Retro Television Review: St. Elsewhere 3.3 “Two Balls And A Strike”

Posted on December 5, 2025 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988. The show can be found on Daily Motion.

This week, the nurses go on strike. Fire all of them!, I say.

Episode 3.3 “Two Balls and a Strike”

(Dir by David Anspaugh, originally aired on October 3rd, 1984)

It’s another depressing few days at St. Eligius.

When negotiations break down, all of the nurses — except for Shirley Daniels — go on strike. Led by Nurse Rosenthal, they march out of the hospital and join a picket line in the rain. Triumphant music plays on the soundtrack Rosenthal gets on her bullhorn and announces that anyone making deliveries to the hospital will be crossing the picket line and not showing solidarity with the union. Honestly, though? Screw the union. It’s a hospital! It needs supplies. There are people dying inside of that building and they’re not even going to have the dignity of clean linen because of Nurse Rosenthal and her stupid union. And another thing …. Rosenthal is the head of union at St. Eligius. So, why isn’t she marching in the rain and carrying a sign? Why does she get to stand in the doorway and shout at people? Get out there and suffer for your union, you British commie!

Obviously, the show wanted me to be inspired by Rosenthal and the union. Whenever it switched over to the picket line, triumphant music started playing. I’m with Nurse Daniels on this one, though. Daniels didn’t vote the union so why should she have to suffer in the rain? She stays on the job. “Good luck,” Rosenthal tells her, “you’ll need it.” And all I can say to that is that at least Shirley Daniels isn’t deserting the hospital’s patients.

While the nurses are on strike, Dr. Canavero is attacked by a hulking man wearing a ski mask. Canavero is able to fight him off. Westphall and everyone else at the hospital immediately assumes that the man was Peter White but Peter has an alibi. He was in radiology when Canavero was attacked. So, is there a new ski mask rapist haunting the hospital? The first ski mask rapist storyline was pretty disturbing, especially since Peter got away with it. I’m not sure I want to go through a second one.

Dr. Craig and Ellen went to couples therapy. As usual, Dr. Craig got annoyed with the whole thing. There’s really nothing more fun than watching Dr. Craig get annoyed. No one gets annoyed better than William Daniels. Still, it seemed to do Dr. Craig and Ellen some good, with Ellen making plans to go to Hawaii and Dr. Craig acknowledging that he’s not always the easiest person to deal with.

As for Dr. Westphall …. he spent most of this episode depressed. Westphall is always depressed.

This is my final St. Elsewhere review for 2025. Retro Television Review is taking a break for the holidays, so I can focus on Awards Season and Christmas movies! St. Elsewhere will return on January 9th.

Retro Television Review: St. Elsewhere 2.18 “Equinox”

Posted on October 3, 2025 by Lisa Marie Bowman

This week, Peter White returns to the hospital.

Episode 2.18 “Equinox”

(Dir by David Anspaugh, originally aired on March 14th, 1984)

A college student (Thomas Byrd) comes in after taking a hit to the groin during a touch football game. It turns out that he might have testicular cancer and it falls to Dr. Cavanero to let him know that he will soon be down a ball.

Dr. Chandler is upset when his new girlfriend prefers to hang out with Luther. Chandler accuses Luther of “shuckin’ and jivin’.” Chandler’s girlfriend dumps him for being “mean.” In a well-acted scene, Chandler talks to Morrison about how he’s expected to act one way as a black man and another way as a black doctor.

Fiscus makes the mistake of giving Elliott Axlerod (Stephen Furst) his lucky baseball cap. Axelrod spills a urine sample on it and then accidentally sets the hat on fire while attempting to dry it. Axlerod is having a terrible day until a man dressed like Paul Revere brings his horse into the ER for treatment. It turns out that Axlerod’s father was veterinarian. Axlerod cures the horse but he still has to get Fiscus a new hat.

Finally, Dr. White returns. His charges have been reduced from attempted rape to assault. Wendy Armstrong is not happy and starts to binge eat. (And yet, as several nurses point out, she doesn’t gain a pound. We all know what that means….) When Kathy Martin sees Peter in the cafeteria, she yells that he raped her. “You’re crazy,” Peter lies.

