Shattered Politics #63: Primary Colors (dir by Mike Nichols)


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Jack Stanton (John Travolta) is the charismatic governor of an unnamed Southern state.  After spending his entire life in politics, Jack is finally ready to run for President.  Even more ready is his equally ambitious wife, Susan (Emma Thompson).  Jack proves himself to be a strong candidate, a good speaker who understands the voters and who has the ability to project empathy for almost anyone’s situation. He’s managed to recruit a talented and dedicated campaign staff, including the flamboyant Richard Jemmons (Billy Bob Thornton), Daisy Green (Maura Tierney), and journalist Henry Burton (Adrian Lester).  Henry is the son of a civil rights leader and, as soon as they meet, Jack talks about the first time that he ever heard Henry’s father speak.  Within minutes of first meeting him, Henry believes in Jack.

The problem, however, is that there are constant hints that Jack may not be worthy of his admiration.  There’s the fact that he’s a compulsive womanizer who is given to displays of temper and immaturity.  When one of Jack’s old friends reveals that Jack may have impregnated his daughter, Jack and Susan respond with a pragmatic ruthlessness that takes Henry by surprise.

When one of Jack’s mistresses threatens to go public, Henry is partnered up with Libby (Kathy Bates) and sent to dig up dirt on her and her sponsors.  When the former governor of Florida, Freddie Picker (Larry Hagman), emerges as a threat to derail Jack’s quest for the nomination, Henry and Libby are again assigned to research Picker’s background.  Libby is perhaps the film’s most interesting character.  Recovering from a mental breakdown, Libby has no trouble threatening to shoot one political opponent but she’s still vulnerable and idealistic enough that it truly hurts her when Jack and Susan repeatedly fail to live up to her ideals.  As an out lesbian, Libby is perhaps the only character who has no trouble revealing her true self and, because of her honesty, she is the one who suffers the most.

First released in 1998 and based on a novel by Joe Klein, Primary Colors is an entertaining and ultimately rather bittersweet dramedy about the American way of politics.  John Travolta and Emma Thompson may be playing Jack and Susan Stanton but it’s obvious from the start that they’re meant to be Bill and Hillary Clinton.  And while it takes a few minutes to get used to Travolta’s attempt to sound Southern, this is ultimately one of his best performances.  As played by Travolta, Jack Stanton is charming, compassionate, self-centered, and ultimately, incredibly frustrating.  One reason why Primary Colors works is because we, as an audience, come to believe in Jack just as much as Henry does and then we come to be just as disillusioned as Libby.  Emma Thompson’s performance is a little less obviously based on Hillary.  Unlike Travolta, she doesn’t attempt to imitate Hillary’s voice or mannerisms.  But she perfectly captures the steely determination.

Primary Colors captures both the thrill of believing and the inevitability of disillusionment.  It’s definitely a film that I will rewatch in the days leading up to 2016.

Shattered Politics #62: Bulworth (dir by Warren Beatty)


BulworthSo, if you’ve ever wondered what happened to Robert Redford’s Bill McKay after he was elected to the U.S. Senate at the end of The Candidate, I imagine that he probably ended up becoming something like the protagonist of 1998’s Bulworth, U.S. Sen. Jay Bulworth.

As played by Warren Beatty, Bulworth is a veteran senator.  A former liberal firebrand, he may still decorate his office with pictures of him meeting Bobby Kennedy and Martin Luther King but Bulworth sold out a long time ago.  Now, he just says whatever has to say in order to get elected, including pretending to have a happy marriage. He has become a part of everything that’s wrong with Washington.

Sick of both politics and life in general, Bulworth decides that he’d rather be dead.  But, in order to make sure that his daughter collects on his $10,000,000 life insurance policy, Bulworth cannot commit suicide.  Instead, he arranges for a contract to be taken out on his life.  In two days, Bulworth will be assassinated.

Returning to California for his campaign, Bulworth gets drunk and suddenly starts to say what he actually believes.  He attacks the Washington establishment.  He attacks the voters.  He attacks the insurance companies and comes out for single payer health insurance.  With his desperate press secretary (Oliver Platt) chasing behind him, Bulworth spends the night dancing at a club where he discovers marijuana and meets a girl named Nina (Halle Berry).

(Platt, meanwhile, discovers that he really, really likes cocaine.)

Soon, Nina and Bulworth are hiding out in the ghetto, where Bulworth meets both Nina’s brother (Isiah Washington) and local drug dealer, L.D. (Don Cheadle), and gets a lesson about how economics actually work in the ghetto.  Soon, Bulworth is appearing on CNN where he raps his new political platform and suggests that the solutions for all of America’s problems would be for everyone to just keep having sex until eventually everyone is the same color.

