4 Shots From 4 Kevin S. Tenney Films


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Any days is a good day to give a little respect to Kevin S. Tenney, director of some of most best loved horror films of the 80s and the 90s!  It’s time for….

4 Shots From 4 Kevin S. Tenney Films

Witchboard (1986, dir by Kevin S. Tenney, DP: Roy Wanger)

Night of the Demons (1988, dir by Kevin S. Tenney, DP: David Lewis)

Witchboard 2: The Devil’s Doorway (1993, dir by Kevin S. Tenney, DP: David Lewis)

Pinnochio’s Revenge (1996, dir by Kevin S. Tenney, DP: Eric Anderson)

Behind the Camera: The Unauthorized Story of Three’s Company (2003, directed by Jason Ensler)


Do you remember Three’s Company?

The sitcom was a big hit when it aired in the 70s and 80s and it still gets a lot of play in syndication today.  Based on a British sitcom (and you would really be surprised to how closely the first season followed the original series), Three’s Company starred John Ritter as Jack Tripper, an aspiring chef who moved in with two single women, Janet (Joyce DeWitt) and Chrissy (Suzanne Somers).  Because their impotent landlord (Norman Fell) didn’t want people of the opposite sex living with each other unless they were married, Jack pretended to be gay.  Every episode centered around a misunderstanding, though it was Suzanne Somers’s performance as the perpetually bouncy and braless Chrissy Snow that made the show a hit.  The show fell apart when Somers asked for more money, Ritter and DeWitt got angry with her, and the studio bosses lied to everyone.  Today, the show is legendary as an example of how backstage tension can end even a popular series.

Behind The Camera: The Unauthorized Story of Three’s Company attempts to dramatize the success and eventual downfall of Three’s Company.  Joyce DeWitt appears at the beginning and the end to talk about how important she thinks the show was.  In the movie, she is played by Melanie Paxson.  John Ritter is played by a lookalike actor named Bret Anthony while an actress named Jud Taylor plays Somers.  Brian Dennehy plays ABC president Fred Silverman and other executives are played by Daniel Roebuck, Wallace Langham, Gary Hudson, and Christopher Shyer.  The movie recreates all of the drama that went on during Three’s Company without offering much insight or really anything new to the story.  Even though the movie was co-produced and hosted by Joyce DeWitt, Suzanne Somers is really the only sympathetic character in the movie.  DeWitt comes across as being jealous while Anthony plays John Ritter as being a bland nonentity who chooses his own success over being honest with his costars.  The network executives are more interesting, just because watching them provides a glimpse into how real producers and showrunners picture themselves.  They just wanted to make a good show about a sex addict pretending to be gay so he could live with two attractive, single women but the agents and the network presidents just keep getting in the way!  Won’t someone please think of the mid-level network executives?

Bland though this recreation was, it was enough of a rating hits that NBC went on to produce several more Behind The Camera films.  Three’s Company was only the beginning.

KID GALAHAD (1962) – Charles Bronson teaches Elvis how to box! Happy Birthday to the King!


In celebration of the January 8th birthday of the great Elvis Presley, I decided to watch his 1962 film KID GALAHAD, the only film where he co-stars with my movie hero Charles Bronson. I’ve always been a fan of Elvis Presley and seeing him on-screen with Bronson is a real treat for me.

