Game Review: The Haunted House of Hideous Horrors (2002, David Whyld)


You’re a pizza delivery man!  Mr. Desther has ordered a pizza but when you arrives at his house, he tells you that he has a problem with ghosts.  They’re all over his home and he wants you to get rid of them.  And if you don’t get rid of them, he’s not going to give you a tip.  At first, you’re reluctant to get involved but then he offers you £15.  (That’s $18.88 for our American readers.)  You’ll get rid of the ghosts at the risk of your own life and sanity.  And if you don’t do it, Mr. Desther’s pizza is free!

The Haunted House of Hideous Horrors is a short and simple text adventure.  It was designed for ADRIFT 4.0, which is the easiest IF interpreter to program for.  Unfortunately, ADRIFT’s vocabulary is also extremely limited so playing an ADRIFT game can often feel like an extended session of guess-the-verb.  That’s not as much of a problem in The Haunted House of Hideous Horrors as it is in other ADRIFT games.  David Whyld keeps things from getting too complicated or frustrating, though there is one notable moment when you’re told that you’ve entered a room that contains a dead body but, whenever you try to “look body” or “examine corpse,” you get a “There’s no such thing here” message.

There’s only one way to die in this game but you’re given so much advance warning that, if you die, it’ll mostly be due to your lack of reading comprehension.  Once you get used to the natural limitations of the ADRIFT story engine, this is a simple but enjoyable haunted house game that doesn’t take itself too seriously.  Download the game and, if need be, ADRIFT for free, get in that house, and earn your tip!

Spring Breakdown #3: Open Water 2: Adrift (dir by Hans Horn)


The 2006 film, Open Water 2: Adrift, is a film about a group of people who are literally too stupid to live.

Now, that may sound like a harsh judgment but just consider what this film is about.  A group of shallow friends get together for a birthday party on a yacht.  They head out to the middle of the ocean.  One-by-one, they all get into the water.  One of the friends has been terrified of the water ever since her father drowned in front of her.  She doesn’t want to get in the water so, of course, the owner of the boat picks her up and jumps overboard with her.  With the exception of a sleeping infant, everyone is now in the water.

Oh!  And guess what!

It didn’t occur to anyone to lower the ladder before getting in the ocean.  That means there’s no way to get back on the boat!  And now, everyone’s stuck in the water where they’ll presumably eventually die of either hypothermia or just general stupidity.  They’ll also end up yelling at each other and arguing about whose fault it is.  They’ll all discuss issues of wealth, religion, and envy.  There’s nothing like a weighty theological discussion being conducted by a bunch of idiots floating in the ocean.

Of course, they do make a few attempts to get back on the boat.  One guy tries to use a knife to climb back up the side of the boat but he just ends up getting stabbed instead.  An attempt to grab hold of an American flag just leads to desecrated symbol of patriotism.  One girl decides to pray, just to be reprimanded by the group atheist.  At one point, everyone takes off their swimsuits and they attempt to tie them into a makeshift rope.  It doesn’t work but now everyone’s naked.  This movie knows what it’s doing.

We get a lot of shots of people floating listlessly in the ocean.  In order to pad out the run time, there’s a lot of pointless slow motion.  Amy (Susan May Pratt), the hydrophobe, has a flashback to her father’s death and it’s amazing how little sympathy the film manages to generate for someone who watched helplessly while a parent drowned.  Because Amy’s supposed to be scared of the water, she spends most of the movie floating around with this dumbass look on her face.  I’m a hydrophobe too.  If I found myself in this situation, I’d probably scream until I exhausted myself and drowned.  But I wouldn’t float around with this stupid beatific look on my face.

This film was sold as being a sequel to Open Water, though it actually went into production before Open Water was released.  After Open Water was a surprise box office success, the film’s title was changed from Adrift to Open Water 2: Adrift.  There are obvious similarities between the two films but the major difference is that the couple in Open Water ended up stranded through no fault of their own.  On the other hand, the folks in Open Water 2 were just too dumb to lower a ladder.

