Late Night Retro Television Reviews: Friday the 13th 1.17 “The Electrocutioner”


Welcome to Late Night Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th: The Series, a show which ran in syndication from 1987 to 1990. The show can be found on YouTube!

There’s nothing scarier than going to the dentist!  Especially when he has a cursed electric chair!

(As a sidenote, I was planning on reviewing this last week but I was not feeling well so I held off until this week.  I apologize for the delay in the writing and posting this review!  These things do happen and I’ve recently been told that I need to start getting more rest and looking after my health so it may happen more than once.)

Episode 1.17 “The Electrocutioner”

(Dir by Rob Hedden, originally aired on April 18th, 1988)

In 1978, Eli Pittman (Angelo Rizacos) was sitting on death row, an innocent man who had been wrongly convicted of murder.  Sentenced to die in the electric chair, Eli’s cries of innocence fell on deaf ears.  The warden of the prison didn’t care.  The judge didn’t care.  The prosecuting attorney didn’t care.  Miraculously, Eli survived the first attempt to electrocute him.  And, fortunately, his death sentence was overturned before he could be shocked a second time.

Ten years later, Eli is working as a dentist at a school for runaways.  Though he presents himself as being a charitable doctor who just wants to help the less fortunate, Eli is actually a deeply bitter man.  He wants revenge on everyone who sent him to prison.  Eli has purchased the electric chair in which he was meant to die.  He’s disguised it as a dentist chair.  When his teenage patients sit in the chair, they are reduced to ash.  Eli is then able to generate electricity through his body.  He uses this power to get his revenge.

Can Ryan, Micki, and Jack stop him?

After a really good opening scene (which is filmed in black-and-white and makes use of a handheld camera to generate a genuinely nightmarish atmosphere), this becomes one of the sillier episodes that I’ve watched so far.  Angelo Rizacos is good in the flashback scenes and he makes you feel a good deal of sympathy for Eli.  But, in the modern day scenes, he overacts to an extent that Eli goes from being a victimized man driven by revenge to a rather broadly-drawn supervillain.  He’s like a character from a B-comic book movie, the sort of villain that would expect Venom or Morbius to battle in a pre-credits sequence.

Add to that …. an antique electric chair?  This show is at its best when the antiques are stuff that you could imagine actually stumbling across in an antique store.  The idea of that big, bulky chair being in the store (and subsequently being disguised as a dentist chair) was just silly.

But you know what?  Friday the 13th is a fun show, even when it’s silly.  Chris Wiggins, John D. LeMay, and Robey made for a good team of investigators and, if nothing else, it was fun watching them interact in this episode.  This was a silly episode but at least it was silly in an entertaining way.

10 Shots From 10 Horror Films: 1987 — 1989


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

This October, I’m going to be doing something a little bit different with my contribution to 4 (or more) Shots From 4 (or more) Films.  I’m going to be taking a little chronological tour of the history of horror cinema, moving from decade to decade.

Today, we take a look at 1987, 1988, and 1989!

10 Shots From Horror History: 1987–1989

Hellraiser (1987, dir by Clive Barker, DP: Robin Vidgeon)

Stage Fright (1987, dir by Michele Soavi, DP: Renato Tafuri)

Near Dark (1987, dir by Kathryn Bigelow, DP: Adam Greenberg)

Prince of Darkness (1987, dir by John Carpenter, DP: Gary B. Kibbe)

They Live (1988, dir by John Carpenter, DP: Gary B. Kibbe)

Night of the Demons (1988, dir by Kevin S. Tenney, DP: David Lewis)

The Lair of the White Worm (1988, dir by Ken Russell, DP: Dick Bush)

The Church (1989, dir by Michele Soavi, DP: Renato Tafuri)

Twin Peaks: The Pilot (1989, dir by David Lynch, DP: Ron Garcia)

Friday the 13th Part VIII: Jason Takes Manhattan (1989, dir by Rob Hedden, DP: Bryan England)

Horror on TV: Friday the 13th The Series 1.17 “The Electrocutioner” (dir by Rob Hedden)


On tonight’s episode of Friday the 13th, a cursed electric chair gives its own the power to shock his enemies.

This episode was written and directed by Rob Hedden, who would later direct Friday the 13th Part VIII: Jason Takes Manhattan!

This episode originally aired on April 23rd, 1988.

