Here Are The SAG Winners!


The Screen Actors Guild honored their picks for the best of 2021 tonight and they managed to get it done in an hour and without any awkward comedy bits.  Here’s hoping the Oscars producers were paying attention.

Anyway, here are the winners!  Oscar front runner Nomadland was not nominated for the Best Ensemble award so I would caution anyone from putting all their money on The Trial of the Chicago 7 to take best picture on the basis of its SAG award.  However, I do think that Youn Yuh-jung and Daniel Kaluuya now have to be considered the front runners in the supporting races.  Chadwick Boseman, of course, was already the front runner for Best Actor.  Could Viola Davis upset Frances McDormand at the Oscars like she did at SAG?  Anything’s possible.

Here are the winners!

Outstanding Performance by a Cast in a Motion Picture
Da 5 Bloods
Ma Rainey’s Black Bottom
Minari
One Night In Miami
The Trial Of The Chicago 7

Outstanding Performance by a Male Actor in a Leading Role
Riz Ahmed – Sound Of Metal
Chadwick Boseman – Ma Rainey’s Black Bottom
Anthony Hopkins – The Father
Gary Oldman – Mank
Steven Yeun – Minari

Outstanding Performance by a Female Actor in a Leading Role
Amy Adams – Hillbilly Elegy
Viola Davis – Ma Rainey’s Black Bottom
Vanessa Kirby – Pieces Of A Woman
Frances McDormand – Nomadland
Carey Mulligan – Promising Young Woman

Outstanding Performance by an Ensemble in a Drama Series
Better Call Saul
Bridgerton
The Crown
Lovecraft Country
Ozark

Outstanding Performance by a Male Actor in a Drama Series
Jason Bateman – Ozark
Sterling K. Brown – This Is Us
Josh O’Connor – The Crown
Bob Odenkirk – Better Call Saul
Regé-Jean Page – Bridgerton

Outstanding Performance by a Female Actor in a Drama Series
Gillian Anderson – The Crown
Olivia Colman – The Crown
Emma Corrin – The Crown
Julia Garner – Ozark
Laura Linney – Ozark

Outstanding Performance by a Female Actor in a Supporting Role
Maria Bakalova – Borat Subsequent Moviefilm
Glenn Close – Hillbilly Elegy
Olivia Colman – The Father
Youn Yuh-Jung – Minari
Helena Zengel – News Of The World

Outstanding Performance by a Male Actor in a Supporting Role
Sacha Baron Cohen – The Trial Of The Chicago 7
Chadwick Boseman – Da 5 Bloods
Daniel Kaluuya – Judas And The Black Messiah
Jared Leto – The Little Things
Leslie Odom Jr. – One Night In Miami

Outstanding Performance by an Ensemble in a Comedy Series
Dead To Me
The Flight Attendant
The Great
Schitt’s Creek
Ted Lasso

Outstanding Performance by a Female Actor in a Comedy Series
Christina Applegate – Dead To Me
Linda Cardellini – Dead To Me
Kaley Cuoco – The Flight Attendant
Annie Murphy – Schitt’s Creek
Catherine O’Hara – Schitt’s Creek

Outstanding Performance by a Male Actor in a Comedy Series
Nicholas Hoult – The Great
Daniel Levy – Schitt’s Creek
Eugene Levy – Schitt’s Creek
Jason Sedukais – Ted Lasso
Ramy Youssef – Ramy

Outstanding Performance by a Female Actor in a Television Movie or Limited Series
Cate Blanchett – Mrs. America
Michaela Cole – I May Destroy You
Nicole Kidman – The Undoing
Anya Taylor-Joy – The Queen’s Gambit
Kerry Washington – Little Fires Everywhere

Outstanding Performance by a Male Actor in a Television Movie or Limited Series
Bill Camp – The Queen’s Gambit
Daveed Diggs – Hamilton
Hugh Grant – The Undoing
Ethan Hawke – The Good Lord Bird
Mark Ruffalo – I Know This Much Is True

Outstanding Performance by a Stunt Ensemble in a Motion Picture
Da 5 Bloods
Mulan
News of the World
The Trial of the Chicago 7
Wonder Woman 1984

Outstanding Performance by a Stunt Ensemble in a Comedy or Drama Series
The Boys
Cobra Kai
Lovecraft Country
The Mandalorian
Westworld

The Online Film & Television Critics Association Honors Minari!


