“If Chins Could Kill” and “Hail to the Chin” Quasi-book reviews by Case Wright


Bruce Campbell is the of Elvis of horror and independent film; in fact, he did play Elvis in “Bubba Ho-Tep”. If you’re into independent filmmaking, genre films, and artistic struggles both of these books “If chins could kill” and “Hail to the chin” are must reads and they are also fantastic audiobooks read by the man himself. Sidenote: I never thought his chin was weird- just manly. I enjoyed these books so much that I read them and then I listened to the audiobooks as well, which allowed me to re-experience the books like a favorite Uncle sharing his adventures with me. His entire life is laid bare in his own words: his successes, struggles, and failures. The second book picks up right after the end of the first one. NB: neither book is ghostwritten- a rarity. Sidenote 2: the audiobook really reveals Bruce’s skill at impersonations- he could do a career just doing that.

Bruce sat down and wrote both of these memoirs and if you’re an “Evil Dead” fan he discusses every single aspect of how the “Evil Dead” films were made. He goes into the same detail with every single show and film he has ever done. It’s not just how the sausage was made, it is the equivalent of discussing the history of the pig breed, how the pigs were raised, the tools they used for slaughtering, when they were made into sausage, the spices used, and the marketing to sell the sausage (Both books are available on Audible). The purpose of this article isn’t to grade these books because it’s just weird to grade a Man’s memories as long as the writing is half-way decent; instead of that very weird thing, I will discuss chronologically the moments that I’ve thought about for years in this uniquely American story.

His early years would be the central casting description of a midwestern “Theater Geek”. I never particularly liked that term, but it’s fairly apt because he lived for the dramatic arts, but NEVER complained or thought any job was beneath him- Refreshing. His entire focus in high school was theater and if he had graduated from college, he would’ve been a drama teacher. Luckily for us, Bruce became a college dropout after 6 months and began working on Evil Dead.

Evil Dead

Evil Dead was created by everyone that any connection to Bruce and his comrades, but there were also guilt feelings. Family members helped, parents helped, law firms helped, and probably even the Easter Bunny contributed to making “Evil Dead”. In the filming, everyone on the film was everywhere all the time and lived like they were quasi-homeless in the abandoned house that any horror fan would recognize. It was amazing to me how they had power to run their equipment. The way he describes it has all the intensity of a man remembering in perfect detail that he knew in his soul that this moment would be life-defining. He was right.

One thing that stood out to me was the guilt that Bruce had for asking his father, who was going through a divorce, for funds for the film. As a dad, I can tell that we want our children to be happy and that doesn’t end because you’re getting divorced, sickness, or even death- we always want our children to succeed. Can parental support get out of hand and make us annoyed? Yes, but this was well within the normal limits for a dad. If Bruce reads this article, I hope that he knows that his dad cherishes every dollar he contributed to his son’s dream. Unless of course, you had a dad like mine- in which case, how is it in the fire/police department, EMT, or Armed Forces these days?

Evil Dead 2 and 3

When he described Evil Dead 2 and 3, it was different because he had become a man. He was married and soon to be divorced. He described the work and the filmmaking the way a master carpenter describes his experience and steps making a $10,000 walnut table from a single piece of wood. Neither Bruce’s nor Sam Raimi’s careers had taken off yet and like many of us facing defeat – they went home. Home was of course with the old crew to make Evil Dead 2. Evil Dead over the years on a budget of $375,000 made $30 million….WHOA, but it was clear that Hollywood didn’t understand what they had- this was decades before Blair Witch and Paranormal Activity. It seems that Army of Darkness solidified Bruce as a name. One moment I remember about his memories of Army of Darkness was how he tried to mentor the extras about the importance of never complaining and hustling on the set. They didn’t listen. In fact, two of the extras defiled the set by having coitus in their costumes between takes…..ew. Maybe they were the first furries…. double ew. Or maybe the extras misunderstood the term “Hustling”?

The 90s

The 90s was Bruce Campbell’s decade. Hollywood finally realized with the success of the X-Files and Pulp Fiction that the audience for off kilter actors and stories was not just large- it had money to spend. Bruce found three things: steady work with Hercules and Xena, his soulmate- his second wife Ida Gearon, and his best friend – Lucy Lawless (Xena). He describes his friendship with Lucy like a brother describes the love and pride he has in a sister who made valedictorian. The Bruce/Lucy friendship spans decades and I hope they become neighbors one day. He describes it with such fondness and admiration; it proves that men and women can have platonic and beautiful friendships that last a lifetime. I’m not crying, you’re crying….leave me alone.

