Live Tweet Alert: Join #FridayNightFlix for Red Dawn!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, #FridayNightFlix has got 1984’s Red Dawn!

Oh Hell yeah!  PATRICK SWAYZE SAVES AMERICA!

If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  It’s a friendly group and welcoming of newcomers so don’t be shy.

Red Dawn is available on Prime and YouTube!  See you there!

Scenes That I Love: Chuck Norris Saves America In Invasion U.S.A.


Today, Chuck Norris celebrates his 83rd birthday and it only feels appropriate that today’s scene that I love should come from one of his greatest films.  From 1985’s Invasion U.S.A., watch as Chuck Norris saves America from Richard Lynch!

4 Shots From 4 Films: RIP, Bert I. Gordon


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Director Bert I. Gordon, the original Mr. Big, has passed away at 100 years old.  In honor of his life and legacy, here are….

4 Shots From 4 Bert I. Gordon Films

The Amazing Colossal Man (1957, dir by Bert I. Gordon, DP: Joseph Biroc)

War of the Colossal Beast (1958, dir by Bert I. Gordon, DP: Jack A. Marta)

Village of the Giants (1965, dir by Bert I. Gordon, DP: Paul Vogel)

Empire of the Ants (1977, dir by Bert I. Gordon, DP: Reginald H. Morris)

The American Society of Cinematographers Honors Elvis!


The last of the Oscar precursors, the American Society of Cinematographers, have announced their picks for the best of 2022.

And here they are!

Feature
Roger Deakins, ASC, BSC for “Empire of Light” (Searchlight Pictures)
Greig Fraser, ASC, ACS for “The Batman” (Warner Bros.)
Darius Khondji, ASC, AFC for “Bardo, False Chronicle of a Handful of Truths” (Netflix)
Claudio Miranda, ASC for “Top Gun: Maverick” (Paramount Pictures)
Mandy Walker, ASC, ACS for “Elvis” (Warner Bros.)

Spotlight
Sturla Brandth Grøvlen, DFF for “War Sailor” (DCM Film)

Kate McCullough, ISC for “The Quiet Girl” (Super)
Andrew Wheeler for “God’s Country” (IFC Films)

Documentary
Ben Bernhard and Riju Das for “All That Breathes” (HBO/HBO Max)
Adam Bricker for “Chef’s Table: Pizza” – “Franco Pepe” (Netflix)
Wolfgang Held, ASC for “This Stolen Country of Mine”

Motion Picture, Limited Series, or Pilot Made for Television
Todd Banhazl, ASC for “Winning Time: The Rise of the Lakers Dynasty” – “The Swan” (HBO/HBO Max)
Jeremy Benning, CSC for “Guillermo del Toro’s Cabinet of Curiosities” – “The Outside” (Netflix)
Anastas Michos, ASC, GSC for “Guillermo del Toro’s Cabinet of Curiosities” – “The Autopsy” (Netflix)
C. Kim Miles, ASC, CSC, MySC for “Lost Ollie” – “Bali Hai” (Netflix)
Sean Porter for “The Old Man” – “I” (FX)

Episode of a One-Hour Television Series – Non-Commercial
John Conroy, ASC, ISC for “Westworld” – “Années Folles” (HBO/HBO MAX)
Catherine Goldschmidt for “House of the Dragon” – “The Lord of the Tides” (HBO/HBO MAX)
Alejandro Martinez for “House of the Dragon” – “The Green Council” (HBO/HBO MAX)
M. David Mullen, ASC for “The Marvelous Mrs. Maisel” – “How Do You Get to Carnegie Hall?” (Prime Video)
Alex Nepomniaschy, ASC for “The Marvelous Mrs. Maisel”– “Everything is Bellmore” (Prime Video)
Nikolaus Summerer for “1899” – “The Calling” (Netflix)

