A Movie A Day #176: Honor Among Thieves (1968, directed by Jean Herman)


It’s Bronson and Delon, trapped in an airless vault!

While serving in the French Foreign Legion during the Algerian War, Dino Barran (Alain Delon) and Franz Propp (Charles Bronson) became unlikely friends.  Dino is a doctor while Franz is both a pimp and a mercenary.  When the war ends, both return to Paris.  Dino is ready to get on with his life but then he’s approached by Isabelle (Olga Georges-Picot), the lover of a man who Dino got killed in Algeria.  Isabelle has a job for Dino.  She has some files that she needs to return to a safe in an office building.  All Dino has to do is arrange a medical screening in the building and, when no one is looking, open the safe and drop off the documents.  Feeling guilty, Dino agrees.

The problem is that Franz has been following Dino and he has found out that Dino will be opening the safe.  While Dino just wants to put something in, Franz plans to take much more out.  After a fist fight, the two of them find themselves accidentally tapped inside the vault.  Working together, they have to both crack the safe and find a way out of the vault before they run out of the air.

Charles Bronson nearly did not make Honor Among Thieves.  Alain Delon wanted an American actor to co-star with him in the film and he specifically requested that Bronson be offered the part.  Up until this point, with the exception of a few B-movies like Machine Gun Kelly, Bronson had been a supporting player in Hollywood and had always resisted the temptation to follow the lead of Clint Eastwood and go to Europe in search of stardom.  When the film’s producer approached Bronson, he argued that only in Europe would an unconventional actor like Bronson be appreciated.  Though still skeptical, Bronson eventually accepted the offer.

It is a good thing that he did because Honor Among Thieves proved to be a huge hit and it made Bronson a star in Europe.  As a result of his tough and charismatic performance in Honor Among Thieves, Bronson went on star in films like Once Upon A Time In The West and other European hits.  It would be another 5 years before Death Wish made Bronson a star in America but, if not for Honor Among Thieves, Death Wish could very well have ended up starring Jack Lemmon (who was the choice of Death Wish‘s author, Brian Garfield).

As for Honor Among Thieves, it is an overlong and overly complicated heist film, the type that was very common in the 60s and which made a comeback with Steven Soderbergh’s remake of Ocean’s 11.  Ultimately, Honor Among Thieves does not work because the plot has too much padding (the subplot about Franz’s career as a pimp goes nowhere) and unanswered questions (it’s never explained what’s in the documents that need to be returned to the safe) but it is easy to see why Bronson became a star.  Bronson was already in his fifties by the time he made his best-known American films so Honor Among Thieves is a chance to see a younger and more energetic Bronson.  For once, Bronson actually seems to be enjoying himself, even smiling a few times.  For those of us who best know Bronson as the grim-faced avenger who gunned down criminals in countless film for Cannon, it is interesting to see Bronson playing someone who is actually having fun.

Honor Among Thieves was finally given an American release in 1973, following the success of Death Wish.  The original French title was Adieu l’ami.

 

Lisa Reviews An Oscar Nominee: The Longest Day (dir by Ken Annakin, Andrew Marton, Bernhard Wicki, Gerd Oswald, and Darryl F. Zanuck)


As my sister has already pointed out, today is the 73rd anniversary of D-Day.  With that in mind, and as a part of my ongoing mission to see and review every single film ever nominated for best picture, I decided to watch the 1962 film, The Longest Day!