Of course, what Bulworth doesn’t know is that Nina also happens to be the assassin who has been contracted to kill him…

I have mixed feelings about Bulworth.  On the one hand, the film starts out strong.  You don’t have to agree with the film’s politics in order to appreciate the film’s passion,  Bulworth is an angry film and one that’s willing to say some potentially unpopular things.  It’s a film about politics that doesn’t resort to the easy solutions that were proposed by some of the other films that I’ve reviewed for Shattered Politics.  Warren Beatty does a pretty good job of portraying Bulworth’s initial mental breakdown and Oliver Platt is a manic wonder as he consumes more and more cocaine.

But, once Warren Beatty starts rapping, the film starts to fall apart and becomes a bit too cartoonish for its own good.  You get the feeling that Warren Beatty, at this point, is just trying to live out the liberal fantasy of being the only wealthy white man in America to understand what it’s like to be poor and black in America.

Bulworth starts out well but ultimately, it begins better than it ends.

Shattered Politics #61: Murder at 1600 (dir by Dwight H. Little)


Murder_at_sixteen_hundred_ver2Wow.

I have to admit that, seeing as how I was only 11 going on 12 back in 1997, I really wasn’t paying much attention to what was going on in the world at the time.  But, whatever it was, it must have been something big and scary and it must have left people feeling deeply suspicious of the government.  How else do you explain the fact that 1997 not only saw the release of Absolute Power, a film in which the President is a murderer, but Murder at 1600 as well.

Murder at 1600 opens with a White House maid finding the dead body of Carla Town (Mary Moore), an intern whose sole goal in life was apparently to have sex in every single room in the Executive Mansion.  (And, before you judge, that happens to be my goal in life as well.  So there.)  Streetwise homicide detective Harlan Regis (Wesley Snipes) is on the case!

And he’s certainly got a lot of suspects.  Could it be the Vice President (Chris Gillett)?  Or maybe Alvin Jordan (Alan Alda), the National Security Advisor?  Or how about Nick Spikings (Daniel Benzali), the bald-bef0re-bald-was-cool head of the Secret Service?  Or maybe it the President’s son (Tate Donavon)?  Or maybe even the President (Ronny Cox) himself!?

Fortunately, Regis is assigned a partner, Secret Service agent Nina Chance (Diane Lane).  When Regis first meets her, he’s all, “Oh my God, you’re a woman!”  And then Nina’s all, “I also won an Olympic medal for sharp shooting!”  And then Regis is like, “I bet that will be a relevant plot point before the film ends!”

Of course, Regis already has a regular partner, as well.  His name is Detective Stengel and he’s played by Dennis Miller, which just seems strange.  Stengel basically looks like Dennis Miller, sounds like Dennis Miller, and acts exactly like Dennis Miller, except for the fact that he’s a cop.  His jarringly out-of-place presence in this film just adds to Murder at 1600‘s general air of weirdness.

Meanwhile, it turns out that the North Koreans are up to no good and the President is being pressured to take military action.  However, he’s being distracted by this whole criminal investigation thing.  Will the country survive or did its future die at 1600?

(And why doesn’t the President just send in Team America to take care of the situation?  Or maybe James Franco and Seth Rogen.  There are way to deal with the North Koreans….)

(By the way, have you noticed how brave everyone online is when it comes to being snarky about the one country in the world that doesn’t have internet access?  If Kim Jong Whatevuh ever gets a twitter account, I bet everyone will start following him and asking him for retweets.)

Murder at 1600 is an enjoyably ludicrous thriller.  It’s one of those films that you’ll enjoy as long as you don’t take it seriously.  Take it seriously and you’ll end up asking question like why the FBI isn’t involved in the investigation and whether or not the solution to the film’s mystery is a bit too convoluted to make any logical sense.  However, if you simply decide to enjoy Murder at 1600 for what it is, an extremely pulpy thriller that’s full of nonstop melodrama, overwritten dialogue, and a healthy distrust of the government*, then you’ll find this to be an entertaining thriller.

At the very least, a White House full of potential murderers is probably a lot more realistic than anything that you might see in The American President.  

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* Oh, everyone knows the government sucks…

 

 

Shattered Politics #60: Absolute Power (dir by Clint Eastwood)


Absolute_power

The main reason that I enjoyed the 1997 Clint Eastwood film Absolute Power was because it features a murderer who also happens to be the President.  As someone who dislike the idea of any one person having absolute power, I always get annoyed by the attitude that authority is something that has to be automatically respected.  Instead, I’ve always felt that all authority should be distrusted and continually questioned.

Just take President Alan Richmond (Gene Hackman) for example.  At the start of Absolute Power, he’s a popular President.  He’s quick with a smile.  He’s quick with a memorable line.  I imagine that excerpts from his State of the Union speech would probably be very popular on YouTube.  However, at the start of the film, elderly burglar Luther Whitney (Clint Eastwood) witnesses President Richmond getting violent with Jan Levinson-Gould.  When Jan resists him, two Secret Service agents (Scott Glenn and Dennis Haysbert) run into the room and shoot her.