The episode ends with Dr. Chandler going for a run outside, stopping, and screaming into the air.

This episode was a bit uneven. The Axlerod story worked because of the likability of Stephen Furst and not because the story itself was particularly clever. The Philip Chandler/Jack Morrison conversation was the highlight of the episode, though the ending with Chandler screaming into the void was a bit overdone.

As for Dr. White, I’ve reached the point where I can’t even stand to look at him and I feel foolish for having any sympathy for him earlier in the season. Hopefully, this season will end with Dr. White going to prison for life because I’m not sure how many more episodes I can handle of him wandering around the hospital with that smug look on his face.

Seriously, St. Elsewhere, take care of this guy soon….

Retro Television Review: St. Elsewhere 2.14 “Drama Center”

Posted on September 5, 2025 by Lisa Marie Bowman

This week, things get depressing.

Episode 2.14 “Drama Center”

(Dir by David Anspaugh, originally aired on February 15th, 1984)

This week’s episode opens with a disturbing scene in which a woman, trying to get her car to start on a snowy night, is attacked and raped in the parking lot of St. Eligius. The rapist is wearing a green jacket and a ski mask.

At first, I assumed that the rapist was a random lowlife, someone who would likely never be seen again. But then Dr. Cavanero’s wealthy boyfriend tried to force himself on her and I was left wondering if maybe he would be revealed as the man in the ski mask. However, towards the end of the episode, there was scene featuring Dr. Peter White. Having been banned from working in the ER and from prescribing medicine, White is now working in the morgue and, needless to say, he spends this entire episode bitching about it. As the episode ends, we see that Peter is holding a capsule in his hand, suggesting that he is once again abusing drugs. However, I also noticed that Peter was wearing the same green jacket as the man in the ski mask!

This was a good episode, well-written and well-acted. It was also pretty depressing. Dr. Westphall brings his severely autistic, noncommunicative son Tommy (Chad Allen) to St. Eligius so that Dr. Ridley can examine him. Dr. Ridley warns Westphall that Tommy is aggressive and that Westphall might not be able to continue to care for him at home, despite the fact that Westphall’s daughter (Dana Short) is planning on forgoing her dream college to stick around and help. Westphall ends his day reading Tommy a book (“Your mom bought you this book.”) and breaking down into tears and it made me cry a little too.

Meanwhile, a TV crew followed around Dr. Craig for a documentary. Needless to say, they got in the way and they got on Craig’s nerves. The director was played by Michael Richards, who, of course, is best-known for playing Kramer on Seinfeld and then having a racist meltdown when he got heckled at a comedy club. In an episode that was, emotionally, pretty dark, it was almost a relief to get some scenes of Dr. Craig losing his temper with the documentary crew. As someone who knows William Daniels best as the kindly Mr. Feeney from countless Boy Meets World reruns, it’s been a real pleasure to Daniels as the prickly and arrogant Dr. Craig. Dr. Craig wouldn’t have had much use for the Matthews clan and all of their drama.

This was an intense and sad episode. It was St. Elsewhere at its most emotional.

Retro Television Review: St. Elsewhere 2.8 “All About Eve”

Posted on July 25, 2025 by Lisa Marie Bowman

This week, everyone’s got the blues.

Episode 2.8 “All About Eve”

(Dir by David Anspaugh, originally aired on December 14th, 1983)

What a depressing episode!

With tension rising between Boston’s Catholics and its Protestants, threats are being called into the hospital because young Protestant Eddie Carson (Eric Stoltz) is still a patient. (Last week, I assumed Eddie was Catholic but apparently, he’s supposed to be a Protestant. I also assumed his parents were blown up in the pub bombing. In this episode, it was made clear that the victims were his aunt and uncle.) A group of masked, IRA-style terrorists break into Joan Halloran’s home. Joan’s gone at the time but Bobby Caldwell is in the shower and he ends up getting beaten into unconsciousness.

(Wow, did someone on the writing staff have an issue with Irish Catholics?)