Episode of a One-Hour Television Series – Commercial
Marshall Adams, ASC for “Better Call Saul” – “Saul Gone” (AMC)
Jesse M. Feldman for “Interview With the Vampire” – “Is My Very Nature That of the Devil” (AMC)
Christian “Tico” Herrera, CCR for “Snowfall” – “Departures” (FX)
Jules O’Loughlin, ASC, ACS for “The Old Man” – “IV” (FX)
Jaime Reynoso, AMC for “Snowpiercer” – “Bound by One Track” (TNT)

Episode of a Half-Hour Television Series
Adam Bricker for “Hacks” – “The Click” (HBO/HBO MAX)
Carl Herse for “Barry” – “Starting Now” (HB0/HBO MAX)
Stephen Murphy BSC, ISC for “Atlanta” – “New Jazz” (FX)
Ula Pontikos, BSC for “Russian Doll” – “Matryoshka” (Netflix)
Christian Sprenger, ASC for “Atlanta” – “Andrew Wyeth. Alfred’s World.” (FX)

The WGA Honors Everything


On Sunday night, the Writers Guild of America announced their picks for the best of 2022!  And here they are:

FILM AWARDS

ORIGINAL SCREENPLAY
Everything Everywhere All At Once – Written by Daniel Kwan & Daniel Scheinert; A24
The Fabelmans – Written by Steven Spielberg & Tony Kushner; Universal Pictures
The Menu – Written by Seth Reiss & Will Tracy; Searchlight Pictures
Nope – Written by Jordan Peele; Universal Pictures
Tár – Written by Todd Field; Focus Features

ADAPTED SCREENPLAY
Black Panther: Wakanda Forever – Screenplay by Ryan Coogler & Joe Robert Cole, Story by Ryan Coogler, Based on the Marvel Comics; Walt Disney Studios Motion Pictures
Glass Onion: A Knives Out Mystery – Written by Rian Johnson; Netflix
She Said – Screenplay by Rebecca Lenkiewicz, Based on the New York Times Investigation by Jodi Kantor, Megan Twohey and Rebecca Corbett and the Book She Said by Jodi Kantor and Megan Twohey; Universal Pictures
Top Gun: Maverick – Screenplay by Ehren Kruger and Eric Warren Singer and Christopher McQuarrie, Story by Peter Craig and Justin Marks, Based on Characters Created by Jim Cash & Jack Epps, Jr.; Paramount Pictures
Women Talking – Screenplay by Sarah Polley, Based upon the Book by Miriam Toews; Orion Pictures/MGM

DOCUMENTARY SCREENPLAY
2nd Chance – Written by Ramin Bahrani; Showtime Documentary Films
Downfall: The Case Against Boeing – Written by Mark Bailey & Keven McAlester; Netflix
Last Flight Home – Written by Ondi Timoner; MTV Documentary Films
Moonage Daydream – Written by Brett Morgen; Neon
¡Viva Maestro! – Written by Theodore Braun; Greenwich Entertainment

TELEVISION AWARDS

DRAMA SERIES
Andor – Written by Dan Gilroy, Tony Gilroy, Stephen Schiff, Beau Willimon; Disney+
Better Call Saul – Written by Ann Cherkis, Vince Gilligan, Peter Gould, Ariel Levine, Thomas Schnauz, Gordon Smith, Alison Tatlock; AMC
The Crown – Written by Peter Morgan; Netflix
Severance – Written by Chris Black, Andrew Colville, Kari Drake, Dan Erickson, Mark Friedman, Helen Leigh, Anna Ouyang Moench, Amanda Overton; Apple TV+
Yellowjackets – Written by Cameron Brent Johnson, Katherine Kearns, Jonathan Lisco, Ashley Lyle, Bart Nickerson, Liz Phang, Ameni Rozsa, Sarah L. Thompson, Chantelle M. Wells; Showtime