The Online Film & Television Critics Association have named Minari the best film of 2020!

Here are all of the winners (and nominees) from OFTA!

BEST PICTURE
Da 5 Bloods
Judas and the Black Messiah
Mank
Minari (WINNER)
Nomadland
One Night in Miami
Promising Young Woman (RUNNER UP)
Soul
Sound of Metal
The Trial of the Chicago 7

BEST ANIMATED PICTURE
The Croods: A New Age
Onward
Over the Moon
Soul (WINNER)
Wolfwalkers 
(RUNNER UP)

BEST ACTOR
Riz Ahmed – Sound of Metal (RUNNER UP)
Chadwick Boseman – Ma Rainey’s Black Bottom (WINNER)

Anthony Hopkins – The Father
Delroy Lindo – Da 5 Bloods
Steven Yeun – Minari

BEST ACTRESS
Viola Davis – Ma Rainey’s Black Bottom
Vanessa Kirby – Pieces of a Woman
Frances McDormand – Nomadland (RUNNER UP)
Elisabeth Moss – The Invisible Man
Carey Mulligan – Promising Young Woman (WINNER)

BEST SUPPORTING ACTOR
Sacha Baron Cohen – The Trial of the Chicago 7
Chadwick Boseman – Da 5 Bloods
Daniel Kaluuya – Judas and the Black Messiah (WINNER)
Leslie Odom Jr. – One Night in Miami
Paul Raci – Sound of Metal (RUNNER UP)

BEST SUPPORTING ACTRESS
Maria Bakalova – Borat Subsequent Moviefilm (RUNNER UP)
Ellen Burstyn – Pieces of a Woman
Olivia Colman – The Father
Amanda Seyfried – Mank
Youn Yuh-jung – Minari (WINNER)

BEST YOUTH PERFORMANCE
Ella Jay Basco – Birds of Prey
Millie Bobby Brown – Enola Holmes
Alexis Chikaeze – Miss Juneteenth
Alan Kim – Minari (WINNER)
Helena Zengel – News of the World 
(RUNNER UP)

BEST BREAKTHROUGH PERFORMANCE: MALE
Kingsley Ben-Adir – One Night in Miami (WINNER)
Bo Burnham – Promising Young Woman
Alan Kim – Minari
Leslie Odom Jr. – One Night in Miami
Paul Raci – Sound of Metal (RUNNER UP)

BEST BREAKTHROUGH PERFORMANCE: FEMALE
Maria Bakalova – Borat Subsequent Moviefilm (WINNER)
Andra Day – The United States vs. Billie Holiday 
(RUNNER UP)
Dominique Fishback – Judas and the Black Messiah
Sidney Flanigan – Never Rarely Sometimes Always
Vanessa Kirby – Pieces of a Woman

BEST VOICE-OVER PERFORMANCE
Tina Fey – Soul
Jamie Foxx – Soul (WINNER)
Tom Holland – Onward
Honor Kneafsey – Wolfwalkers (RUNNER UP)
Eva Whittaker – Wolfwalkers

BEST ENSEMBLE
Da 5 Bloods
Ma Rainey’s Black Bottom
Minari
One Night in Miami (WINNER)
The Trial of the Chicago 7 
(RUNNER UP)

BEST CASTING
Da 5 Bloods
Minari
One Night in Miami (RUNNER UP)
Promising Young Woman (WINNER)

The Trial of the Chicago 7

BEST DIRECTOR
Lee Isaac Chung – Minari
Emerald Fennell – Promising Young Woman (RUNNER UP)
David Fincher – Mank
Regina King – One Night in Miami
Chloé Zhao – Nomadland (WINNER)

BEST FEATURE DEBUT
Kitty Green – The Assistant
Regina King – One Night in Miami
Emerald Fennell – Promising Young Woman (WINNER)
Darius Marder – Sound of Metal 
(RUNNER UP)
Florian Zeller – The Father

BEST ORIGINAL SCREENPLAY
Mank
Minari (RUNNER UP)
Promising Young Woman (WINNER)