Meanwhile, Dr. Westphall has to explain to his several autistic son Tommy (Chad Allen) that their beloved housekeeper has quit and moved away. Westphall’s daughter says she’s going to skip college and stay home to help take care of her brother. While I’ve always known that the widowed Westphall had an autistic son, this was the first episode to actually show us Westphall interacting with Tommy. And, with no disrespect meant to the autistic community, I can understand why Westphall always seems so depressed. Tommy runs and hides in a corner. Tommy hits his father. Tommy demands to know if everyone is going to leave him. By the end of the episode, Westphall was exhausted and I was even more exhausted from watching him.

But Westphall’s angst was not the most depressing thing about this episode. On top of everything else, Eve Leighton died! She didn’t die as a result of the heart that Dr. Craig transplanted into her. The heart was working fine. Instead, the rest of Eve’s body gave out. Being in the hospital initially saved her life but it also shut her off from everything that inspired her to keep living. Dr. Craig was in surgery when Eve coded. By the time he was able to get to her room, she was already gone. And with Eve’s death, that also means that the heart that once belonged to Morrison’s wife is gone as well.

I mean, seriously …. GOOD LORD! It was a well-acted episode. Both William Daniels and Ed Flanders broke my heart. But I seriously had to rewatch Happy Gilmore after watching this show. That’s how depressed it left me!

But that’s life and death in a hospital. Every hospital is home to hundreds of different stories and the majority of them do not have happy endings.

Retro Television Review: St. Elsewhere 2.6 “Under Pressure”

Posted on July 11, 2025 by Lisa Marie Bowman

This week, the hospital staff is under pressure!

Episode 2.6 “Under Pressure”

(Dir by David Anspaugh, originally aired on November 30th, 1983)

What a depressing episode!

It’s another day at St. Eligius and almost everyone seems to be in a bad mood. Patients are complaining that Dr. Craig is so obsessed with his heart transplant that he’s ignoring them. Dr. Westphall wakes up in a bad mood and continue to be in a bad mood for the entire episode. Dr. Morrison is upset because he’s treating two Irish teens who nearly killed each other because one is Protestant and the other is Catholic. (One of the teens is played by a young Eric Stoltz.) Bobby Caldwell has to figure out how to put together the face of one of the Irish boys. Ehrlich is complaining nonstop. Morrison is missing his wife. Auschlander is dealing with his approaching mortality. (There’s a wonderful moment when Norman Lloyd rolls his eyes while Auschlander listens to Westphall whine.)

Finally, a man calling himself Mr. Entertainment (Austin Pendleton) took over one of the hospital’s elevators and sang to the patients. That cheered some people up. It would have annoyed the Hell out of me. Mr. Entertainment is checked into the psych ward, where he meets the new head psychiatrist, Michael Ridley (Paul Sand). (Hugh Beale apparently no longer works at the hospital. Both he and Dr. Samuels were dropped after the first season, with no onscreen explanation.) The episode ends with Mr. Entertainment singing for a collection of nurses and doctors and bringing some happiness to their lives.

Everyone in this episode is under pressure. That’s fine. That’s realistic. Being a doctor cannot be an easy job. But it just made for a rather melancholy episode and I have to admit that I couldn’t wait for the end credits and that meowing cat.

Perhaps next week will be better.

RUDY! RUDY! RUDY!!

Posted on April 18, 2025 by Bradley Crain

It’s Good Friday and I’ve taken the day off from work to relax and spend some time in reflection and prayer on this important day on the Christian calendar. I woke up this morning and wasn’t quite ready to get out of bed, so I started flipping through Netflix’s selection and came across RUDY (1993). I try not to overwatch RUDY because I love the way it makes me feel, and I don’t want it to become so familiar that I lose that feeling. But it’s been a couple of years, so I decided to give it another spin.