KID GALAHAD opens with Walter Gulick (Elvis Presley) returning to his hometown in upstate New York. Recently discharged from the army, and in the need of money, the aspiring mechanic finds his way to Willy Grogan’s (Gig Young) boxing camp and agrees to spar with one of his up-and-coming young boxers. Walter doesn’t have much boxing skill, but he ends up having one hell of a right hook and knocks the young boxer flat on his ass. Seeing this, Willy Grogan, who has all sorts of personal and financial problems, thinks Walter might be the answer to getting out of debt to his bookie. Willy asks his trainer Lew (Charles Bronson) to work with the young, strong Walter, who’s now been dubbed “Galahad” by Willy’s girlfriend Dolly (Lola Albright) after he had protected her honor from a “man who doesn’t know how to behave around a lady.” Pretty soon, Willy has fights arranged for Walter under the name of “Kid Galahad.” The first fight begins with Galahad getting his faced being punched repeatedly until he gets one opening and then knocks the other fighter out with one punch. After that, with Lew’s help, Galahad’s skills start showing definite improvement. When he’s not working with Lew at the gym, Galahad finds time to romance and propose to Willy’s sister, Rose (Joan Blackman). This causes problems with the troubled Willy who doesn’t want his sister married to some “meatball” or “grease monkey.” Even worse, smelling money, gangster Otto Danzig (David Lewis) and his henchmen start putting pressure on the financially troubled Willy to force Galahad to take a dive in his big fight with “Sugar Boy” Romero so they can clean up on the fix, going so far as breaking Lew’s hands. Will Willy get the balls to say no to the gangsters? Will Galahad be able to beat Sugar Boy Romero and then retire to open his garage with Rose by his side? You probably already know, but you’ll just have to watch and see!

1962’s KID GALAHAD is a remake of a 1937 movie of the same name directed by Michael Curtiz, and starring cinematic legends Edward G. Robinson, Bette Davis, and Humphrey Bogart. I’ve never seen the earlier version, so I will not compare the two in any way. And to be completely honest, I haven’t watched very many Elvis Presley movies either. As I type this, I can’t think of a single moment I remember in his filmography not included in KID GALAHAD, and I wouldn’t have watched this one without the presence of Charles Bronson. With that said, I think Elvis gives a good performance in KID GALAHAD. He’s very likable, with his character having an old-fashioned chivalry towards women, a friendly, open way with men, and an appreciation for a strong work ethic. I think Elvis handles each of these parts of his character in a way to that makes me want to root for him. As good as Elvis is as Kid Galahad, Gig Young does most of the heavy lifting as the story really revolves around his character’s troubles even more than it does around Galahad. I think he does a pretty good job of taking a character who’s a pretty sorry guy, and by the end of the movie we actually find ourselves starting to like him. Even though he’s in a true supporting role, Charles Bronson is excellent as the trainer who teaches Galahad how to box. Every scene Bronson’s in is elevated by his enormous screen presence and authority. With Bronson in his corner, you feel Galahad is capable of anything. The most powerful scene in the entire film is when the gangsters try to buy his character off under the threat of violence, and he refuses, leading to his hands being broken. After becoming one of the biggest stars on the planet a number of years later, it’s easy to look back at these moments and wonder how in the hell was he not already a huge star in 1962.

Of course, this being an Elvis Presley movie, there are several musical numbers spread throughout the movie. While I don’t remember too much about the songs themselves, they didn’t really take me out of the drama of the movie either. I actually enjoyed seeing Elvis perform, with the people around him clapping along and enjoying themselves. I do remember a specific scene where Elvis is singing as he’s driving down the road, and Bronson’s sitting in the back seat with a big smile on his face like he’s having a great time. That’s my favorite moment of all the songs.  

Although I haven’t watched many of his movies, I’ve been an appreciative fan of Elvis Presley all my life. I can’t tell you how many times I heard his Christmas album in my younger years, as my mom would play it almost on repeat once we got to November. He was a talented, versatile singer whose charisma and stage presence have never been matched, and whose influence on music and entertainment is immeasurable. The fact that Elvis Presley and Charles Bronson made KID GALAHAD together means something to me, and I had a great time revisiting the film on his birthday!

See the Original Trailer for KID GALAHAD below.

8 Shots From 8 Horror Films: 1990 — 1993


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

This October, I’m going to be doing something a little bit different with my contribution to 4 (or more) Shots From 4 (or more) Films.  I’m going to be taking a little chronological tour of the history of horror cinema, moving from decade to decade.

Today, we take a look at 1990, 1991, 1992, and 1993!