2000s through Burn Notice
Bruce had come into his own and was getting cast in A LOT of genre films. He had become a bona fide working actor. I will note that he gets into thorough detail about every single film that he made during this time period. However, I think that many Gen-Z and Millennials discovered him through Burn Notice and if you’re thinking he spills the tea about any on set drama- HE DOES NOT. He talks about how he enjoys dive bars and the different bartender pours. He describes in detail his experience with the show. I enjoyed the second book a lot, but it got personal for me because he convinced his Co-Star Jeffrey Donavan to visit the troops in Iraq. I give them both a lot of credit for that out of all of the great moments in the second book that’s what I think about the most often.

I am a fan of Bruce Campbell’s obviously, but what stood out to me in this uniquely American story is that you really can be anything here if you work at it.

Happy Birthday, Bruce!

I Watched Touch The Top Of The World (2006, Dir. by Peter Winther)


In 2001, Erik Weihenmayer became the first blind man to reach the summit of Mount Everest.  Touch The Top Of The World is the story of how and why he did it.

Starting out with Erik (played by Peter Facinelli) and his friends already climbing Mount Everest, Touch The Top Of The World sets the stakes early with a scene of Erik trying to cross a rickety ladder that’s been laid across a mountain chasm.  With every step, the ladder shakes and, of course, Erik can’t see where to place his feet.  He’s having to do it on instinct and also by listening to the instructions shouted by his friends.  Later, someone say that, of those who have tried to climb Mount Everest, one in six died in the attempt.  Now imagine trying to do it without being able to see where you’re going.  I wouldn’t have the courage but Erik is determined to show what can be accomplished through determination and teamwork.  Erik isn’t just climbing for himself.  He’s climbing for disabled people everywhere.

Flashbacks show how Erik was born with a degenerative eye disease that caused him to go blind when he was a child.  His mother (Kate Greenhouse) and father (Bruce Campbell) never stop believing in him and, after his mother is killed in a car accident, Erik becomes determined to live up to her faith in him.  He becomes a high school wrestler and then a teacher and eventually a climber.

Peter Facinelli gives a good performance as Erik but I know most people will probably be watching because Bruce Campbell plays his father.  Bruce Campbell is great in the role, always supporting Erik and encouraging him to never give up.  He’s the perfect father figure.  He may not be able to climb Mt. Everest with his son but he’s still with Erik every step of the way.

Touch The Top Of The World was made for television and it has its moment when the sentiment is poured on pretty thick.  I was worried when I saw that “Includes Music By The Dave Matthews Band!” on the cover of the DVD.  Ultimately, it didn’t matter.  It’s such a wholesome and heartfelt movie that it’s impossible not to get caught up in Erik’s mission to touch the top of the world.

A Blast From The Past: The Fake Blood Simple Trailer Starring Bruce Campbell


Way back in 1984, the Coen Brothers were trying to raise the $75,000 that they would need to produce and direct their first film, Blood Simple.  Sam Raimi, with whom the Coen Brothers had worked on Evil Dead, suggested that they put together a fake trailer to draw the interest of investors.

The Coens and their cinematographer, Barry Sonnenfeld (who would later go on to have his own directorial career), took Raimi’s advice and put together a trailer that, to be honest, has more in common with Evil Dead than with Blood Simple.  Then again, that was a smart move on their part.  Evil Dead made a lot of money.

Bruce Campbell appears in the trailer, playing the role that was later played by Dan Hedaya in the actual film.  (It’s hard to imagine Campbell playing that role, just because Hedaya gave such a perfect performance as Julian Marty.  That said, I could very well see Campbell in the role played by John Getz.)

Here is the fake Blood Simple Trailer, featuring Bruce Campbell!  (Admittedly, because of the way the trailer is shot, you don’t actually see Bruce’s face.  But you’ll recognize the hair immediately.)

And, for the sake of comparison, here’s the trailer for the actual film:

4 Shots From 4 Films: Special Bruce Campbell Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, we celebrate Bruce Campbell’s birthday!  It’s time for….

4 Shots From 4 Bruce Campbell Films

Evil Dead II (1987, dir by Sam Raimi, DP: Peter Deming)

Army of Darkness (1992, dir by Sam Raimi, DP: Bill Pope)

Escape From L.A. (1996, dir by John Carpenter, DP: Gary B. Kibbe)

Bubba Ho-Tep (2002, dir by Don Coscarelli, DP: Adam Janiero)

 

Scenes I Love: Bruce Campbell in Army of Darkness


Today, the Shattered Lens wishes a happy birthday to the one and only Bruce Campbell!