As I’m sure most of you know, RUDY is based on the life of Daniel “Rudy” Ruettiger (Sean Astin), the 3rd of 14 children from a family in Joliet, IL, who dreamed of playing football at Notre Dame. There were a number of obstacles to that dream, namely that his family didn’t have much money, he didn’t have good grades, he was 5’6” tall and he didn’t have much football talent. What he did have was heart, and we watch Rudy persevere as he goes to school at neighboring Holy Cross while trying to get accepted in Notre Dame. Nothing ever comes easy for Rudy, but through determination, hard work, and sheer will he eventually makes his way to Notre Dame, joins the football team’s practice squad, and gets to suit up for one game in his senior year.

RUDY is a movie that affects me deeply. It really shouldn’t come as a surprise as it was written by Angelo Pizzo and directed by David Anspaugh, the team behind HOOSIERS (1986), one of my very favorite movies of all time. While there will never be a movie about my life, I know all too well what it’s like to love something so much, but not really be designed for it. In RUDY, the character Fortune, played by Charles S. Dutton in an incredible performance, tells a discouraged Rudy, “You’re 5 foot nothin’, 100 and nothin’, and you have barely a speck of athletic ability. And you hung in there with the best college football players in the land for 2 years.” Those were basically my specs when I was a senior playing high school basketball in a small town in Central Arkansas (5’7,” 125 and I couldn’t jump). I loved the game so much and put everything I had into it during my pee wee, junior high and senior high years. In 1991, I was named to the Arkansas’ All-State high school basketball team. Due to my lack of athleticism, I would not be able to play at the collegiate level, but I’ve always felt pride that I was able to maximize what talent God did bless me with in the game of basketball. That hard work ethic has served me well throughout my life. It’s so inspiring to watch a movie where a person perseveres against difficult odds, faces disappointments, keeps moving forward, works harder than everyone else, faces more obstacles, and then finally gets to see that work pay off. In a day and time where so many want all the rewards that life has to offer, without putting in any of the work, the story of RUDY stands the test of time and needs to be seen and heard.

Happy 95th Birthday to Gene Hackman! And some personal info about HOOSIERS (1986)!

Posted on January 30, 2025 by Bradley Crain

Gene Hackman is a tremendous, multiple Oscar winning actor who has been in some of the best movies ever made. Of all that great work, the movie that means the most to me is HOOSIERS (1986). If you don’t believe me, just go ahead and follow me on X. I’m easy to find. My handle is @Hoosiers1986. I’ve shared before that my dad was a high school basketball coach at small schools here in Arkansas that weren’t much different from the one in Hickory, IN depicted in the film. Growing up in the Crain household, basketball was my life and my dad and HOOSIERS have always been such inspirations to me.

On his 95th birthday, I wanted to share this video I found of Hackman discussing his role as Coach Norman Dale in HOOSIERS, which includes clips from behind the scenes and of the film itself. I had never seen this material before so I found it especially interesting. He tells a really special story about a lady he met while on location. It was quite touching. Happy Birthday, Mr. Hackman! Enjoy!

HOOSIERS and a son of a basketball coach!

Posted on November 18, 2024 by Bradley Crain

HOOSIERS is based on the true story of a small high school winning the Indiana state basketball championship in 1954. Gene Hackman plays Coach Norman Dale, the once successful college coach who gets a second chance when he’s hired to coach high school basketball in the tiny town of Hickory, Indiana. It takes some time for Coach Dale to whip the talented, but undisciplined young men into a team, and it also takes a little time for local legend Jimmy Chitwood to decide that he will play basketball again. Chitwood had stopped playing prior to the arrival of Coach Dale, but after watching the way the coach goes about his business, he decides he’ll give it another go. After a rough start, the team starts playing good basketball and starts piling up wins as they make their way towards a potential state championship.