Sound of Metal
The Trial of the Chicago 7

BEST ADAPTED SCREENPLAY
The Father
First Cow
Ma Rainey’s Black Bottom
Nomadland (WINNER)
One Night in Miami 
(RUNNER UP)

BEST FOREIGN LANGUAGE FILM
Another Round (RUNNER UP)
Bacurau
Collective
La Llorona
Minari (WINNER)

BEST DOCUMENTARY
All In: The Fight for Democracy
Boys State
Collective
Dick Johnson Is Dead (RUNNER UP)
Time (WINNER)

BEST ORIGINAL SCORE
Mank
Minari (RUNNER UP)
News of the World
Soul (WINNER)
Tenet

BEST ORIGINAL SONG
Wuhan Flu – Borat Subsequent Moviefilm
Husavik – Eurovision Song Contest: The Story of Fire Saga (RUNNER UP)
Poverty Porn – The Forty-Year-Old Version
Fight for You – Judas and the Black Messiah
Speak Now – One Night in Miami (WINNER)

BEST ADAPTED SONG
Reflection – Mulan
A Change Is Gonna Come – One Night in Miami (RUNNER UP)
Toxic – Promising Young Woman (WINNER)

It’s All Right – Soul
Strange Fruit – The United States vs. Billie Holiday

BEST FILM EDITING
Mank
Nomadland (RUNNER UP)
Sound of Metal (WINNER)

Tenet
The Trial of the Chicago 7

BEST CINEMATOGRAPHY
Da 5 Bloods
Mank (RUNNER UP)
Minari
Nomadland (WINNER)
Tenet

BEST PRODUCTION DESIGN
Emma.
Ma Rainey’s Black Bottom
Mank (WINNER)
Promising Young Woman 
(RUNNER UP)
Tenet

BEST COSTUME DESIGN
Birds of Prey
Emma. (RUNNER UP)
Ma Rainey’s Black Bottom (WINNER)

Mank
Promising Young Woman

BEST MAKEUP AND HAIR
Birds of Prey (WINNER)
Emma.
Hillbilly Elegy
Ma Rainey’s Black Bottom (RUNNER UP)
Promising Young Woman

BEST SOUND
The Invisible Man
Mank
Soul
Sound of Metal (WINNER)
Tenet 
(RUNNER UP)

BEST SOUND EFFECTS
Greyhound
The Invisible Man (RUNNER UP)
Soul
Sound of Metal (WINNER)
Tenet

BEST VISUAL EFFECTS
Birds of Prey
The Invisible Man (WINNER)
Mank
The Midnight Sky
Tenet (RUNNER UP)

BEST STUNT COORDINATION
Birds of Prey (RUNNER UP)
The Invisible Man
Mulan
Tenet (WINNER)
Wonder Woman 1984

BEST TITLES SEQUENCE
Birds of Prey (Closing)
Da 5 Bloods (Closing)
I’m Thinking of Ending Things (Closing)
The Invisible Man (Opening) (RUNNER UP)
Promising Young Woman (Opening) (WINNER)

MOST CINEMATIC MOMENT
Another Round – The dance
Birds of Prey – Harley Quinn in the Police Station
Borat Subsequent Moviefilm – Rudy Giuliani
The Invisible Man – The knife at the table scene (RUNNER UP)
Promising Young Woman – Cassie’s plan comes together (WINNER)

BEST MOVIE TRAILER
Birds of Prey (Trailer #1)
The Invisible Man (Trailer #1)
Judas and the Black Messiah
Promising Young Woman (Trailer #1) (WINNER)
Tenet (Trailer #1) (RUNNER UP)

BEST MOVIE POSTER
Birds of Prey (Poster #1)
Birds of Prey (Poster #2)
Da 5 Bloods (Poster #1) (RUNNER UP)
Mank (Poster #1)
Promising Young Woman (Poster #1) (WINNER)

The Makeup Artists and Hair Stylists Guild honors Ma Rainey’s Black Bottom and Birds of Prey!


The Makeup Artists and Hair Stylists Guild have announced their pics for best of 2020!  Ma Rainey’s Black Bottom and Birds of Prey picked up two awards each.