A true American success story, Bruce Campbell first met and befriended Sam Raimi when the two of them were high school students in Michigan.  Campbell first gained attention in Raimi’s Evil Dead films and he’s been a mainstay in Raimi’s films ever since.  He’s also been a favorite of the Coen Brothers, Don Coscarelli, William Lustig, and scores of other director.  Few actors can balance both drama and comedy with the adroitness of Bruce Campbell.

Campbell, of course, is best-known for his performance as Ash Williams, the S-Mart store clerk who lost his hand while spending the weekend at a cabin, spent some time in the past, and later earned the right to tell us all to say “hail to the king, baby.”  Campbell’s ability to do often violent slapstick comedy, along with his ability to deliver the most absurd of dialogue with a straight face, came together to make him into a true pop cultural icon.  Though Campbell has since announced his retirement from playing Ash (saying that, at his age, he can no longer physically spends hours a day getting beaten up), he remains a beloved actor to horror fans everywhere.

Today’s scene that I love comes from 1992’s Army of Darkness and it features Bruce Campbell at his best.  All Ash has to do is remember three simple words and say them before taking the Necronomicon from its place.  Of course, Ash being Ash, things don’t quite work out that simply….

Music Video of the Day: Half the Truth by Royal Court of China (1989, directed by Sam Raimi)


The best rock band to ever come out of Nashville, Tennessee, Royal Court of China was named after a “supergroup” that Jimmy Page tried to put together after the end of Led Zeppelin.  Page may never have formed his band but Joe Blanton used the name for his own group, which started out as a hard country band before moving to heavy metal.

This video was directed by Sam Raimi.  The song was produced by none other than “Groovy” Bruce Campbell, who is celebrating his 67th birthday on this day.

Enjoy!

10 Films For The Weekend (6/20/25)


Hail To The King, Baby

This Sunday is Bruce Campbell’s birthday.  Our own Case Writes will be reviewing Bruce’s two autobiographies on that day.  Here’s a few films you can watch while celebrating.

Sadly, the first three Evil Dead films are not streaming anywhere for free this weekend.  However, Bubba Ho-Tep (2002), which features Bruce as a nursing home resident who may or may not actually be Elvis Presley, is available on Tubi.  This is definitely Bruce’s best non-Ash performance and there’s actually something very touching about the idea of an elderly and forgotten Elvis teaming up with John F. Kennedy (Ossie Davis) to battle an ancient mummy.  There’s a lot of humor to be found in this film but there’s also a definite strain of melancholy and Bruce gives a truly moving performance as someone who you’ll want to believe in.  The film is on Tubi.

Maniac Cop (1988) is nowhere near as good as the Evil Dead films or Bubba Ho-Tep but it does give audiences a chance to see Bruce giving a relatively “serious” performance as a policeman who is accused of a murder that was actually committed by a hulking zombie cop.  Not only does this film feature Bruce Campbell but it’s also got Tom Atkins, William Smith, Richard Roundtree, and Robert Z’Dar.  If nothing else, this film is a tribute to exploitation canniness.  Director William Lustig and screenwriter Larry Cohen understood that the idea of dangerous cop would remain compelling one long after the film’s initial release and, as such, Maniac Cop retains a definite cult appeal.  The film is on Tubi.

Sadly, Bruce Campbell is killed off rather early in Maniac Cop 2 (1990).  That’s a shame because the second film is a lot better than the first one.  Robert Davi plays the detective who won’t be pushed around while Robert Z’Dar takes the maniac cop’s search for revenge to a whole other level.  Leo Rossi is memorably unhinged.  Personally, I would have liked to have seen Bruce try to take a chainsaw to the Maniac Cop but it was not be.  Maniac Cop 2 can be viewed on Tubi.

Finally, The Woods (2006) is a sadly underrated horror film, one the features Bruce in a supporting role as a loving dad.  Agnes Bruckner give a wonderful performance in the lead role, investigating her mysterious school and taking way too much abuse just because she has red hair.  Hey, I’ve been there!  I’m just happy that “fire crotch” didn’t catch on the way that “Gingers have no soul” did. (Seriously, the redheads have no soul thing was funny when South Park did it but everyone else needs to shut up about it.)  The Woods is an atmospheric horror film from Lucky McKee and one that I would recommend even if it wasn’t Bruce Campbell’s birthday.  View it on Tubi.

