Retro Television Review: The Last Fling (dir by Corey Allen)

Posted on September 15, 2024 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay. Today’s film is 1987’s The Last Fling! It can be viewed on YouTube and Tubi.

Phillip Reed (John Ritter) is an attorney who has never gotten married, despite all of his friends trying to set him up with single women. Even his law partner (Scott Bakula) worries about how Phillip’s love life is going. Phillip’s married best friends (Paul Sand and Kate Zentall) think that Phillip is scared of commitment. Phillip’s mother (Paddi Edwards) thinks he’s gay. Joanne Preston (Shannon Tweed) enjoys sleeping with him but she owns a lot of cats that make him sneeze. And since he’s played by John Ritter, you better believe that every sneeze is more dramatic than the last.

Gloria Franklin (Connie Selleca) is engaged to marry Jason Elliot (John Bennett Perry) but she worries that her rigidly controlled lifestyle has caused her to miss out on enjoying her time as a single person. When she finds out that Jason is going to go to Las Vegas for a wild bachelor party, she decides to have one last fling of her own.

Phillip and Gloria meet each other at the zoo. (Again, because Phillip is played by John Ritter, there are multiple shots of him making monkey noises while looking at the gorillas.) Gloria tells Phillip that her name is Marsha Lyons. Their meeting leads to Phillip and Gloria/Marsha spending the weekend in Mexico together. (A very young, pre-Saved By The Bell Mario Lopez shows up as the kid who gives them their renal car.) Despite an unseen mishap that causes their car to catch on fire, Phillip and Gloria spend a romantic night at a villa. When Phillip wakes up the next morning, he’s convinced that he’s finally found the woman with whom he wants to spend the rest of his life. However, Gloria is already gone. She leaves behind a video confession, in which she tells Phillip that she’s going to be getting married.

Phillip returns to Los Angeles, determined to track down the mysterious Gloria and stop that wedding.

The Last Fling is an uneven romantic comedy. It starts out as an amiable and sweetly funny film, with both Connie Sellecca and John Ritter giving likable performances. But once Phillip returns from Mexico and starts searching for Gloria, it gets a bit too manic for its own good. Instead of being a funny movie about two human beings looking for love, it instead becomes a live-action cartoon with John Ritter running from one location to another while being chased by Gloria’s husband-to-be. The movie ends up getting so frantic that it actually becomes a bit annoying, which is a shame considering how things started. By the end of the movie, Phillip is so obsessive that it’s hard not to feel that Gloria would be better off just staying single and maybe spending the next weekend in Mexico with Scott Bakula.

The director of The Last Fling played Buzz in Rebel Without A Cause. Fortunately, no one plays chicken in this movie.

Retro Television Reviews: The Love Boat 3.6 “Gopher’s Greatest Hits/The Vacation/One Rose A Day”

Posted on September 13, 2023 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986! The series can be streamed on Paramount Plus!

This week, Gopher sings!

Episode 3.6 “Gopher’s Greatest Hits/The Vacation/One Rose A Day”

(Dir by Alan Rafkin, originally aired on October 13th, 1979)

What a pleasant cruise this turned out to be!

Two sisters, Joan (Joanna Cassidy) and Olivia (Jaye P. Morgan), are apparently regulars on the boat. They sail so often that Captain Stubing literally jumps for joy when he sees that they are once again on the ship. Joan and Olivia always take the cruise together and usually, they have a wild time. But this year, Olivia is shocked when Joan shows up with her husband, Byron (Conrad Janis)! Byron is a bit uptight and not at all happy when he starts to hear stories about how wild his wife and sister-in-law have gotten in the past. He assumes that Joan has cheated on him. She hasn’t but Olivia has cheated on her husband. In the end, Olivia continues to have fun and Joan decides that it’s time to settle down. This story suffered a bit because Byron came across as being insufferably self-righteous but Joanna Cassidy and Jaye P. Morgan were believable as sisters. As someone who has enjoyed a wild vacation or two with her sisters, I could relate.

Meanwhile, Janet Latham (Martha Scott) is taking her first vacation since the death of her husband. Her florist, Henry (Don Ameche), is also on the cruise. Every day, during their marriage, Janet’s husband would have Henry deliver a single white rose to Janet. After her husband died, Henry continued to deliver the roses to Janet. He allowed Janet to believe that her husband had arranged for her to continue to receive the daily roses but it turns out that Henry has been delivering them on his own because he’s fallen in love with her. Janet does fall in love with Henry on the ship, though she fears that she’s betraying her husband’s memory. Fortunately, by the end of the cruise, she’s ready to take another shot on love. This story worked wonderfully, largely due to the sincere and heartfelt performances of Martha Scott and Don Ameche. There was a tremendous amount of sincerity to their love story and it was impossible not to smile at the sight of them leaving the cruise together.