COMEDY SERIES
Abbott Elementary – Written by Quinta Brunson, Ava Coleman, Riley Dufurrena, Justin Halpern, Joya McCrory, Morgan Murphy, Brittani Nichols, Kate Peterman, Brian Rubenstein, Patrick Schumacker, Justin Tan, Jordan Temple, Garrett Werner; ABC
Barry – Written by Emma Barrie, Alec Berg, Duffy Boudreau, Bill Hader, Emily Heller, Nicky Hirschhorn, Jason Kim, Liz Sarnoff; HBO/HBO Max
The Bear – Written by Karen Joseph Adcock, Joanna Calo, Rene Gube, Sofya Levitsky-Weitz, Alex O’Keefe, Catherine Schetina, Christopher Storer; FX Networks
Hacks – Written by Lucia Aniello, Jessica Chaffin, Paul W. Downs, Ariel Karlin, Andrew Law, Joe Mande, Aisha Muharrar, Pat Regan, Samantha Riley, Jen Statsky; HBO/HBO Max
Only Murders in the Building – Written by Matteo Borghese, Rachel Burger, Kirker Butler, Valentina Garza, Madeleine George, Joshua Allen Griffith, John Hoffman, Noah Levine, Stephen Markley, Kristin Newman, Ben Philippe, Ben Smith, Rob Turbovsky; Hulu

NEW SERIES
Abbott Elementary – Written by Quinta Brunson, Ava Coleman, Riley Dufurrena, Justin Halpern, Joya McCrory, Morgan Murphy, Brittani Nichols, Kate Peterman, Brian Rubenstein, Patrick Schumacker, Justin Tan, Jordan Temple, Garrett Werner; ABC
Andor – Written by Dan Gilroy, Tony Gilroy, Stephen Schiff, Beau Willimon; Disney+
Bad Sisters – Written by Brett Baer, Dave Finkel, Sharon Horgan; Apple TV+
The Bear – Written by Karen Joseph Adcock, Joanna Calo, Rene Gube, Sofya Levitsky-Weitz, Alex O’Keefe, Catherine Schetina, Christopher Storer; FX Networks
Severance – Written by Chris Black, Andrew Colville, Kari Drake, Dan Erickson, Mark Friedman, Helen Leigh, Anna Moench, Amanda Overton; Apple TV+

LIMITED SERIES
The Dropout– Written by Hilary Bettis, Liz Hannah, Liz Heldens, Dan LeFranc, Sofya Levitsky-Weitz, Matt Lutsky, Elizabeth Meriwether, Wei-Ning Yu; Hulu
Fleishman Is In Trouble – Written by Taffy Brodesser-Akner, Cindy Chupack, Allison P. Davis, Mike Goldbach, Boo Killebrew; FX Networks
Pam & Tommy – Written by Brooke Baker, Matthew Bass, Theodore Bressman, D.V. DeVincentis, Sarah Gubbins, Robert Siegel; Hulu
The Staircase – Written by Aisha Bhoori, Antonio Campos, Maggie Cohn, Aja Gabel, Emily Kaczmarek, Craig Shilowich, Sebastian Silva; HBO/HBO Max
The White Lotus – Written by Mike White; HBO/HBO Max

TV & NEW MEDIA MOTION PICTURES
Heart of the Matter – Written by Karen Struck; Hallmark Channel
Honor Society – Written by David A. Goodman; Paramount +
Ray Donovan: The Movie – Written by David Hollander & Liev Schreiber; Showtime
Torn Hearts – Written by Rachel Koller Croft; Epix
Weird: The Al Yankovic Story – Written by Al Yankovic & Eric Appel; The Roku Channel

ANIMATION
“Girls Just Shauna Have Fun” (The Simpsons) – Written by Jeff Westbrook; Fox
“The Pain Garden” (Tuca & Bertie) – Written by Lisa Hanawalt; Adult Swim
“Pixelated and Afraid” (The Simpsons) – Written by John Frink, Fox
“Rectify” (Undone) – Written by Elijah Aron & Patrick Metcalf; Prime Video
“The Sound of Bleeding Gums” (The Simpsons) – Written by Loni Steele Sosthand; Fox
“To Bob, or Not To Bob” (Bob’s Burgers) – Written by Lizzie Molyneux-Logelin & Wendy Molyneux; Fox

