and you can’t help but notice that he doesn’t seem to be much of an outdoorsman.  He’s a city boy and you’re a mountain girl and who knows if those two cultures can come together.

Well, it turns out that they can’t but don’t worry!  No sooner has your boyfriend dumped you than you’ve found a new purpose in life!  You’re helping to restore and rebuild the old Christmas lodge where you and your family used to spend the holidays.  The important thing is to get it done quickly enough so that grandpa can see the lodge for one last time before he dies.  Fortunately, the lodge is owned by a handsome man who needs someone to be a mother for his daughter.  Perfect, right?

There’s really not a lot of conflict to be found in this film.  Erin Karpluk plays Mary, who decides to save the lodge and, at no point, does she really suffer from the type of self-doubts that you would expect someone to suffer in a film like this.  Instead, she decides to do it and then she does it.  There’s a few people who think that Mary is wasting her time but they quickly change their minds.  Even her break-up with her boyfriend has to be one of the nicest, most polite break-ups that I’ve ever seen.

Make no doubt about it, 2011’s Christmas Lodge is a holiday movie.  It’s continually positive and upbeat and unabashedly sentimental and, if you’re into that sort of thing, you’ll enjoy it.  And, to be honest, the holidays is a good time to give up cynicism and be optimistic for at least a few days.  Me, I get cheerfully sentimental when it comes to the holidays.  I smile at every Christmas tree.  I love every gift that I get.  And I usually shed a few tears while sharing memories with the family.  That’s what the holidays are for.  Christmas Lodge does a good job of tapping into that spirit.

That said, Christmas Lodge is perhaps a bit more religious that some people are going to like.  The film may seem like a typical romantic Hallmark holiday film but ultimately, there’s a lot of talk about God wanting the lodge to be built and the family to come together.  At one point, Mary’s grandfather even asks a hesitant carpenter what Jesus would do if he was told that the lodge needed to be repaired.  Personally, I suspect that he would open up the lodge to the poor and the homeless but, in Christmas Lodge, apparently he would just give up whatever other projects he had going on and lend a helping hand so the family could gather there while snow gently fell outside.

That said, I’m a sucker for any film that has people celebrating the holidays while snow gently falls from the sky.  Christmas Lodge is a sweet-natured movie.  It’s not the type of film that you’re going to watch in the harsh heat of the summer but, for the sentimental holidays, it gets the job done.