Finally, Julie has a problem! The singer that she scheduled to perform in the Acapulco Lounge gets the mumps and has to cancel at the last minute. Julie has to find a replacement. Fortunately, it turns out that Gopher has a great singing voice. He performs at the Lounge, wearing a pink tuxedo and acting like a drunk brat packer. The audiences loves him. The captain, once skeptical, applauds. Gopher thinks that they love his singing but actually, they all think that he’s parodying a bad lounge act. When the captain congratulates Gopher for being a brilliant comedian, the crestfallen Gopher says that he’s only going to sing in the shower from now on. So, Julie arranges for a fake shower to be placed in the middle of the Acapulco Lounge so that Gopher can sing Danny Boy while Isaac holds a watering can over his head. Again, the captain loves it. This was undoubtedly a goofy storyline but goofiness was Fred Grandy’s strong suit and it’s hard not to smile at his over-the-top interpretation of Mack the Knife.

This was a good episode that really showed how much fun The Love Boat could be at its best. From the sentimental Don Ameche/Martha Scott storyline to Fred Grandy dancing around the pool, this was an entertaining cruise.

Insomina File No. 16: Kill The Messenger (dir by Michael Cuesta)

Posted on June 4, 2016 by Lisa Marie Bowman

What’s an Insomnia File? You know how some times you just can’t get any sleep and, at about three in the morning, you’ll find yourself watching whatever you can find on cable? This feature is all about those insomnia-inspired discoveries!

Last night, if you were awake and unable to get any sleep at 1:45 in the morning, you could have turned over to Cinemax and watched the 2014 conspiracy thriller, Kill The Messenger.

Kill The Messenger opens with one of those title cards that assures us that the movie we’re about to see is based on a true story. We are then introduced to Gary Webb (Jeremy Renner), a California-based reporter who we know is a rebel because he has a precisely trimmed goatee. Gary is interviewing a suspected drug smuggler (Robert Patrick) at the smuggler’s luxurious mansion. Suddenly, the DEA storms the house, shouting insults and roughly throwing everyone to the ground, including Gary. It’s actually exciting and promising opening, one that perfectly establishes both Gary as a truth seeker and the U.S. government as an invading army that’s fighting a war that’s full of collateral damage.

Gary, of course, has nothing to do with smuggling drugs. He was just in the wrong place at the wrong time. If he was treated unfairly by the DEA, it’s just because the government is serious about winning the war on drugs!

Or is it?

Following up on a tip, Gary comes across evidence that, in order to raise money for pro-Amercian rebels in Central America, the CIA not only helped to smuggle drugs into the U.S. but also arranged for the drugs to largely be sold in poor, minority neighbors where, in theory, no one would notice or care.

When the story is finally published, Gary is briefly a celebrity. Not surprisingly, the government denies his accusations and start tying to discredit him. However, Gary also finds himself being targeted by his fellow journalists. Angry over being outscooped by a relatively unknown reporter, The Los Angeles Times and The Washington Post both launch their own investigations. Instead of investigating Gary’s allegations, they jealously and viciously investigate Gary himself.

Soon, both Gary’s career and his family are falling apart and Gary finds himself growing more and more paranoid…

Remember when everyone was expecting Kill The Messenger to be a really big deal? It was due to come out towards the end of 2014, right in the middle of Oscar season. Jeremy Renner was being talked up as a contender for best actor. Then the film came out, it played in a handful of theaters for a week or two, and then it sunk into obscurity. Some commentators even complained that Focus Features buried the release of Kill The Messenger and that the film was ignored because of its leftist politics…

Of course, it’s just as probable that Focus Features realized that The Theory of Everything was more likely to charm audiences than a movie that suggested the U.S. government was behind the drug epidemic.

Or it could have just been that, despite telling a potentially intriguing story, Kill The Messenger was an oddly bland film. Other than one scene in which he admits to cheating on his wife, Gary Webb is portrayed as being such a saint that it actually causes the film to lose credibility. (Don’t get me wrong. For all I know, he was a saint. But, from a cinematic point of view, sainthood is never compelling.) This is one of those earnest films that gets so heavy-handed that, even if you agree with what the movie is saying, you still resent being manipulated. (Of course, some of us have grown so cynical about the media that we automatically doubt the veracity any movie that opens with those dreaded words: “Based on a true story.”) Watching Kill The Messenger, one gets the feeling that a documentary about Gary Webb would probably be more compelling (and convincing) than a fictionalized dramatization.

(Unfortunately, if you think it’s difficult to get an audience to watch a movie that suggested the U.S. government was behind the drug epidemic, just try to get them to watch a documentary about … well, anything. I know most of our readers would probably happily watch a documentary but that’s because y’all are the best and a thousand times better than the average person. Love you!)

Here’s what did work about Kill The Messenger: the performances. Jeremy Renner, who also produced this film, gives an excellent performance as Gary, especially in the scenes where he realizes that both the government and the press are now conspiring about him. Rosemarie DeWitt has the traditionally thankless role of being the supportive wife but she still does a good job. And finally, Ray Liotta shows up for one scene and is absolutely chilling in that way that only Ray Liotta can be.

Kill The Messenger doesn’t quite work but, thanks to the cast, it is, at the very least, a watchable misfire.

Previous Insomnia Files: