Retro Television Reviews: Fantasy Island 4.9 “Sanctuary/My Late Lover”

Posted on January 16, 2024 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1986. Almost the entire show is currently streaming is on Youtube, Daily Motion, and a few other sites.

Smiles, everyone, smiles!

Episode 4.9 “Sanctuary/My Late Lover”

(Dir by Leslie H. Martinson, originally aired on January 3rd, 1981)

This week brings us two fantasies, neither one of which quite works.

Thomas Henshaw (Bobby Sherman) is a man who does not initially appear to be too happy to be on Fantasy Island. That’s because someone has poisoned him and he only has a day or two to live. His fantasy is to go the Sanctuary, an exclusive resort for killers, and track down his assassin. Henshaw has got one clue, a strand of hair that he found on his clothing. All has to do is find someone who has the same hair. This would make perfect sense in a world where only one person had light brown hair. It make less sense in the real world or, for that matter, even on Fantasy Island.

Mr. Roarke gives Thomas Henshaw a serum that will prolong his life for a few days. Henshaw goes to the Sanctuary, where he immediately finds himself being menaced by Sid Haig! Sid plays the bad guy’s henchman. There’s a scene where Thomas attempts to grab a strand of Sid’s hair and instead pulls off his wig. Sid does not look particularly amused by the whole thing.

Thomas meets and falls for Tessa (Morgan Brittany), who is basically owned by one of the assassins. Thomas changes his fantasy, telling Mr. Roarke that he just wants Tessa to be free, even if that means that he loses his chance to track down the killer. Mr. Roarke agrees to the change but no worries. Thomas still manages to track down his assassin and learn the name of the poison. (He also snatches a strand of hair off of the bad guy’s head and declares, “It’s the same!” DNA testing used to be so simple!) Mr. Roarke and the Fantasy Island cops show up and arrest the killer and also provide an antidote to Thomas. Thomas lives and leaves the Island with Tessa.

The main problem with this fantasy is that Bobby Sherman was extremely miscast, giving a performance that was so mild that you never once believed he could be at the center of a murder-for-hire scheme. Michael Cole, who plays one of the assassins, perhaps would have been believable as Thomas Henshaw. For that matter, if the show’s producers and writers had really been willing to think outside the box, it would have been interesting to see Sid Haig play a sympathetic role on Fantasy Island. But Bobby Sherman is just too bland for this type of story.

The other fantasy is also, sad to say, a bit bland. Anastasia Decker (Eva Gabor) is a wealthy widow who is trying to choose between three suitors. Complicating matters is the ghost of Anastasia’s husband, the charming Dex (Gene Barry). Dex keeps popping up and pointing out all of the flaws in the men who want to replace him. Anastasia cannot emotionally move on. Finally, Anastasia decides she wants to be with Dex so she tries to drive her car over a cliff! Luckily, Ghost Dex is able to magically stop the car in mid-air and return it to the road. Anastasia realizes that, of her suitors, nerdy-but-nice Walter (Craig Stevens) is the one who truly loves her and that’s who she leaves the Island with. Dex returns to the afterlife, happy in the knowledge that Anastasia will be able to move on.

I like it when Fantasy Island deals with the supernatural but this particular fantasy was so bland that not even a tap-dancing ghost could liven things up. Eva Gabor tried her best but this fantasy was the type of story that the show had already done several times in the past. Despite effective performances from Gabor, Barry, and Stevens, it was just a bit too familiar to be effective.

Well, this was a disappointing trip to the Island. Hopefully, the plane will bring something more interesting next week!

Retro Television Reviews: The Love Boat 2.26 “April’s Return/Super Mom/I’ll See You Again”

Posted on August 2, 2023 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986! The series can be streamed on Paramount Plus!

This week’s cruise features Cyd Charisse!

Episode 2.26 “April’s Return/Super Mom/I’ll See You Again”

(Dir by George Tyne, originally aired on May 5th, 1979)

This episode’s writers would want us to believe that the most important thing that happens during this cruise is that April Lopez (played by Charo) returns to the ship. During the first season, April was introduced as a stowaway who managed to charm the entire crew despite traveling illegally. With the help of Captain Stubing, April has gone on to become the cruise line’s most popular entertainer and this week, she’s returns to the Love Boat!

The crew is super-excited because April is such a vivacious force of energy. Or, at least, she was. When she shows up on the boat, she seems to be feeling a bit down. As she explains it to Julie, April has discovered that show business is not all that it’s cracked up to be and that it’s full of lecherous men. (Shocker!) April has decided that she would rather be a cruise director. Julie agrees to show April what the job entails and …. well, it turns out that Julie actually has a pretty easy job. She just goes to Acapulco Lounge at night, spots people who are alone or shy, and offers to dance with them. I do that on a regular basis. I should be a cruise director.

Anyway, April eventually realizes that she makes people happy by performing. Charo was a popular guest star on The Love Boat and, unlike a lot of other actors who appeared in multiple episodes, she always played April. (In this episode, she sings the show’s theme song.) In many ways, Charo was the epitome of The Love Boat, in that her act was meant to be both sexy and old-fashioned at the same time. The Love Boat was a show where everyone on the boat was constantly looking to get laid but the camera still cut away as soon as the cabin door closed and it was understood that sex on the boat would always lead to marriage on dry land. It was a show with the customs of the 70s and the morals of the 50s.

