Film Review: The Butterfly Effect 2 (dir by John R. Leonetti)

Posted on February 13, 2019 by Lisa Marie Bowman

“Hey, everyone! Let’s remake The Butterfly Effect, just without any of the goofiness that made the first film so enjoyable!”

That would seem to be the logic behind 2006’s The Butterfly Effect 2. Since the first Butterfly Effect was a minor hit (I saw it in the theaters!), it was inevitable that there would be a sequel. And since the first Butterfly Effect is currently on Netflix, it’s also inevitable that the sequel would follow it.

Anyway, Butterfly Effect 2 is just like Butterfly Effect except, instead of a guy trying to fix his entire screwed-up childhood, the sequel is about an office worker named Nick (Eric Lively) who has just had a really bad year. His girlfriend and his two best friends were killed in a traffic accident. He lost a big promotion at work. His apartment is a mess and he keeps having these hella icky nosebleeds. Agck! Nick, however, discovers that if he stares at an old picture, he can be transported back to the moment that the picture was taken.

Since Nick obviously didn’t see the first movie, he proceeds to start changing the past. He prevents the deaths of all of his friends but now, in the new timeline, he actually has to work with them and this results in him getting fired. He then goes back in the past to keep a jerk from getting a promotion but this leads to Nick getting the promotion instead, breaking up with his girlfriend, and becoming an ennui-stricken bachelor. Apparently, being a wealthy bachelor means doing business with organized crime because Nick soon has people trying to kill him. Maybe there’s no way to create a perfect present, the film suggests.

And the film might be right but that doesn’t make it any less boring to sit through. The Butterfly Effect 2 is just never as much fun as the first film. It lacks the goofy charm of Ashton Kutcher and most of the timeline changes are rather dull. The sequel never matches the glory of Ashton Kutcher waking up to discover that he’s gone from being a disheveled psych major to being a clean-cut, sweater-wearing frat boy.

The Butterfly Effect 2 was directed by John Leonetti, who would later direct the genuinely creepy Annabelle. Of course, he also directed the absolutely awful Wolves at the Door. As for The Butterflyn Effect 2, it’s not creepy but it’s also not awful enough to be memorable. More than anything, it’s a bland movie. It’s just kind of there, floating in direct-to-video, Netflix limbo.

Cleaning Out The DVR: Killer Body (dir by David I. Strasser)

Posted on January 3, 2019 by Lisa Marie Bowman

(I recorded Killer Body off of Lifetime on December 30th.)

Oh my God, this was a great movie!

Okay, so check this out. Once upon a time, there was a medical student named Elizabeth (Lindsay Maxwell) who felt like she was being shunned and ignored by her classmates. She had a crush on a doctor named Chris (Peter Benson) but Chris was in love with Katie Jones (Sunny Mabrey), Eventually, Elizabeth ended up having a total melt down and was forced to drop out of medical school. Elizabeth become obsessed with plastic surgery, hoping to make herself look perfect (which, in this case, meant looking more and more like Katie). Now going by the name Liz Oakley, she goes from doctor to doctor, getting work done and then suing them for malpractice. And if she can’t get your medical license taken away, she’ll just spray you with poison perfume. Seriously, this film features 4 separate attacks by toxic perfume.

One day, Liz shows up at Katie’s office and, until Liz introduced herself, Katie doesn’t even recognize her. Liz wants some minor work done and she claims that she’s been referred by one of Katie’s colleagues. Of course, Liz soon proves herself to be just as unstable as you might expect someone who regularly murders people to be. Soon, all Katie’s like, “I don’t want you as my patient anymore,” and Liz is like, “Fine, I’ll just destroy your life.”