EPISODIC DRAMA
“A Hard Way to Go” (Ozark) – Written by Chris Mundy; Netflix
“The End of Everything” (The Good Fight) – Written by Robert King & Michelle King; Paramount+
“Plan and Execution” (Better Call Saul) – Written by Thomas Schnauz; AMC
“The Prick” (Bad Sisters) – Teleplay by Sharon Horgan and Dave Finkel & Brett Baer; Apple TV+
“Rock and Hard Place” (Better Call Saul) – Written by Gordon Smith; AMC
“The We We Are” (Severance) – Written by Dan Erickson; Apple TV+

EPISODIC COMEDY
“The Beginning” (Grace and Frankie) – Written by Marta Kauffman & Howard J. Morris; Netflix
“Braciole” (The Bear) – Written by Joanna Calo & Christopher Storer; FX Networks
“Foie Gras” (Julia) – Written by Daniel Goldfarb & Chris Keyser; HBO/HBO Max
“Private School” (What We Do in the Shadows) – Written by Ayo Edebiri & Shana Gohd; FX Networks
“The One, The Only” (Hacks) – Written by Lucia Aniello & Paul W. Downs & Jen Statsky; HBO/HBO Max
“Wide Net” (Reservation Dogs) – Written by Tazbah Rose Chavez; FX Networks

COMEDY/VARIETY TALK SERIES
“Full Frontal With Samantha Bee”
“Hell of a Week With Charlamagne Tha God”
“Jimmy Kimmel Live!”
“Late Night With Seth Meyers”
“Last Week Tonight With John Oliver”
“The Problem With Jon Stewart”
“Stephen Colbert Presents Tooning Out the News”

COMEDY/VARIETY SKETCH SERIES
“Inside Amy Schumer”
“Pause With Sam Jay”
“Saturday Night Live”

COMEDY/VARIETY SPECIALS
“The National Memorial Day Concert”
“Stand Out: an LGBTQ+ Celebration”
“The Problem With Jon Stewart: Election Wrap-Up Special”
“Jerrod Carmichael: Rothaniel”

QUIZ AND AUDIENCE PARTICIPATION
“Baking It”
“Capital One College Bowl”
“Jeopardy!”
“Weakest Link”

DAYTIME DRAMA
“Days of Our Lives”

CHILDREN’S EPISODIC, LONG FORM AND SPECIALS
“A Perilous Journey” – “The Mysterious Benedict Society”
“Thursday” – “Life by Ella”
“Pilot” – “Amber Brown”
“Prison or Palace” – “Life by Ella”
“Test Subject Thirteen” – “Circuit Breakers”

SHORT FORM NEW MEDIA
“Breakwater”
“Carpool Karaoke: The Series”
“Three Busy Debras”

DOCUMENTARY SCRIPT — CURRENT EVENTS
“Episode Two: Resilience” – “Hiding in Plain Sight: Youth Mental Illness,” PBS
“Inside the Alleged Sexual Assault Cover Up in Charlotte Schools” – “Vice News Tonight”
“Lies, Politics and Democracy” – “Frontline”

DOCUMENTARY SCRIPT — OTHER THAN CURRENT EVENTS
“Episode Two: An American (1775-1790)” – “Benjamin Franklin,” PBS
“Episode One: The Golden Door (Beginnings-1938)” – “The U.S. and the Holocaust,” PBS
“Lucy and Desi”
“Ocean Invaders” – “Nova”
“Pelosi’s Power” – “Frontline”
“Plague at the Golden Gate” – “American Experience,” PBS

NEWS SCRIPT — REGULARLY SCHEDULED, BULLETIN, OR BREAKING REPORT
“Massacre in Buffalo” – “CBS Weekend News”
“Shooting at Robb Elementary” – “World News Tonight With David Muir”
“Special Edition: From the Ukraine Border” – “World News Tonight With David Muir”
“The Water Crisis in Jackson, Mississippi” – “CBS Evening News With Norah O’Donnell”