HOOSIERS was released when I was 13 years old, and it has been one of my favorite movies for almost 40 years. Why, you might ask? I’ll start by giving you a little Bradley Crain family history. First, basketball was my life growing up. My dad was a teacher and high school basketball coach. From the earliest days I can remember, my dad was teaching me how to play basketball. He taught me the proper techniques for shooting, and through lots of practice I became very good at it. I’m one of those people who could be referred to as a “gym rat.” The only things I wanted to do growing up were play basketball and go fishing. I have a brother who is one year and 5 days older than me, and he loved basketball too. The competition between the two of us made it difficult at times at home, but it also pushed us to get better. Second, I grew up in a small rural community in Arkansas known as Toad Suck, and I went to school in the small town of Bigelow, Arkansas. Bigelow was classified as a “Class B” school for sports purposes. This was the smallest classification that you could be in, and my class consisted of approximately 40 students. Finally, when HOOSIERS came out I was in junior high and my dream was to win a high school state basketball championship. Our teams were good, and I was still young and naïve enough to believe anything was possible. We even won the district championship my 9th grade year, which was the year after HOOSIERS was released. Alas, the chips didn’t fall our way, and even though we won a lot of basketball games over the next few years, there were no state championships. Now back to the movie!

One of my favorite things about HOOSIERS is the cast of young men hired to play the members of the team. So often in movies, the actors that are supposed to be good at basketball are clearly not. That’s not the case in HOOSIERS. These guys can act and are talented basketball players as well. And what can I say about the cast that includes a marvelous Gene Hackman as the coach, and Dennis Hopper as the friendly, but alcoholic dad of one of the players who “knows everything there is to know about the greatest game ever invented.” Hopper is phenomenal, and his work was recognized with an Oscar nomination. Finally, as the team is making its way towards the championship, each player is given a moment to shine and do their part to help the team. I liked that. It all makes for an exciting and heartwarming true story that pretty much anyone can enjoy. I still love the movie now just thinking about it!

Retro Television Reviews: Miami Vice 1.16 “Rites of Passage”

Posted on January 1, 2024 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989. The entire show is currently streaming on Tubi!

This week, Pam Grier and John Turturro show up in Miami!

Episode 1.16 “Rites of Passage”

(Dir by David Anspaugh, originally aired on February 8th, 1985)

This week’s episode of Miami Vice opens with a 5-minute mini-movie. Before we even get to the opening credits, we have watched as young and innocent Diane Gordon (Terry Ferman) arrives in Miami from New York, takes her first walk on a Florida beach, has a “chance” meeting with a smooth-talking guy named Lile (David Thornton), and ends up at a party being held at a mansion belonging to David Traynor (a young John Turturro). Traynor tells Diane that he runs a modeling agency and that he would love to put her under contract.

It’s a stylish and rather brave opening. For five minutes, we don’t see or even hear about any of the regular characters. Instead, we’re introduced to world where image is everything, from the bodies on the beach to Traynor’s art deco mansion to the beautiful women who have been paid for by considerably less attractive men. In those five minutes, Diane wins our sympathy and we also see how she (and so many others) have fallen into the trap set by the David Traynors of the world. For those five minutes, we are reminded that this is a show about more than Sonny Crockett and Ricardo Tubbs. It’s about more than even Miami. This is a show about America.

After the opening credits, we watch as the police retrieve the body of one of Traynor’s girls from a lagoon. She committed suicide. In the crowd watching is Diane’s sister, Valerie (played by the legendary Pam Grier). Valerie is a New York cop. When she goes to the Vice Squad to ask for Castillio’s help in searching for her sister, we learn that she is also Tubbs’s former (and soon current) lover.

In many ways, the rest of this episode is traditional Miami Vice. Zito and Switek provide some comic relief when they disguise themselves as exterminators and invade one of Traynor’s parties. Crockett and Tubbs once again go undercover as Burnett and Cooper, infiltrating Traynor’s mansion so that they can rescue Diane. Diane has been so brainwashed by Traynor and Lile that, even after she’s been reunited with her sister, she still can’t bring herself to admit that Traynor was using her. She calls Traynor and tells him that she’s decided to go back to New York City. In a montage that is rather creepily scored to Foreigner’s I Want To Know What Love Is, scenes of Valerie and Tubbs making love are mixed with scenes of Lile giving Diane an intentional drug overdose.

Technically, this is a Tubbs episode. For once, of the two main detectives, Tubbs is the one who has a personal reason for wanting to take Traynor down while it falls to Crockett to deal with Castillo’s withering stare of concern. That said, Rites of Passage is Pam Grier’s show all the way. From the minute that Grier shows up, she controls every scene in which she appears. Just as in Coffy, Grier plays an avenging angel. This episode ends, as Miami Vice often did, with a shoot out but this time, it’s Grier who guns down Lile and Traynor. “Read me my rights,” Valerie says to Crockett as the episode ends.