Here are the nominees and winners!

FEATURE-LENGTH MOTION PICTURE – Best Contemporary Make-Up
“Bill & Ted Face the Music” (Bill Corso, Dennis Liddiard & Stephen Kelley)
“Birds Of Prey” (Deborah Lamia Denaver, Sabrina Wilson, Miho Suzuki & Cale Thomas)
“Borat Subsequent Moviefilm” (Katy Fray, Lisa Layman & Thomas Kolarek)
“The Prom” (Eryn Krueger Mekash, J. Roy Helland, Kyra Panchenko & Donald McInnes)
“Promising Young Woman” (Angela Wells, Brigitte Hennech & Adam Christopher)

FEATURE-LENGTH MOTION PICTURE – Best Period And/Or Character Make-Up
“Bill & Ted Face the Music” (Bill Corso, Dennis Liddiard, Stephen Kelley & Bianca Appice)
“Hillbilly Elegy” (Eryn Krueger Mekash, Jamie Hess, Devin Morales & Jessica Gambardella)
“Ma Rainey’s Black Bottom” (Matiki Anoff, Sergio Lopez-Rivera, Carl Fullerton & Debi Young)
“Mank” (Gigi Williams & Michelle Audrina Kim)
“Mulan” (Denise Kum, Rick Findlater, Georgia Lockhart-Adams & James MacKinnon)

FEATURE-LENGTH MOTION PICTURE – Best Special Make-Up Effects
“Bill & Ted Face the Music” (Bill Corso, Dennis “Bill & Ted Face the Music” (Bill Corso, Kevin Yagher, Steve Wang & Stephen Kelley)
“Hillbilly Elegy” ( Eryn Krueger Mekash, Matthew Mungle & Jamie Hess)
“Mulan” (Denise Kum & Chris Fitzpatrick)
“Pinocchio” (Mark Coulier)
“The United States vs. Billie Holiday” (Adrian Morot)
“Wonder Woman 1984” (Jan Sewell & Mark Coulier)

FEATURE-LENGTH MOTION PICTURE – Best Contemporary Hair Styling
“Bill & Ted Face the Music “(Donna Spahn-Jones, Budd Bird, Jeri Baker & Ulla Gaudin)
“Birds Of Prey”  Adruitha Lee, Cassie Russek, Margarita Pidgeon & Nikki Nelms)
“Borat Subsequent Moviefilm” (Kimberly Boyenger & Tyler Ely)
“The Prom” (Chris Clark, Natalie Driscoll, Ka’Maura Eley & J. Roy Helland)
“Promising Young Woman” (Daniel Curet, Bryson Conley & Lee Ann Brittenham)

FEATURE-LENGTH MOTION PICTURE – Best Period Hair Styling And/Or Character Hair Styling
“Hillbilly Elegy” (Patricia Dehaney, Tony Ward, Martial Corneville & Stacey Butterworth)
“Ma Rainey’s Black Bottom” (Mia Neal, Larry Cherry, Leah Loukas & Tywan Williams)
“Mank” (Kimberley Spiteri & Colleen Labaff)
“Mulan” (Denise Kum, Rick Findlater, Georgia Lockhart-Adams & Terry Baliel)
“Jingle Jangle: A Christmas Journey” (Sharon Martin & Kat Fa)

Here’s The Latest Trailer For Black Widow!


The Black Widow in happier times

As I’ve said before, both on this site and on twitter, I have mixed feeling about the upcoming Black Widow film. On the one hand, Natasha was my favorite member of the Avengers and I’m glad that she’s finally getting a solo film. On the other hand, it annoys me that she’s only getting a solo film after being killed off in Avengers: Endgame. Don’t even get me started on the screwed-up logic of her sacrificing her life when Clint was the one who had basically spent 5 years killing everyone that he met. Natasha may have made mistakes when she was a spy but at least she was never a serial killer!

Apparently, the Black Widow solo film takes place in between Captain America: Civil War and Avengers: Infinity War and it seems very likely that it’s also going to serve as an origin story for a character played by Florence Pugh, who may end up becoming the new Black Widow. I hope that’s not true but, from what I’ve heard, it seems probable. I’m not particularly excited about the prospect of that happening. I don’t want a replacement Black Widow. I want the original to come back to life and I want Clint to do the right thing.