NEWS SCRIPT — ANALYSIS, FEATURE, OR COMMENTARY
“Battle for Ukraine” – “20/20”
“City of Lions” – “60 Minutes”
“The Green Jacket – Golf’s Ultimate Prize” – “CBS Saturday Morning”
“Harvest of War” – “60 Minutes”
“The Longest Running Oil Spill” – “60 Minutes”
“Targeting Americans” – “60 Minutes”

DIGITAL NEWS
“America’s Only LGBTQ Historic District Is Falling Apart,” Vice
“How Oregon’s Prison System Retaliated Against Its Most Effective Jailhouse Lawyer,” HuffPost
“I Spent 72 Depraved Hours Searching for the Gnarliest Dive Bar in Las Vegas,” Vice
“The Most Unexpected Consequence of the Texas Abortion Ban,” Slate
“What’s So Scary About a Transgender Child,” Vox

RADIO/AUDIO DOCUMENTARY
“Dr. GIFT” – “One Year: 1995”
“Like a Lion with No Teeth” – “Crime Show”
“Making Sense: How Sound Becomes Hearing” – “Unexplainable”
“The Most Famous Poet No One Remembers” – “Decoder Ring”
“No Peace” – “Slow Burn: The L.A. Riots”
“The Ultimate Field Trip” – “One Year: 1986”
“The War in Jennifer Weiss” – “Crime Show”

RADIO/AUDIO NEWS SCRIPT — REGULARLY SCHEDULED, BULLETIN, OR BREAKING REPORT
“CBS World News Roundup”
“Hail And Farewell: Saluting 5 Who Made a Difference,” CBS Radio
“Newsline – 11am 9/9/22,” CBS Radio
“World News This Week – Week of September 9, 2022,” ABC Radio
“World News This Year 2021,” ABC News Radio

RADIO/AUDIO NEWS SCRIPT — ANALYSIS, FEATURE, OR COMMENTARY
“2021 Law and Justice Year End Reports” – ABC News Radio
“Was the Women’s March Successful?” – “The Waves”
“WCBS Author Talks Summer Reads” – WCBS Radio
“What I Wish I Knew Before I Started IVF” – “The Waves”
“You Will Be Found: The Impact of Dear Evan Hansen” – (“Somalia Suffering From Starvation” – “Perspective”ABC Audio

ON-AIR PROMOTION
“Amazon Bessemer Campaign: This Time I’m Voting Yes; Union Difference; Union Yes,” Facebook
“CBS Celebrates Juneteenth,” CBS News

Monday Live Tweet Alert: Join Us For Cover-Up and Unforgettable!


As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

 

Tonight, for #MondayActionMovie, the film will be 1991’s Cover-Up!  Selected and hosted by Matthew Titus, this movie features not only Dolph Lundgren but also Lou Gossett, Jr!  So, you know it has to be good!

 

Following #MondayActionMovie, Brad and Sierra will be hosting the #MondayMuggers live tweet.  We will be watching 1996’s Unforgettable, starring Ray Liotta!  

It should make for a night of fun viewing and I invite all of you to join in.  If you want to join the live tweets, just hop onto twitter, start Cover-Up at 8 pm et, and use the #MondayActionMovie hashtag!  Then, at 10 pm et, start Unforgettable, and use the #MondayMuggers hashtag!  The live tweet community is a friendly group and welcoming of newcomers so don’t be shy.   

The American Cinema Editors Honor Top Gun: Maverick


The American Cinema Editors have announced their picks for the best of editing of 2022!  Here are the winners of the Eddie Awards!