4 Shots From 4 Films: Special Friday The 13th Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

Admittedly, the Friday the 13th films aren’t exactly known for being the most visually impressive horror films ever made.  That’s especially true of the first 8 films, which were all shot on a low budget and in a hurry.  That said, today is Friday the 13th and there’s no way that I, as a lover of the horror genre, couldn’t use the 4 Shots format to pay a little bit of tribute to one of the most successful and influential horror franchises of all time.

So, with that in mind, here are….

4 Shots From 4 Friday the 13th Films

Friday the 13th (1980, dir by Sean S. Cunningham)

Friday the 13th: The Final Chapter (1984, dir by Joseph Zito)

Friday the 13th Part VI: Jason Lives (1986, dir by Tom McLoughlin)

Friday the 13th Part VIII: Jason Takes Manhattan (1989, dir by Rob Hedden)

Back in 2012, I reviewed every single film in the Friday the 13th film franchise!  It was a lot of fun!

My Friday the 13th reviews:

Happy Friday the 13th everyone!

Film Review: Friday the 13th Part VIII: Jason Takes Manhattan (dir. by Rob Hedden)


Continuing my review of the Friday the 13th film franchise, today I find myself reviewing the 8th film in the series, 1989’s Friday The 13th Part VIII: Jason Takes Manhattan.  As opposed to my previous reviews, this is going to be a short one because, quite honestly, there’s not that much you can say about this film.

As I discussed in my reviews of both Jason Lives and The New Blood, Jason Takes Manhattan is the product of Paramount’s attempts to revive the Friday the 13th franchise by adding in a gimmick.  This time, the gimmick is pretty much spelled out in the title.  Jason leaves Crystal Lake, goes to Manhattan, and maybe even get a chance to make his Broadway debut in a revival of Forever Plaid.  Seriously, you look at that title and you imagine that Jason going up agaisnt the Taxi Driver and or maybe taking Al Neri’s place as Michael Corleone’s personal bodyguard.  Unfortunately, as is detailed in Peter Bracke’s excellent book Crystal Lake Memories, any plans for truly having Jason take Manhattan were abandoned when it became apparent just how expensive it would be to film in New York.  As a result, this film is less Jason Takes Manhattan and more Jason Floats Around Aimlessly Until He Somehow Ends Up In Times Square For Two Minutes.

And, in the film’s defense, Jason Takes Manhattan is a catchier title.

As Jason Takes Manhattan begins, we find Jason (played again by Kane Hodder) once again coming back to life as the result of his corpse floating into an underwater power line.  Or something like that.  To be honest, it’s kind of hard to figure out just why exactly Jason has come back to life.  All that matters is that Jason comes back to life and ends up stowing away on a cruise ship that is carrying the graduating class of Lakeview High to New York City.  Needless to say, Jason is soon killing everyone on the boat, most of whom apparently die off-screen.  (Either that or Lakeview High had a graduating class of 12 students.)  The few who survive the massacre (including aspiring final girl Jensen Daggett and her boyfriend Scott Reeves) end up in a row boat and float around aimlessly until they arrive in New York.  But guess who is waiting for them in the city that never sleeps?

Several critics consider Jason Takes Manhattan to be the worst Friday the 13th of all time.  While I still think that Part 3 is the worst of the series, Jason Takes Manhattan is still pretty bad.  Among the film’s many flaws: 1) characters that are underwritten even by the standards of the slasher genre, 2) bloodless kills that, for the most part,  fail to make much of an impact, 3) very little of the action actually takes place in New York, and 4) this film features perhaps the most ludicrous and nonsensical ending to be found in a series of films that were famous for their refusal to make sense.

Still, Jason Takes Manhattan is not a total disaster.  Jensen Daggett and Scott Reeves make a cute couple and Kane Hodder, as always, makes for an intimidating Jason.  As well, even though very little of the film takes place in New York, just the idea of Jason actually taking Manhattan is amusing enough to be occasionally effective.  If nothing else, the title inspires you to imagine a better film than the one that you’re watching.

Jason Takes Manhattan was the lowest grossing of the Friday the 13th movies.  It’s disappointing box office performance would lead to Paramount selling the franchise to New Line Cinema and to a major change in the character of Jason Vorhees.  That’ll all be dealt with tomorrow when I review Jason Goes To Hell: The Final Friday.