The episode spends a lot of time on April’s search for happiness. Personally, I was more excited by the fact that Cyd Charisse was on the boat. Cyd Charisse is one of my favorite dancers of all time and was one of my personal role models when I was younger. From the minute that Charisse boards the boat, the cameras are focused on her legs, which were just as spectacular as they were 20 years earlier in Singin’ In The Rain and Silk Stockings. Charisse plays Eve Mills, a former USO entertainer who, by an amazing coincidence, happens to be on the same cruise as the man that she fell in love with during World War II, Frank Pearse (Craig Stevens). By another amazing coincidence, Frank just happens to be an old friend of Captain Stubing’s!

Anyway, Frank and Eve recognize each other and they eventually work up the courage to approach each other. Eve thought Frank was killed in the war. Frank thought that Eve ignored all the letters that he sent her while he was recovering from being wounded in action. (It turns out the letters were never mailed because Frank’s nurse was in love with him.) Frank is still in love with Eve but he sees that she’s accompanied by a handsome young Frenchman named Francois (Stephen Schnetzer). Eve reveals to Frank that Francois is not her boyfriend. Instead, Francois is her son! And guess who Francois’s father is? (Really, the fact that he was named Francois should have given it away.)

Finally, Bud (Jerry Stiller) and Margaret (Anne Meara) are on their second honeymoon but, unfortunately, they’ve had to bring along their four bratty kids (one whom is played by a very young Corey Feldman). Bud wants to have a good time. Margaret keeps worrying about the kids. Bud gets a dance lesson from April, which leads to Margaret getting jealous. Don’t worry, they work it out. Jerry Stiller and Anne Meara were adorable together but this story was stressful for me to watch, just because the kids were so hyperactive and never stopped running around. Still, the image of Charo teaching Jerry Stiller how to dance feels like it should be enshrined in a museum devoted to the 1970s.

This episode seemed to exist because the show’s producers really liked Charo and it’s hard not to feel that the rest of episode’s storylines were just treated as being afterthoughts. That said, I enjoyed the Cyd Charisse/Craig Stevens story. Stevens was stiff and dull but Cyd Charisse was Cyd Charisse and that’s all that really matters!

Retro Television Review: Fantasy Island 2.21 “Yesterday’s Love/Fountain of Youth”

Posted on May 9, 2023 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1986. The entire show is currently streaming on Tubi!

Smiles, everyone, smiles! It’s time to take a trip to Fantasy Island!

Episode 2.21 “Yesterday’s Love/Fountain of Youth”

(Dir by George McCowan, originally aired on March 17th, 1979)

Tattoo has the hiccups so Mr. Roarke pops a brown paper bag beside his head and scares the Hell out of him. Tattoo loses his hiccups and Roarke get the joy of tormenting his assistant.

As for the fantasies, they both involve youth and aging.

Charles (Craig Stevens) and Peggy Atwood (Eleanor Parker) met in 1944, when he was in the Navy and she was a member of the USO. Now, over thirty-years later, Charles wants to open a bait shop and Peggy wants to get a divorce. Their children pay for Charles and Peggy to take a trip to Fantasy Island, where Mr. Roarke has recreated the period in which they first met. He’s also invited all of their old friends to come celebrate Peggy and Charles’s anniversary. Unfortunately, one of those friends is the totally arrogant Brick Howard (Guy Madison), to whom Peggy was engaged before meeting Charles. It quickly becomes apparent that Brick wants a second chance and that, unlike Charles, Brick has bigger plans than spending his retirement selling fishing bait.

Will Peggy leave her husband for Brick Howard? Or will she decide that running a bait shop sounds like a great way to spend her twilight years? You’ll have to watch the show to find out …. or you can read the next paragraph.

Of course, Peggy stays with Charles! It wouldn’t be Fantasy Island if the ending wasn’t a happy one. Add to that, when has anyone named Brick Howard not turned out to be a cad? As you can guess, this fantasy was a bit predictable but the cast of veteran actors were all likable and they gave it their all. This fantasy was simple but pleasant.

As for the other fantasy, world-famous explorer Jeff Bailey (Dennis Cole) needs money so Mr. Roarke arranges for him to be hired by aging millionaire J.J. Pettigrew (Lew Ayres). J.J. has heard rumors that the fabled Fountain of Youth can be found on an island near Fantasy Island. He offers to pay Bailey a million dollars if he can find it. Of course, Bailey does find the Fountain but he also discovers that the Fountain is guarded by a fierce tribe of headhunters. The headhunters have no intention of allowing anyone else to have any of the water’s fountain. The headhunters may be intimidating but they also believe that a polaroid camera can steal their soul. Bailey threatens to take all of their pictures at one point and tells them that J.J. possesses “white man magic.” Seen today, it’s a bit awkward to watch. To be honest, I imagine it was a bit awkward in 1979 as well.