Pleasures, Guilty And Otherwise

Seriously, if I had to suggest one non-Bruce Campbell movie to you for this weekend, it would be my favorite Lifetime film, True Confessions of a Go-Go Girl (2008).  Chelsea Hobbs plays a recent college graduate who realizes that she can either waste more of her life in law school or she can just make a bunch of money by being a …. GO-GO GIRL!  The use of the anachronistic term “go-go girl” really does get to the charm of this movie, which manages to be both enjoyably trashy and quaintly old-fashioned at the same time.  Hobbs discovers that she loves to dance and that men love to watch her dance.  Her wimpy boyfriend freaks out when Hobbs goes from being a meek “good” girl to an aggressive temptress.  The film is at its best when its embracing the decadence and the melodrama.  On stage, Hobbs is empowered and I was all about that.  Of course, Hobbs has to using hard drugs and learn a lesson because that’s the way these films go.  Still, this one is a lot of fun and it features Corbin Bernsen doing his somewhat sleazy father figure thing.  Find this film on Prime.

The Perfect Teacher (2010) is also available on Prime and you need to watch it because it features my favorite line of all time.  “I can be your dream …. or I can be your NIGHTMARE!”  This is another perfect Lifetime film and it can be viewed here!

The Wrong Cheerleader (2019) is one of the best of Lifetime’s wonderfully over-the-top “Wrong” film, featuring Degrassi’s Cristine Prosperi and, of course, Vivica A. Fox.  “Looks like he messed with the wrong cheerleader.”  Hell yeah!  It’s on YouTube.  (I have a feeling that if I ever hire someone incompetent, Vivica A. Fox will show up at my door and say, “Girl, looks like you hired the wrong landscaping crew.”)

The Babysitter’s Seduction (1996) was not originally made for Lifetime but it definitely found a home there.  Keri Russell is the innocent babysitter.  Stephen Collins is the handsome but sleazy guy who seduces her and then tries to frame her for killing his wife.  This film’s twists was probably more effective back when Stephen Collins was still best-known as Rev. Camden as opposed to being known for …. other things.  But it’s still a top-notch example of embracing the melodrama.   It can be viewed on Tubi.

From the best Lifetime films, let’s now consider the best SyFy films.  Jersey Shore Shark Attack (2010) not only features Tony Sirico, Paul Sorvino, and Jack Scalia but it also features characters with names like Nooki, TC, and Paulie Balzac dealing with killer sharks in New Jersey.  Joey Fatone appears as himself and is promptly eaten.  Of the many shark films to have been produced by the Asylum, this is definitely one of the best.  It’s on Tubi!

Directed by actor Bruce Davison, Bigfoot (2012) not only features the title character but it also includes Danny Bonaduce, Barry Williams, and Sherilyn Fenn amongst the cast.  Alice Cooper plays himself and meets a less-than-heroic end.  This Asylum film is a true classic.  It’s on Tubi!

(Click here for last week’s recommendations.)

Scenes That I Love: Elvis and JFK in Bubba Ho-Tep


Today is both President’s Day and Don Coscarelli’s birthday!  As such, it only seems appropriate that today’s scene of the day should come from Coscarelli’s 2002 film, Bubba Ho-Tep.  

In this film, Elvis (Bruce Campbell) and John F. Kennedy (Ossie Davis) team up  to battle the killer Mummy that is haunting their nursing home.  Personally, I choose to believe that both Elvis and JFK were exactly who they said they were in this film.

Lisa Marie Reviews An Oscar Nominee: Fargo (dir by the Coen Brothers)


Photograph by Erin Nicole

I am currently sitting in my bedroom, wrapped in several blankets and watching the snow fall on the other side of my window.  I love snow, mostly because I live in Texas and therefore, I don’t get to see it that often.  The most snow we’ve gotten down here, at least in my lifetime, was in 2021.  That was when we got hit by that blizzard and had to deal with rolling blackouts for a week straight.  That’s not a good memory but still, I love to watch the snow fall.  Even during that blizzard, I still loved the fact that I could use the snow as a nightlight as I read a Mickey Spillane book and waited for the power to come back on.

Down here in North Texas, snow is exotic.  In other parts of the country, it’s just a part of everyday life.

Like in the Dakotas for instance….