Again, the storyline may have been typical Vice but the performance of Pam Grier and the stylish direction of David Anspaugh elevated the episode. This episode presents Miami as being beautiful but heartless, a place where innocents come to pursue the American dream but instead find themselves being used and abused by sleazy but wealthy men. (At one point, it is mentioned that Traynor specializes in finding women for diplomats, meaning that most of his clients have diplomatic immunity.) Traynor’s mansion is a brilliant combination of the sleek and the tacky and Turturro plays Traynor as being a not particularly clever man who has gotten rich because he understands that everyone ultimately driven by the same desire for power and pleasure without consequences.

Next week …. it’s another Tubbs episode! Can Tubbs defuse a hostage situation, despite not having an ex-lover around to help him? We’ll find out!

Retro Television Reviews: Miami Vice 1.15 “Golden Triangle: Part Two”

Posted on December 18, 2023 by Lisa Marie Bowman

This week’s episode is all about Castillo!

Episode 1.15 “Golden Triangle: Part Two”

(Dir by David Anspaugh, originally aired on January 18th, 1985)

Last week’s episode revealed a little bit about Castillo’s past and what actually goes on underneath his stoic facade. This week’s episode exposed even more of Castillo …. literally!

Part two of Golden Triangle opens with Castillo very much out of uniform as he strips down to a black speedo and swims in the ocean. To be honest, it was a bit strange to see because …. well, he’s Castillo. Castillo shows no emotion. Castillo never smiles. Castillo, up until last week, had no life outside of his work. Now, suddenly, the viewer learns that Castillo has kept himself in pretty good shape. It’s weird to see someone with that good of a body and that strange of a mustache.

After his swim, Castillo meets with Crockett and Tubbs. They tell him that they are searching Miami for both Lao Li and May Ying. Castillo tells them not to, saying that “This department is not my private detective agency,” but Crockett and Tubbs insist on being allowed to help. As they explain it, Lao Li is a heroin dealer so they’re actually doing their job by searching for him.

It turns out to be much easier to track down Dale Menton (John Santucci), a former CIA agent who knew Castillo in Thailand and who was Lao Li’s handler. Menton reveals that Lao Li and his entire family is in Miami and they’re all hiding in plain sight. He even gives Lao Li’s phone number to Castillo. Menton also mentions that he was the one who, years ago, informed Lao Li that Castillo was planning on raiding one of his drug shipments. As a result, most of Castillo’s men were killed and, after his house was blown up, Castillo wrongly believed that May Ying had been killed.

Castillo meets with Lao Li (Keye Luke), who explains that he is only in Miami because he is retired and that he’s no longer in the drug business. (Needless to say, Castillo sees right through him.) Castillo also meets May Ying (Joan Chen) and discovers that she is now remarried and has a son. Somewhat touchingly, Castillo is happy for her. However, Castillio also knows that May Ying and her husband have been brought to Miami to serve as hostages. If he goes after Lao Li (or Menton), May Ying will be killed.

Lao Li is very clever but his dumbass grandsons (played by Peter Kwong and Kevin Gray) are not. They ignore Lao Li’s order to lay low and instead, they start dressing like Sonny Crockett and driving around town in a White Lamborghini. When they’re arrested while in the middle of a drug deal, Castillo realizes that he finally has the leverage to take Lao Li down.

This episode was pretty much a showcase for Edward James Olmos, who played Castillo has being the one man in Miami who was not willing to compromise his values. At the end of the show, Lao Li suggested that there might be a mutual respect between him and Castillo just for Castillo to inform him that no, Castillo had absolutely no respect for Lao Li. The episode ended with Castillo watching as May Ying and her husband returned to Thailand, happy to know that she was alive and doing well but also resigned to the fact that she could no longer be with him. It was an emotionally powerful moment.

Next week, Crockett and Tubbs head to Colombia!