To be honest, though, I’m now at a point where I just want to see the damn movie. That release date has been moved around so much that I no longer care whether or not the film’s any good or not. I don’t care whether or not they’re going to do the right thing and resurrect Natasha from the dead. I JUST WANT TO SEE THE DAMN MOVIE! Hell, I’ll even spend the extra 30 to see it in Disney Plus, I don’t care. I JUST WANT TO SEE THE MOVIE!

Anyway, with all that in mind, Black Widow is going to be released on July 9th and it’s about time! Here’s the latest trailer:

4 Shots From 4 Films: Special Eric Rohmer Edition


4 (or more) Shots From 4 (or more) Films is just what it says it is, 4 (or more) shots from 4 (or more) of our favorite films. As opposed to the reviews and recaps that we usually post, 4 (or more) Shots From 4 (or more) Films lets the visuals do the talking.

101 years ago today, Eric Rohmer was born in Tulle, France.  He would go on to become one of the most popular and prolific directors of the French New Wave, continuing to make successful films even after many of his colleagues either retired or, like Godard, rejected the idea of traditional cinema.

In honor of Eric Rohmer’s legacy, here are….

4 Shots From 4 Eric Rohmer Films

The Collector (1967, dir by Eric Rohmer, DP: Nestor Almedros)

The Marquise of O (1976, dir by Eric Rohmer, DP: Nestor Almendros)

A Tale of Winter (1992, dir by Eric Rohmer, DP: Luc Pages)

The Lady and the Duke (2001, dir by Eric Rohmer, DP: Diane Baratier)

The Set Decorator Society of America Honors Promising Young Woman, Mank, Tenet, and The Prom!


Yesterday, the Set Decorator Society of America (SDSA) announced their picks for the best set designs of 2020!  The winners were Promising Young Woman, Mank, Tenet, and The Prom.  Out of those four, only Mank and Tenet were also nominated for the Best Production Design Oscar.

As far as the Oscar goes, I think Mank probably has the edge over Tenet, if just because the Academy seems to really, really like Mank.

Here are the SDSA nominees and winners:

Best Achievement in Décor/Design of a Contemporary Feature Film
Da 5 Bloods
Set Decoration by Jeanette Scott
with Production Design by Wynn Thomas
Hillbilly Elegy
Set Decoration by Merissa Lombardo SDSA
with Production Design by Molly Hughes
I’m Thinking of Ending Things
Set Decoration by Mattie Siegal
with Production Design by Molly Hughes
Promising Young Woman
Set Decoration by Rae Deslich SDSA
with Production Design by Michael T. Perry

Sound of Metal
Set Decoration by Tara Pavoni
with Production Design by Jeremy Woodward

Best Achievement in Décor/Design of a Period Feature Film
Emma.
Set Decoration by Stella Fox
with Production Design by Kave Quinn
Mank
Set Decoration by Jan Pascale SDSA
with Production Design by Donald Graham Burt

Ma Rainey’s Black Bottom
Set Decoration by Karen O’Hara SDSA, Diana Stoughton
with Production Design by Mark Ricker
News of the World
Set Decoration by Elizabeth Keenan SDSA
with Production Design by David Crank
The Trial of the Chicago 7
Set Decoration by Andrew Baseman SDSA
with Production Design by Shane Valentino

Best Achievement in Décor/Design of a Science Fiction or Fantasy Feature Film
The Midnight Sky
Set Decoration by John Bush
with Production Design by Jim Bissell
Palm Springs
Set Decoration by Kelsi Ephraim
with Production Design byJason Kisvarday
Roald Dahl’s The Witches
Set Decoration by Rafaella Giovannetti SDSA
with Production Design by Gary Freeman
Tenet
Set Decoration by Kathy Lucas
with Production Design by Nathan Crowley

Wonder Woman 1984
Set Decoration by Anna Lynch-Robinson SDSA
with Production Design by Aline Bonetto