BEST EDITED FEATURE FILM (Drama, Theatrical)
All Quiet on the Western Front – Sven Budelmann, BFS
Elvis – Matt Villa, ACE ASE & Jonathan Redmond
Tár – Monika Willi
Top Gun: Maverick – Eddie Hamilton, ACE
The Woman King – Terilyn A. Shropshire, ACE

BEST EDITED FEATURE FILM (Comedy, Theatrical)
The Banshees of Inisherin – Mikkel E.G. Nielsen, ACE
Everything Everywhere All at Once – Paul Rogers
Glass Onion: A Knives Out Mystery – Bob Ducsay, ACE
The Menu – Christopher Tellefsen, ACE
Triangle of Sadness – Ruben Östlund & Mikel Cee Karlsson

BEST EDITED ANIMATED FEATURE FILM (Theatrical or Non-Theatrical)
The Bad Guys – John Venzon, ACE
Guillermo del Toro’s Pinocchio – Ken Schretzmann, ACE & Holly Klein
Marcel the Shell with Shoes On – Dean Fleischer-Camp & Nick Paley
Puss in Boots: The Last Wish – James Ryan, ACE
Turning Red – Nicholas C. Smith, ACE

BEST EDITED DOCUMENTARY (Theatrical)
All the Beauty and the Bloodshed – Amy Foote, Joe Bini & Brian A. Kates, ACE
Fire of Love – Erin Casper & Jocelyne Chaput
Good Night Oppy – Helen Kearns, ACE & Rejh Cabrera
Moonage Daydream – Brett Morgen
Navalny – Langdon Page & Maya Hawke

BEST EDITED DOCUMENTARY (Non-Theatrical)
The Andy Warhol Diaries: “Collab: Andy & Basquiat” – Steve Ross
George Carlin’s American Dream – Joe Beshenkovsky, ACE
The Last Movie Stars: “Luck is an Art” – Barry Poltermann
Lucy and Desi – Robert A. Martinez
Pelosi in the House – Geof Bartz, ACE

BEST EDITED MULTI-CAMERA COMEDY SERIES
The Conners: “Of Missing Minds and Missing Fries” – Brian Schnuckel, ACE
How I Met Your Father: “Timing Is Everything” – Susan Federman, ACE
The Neighborhood: “Welcome to the Art of Negotiation” – Chris Poulos

BEST EDITED SINGLE CAMERA COMEDY SERIES
Atlanta: “Andrew Wyeth. Alfred’s World.” – Kyle Reiter, ACE & Isaac Hagy, ACE
Barry: “710N” – Franky Guttman
Barry: “Starting Now” – Ali Greer
The Bear: “System” – Joanna Naugle
Only Murders in the Building: “I Know Who Did It” – Shelly Westerman, ACE & Payton Koch

BEST EDITED DRAMA SERIES
Andor: “One Way Out” – Simon Smith
Euphoria: “Stand Still Like the Hummingbird” – Aaron I. Butler, ACE & Julio Perez IV, ACE
Euphoria: “The Theater and Its Double” – Laura Zempel, Julio Perez IV, ACE & Nikola Boyanov
Severance: “In Perpetuity” – Geoffrey Richman, ACE & Erica Freed Marker, ACE
Severance: “The We We Are” – Geoffrey Richman, ACE

BEST EDITED FEATURE FILM (NON-THEATRICAL)
Fire Island – Brian A. Kates, ACE
Hocus Pocus 2 – Julia Wong, ACE
A Jazzman’s Blues – Maysie Hoy, ACE
Prey – Angela M. Catanzaro, ACE & Claudia Castello
Weird: The Al Yankovic Story – Jamie Kennedy

BEST EDITED LIMITED SERIES
Gaslit: “Year of the Rat” – Joe Leonard, ACE
Obi-Wan Kenobi: “Part VI” – Kelley Dixon, ACE & Josh Earl, ACE
Station Eleven: “Unbroken Circle” – Anna Hauger, ACE, David Eisenberg, Yoni Reiss & Anthony McAfee
The White Lotus: “Abduction” – Heather Persons, ACE
The White Lotus: “Arrivederci” – John M. Valerio ACE