First released in 1996 and directed by the Coen Brothers, Fargo is a film that is full of arresting images.  As soon as you hear (or read) the title, those images and the sounds associated with them immediately pop into your head.  You immediately visualize the desperate car salesman Jerry Lundegaard (William H. Macy) trying to trick a customer into paying extra for the trucoat and insisting that “I’m not getting snippy here!”  You see the film’s two kidnappers, Carl Showalter (Steve Buscemi) and Gaear Grimsud (Peter Stomare), getting on each other’s nerves as they drive from one frozen location to another.  You remember heavily pregnant Marge Gunderson (Frances McDormand) investigating a snowy crime scene and gently correcting another officer’s “police work.”  You flash back to the moment when Mike Yanagita (Steve Park) suddenly breaks down in tears and tells Marge that she’s a super lady.  “And it’s a beautiful day,” Marge says at one point, wondering how so many terrible things could have happened on such a lovely day.  And she’s right.  It was a beautiful day.  It was far too beautiful a day to discover one man stuffing another into a woodchipper.

Myself, I always think of the scene where Carl attempts to find a place to hide a briefcase full of money.  It’s night.  Carl’s been shot in the face but he has the money that he’s gone through so much trouble to collect.  He runs into a field, looking for a place to hide it.  The field is covered in snow.  Every inch of the ground glows a bright white.  Everything looks the same.  But Carl still runs around desperately before picking a place to bury the suitcase.  It doesn’t seem to occur to Carl that there’s no visible landmarks or anything that would ever help him to find the money again.  He’s blinded, by the snow, by the pain of the bullet, and, like most of the characters in this movie, by his own greed.

Of course, Fargo is not a film about people behaving in intelligent ways.  Greed, loneliness, and desperation all lead to people doing some pretty stupid things.  Jerry thinks that the best way to pay off his debts and raise the money for a real estate deal is to arrange for his wife to be kidnapped so his wealthy father-in-law (Harve Presnell) will pay the ransom.  His father-in-law, who obviously despises Jerry and would be happy for him to just go away, is convinced that he’ll be able to both get back his daughter and recover his money.  (If Jerry had just spent a moment really thinking about his plan before going through with it, he would have realized his father-in-law would never just part with his money.)  Carl thinks that it’s a good idea to partner up with the obviously sociopathic Grimsud.  When a cop pulls over Carl and Grimsud’s car, Grimsud ignores the fact that Carl was talking his way out of the ticket and instead kills the policeman and then kills several eyewitnesses.  (“I told you not to stop.”)  Marge figures out what is going on but even she puts her life in danger by investigating a cabin without proper backup.  The characters in Fargo frequently behave in ludicrous ways and almost all of them speak with an exaggerated regional dialect (All together now: “Oh yeah,”) but they also feel incredibly real.  The sad truth of the matter is that there are people as greedy, dumb, and hapless in the world as Jerry.  There are people like Carl and Grimsud.  Even Jerry’s fearsome father-in-law is a very familiar type of character.  People do thing without thinking and inevitably, they make things worse the more overwhelmed they become.  Common sense (not to mention decency) is frequently the last thing that anyone considers.  Fortunately, Marge is believable too.  Marge at times almost seems so gentle and polite (“No, why don’t you sit over there?” she sweetly tells Mike when he attempts to get too close to her.) that the viewer worries about what’s going to happen to her when she gets closer and closer to figuring out what’s going on.  Fortunately, Marge turns out to be much stronger than anyone, even the viewer, expected.  The world of Fargo can be a terrible place but there’s moments of kindness and hope as well.

Fargo is both a comedy and a drama.  The opening title card says that the film is based on a true story, which is a typical Coen Brothers joke.  (The film was loosely inspired by several similar crimes but the story itself is fictional.)  Carter Burwell’s dramatic score is both appropriately grand and also gently satiric.  Jerry does some terrible things but William H. Macy plays him as being so naive and desperate and ultimately overwhelmed that it’s hard not to have a little sympathy for him.  Jerry truly thought it would be so simple to pull off a complicated crime.  (The poor guy can’t even get the ice off of his windshield.)  As played by Steve Buscemi, Carl Showalter talks nonstop and he makes you laugh despite yourself.  His shock at how poorly everything goes is one of the film’s highlights.  It’s a funny film but it’s also a sad one.  I always worry about what’s going to happen to Jerry’s son.  Ultimately, of course, the film belongs to Frances McDormand, who gives a wonderful performance as Marge.  She’s the heart of the film, the one who reminds the viewer that there are good people in the world.

Considering the film’s cultural impact, it’s always somewhat shocking to remember that Fargo did not win the Oscar for Best Picture.  It lost to The English Patient, a film about a homewrecker who helps the Nazis.  Personally, I prefer Fargo.

Fargo (1996, dir by the Coen Brothers, DP: Roger Deakins)