Best Achievement in Décor/Design of a Comedy or Musical Feature Film
Borat Subsequent Moviefilm: Delivery of Prodigious Bribe to American Regime For Make Benefit Once Glorious Nation of Kazakhstan
Set Decoration by Alina Pentac (Romania Unit)
with Production Design by David Saenz de Maturana
Dolittle
Set Decoration by Lee Sandales
with Production Design by Dominic Watkins
Eurovision Song Contest: The Story of Fire Saga
Set Decoration by Naomi Moore
with Production Design by Paul Inglis
The King of Staten Island
Set Decoration by David Schlesinger SDSA
with Production Design by Kevin Thompson
The Prom
Set Decoration by Gene Serdena SDSA
with Production Design by Jamie Walker McCal

Lifetime Film Review: The Wrong Prince Charming (dir by David DeCoteau)


“It looks like you found the wrong prince charming!” Vivica A. Fox says towards the end of The Wrong Prince Charming.

I’ll admit that I cheered a little when Vivica said the line. If you know anything about Lifetime’s “Wrong” franchise, you know that Vivica A. Fox always plays a sympathetic authority figure who, at some point, says something along the lines of “Looks like he was the Wrong Poolboy” or “He messed with The Wrong Administrative Assistant.” One of the main reasons why people like me look forward to seeing the latest “Wrong” films is to see just how exactly the title is going to be worked into Vivica’s dialogue.

Make no doubt about it, there’s been a lot of “Wrong” films. We’ve had wrong blind dates, wrong tutors, wrong cheerleader coaches, wrong teachers, wrong real estate agents, wrong motel owners, wrong boyfriends, wrong girlfriends, and wrong houseguests. It only makes sense that we would eventually have a wrong Prince Charming.

The title character would be Prince Edward (James Nitti), who claims to be royalty but who, we learn fairly early on, is actually just a con artist who works with his assistant Liam (Jonathan Stoddard) to defraud people and corporations out of their money. Edward may be a charmer but he’s also a charlatan who is not above murdering anyone who he feels might be getting too close to the truth. That’s what greed does to people. That’s bad news for Anna (Cristine Prosperi), who is Edward’s latest target. Anna is an attorney. Among her clients is Bridget (Vivica A. Fox). After watching enough of the “Wrong” films, you really do find yourself wondering if maybe Vivica A. Fox is supposed to be playing the same character in every one of them. Maybe she just changes her name frequently as she travels across Canada and gets involved in thwarting the schemes of the wrong people. It would certainly explain a lot about the Wrong Cinematic Universe.

The thing with Lifetime’s “Wrong” films is that you either get them or you don’t. On the one hand, they’re pure melodrama. On the other hand, they’re also self-aware enough to poke fun at themselves. They’re not meant to be taken seriously, Instead, they’re diverting treats that are designed to keep the audience amused while they wait to hear Vivica pronounce someone to be “the wrong whatever.” They’re designed to be fun and usually, they are. The Wrong Prince Charming, for instance, has fun with the fact that everyone in the audience knows that anyone who claims to be a member of a royal family is probably lying to you. I’ve seen enough emails from enough financially burdened royals to know better than to trust anyone who claims to be a prince. When it comes to The Wrong Prince Charming, a good deal of the fun is to be found in catching all of Edward’s mistakes, all of the little moments when he accidentally lets his cover slip and reveals that he’s just some random commoner with a nice smile.

This is Cristine Prosperi’s 3rd wrong film She was also in The Wrong Cheerleader (“He messed with the wrong cheerleader!”) and The Wrong Neighbor. She’s also appeared in a handful of other recent Lifetime films, including Killer Competition and Murdered At 17. Before that, she played Imogen, the quirky stalker, on the final few seasons of Degrassi. Prosperi always does a good job in these films and the same is true here. She’s a sympathetic lead, even though it’s obvious from the start that she’s picked the wrong prince charming.

The Wrong Prince Charming is silly and fun, the type of movie that’s pretty much made to be watched with a snarky friend. I’m definitely looking forward to the next wrong film!

Lifetime Film Review: The Evil Twin (dir by Max McGuire)


If there’s anything I’ve learned from watching Lifetime films, it’s that anyone can afford a gigantic, three-story house with a basement, an attic, an Olympic-size swimming pool, and a guesthouse. Seriously, I don’t know why everyone always says it’s so difficult to get that first house because there are unemployed people in Lifetime films who live in mansions.