BEST EDITED NON-SCRIPTED SERIES
Deadliest Catch: “Sailor’s Delight” – Isaiah Camp, ACE, Joe Mikan, ACE & Alexander Rubinow, ACE
Formula 1: Drive to Survive: “Hard Racing” – Cassie Bennitt, Matt Rudge, Duncan Moir, Nic Zimmermann, Jack Foxton & Neil Clarkson
Vice: “Killing for Success & Marcos Returns” – Paula Salhany, Brandon Kieffer, Andrew Pattison. Catherine Lee & Victoria Lesiw

BEST EDITED VARIETY TALK/SKETCH SHOW OR SPECIAL
A Black Lady Sketch Show: “Save My Edges, I’m A Donor!” – Stephanie Filo, ACE, Bradinn French, Taylor Mason & S. Robyn Wilson
Last Week Tonight with John Oliver: “Police Interrogations” – Anthony Miale, ACE & Ryan Barger
My Next Guest Needs No Introduction with David Letterman: “Volodymyr Zelenskyy Special” – Cori Wapnowska & Jon Higgins

BEST EDITED ANIMATED SERIES
Big Mouth: “Dadda Dia!” – Felipe Salazar
Bob’s Burgers: “Some Like It Bot Part 1: Eighth Grade Runner” – Jeremy Reuben, ACE
Love, Death & Robots: “Bad Travelling” – Kirk Baxter, ACE

ANNE V. COATES AWARD FOR STUDENT EDITING
Adriana Guevara – New York University
Jazmin Jamias – American Film Institute
Tianze Sun – American Film Institute

Retro Television Reviews: The Day The Earth Moved (dir by Robert Michael Lewis)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1974’s The Day The Earth Moved!  It  can be viewed on YouTube!

Sitting in the middle of the Nevada desert, there’s a town called Bates.

Bates was once a thriving community but the years and the hot Nevada winds have not been kind to it.  Now, it consists of only a  few buildings and a speed trap.  Judge Tom Backsler (William Windom) is the most powerful man in this tiny community and he’s determined to return Bates to its former glory.  His plan is to open up a Christmas park and to remake Bates as “Santa Claus’s home away from the North Pole.”  In order to raise the money for that project, he and the police run an aggressive speed trap.  When pilot and photographer Steve Barker (Jackie Cooper) is caught in the speed trap, it turns out that he doesn’t have enough money to pay his fine.  So, his car is impounded and he’s put to work, sweeping up the dust and helping to get the Christmas park ready to open.

With the help of friendly little townsgirl, Steve is finally able to escape from Bates and return to his job.  He works with his wife, Kate (Stella Stevens), and his best friend, Harley (Cleavon Little), as surveyors.  When someone wants to buy a stretch of the Nevada desert, Steve and Harley fly over the land and take pictures.  Looking over the latest batch of pictures, Steve deduces that not only is there going to be an earthquake but it’s going to destroy the town of Bates!  Can Steve return to the town that once held him prisoner and convince the townspeople to leave with him before disaster hits!?

In many ways, The Day The Earth Moved is a standard made-for-TV disaster flick.  Only Steve and Kate realize what’s about to happen and they struggle to get anyone else to believe them.  Indeed, it seems like the world is almost conspiring to keep them from warning everyone about the incoming earthquake.  The film’s story checks off all of the expected disaster movie plot points.  That said, the town of Bates itself — with its gigantic Santa Claus standing in the middle of the desert — is a nicely surreal location and the repeated shots of a deserted farm being gradually destroyed by minor tremors achieve a certain ominous grandeur.  Jackie Cooper and Stella Stevens are believable as a husband and wife who love each other despite the fact that they’re often very annoyed with each other.  To the film’s credit, William Windom’s character is not portrayed as being a cardboard villain but instead as someone who simply wants to give his neighbors some place decent to live.  The Day The Earth Moved is predictable but well-done.

Of course, the main reason anyone will have to watch this film will be for the earthquake.  Unfortunately, this is where viewers will run into a common problem that has afflicted many made-for-TV movies.  The low-budget earthquake is just not that impressive.  For all the scenes of people yelling, it’s always pretty obvious that the camera is doing most of the shaking.  But you know what?  It’s a made-for-TV movie from 1974.  Cut it some slack and just go with it.