Using his canteen, Bailey steals some of the water from the fountain but, while he and his girlfriend (Mary Louise Weller) are fleeing the natives, he loses the canteen. J.J. has a heart attack and appears to be dead but, at the end of the episode, Roarke announces that J.J. is expected to survive and he’s written Bailey a check for a million dollars. Bailey found the fountain and that was their agreement. So, I guess that all worked out.

Overall, this episode was uneven. The anniversary story was sweet but predictable. The headhunter story was sometimes cingey but still enjoyably campy. This was pretty much a standard episode of Fantasy Island. Still, I can’t help but wonder why J.J. didn’t just buy an eternal youth fantasy instead of hiring Bailey to search for the fountain. I guess that question is destined to be forever unanswered.

Next week’s episode is all about comedians and prisoners!

Retro Television Reviews: The Elevator (dir by Jerry Jameson)

Posted on January 22, 2023 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay. Today’s film is 1974’s The Elevator! It can be viewed on YouTube!

Marvin Ellis (Roddy McDowall) hates his job. He’s been assigned to be the manager of a new high-rise office building. Parts of the building are still under construction but that hasn’t stopped the company that owns it from selling out office space. When Mrs. Kenyon (Myrna Loy) comes by and asks to look at the top floor penthouse, Ellis agrees. In public, Ellis is always friendly and always courteous. It’s only under the most stressful of circumstances that Ellis reveals that he feels as if the building has been built of out lies and cheap material.

Ellis and Kenyon soon find themselves in a stressful situation when they are trapped in an elevator. Of course, they’re not alone in the elevator. There’s also Dr. Reynolds (Craig Stevens), his wife (Teresa Wright), and his mistress (Arlene Golonka). And then there’s Robert Peters (Barry Livingston), a teenager who has inherited a fortune. And finally, there’s Eddie Holcomb (James Farentino). Eddie has a suitcase full of money that he’s stolen from an office in the building. He’s also got a loaded gun. And, perhaps worst of all, he has an intense fear of tight places. The longer that he’s trapped in the elevator, the worse his claustrophobia becomes.

Because the building isn’t really finished yet, the elevator’s alarm button doesn’t really work. Other than the passengers trapped inside, the only people who know about the stalled elevator are Eddie’s partners-in-crime. Irene (Carol Lynley) is Eddie’s girlfriend and she just wants to get the situation resolved with as little violence as possible. Pete (Don Stroud) is Eddie’s sociopathic friend. Pete is not only determined to rescue Eddie and retrieve the suitcase. He’s also determined to take care of any potential witnesses by killing everyone on the elevator.

The Elevator is a disaster film, along the lines of Airport and The Towering Inferno. Due to the hubris of a faceless corporation, a group of people find themselves trapped in a potentially catastrophic situation. Some of them react with bravery. Some of them react with cowardice. All of them get a chance to reveal a bit of who they are on the inside. Some might say that being trapped in an elevator is not quite as bad being trapped in a fiery skyscraper or being a passenger on a airplane that’s being held hostage by a mad bomber. Technically, they’re right but I am also going to admit right now that I absolutely hate elevators and I try to avoid them whenever I can. I always say that this is because running up and down several flights of stairs is a good way to keep my legs looking good and certainly that’s part of it. But an even bigger reason is that I dread the thought of being stuck in a confined space with a bunch of strangers. If I was on an elevator that was stuck between floors, I would probably lose my mind. I have a hard enough time just standing in line for longer than 3 minutes. As directed by Jerry Jameson, The Elevator does as good job of capturing the feeling of being trapped in a small space. It’s not a film to watch if you have claustrophobia.

As for the cast, Myrna Loy is a delight as the eccentric Mrs. Kenyon. And seriously, how can you dislike any film that gives Roddy McDowall a monologue about how much he hates skyscrapers? It’s an entertaining, if undemanding, film. After watching The Elevator, I’ll keep taking the stairs.

Horror On TV: Ghost Story 1.13 “Time of Terror” (dir by Robert Day)

Posted on October 13, 2022 by Lisa Marie Bowman

Tonight’s episode of Ghost Story stars Patricia Neal as a woman who wakes up one morning in a hotel and discovers that her husband is missing. She’s told that her husband checked out without her but no one will give her a straight answer as to where he went.

This episode was written by Jimmy Sangster, who also wrote several Hammer films. It originally aired on December 22nd, 1972.

Darkness on the Edge of Town: WHERE THE SIDEWALK ENDS (20th Century Fox 1950)

Posted on April 19, 2016 by gary loggins

cracked rear viewer

I recorded WHERE THE SIDEWALK ENDS way back in June, and haven’t watched it until just recently. It was well worth the wait, for this is one of the finest noirs I’ve seen yet. Director Otto Preminger reunited with the stars of his film LAURA, Dana Andrews and Gene Tierney, to give us a bleak crime drama that more than holds its own with the best films noir of the era.

Police Detective Mark Dixon (Andrews) is a proto-Dirty Harry cop, a tough SOB not above laying the smackdown on New York City’s criminal element. Another assault charge leads to Mark being demoted by his superiors. Mark’s got a reason for his brutality tactics, though: his father was a criminal, and he’s psychologically compelled to clean up the corruption in his city.