Open Water was effective but depressing.  Open Water 2 is just kind of stupid.

Here Are The 2018 Women Film Critics Circle Nominations!


BEST MOVIE ABOUT WOMEN
Mary Shelley
Roma
The Favourite
Widows

BEST MOVIE BY A WOMAN
Can You Ever Forgive Me?
Leave No Trace
The Kindergarten Teacher
You Were Never Really Here

BEST WOMAN STORYTELLER [Screenwriting Award]

Sara Colangelo: The Kindergarten Teacher
Debra Granik: Leave No Trace
Tamara Jenkins: Private Life
Audrey Wells: The Hate U Give

BEST ACTRESS
Toni Collette, Hereditary
Olivia Colman, The Favourite
Viola Davis, Widows
Maggie Gyllenhaal, The Kindergarten Teacher

BEST ACTOR
Ben Foster, Leave No Trace
Ethan Hawke, First Reformed
Viggo Mortensen, Green Book
Hugo Weaving, Black 47

BEST COMEDIC ACTRESS
Helena Bonham Carter, 55 Steps
Olivia Colman, The Favourite
Kathryn Hahn, Private Life
Melissa McCarthy, Can You Ever Forgive Me?

BEST YOUNG ACTRESS
Elle Fanning, Mary Shelley
Elsie Fisher, Eighth Grade
Thomasin McKenzie, Leave No Trace
Amandla Stenberg, The Hate U Give

BEST FOREIGN FILM BY OR ABOUT WOMEN
Capernaum
Happy As Lazzaro
Roma
Zama

BEST DOCUMENTARY BY OR ABOUT WOMEN
RBG
Say Her Name: The Life And Death Of Sandra Bland
Seeing Allred
Shirkers

WOMEN’S WORK/BEST ENSEMBLE
55 Steps
Ocean’s Eight
The Favourite
Widows

SPECIAL MENTION AWARDS

COURAGE IN FILMMAKING
Haifaa Al-Mansour, Mary Shelley
Sara Colangelo, The Kindergarten Teacher
Sandra Luckow, That Way Madness Lies
Jennifer Fox, The Tale

COURAGE IN ACTING [Taking on unconventional roles that radically redefine the images of women on screen]Helena Bonham Carter: 55 Steps
Viola Davis: Widows
Nicole Kidman: Destroyer
Melissa McCarthy: Can You Ever Forgive Me?

ADRIENNE SHELLY AWARD: For a film that most passionately opposes violence against women
Call Her Ganda
I Am Not A Witch
On Her Shoulders
Say Her Name: The Life And Death Of Sandra Bland

JOSEPHINE BAKER AWARD: For best expressing the woman of color experience in America
If Beale Street Could Talk
Life And Nothing More
The Hate U Give
Widows

KAREN MORLEY AWARD: For best exemplifying a woman’s place in history or society, and a courageous search for identity
93 Queen
On The Basis Of Sex
Roma
Woman Walks Ahead

THE INVISIBLE WOMAN AWARD: [Performance by a woman whose exceptional impact on the film dramatically, socially or historically, has been ignored]

Yalitza Aparicio, Roma
Glenn Close, The Wife
Andrea Riseborough, Nancy
The Women Of Widows

BEST SCREEN COUPLE
A Star Is Born
Crazy Rich Asians
Disobedience
If Beale Street Could Talk

BEST FEMALE ACTION HEROES
Adrift
55 Steps
Black Panther
RBG

MOMMIE DEAREST WORST SCREEN MOM OF THE YEAR AWARD
Krista Allen, Party Mom
Toni Collette, Hereditary
Nicole Kidman, Destroyer
Jacki Weaver, Widows

BEST EQUALITY OF THE SEXES
Black Panther
Like Me
On The Basis Of Sex
Widows

BEST ANIMATED FEMALES
Incredibles 2
Liyana
Mary And The Witch’s Flower
Mirai No Mirai

BEST FAMILY FILM
Eighth Grade
Incredibles 2
Science Fair
The Hate U Give

WFCC HALL OF SHAME
Bryan Singer