The Cinema Audio Society Honors Top Gun: Maverick!


Everything Everywhere All At Once appears to be unstoppable as far as the Best Picture race is concerned but Top Gun: Maverick will still probably pick up a few technical Oscars, like Best Sound.

As evidence for this claim, consider that, last night, the Cinema Audio Society announced its picks for the best of 2022 and Maverick was remembered.  Here are the winners!

MOTION PICTURES: LIVE ACTION
“All Quiet on the Western Front”
“Avatar: The Way of Water”
“Elvis”
“The Batman”
“Top Gun: Maverick”

MOTION PICTURES: ANIMATED
“Guillermo del Toro’s Pinocchio”
“Lightyear”
“Minions: The Rise of Gru”
“Puss in Boots: The Last Wish”
“Turning Red”

MOTION PICTURES — DOCUMENTARY
“Good Night Oppy”
“Hallelujah: Leonard Cohen, A Journey, A Song”
“Louis Armstrong’s Black and Blues”
“Moonage Daydream”
“The Volcano: Rescue from Whakaari”

NON-THEATRICAL MOTION PICTURES OR LIMITED SERIES
“Dahmer – Monster: The Jeffrey Dahmer Story E8 Lionel”
“Guillermo Del Toro’s Cabinet of Curiosities E3 The Autopsy”
“Moon Knight E6 Gods and Monsters”
“Obi-Wan Kenobi E6 Part 1”
“Prey”

TELEVISION SERIES: ONE HOUR
“Better Call Saul S6:E13 Saul Gone”
“Ozark S4:E14 A Hard Way To Go”
“Severance S1:E9 The We We Are”
“Stranger Things S4:E7 Chapter Seven: The Massacre at Hawkins Lab”
“The White Lotus S2:E1 Ciao”

TELEVISION SERIES: HALF HOUR
“Barry S3:E8 Starting Now”
“Only Murders in the Building S2:E5 The Tell”
“She-Hulk: Attorney at Law S1:E9 Whose Show Is This?”
“The Bear S1:E7 Review”
“What We Do in the Shadows S4:E7 Pine Barrens”

TELEVISION NON-FICTION, VARIETY or MUSIC – SERIES or SPECIALS
“Carole King & James Taylor: Just Call Out My Name”
“Formula 1: Drive to Survive S4:E9 Gloves Are Off”
“George Carlin’s American Dream E1 Part 1”
“Lucy and Desi”
“Obi-Wan Kenobi: A Jedi’s Return”

STUDENT RECOGNITION AWARD FINALISTS
Chelsea Rae Adams
Colette Grob
María Clara Calle Jiménez
Sophia L. White
Timo Nelson

 

4 Shots From 4 Films: Special Pier Paolo Pasolini Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

101 years ago, on this date, Pier Paolo Pasolini was born in Italy.  His controversial films and his mysterious death continue to inspire debate to this very day.  Both the man and his works were full of intriguing contradictions.  Pasolini was an atheist who made one of the best Biblical films ever made.  He was a communist who made films that celebrated individual freedom and who had little use for the upper class liberals who made up much of the European counterculture of the 1960s.  In the end, he was an artist unafraid to challenge all assumptions, whether they were found on the right or the left.  His final film, Salo, was the most controversial of his career.  It was also projected to be the first part of a trilogy, though those plans were ended by Pasolini’s murder.

It’s time for….

4 Shots From 4 Pier Paolo Pasolini Films

Accatone (1961, dir by Pier Paolo Pasolini, DP: Tonino Delli Colli)

The Gospel According To St. Matthew (1964, dir by Pier Paolo Pasolini, DP: Tonino Delli Colli)

Teorema (1968, dir by Pier Paolo Pasolini, DP: Giuseppe Ruzzolini)

Medea (1969, dir by Pier Paolo Pasolini, DP: Ennio Guarnieri)