8 Shots From 8 Horror Films: 1990 — 1993

Troll 2 (1990, dir by Claudio Fragasso, DP: Giancarlo Ferrando)

It (1990, dir by Tommy Lee Wallace, DP: Richard Lieterman)

Frankenstein Unbound (1990, dir by Roger Corman, DP: Armando Nannuzzi)

The People Under The Stairs (1991, dir by Wes Craven, DP: Sandi Sissel)

Twin Peaks: Fire Walk With Me (1992, dir by David Lynch, DP: Ron Garcia)

Bram Stoker’s Dracula (1992, dir by Francis Ford Coppola, DP: Michael Ballhaus)

Witchboard 2: The Devil’s Doorway (1993, dir by Kevin S. Tenney, DP: David Lewis)

Cronos (1993, dir by Guillermo Del Toro, DP: Guillermo Navarro)

10 Shots From 10 Horror Films: 1987 — 1989


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

This October, I’m going to be doing something a little bit different with my contribution to 4 (or more) Shots From 4 (or more) Films.  I’m going to be taking a little chronological tour of the history of horror cinema, moving from decade to decade.

Today, we take a look at 1987, 1988, and 1989!

10 Shots From Horror History: 1987–1989

Hellraiser (1987, dir by Clive Barker, DP: Robin Vidgeon)

Stage Fright (1987, dir by Michele Soavi, DP: Renato Tafuri)

Near Dark (1987, dir by Kathryn Bigelow, DP: Adam Greenberg)

Prince of Darkness (1987, dir by John Carpenter, DP: Gary B. Kibbe)

They Live (1988, dir by John Carpenter, DP: Gary B. Kibbe)

Night of the Demons (1988, dir by Kevin S. Tenney, DP: David Lewis)

The Lair of the White Worm (1988, dir by Ken Russell, DP: Dick Bush)

The Church (1989, dir by Michele Soavi, DP: Renato Tafuri)

Twin Peaks: The Pilot (1989, dir by David Lynch, DP: Ron Garcia)

Friday the 13th Part VIII: Jason Takes Manhattan (1989, dir by Rob Hedden, DP: Bryan England)

4 Shots From 4 Kevin S. Tenney Films


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, we wish a happy birthday to Kevin S. Tenney, director of some of most best loved horror films of the 80s and the 90s!  It’s time for….

4 Shots From 4 Kevin S. Tenney Films

Witchboard (1986, dir by Kevin S. Tenney, DP: Roy Wanger)

Night of the Demons (1988, dir by Kevin S. Tenney, DP: David Lewis)

Witchboard 2: The Devil’s Doorway (1993, dir by Kevin S. Tenney, DP: David Lewis)

Pinnochio’s Revenge (1996, dir by Kevin S. Tenney, DP: Eric Anderson)

Music Video of the Day: Heaven’s On Fire by KISS (1984, directed by David Lewis)


This is yet another KISS video from the era when the band was performing without their makeup because who needs a memorable gimmick when you can just be another overage hair metal band singing about banging groupies?

This video begins with Paul Stanley’s hands on fire.  Judging from the rest of the video, which features scenes of KISS performing mixed with scenes of KISS entertaining their fans, those hands probably weren’t the only thing that felt like it was on fire by the time filming on this video was completed.

Over on the imdb, director David Lewis has exactly two credits.  One is for this video.  The other is for directing a Linda Ronstadt television special.  Both of them came out in 1984 so it appears that Lewis went straight form Linda Ronstadt to KISS.  That was probably quite a journey.

Speaking of journeys, KISS eventually put the makeup back on.

Enjoy!

Dangerous Curves (1988, directed by David Lewis)


Last night, I watched Dangerous Curves.