The other thing that I’ve learned from watching Lifetime films is that you’re screwed if you’ve got a twin. Seriously, your twin is always going to be evil. Your twin is always going to pretend to be you so that she can sleep with your boyfriend and murder your coworkers. Your twin is going to use her own DNA to frame you and then, once you’re imprisoned, she’s going to sell your identity to the Russian mob and then you’ll never get it back. Twins are bad news, or at least that’s the way it goes in the Lifetime Cinematic Universe. I’ve lost track of how many psycho twin films I’ve seen on Lifetime.

The most recent psycho twin film is named, appropriately enough, Evil Twin. Emily Piggford plays Emily, who flees from an abusive relationship and returns to her small hometown. She’s staying with her friend Lenah (Cory Lee, who also played Miss Oh on Degrassi) and she’s trying to get her life back together. Unfortunately, this prove difficult because random people keep walking up to Emily and yelling at her before telling her to stay out of their lives. Emily doesn’t know any of these people and is left to wonder why so many strangers suddenly hate her.

Emily also discovers that she has a twin sister named Charlotte! Charlotte, who lives in a beautiful house and who has longer hair than Emily, at first seems to be thrilled to have found her twin. She even asks Emily to turn her head so that Charlotte can see what the back of their earlobes look like. (That may sound like a strange request but I’d probably ask the same thing if I ever met my twin. Ears are fascinating things.) However, it soon turns out that …. well, you can probably guess. I mean, the movie is called Evil Twin, after all. Soon, Charlotte is pretending to be Emily and she’s attacking people left and right. You know how these things go.

Evil Twin is a bit more moody than the average Lifetime film. The fact that Emily is escaping from abuse and still dealing with the emotional trauma of her previous relationship gives the film a few more layers than the average Lifetime film and Emily Piggford does a good job playing both Emily and her twin sister. The film actually does manage to keep you guessing as to which twin is onscreen at any particular moment and, with Charlotte being considerably more clever and ruthless than the average Lifetime villain, the film manages to generate some suspense as Charlotte kills and maims her way through the people in Emily’s life. Evil Twin may not be the first Lifetime psycho twin movie and it definitely won’t be the last but it is one of the better ones.

Here’s The Trailer For The Mitchells vs. The Machines!


Amazingly enough, on the exact same day that I reviewed all three of the original Robocop films, Netflix has dropped a trailer for its upcoming animated film, The Mitchells vs. the Machines! This is a film about a family on a road trip who find themselves in the middle of the …. ROBOT APOCALYPSE!

Seriously, I’m hoping for more Robot Apocalypse films. I think the Zombie Apocalypse has been played out while there’s still plenty left to do with the Robot Apocalypse. I mean, I know that The Terminator franchise is all about a robot apocalypse but that’s just one franchise. There’s hundreds of zombie apocalypse films released every month so I think there’s definitely room for at least a few more films about people trying to survive being stalked by robots.

For that reason, I’m hoping that The Mitchells vs. The Machines is a big success!

This film drops on April 30th on Netflix! Here’s the trailer:

Here’s The Trailer For Percy vs Goliath!


Christopher Walken vs. Zach Braff? Gee, who’s going to win that fight?

Actually, we’ll never know because, in this upcoming film Percy vs Goliath, Walken and Braff are actually allies. Walken plays an aging farmer who gets sued by a gigantic corporation and who appeals the case all the way to the Supreme Court. Braff plays his attorney. Christina Ricci plays an environmental activist. This is based on a true story and it sounds like the type of film that’s usually promoted for the Oscars. That said, that April 30th release date indicates that this is not being set up as an Oscar film.

Myself, I’m just interested in seeing Christopher Walken in a lead role for once. As of late, he’s mostly done quirky supporting turns. I’m also glad to see Christina Ricci in another movie because she doesn’t really seem to get as much work as her talent warrants. As for Zach Braff …. to be honest, I actually thought he was Ray Romano when the trailer began. That said, I will let you in on a little secret. I actually kind of liked Garden State.

Anyway, here’s the trailer for Percy vs Goliath!