After a blow-up at work, air traffic controller John Chester (John Candy) is given five weeks of paid leave. He takes his family to Florida, where they rent a beach house and discover that their summer town is controlled by snobbish sailing champion Al Pellett (Richard Crenna). It’s the snobs vs slobs as Pellett tries to kick John and his family out of their summer rental and John tries to prove himself to his son and daughter (Joey Lawrence and Kerri Green) by winning the local sailing championship. Luckily, John has Sully (Rip Torn), a modern-day pirate captain, on his side.
John Candy was a remarkable talent. It’s just a shame that he didn’t appear in more good films. He will always be remembered for films like Splash, Uncle Buck, Planes, Train, and Automobiles, and Only The Lonely but unfortunately, most of his starring roles were in lightweight, forgettable far like Summer Rental. Candy is likable as John Chester and sympathetic even when he’s losing his temper over every minor inconvenience. But the film itself never really does much to distinguish itself from all of the other 80s comedies about middle class outsiders taking on the richest man in town. Candy is stuck playing a role that really could have been played by any comedic actor in 1985. It’s just as easy to imagine Dan Aykroyd or even Henry Winkler in the role. It feels like a waste of Candy.
The best thing about the film is Rip Torn’s performance as Sully. Torn’s performance here feels like a dry run for his award-winning work as Artie on The Larry Sanders Show. I would have watched an entire movie about Sully. As it is, Summer Rental is inoffensive and forgettable.
Crazy Joe (Peter Boyle) is a gangster with a chip on his shoulder and a self-taught intellectual who can (misquote) Sartre and Camus with the best of them. Sick of being taken for granted, Joe and his brother, Richie (Rip Torn), attempt to challenge the Mafia establishment. The mob sets Joe up and gets him sent to prison. While doing time, Joe befriends a Harlem gangster named Willy (Fred Williamson). Refusing to associate with the other Italian prisoners, Joe allies himself with the black inmates and even helps to start a riot over the prison’s inhumane conditions. When he is released, Joe hits the streets of New York with a vengeance, now backed up by Willy and his criminal organization.
Joseph Price (Colin Firth) was once a painter but now he is the world’s least likely park ranger. One day, he meets the beautiful and mysterious Cynthia (Lisa Zane). Within days, Joe and Cynthia are married but one morning, Joe wakes up to discover that Cynthia is gone and she has only left behind a brief note. Searching for his wife, Joe goes to Los Angeles and discovers how little he knew about Cynthia. Joe’s search eventually leads him into the world of porn, drugs, S&M, and performance art.
Of all the stars to come out of Twin Peaks, Sherilyn Fenn’s star briefly shined the brightest and sadly, she was the most misused by Hollywood. While it is true that Fenn has worked regularly since Twin Peaks went off the air, she has rarely gotten the great roles that someone with her talent deserves. Instead, her performances have far too often been the best thing about an otherwise mediocre film.
In 1970s New York City, Danny Ciello (Treat Williams) is a self-described “prince of the city.” A narcotics detective, Ciello is the youngest member of the Special Investigations Unit. Because of their constant success, the SIU is given wide latitude by their superiors at the police department. The SIU puts mobsters and drug dealers behind bars. They get results. If they sometimes cut corners or skim a little money for themselves, who cares?
Through the Shattered Lens 