This was a dumb, dumb film from the late 80s.  Tate Donovan and Grant Heslov star as two college students who lose a Porsche in San Diego and then have to get it back.  Fortunately, the Porsche is the grand prize in a beauty contest so Donovan and Heslov just have to hope that their friend Michelle (Danielle van Zernick) wins.  This should have been fun because it featured a hot car and several hot girls in bikinis but it also featured Tate Donovan and Grant Heslov as our “heroes.”  Donovan plays the uptight college student and comes across like one of the flunkies who helped Ted Kennedy cover-up Chappaquiddick.  Grant Heslov plays the carefree college student who constantly ruins everyone else’s life.  Neither one has the screen presence necessary to make us overlook how stupid their characters are.  On the basis of Dangerous Curves, it’s easy to see why Heslov went into producing and Tate Donovan went into doing character roles in films produced by Grant Heslov.

On the plus side, Robert Stack and Leslie Nielsen are funny in small roles.  And the car is hot and the film features as many bikinis as a typical episode of Miami Vice.  Watching the movie might remind you of the fun you had playing Grand Theft Auto: Vice City back in the day.

There’s nothing wrong with that.

Film Review: The Butterfly Effect 2 (dir by John R. Leonetti)


http://www.youtube.com/watch?v=jHg7L35MLqY

“Hey, everyone!  Let’s remake The Butterfly Effect, just without any of the goofiness that made the first film so enjoyable!”

That would seem to be the logic behind 2006’s The Butterfly Effect 2.  Since the first Butterfly Effect was a minor hit (I saw it in the theaters!), it was inevitable that there would be a sequel.  And since the first Butterfly Effect is currently on Netflix, it’s also inevitable that the sequel would follow it.

Anyway, Butterfly Effect 2 is just like Butterfly Effect except, instead of a guy trying to fix his entire screwed-up childhood, the sequel is about an office worker named Nick (Eric Lively) who has just had a really bad year.  His girlfriend and his two best friends were killed in a traffic accident.  He lost a big promotion at work.  His apartment is a mess and he keeps having these hella icky nosebleeds.  Agck!  Nick, however, discovers that if he stares at an old picture, he can be transported back to the moment that the picture was taken.

Since Nick obviously didn’t see the first movie, he proceeds to start changing the past.  He prevents the deaths of all of his friends but now, in the new timeline, he actually has to work with them and this results in him getting fired.  He then goes back in the past to keep a jerk from getting a promotion but this leads to Nick getting the promotion instead, breaking up with his girlfriend, and becoming an ennui-stricken bachelor.  Apparently, being a wealthy bachelor means doing business with organized crime because Nick soon has people trying to kill him.  Maybe there’s no way to create a perfect present, the film suggests.

And the film might be right but that doesn’t make it any less boring to sit through.  The Butterfly Effect 2 is just never as much fun as the first film.  It lacks the goofy charm of Ashton Kutcher and most of the timeline changes are rather dull.  The sequel never matches the glory of Ashton Kutcher waking up to discover that he’s gone from being a disheveled psych major to being a clean-cut, sweater-wearing frat boy.

The Butterfly Effect 2 was directed by John Leonetti, who would later direct the genuinely creepy Annabelle.  Of course, he also directed the absolutely awful Wolves at the Door.  As for The Butterflyn Effect 2, it’s not creepy but it’s also not awful enough to be memorable.  More than anything, it’s a bland movie.  It’s just kind of there, floating in direct-to-video, Netflix limbo.

Horror on TV: Kolchak: The Night Stalker 1.8 “Bad Medicine” (dir by Alexander Grasshoff)


On tonight’s episode of Kolchak: The Night Stalker, wealthy women are dying in Chicago and Carl Kolchak is on the case!  It turns out that it’s all connected to priceless jewels and a legendary monster known as the Diabelro, a creature has been cursed to roam the Earth and search for gems.

The Diabelro is played by Richard Kiel, who might be best known for playing Jaws in The Spy Who Loved Me and Moonraker.

This episode originally aired on November 29th, 1974.

Enjoy!

http://www.youtube.com/watch?v=97o7cuBNTAs