The Longest Day is a pain-staking and meticulous recreation of invasion of Normandy, much of it filmed on location.  It was reportedly something of a dream project for the head of the 20th Century Fox, Darryl F. Zanuck.  Zanuck set out to make both the ultimate tribute to the Allied forces and the greatest war movie ever.  Based on a best seller, The Longest Day has five credited screenwriters and three credited directors.  (Ken Annakin was credited with “British and French exteriors,” Andrew Marton did “American exteriors,” and the German scenes were credited to Bernhard Wicki.  Oddly, Gerd Oswald was not credited for his work on the parachuting scenes, even though those were some of the strongest scenes in the film.)  Even though he was not credited as either a screenwriter or a director, it is generally agreed that the film ultimately reflected the vision of Darryl F. Zanuck.  Zanuck not only rewrote the script but he also directed a few scenes as well.  The film had a budget of 7.75 million dollars, which was a huge amount in 1962.  (Until Steven Spielberg’s Schindler’s List, The Longest Day was the most expensive black-and-white film ever made.)  Not only did the film tell an epic story, but it also had an epic length.  Clocking in at 3 hours, The Longest Day was also one of the longest movies to ever be nominated for best picture.

The Longest Day also had an epic cast.  Zanuck assembled an all-star cast for his recreation of D-Day.  If you’re like me and you love watching old movies on TCM, you’ll see a lot of familiar faces go rushing by during the course of The Longest Day.  American generals were played by actors like Robert Mitchum, Robert Ryan, Henry Fonda, and John Wayne.  Peter Lawford, then the brother-in-law of the President of the United States, had a memorable role as the Scottish Lord Lovat, who marched through D-Day to the sounds of bagpipes.  When the Allied troops storm the beach, everyone from Roddy McDowall to Sal Mineo to Robert Wagner to singer Paul Anka can be seen dodging bullets.  Sean Connery pops up, speaking in his Scottish accent and providing comic relief.  When a group of paratroopers parachute into an occupied village, comedian Red Buttons ends up hanging from the steeple of a church.  When Richard Beymer (who is currently playing Ben Horne on Twin Peaks) gets separated from his squad, he stumbles across Richard Burton.  Among those representing the French are Arletty and Christian Marquand.  (Ironically, after World War II, Arletty was convicted of collaborating with the Germans and spent 18 months under house arrest.  Her crime was having a romantic relationship with a German soldier.  It is said that, in response to the charges, Arletty said, “My heart is French but my ass is international.”)  Meanwhile, among the Germans, one can find three future Bond villains: Gert Frobe, Curt Jurgens, and Walter Gotell.

It’s a big film and, to be honest, it’s too big.  It’s hard to keep track of everyone and, even though the battle scenes are probably about an intense as one could get away with in 1962 (though it’s nowhere near as effective as the famous opening of Saving Private Ryan, I still felt bad when Jeffrey Hunter and Eddie Albert were gunned down), their effectiveness is compromised by the film’s all-star approach.  Often times, the action threatens to come to a halt so that everyone can get their close-up.  Unfortunately, most of those famous faces don’t really get much of a chance to make an impression.  Even as the battle rages, you keep getting distracted by questions like, “Was that guy famous or was he just an extra?”

Among the big stars, most of them play to their personas.  John Wayne, for instance, may have been cast as General Benjamin Vandervoort but there’s never any doubt that he’s playing John Wayne.  When he tells his troops to “send them to Hell,” it’s not Vandervoort giving orders.  It’s John Wayne representing America.  Henry Fonda may be identified as being General Theodore Roosevelt II but, ultimately, you react to him because he’s Henry Fonda, a symbol of middle-American decency.  Neither Wayne nor Fonda gives a bad performance but you never forget that you’re watching Fonda and Wayne.

Throughout this huge film, there are bits and pieces that work so well that you wish the film had just concentrated on them as opposed to trying to tell every single story that occurred during D-Day.  I liked Robert Mitchum as a tough but caring general who, in the midst of battle, gives a speech that inspires his troops to keep fighting.  The scenes of Peter Lawford marching with a bagpiper at his side were nicely surreal.  Finally, there’s Richard Beymer, wandering around the French countryside and going through the entire day without firing his gun once.  Beymer gets the best line of the film when he says, “I wonder if we won.”  It’s such a modest line but it’s probably the most powerful line in the film.  I wish The Longest Day had more scenes like that.

The Longest Day was nominated for best picture of 1962 but it lost to an even longer film, Lawrence of Arabia.