Okay, technically, the victim was not really The Office‘s Jan Levinson-Gould.  (They both just happen to be played by Melora Hardin.)  Instead, her name was Christy Sullivan and she was also the wife of one of Richmond’s top financial supporters, Walter Sullivan (E.G. Marshall).  After the murder, President Richmond and his chief-of-staff, Gloria Russell (Judy Davis), attempt to frame Luther for the crime.

Absolute Power is pretty much your typical Clint Eastwood action picture.  In the role of Luther, Eastwood snarls his way through the film and never dispatches a bad guy without providing a ruthless quip.  (When one bad guy begs for mercy, Luther replies that he’s “fresh out.”)  Luther has an estranged daughter, a lawyer named Kate (Laura Linney) and, despite the fact that she’s helping the homicide detective (Ed Harris) who is trying to capture him, Luther still pops up to look out for her.  In the end, Luther’s not only try to prove that the President is a murderer but he’s trying to be a better father as well!  Awwwwwww!

Again, it’s all pretty predictable but the film is worth seeing just for the chance to witness Gene Hackman play one of the most evil Presidents ever.  As far as soulless chief executives are concerned, Alan Richmond makes Woodrow Wilson look like a humanitarian!  And Hackman does a good job embodying the affable type of evil that could conceivably translate into an electoral landslide.

Absolute Power may not be a great film but it’s a good one to watch whenever you need an excuse to be cynical about the absolute power of the government.

Shattered Politics #59: Night Falls on Manhattan (dir by Sidney Lumet)


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Oddly enough, right after I watched City Hall, I watched yet another 1997 film about politics and police corruption in New York.  And while Night Falls on Manhattan is definitely not one of Sidney Lumet’s best films, it’s still definitely an improvement on City Hall.

Night Falls on Manhattan tells the story of what happens when two veteran detectives — Liam Casey (Ian Holm) and Joey Allegreto (James Gandolfini) — attempt to arrest drug dealer Jordan Washington (Shiek Mahmud-Bey).  Liam ends up getting shot multiple times before Jordan, disguised as a police officer, flees the scene.  As the cops search for Jordan, they accidentally shoot and kill one of their own.

In short, Manhattan has gone crazy and only the prompt capture and conviction of Jordan Washington will set things right.

However, the police don’t have to spend too much time searching for Jordan because, the very next day, he turns himself in.  He’s accompanied by a veteran radical lawyer named Sam Vigoda (Richard Dreyfuss).  Vigoda announces that yes, Jordan is a drug dealer and yes, he did shoot Liam Casey.  However, Vigoda claims that Jordan has been paying off the cops and that Liam and Joey weren’t actually trying to arrest him.  Instead, they were specifically looking for an excuse to execute him.

Flamboyant District Attorney Morganstern (Ron Leibman) know that his office has to convict Jordan.  And luckily, he has a secret weapon.  Liam’s son, Sean (Andy Garcia), just happens to be a former cop and an assistant district attorney.  He assigns Sean to handle Jordan’s prosecution.

Sean, it turns out, has political ambitions of his own and, by prosecuting Jordan, he not only gets revenge for the shooting of his father but he also furthers his own career.  (He also gets a girlfriend, in this case an associate of Vigoda’s who is played by Lena Olin.)  When Morganstern has a heart attack, Sean suddenly finds himself being mentioned as a candidate to replace him in the upcoming election.

However, even as Sean appears to be shoo-in to be the next district attorney, he also discovers that neither Liam nor Joey were as innocent as he originally assumed..

Night Falls In Manhattan is an occasionally diverting legal and political thriller.  As a director, Sidney Lumet had an obvious feel for New York culture and, as a result, the film feels authentic even when the plot occasionally veers into melodrama.  As opposed to City Hall, you never doubt the plausibility of Night Falls On Manhattan.  Though Andy Garcia is a bit an odd choice to play an Irish-American (and it’s particularly difficult to imagine him being, in any way, related to Ian Holm), the rest of the film is well-cast.  Fans of The Sopranos will enjoy a chance to see James Gandolfini playing someone who, because he’s on the “right” side o the law, is actually more dangerous than Tony Soprano and Rob Leibman is thoroughly believable as a bullying crusader against crime.

After I watched Night Falls on Manhattan, I did some checking online and I was surprised to discover that the film is apparently not better known than it is.  While it definitely uneven, Night Falls On Manhattan is an interesting look at crime, ethics, and urban politics.

Tomorrowland — The Super Bowl Ad


Y’all — is Tomorrowland going to be any good?

I hope so because, after having to sit through the trailer every single time that I’ve gone to a Disney film, I’m starting to look forward to seeing it.  This Super Bowl ad didn’t really tell me anything new about the film but it certainly looks like it might be fun!

 

Terminator Genisys — The Super Bowl Ad!


Here’s the Super Bowl Ad for Terminator Genisys, which features the former governor of California fighting a younger version of himself.  In case anyone was wondering, we now have confirmation that Arnold Schwarzenegger will be saying, “I’ll be back.”