Live Tweet Alert: Watch Slaughterhouse Rock With #ScarySocial!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, for #ScarySocial, I will be hosting 1987’s Slaughterhouse Rock!

If you want to join us on Saturday night, just hop onto twitter, start the film at 9 pm et, and use the #ScarySocial hashtag!  The film is available on Prime and Tubi!  I’ll be there co-hosting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy!

 

Late Night Retro Television Review: Friday the 13th: The Series 3.10 “Mightier Than The Sword”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th: The Series, a show which ran in syndication from 1987 to 1990. The entire series can be found on YouTube!

Another Friday, another cursed antique….

Episode 3.10 “Mightier Than The Sword”

(Dir by Armand Mastroianni, originally aired on January 8th, 1990)

Micki’s been possessed again!

This time, it’s the result of a writer named Alex Dent (Colm Feore, who appeared in quite a few episodes of this show, always as a different villain) using his cursed pen to write about Micki becoming a serial killer.  That’s how Alex makes his money.  He writes about people becoming serial killers and then, when they do exactly what he has written, Alex publishes a true crime book about them.

Johnny is a huge fan of Alex’s books.  Micki says that she’s seen enough death in real life without having to read about it.  Johnny doesn’t seem to take her seriously, which is odd.  Sometimes, Johnny seems to forget that he and Micki spend all of their time dealing with cursed antiques and battling the Devil.  I mean, has Johnny forgotten about the time that he spent in prison after he was wrongly convicted of murdering his father?  Johnny seems to go from being streetwise to naive rather abruptly, all depending on what the episode’s story requires of him.  It’s also a bit of an odd coincidence that Johnny would just happen to be a fan of someone who has one of the cursed antiques but, then again, this wasn’t the first time this happened on Friday the 13th and I imagine it will happen a few more times as well.

This episode had an interesting premise, though I do have to wonder how Alex found out about the curse in the first place.  It doesn’t seem like the most practical of curses.  Alex must write, sell, and publish his books in record time.  Micki always seems to be getting possessed, which usually leads to her posing in a doorway and delivering her lines like a 40s noir heroine.  (In this episode, she also takes up smoking.)  Fortunately, Robey always did a good job pulling off the whole suddenly possessed thing.  I imagine it must have been pretty traumatic for Micki but at least Johnny learned a lesson about reading trashy true crime paperbacks.

As for this episode, Colm Feore was a good villain, there was plenty of noirish atmosphere, and the episode didn’t take itself particularly seriously.  It kept me entertained!  Really, what more can you ask from a show?

Brad’s Scene of Day – Al Pacino in SCENT OF A WOMAN (1992)


Al Pacino finally won his long overdue Oscar with his excellent performance as Lt. Colonel Frank Slade in SCENT OF A WOMAN. This scene where he’s “just getting warmed up” is a personal favorite and no doubt helped him bring home the gold.

Happy 85th Birthday, Mr. Pacino! 

Scene That I Love: A Meeting With Jimmy Hoffa from The Irishman


Today’s scene comes from 2019’s The Irishman.  In this scene, Jimmy Hoffa (Al Pacino) asks a former rival for an endorsement to once again be president of the Teamsters union.  Needless to say, things don’t get well.  I’m on Hoffa’s side here.  Showing up 12 and a half minutes late?  Wearing shorts to meeting?  Someone is definitely owed an apology.

Once you get over the admittedly jarring de-aging effect, this scene reminds us of what a great actor Al Pacino truly is.

4 Shots From 4 Films: Special Al Pacino Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, the Shattered Lens wishes a happy birthday to Al Pacino!  It’s time for….

4 Shots From 4 Al Pacino Films

The Godfather (1972, dir by Francis Ford Coppola, DP: Gordon Willis)

The Godfather Part II (1974, dir by Francis Ford Coppola, DP: Gordon Willis)

The Irishman (2019, dir by Martin Scorsese, DP: Rodrigo Prieto)

Once Upon A Time In Hollywood (2019, dir by Quentin Tarantino, DP: Robert Richardson)

Sea of Love (1989, directed by Harold Becker)


In New York City, someone is ritualistically murdering the men who are placing rhyming personal ads in a tabloid newspaper.  Assigned to the case is Frank Keller (Al Pacino), an alcoholic burn-out whose wife just left him for another cop.  Keller and his partner (John Goodman) decide to go undercover.  Frank places a rhyming personal ad of his own and then goes to a restaurant to see who shows up.  When Helen Cruger (Ellen Barkin) answers the ad, it leads to a relationship between Frank and Helen.  Frank is falling for Helen but what if she’s the murderer?

Sea of Love is a superior thriller, even though it doesn’t really work as a mystery.  As soon as you see a certain person’s name in the cast list, you’re going to guess who the killer is because that person is always the killer.  Sea of Love isn’t really about the mystery, though.  It’s about people looking something that’s missing from their lives and realizing that the world is passing them by.  The movie works because of the performances of Al Pacino and Ellen Barkin, cast as two lonely middle-aged people who are desperately looking for some sort of connection.  Helen and Frank are both in their 40s and wondering if their current situation is really as good as it’s going to get.  The film uses Frank’s fear that Helen could be the killer as a metaphor for the fear that anyone feels when they are first starting to open up to someone.  Both Pacino and Barkin give emotionally raw and poignant performances.  I don’t think I’ve ever seen Al Pacino look as miserable as he did for the majority of Sea of Love.  This was Pacino’s first film role after the disaster of Revolution and the movie’s box office success was revived Pacino’s career and convinced him to give movies a try again.

Director Harold Becker captures the feel of New York at its grittiest and least welcoming and Richard Price’s script is full of priceless dialogue.  This is one of the rare films in which everyone has something intelligent or meaningful to say.  Featuring a strong supporting cast and career-best performances from Ellen Barkin and Al Pacino, Sea of Love is much more than just another cop film.