Soon, Liz is showing up on a college campus and making a seriously awkward attempt to befriend Liz’s daughter. Katie and Chris (whose brilliant medical career has been brought to an end by a stroke) take out a restraining order but there’s nothing in that order that can stop Liz from going to another, less ethical plastic surgeon and having more work done in her quest to be perfect and to look more like Katie. Of course, when the surgery results in Liz having a barely noticeable scar on her chin, it’s not a good thing…

Obviously, the success of a film like this pretty much hinges on the actress who is cast as the stalker/psycho character and fortunately, Liz is played by Lindsay Maxwell. Maxwell turns Liz into a force of uncontrollable, narcissistic nature and one of the more entertaining aspects of the film is watching as Liz goes from smiling to screaming in just a matter of seconds. On the one hand, Liz is a complete psycho but, on the other hand, who hasn’t wanted to be perfect and who hasn’t, at least once, thought about they would do to achieve that perfection? Maxwell wisely adds just a bit of vulnerability to the character, making Liz a psycho to whom you can relate. Sunny Mabrey and Peter Benson also contribute good performance but ultimately, the film is dominated by Lindsay Maxwell and her bottle of killer perfume.

Killer Body was a killer melodrama, exactly the type of movie that we watch Lifetime to see. Between the murders and the intrigue and the attempts to fool Chris into committing adultery, this was a wonderfully entertaining look at just how far people will go to achieve perfection.

Cleaning out the DVR, Again #10: Get Out Alive (dir by George Erschbamer)

Posted on June 29, 2016 by Lisa Marie Bowman

After I finished up with The Perfect Daughter, it was time to continue cleaning out the DVR by watching Get Out Alive. Get Out Alive originally aired on March 27th on the Lifetime Movie Network and it is quite possible the silliest movie that I’ve ever seen on Lifetime.

Now, that’s not necessarily meant as a complaint. Part of the appeal of the movies that premiere on Lifetime and LMN is often the very fact that they are so silly and melodramatic. Get Out Alive is a film that not only embraces the melodrama but practically drapes itself in it. And while the naysayers may complain that Get Out Alive doesn’t make much sense, they’ll be missing the point. It’s not about making sense. It’s about being entertaining.

Or, at the very least, memorable.

Or, at the very, very least, it’s about going totally batshit crazy during the second half of the movie. Get Out Alive started slow. For the first hour, I was unimpressed. But then it went totally batshit crazy during the second hour and I said to myself, “This is why we watch Lifetime movies!”

Get Out Alive tells the story of a young married couple. On the outside, they look perfect. But, once you start to dig and actually look under the surface, you discover that they are on the verge of breaking up. Lucy (Beverely Mitchell) is organized and practical to a fault. She is not spontaneous. She does not take risks. For some reason, she wears absolutely no makeup, which she really could have used in a few scenes. (She also could have benefited from doing something with her hair.) Meanwhile, husband Greg (Ryan Williams) is all about taking risks and living life to the fullest. Their marriage has become so strained that Greg was even briefly tempted to cheat.

Well, what better way to fix things than to go to a marriage retreat? They’re invited by another couple, both of whom swear that the retreat will work miracles. And, at first, everything seems fine. The retreat is located in a beautiful wilderness. The cabins are nice. There’s an older, friendly couple who immediately befriend Lucy. Sure, the guy in charge (played by Vincent Gale) is a little creepy but who are we to judge, eh?

(Did I mention that, like most good Lifetime films, Get Out Alive is a Canadian production?)

However, there are a few things that make Lucy suspicious. For instance, there are guards wandering all over the compound. The old couple vanishes. At one point, Lucy tumbles down a hill. Greg suggests that maybe she just tripped but Lucy is convinced that she was pushed!

So, what’s happening here? Well, as I watched Get Out Alive, I came up with two theories.

My first theory is that the whole thing was just a big trick to make Lucy think that she was in danger. Seeing Lucy frightened would cause Greg to realize how much he loved his wife and then the movie would end with the guy in charge emerging and revealing the hoax. “You saved our marriage!” Greg would happily proclaim.

That was one theory. My other theory was that the retreat was actually an elaborate ruse to steal Lucy and Greg’s internal organs and sell them to the highest bidder.

Which theory was right? You’ll have to watch the movie to find out! I’m sure it’ll show up on Lifetime again at some point in the near future. Lifetime is pretty good about continually rerunning their movies.

But anyway, my point is that Get Out Alive is totally ludicrous and kind of silly but that’s kind of the film’s charm. It makes so little sense and takes place so far outside of the realm of probability that it becomes oddly fascinating. Add to that, the film’s title doubles as good advice.

You should always get out alive!