4 Shots From 4 Films: Special New Year’s Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.

Happy New Year’s Day!  Did you have as wonderful a celebration as the characters featured in today’s special edition of 4 Shots From 4 Films?

4 Shots From 4 Films

The Poseidon Adventure (1972, dir by Ronald Neame, DP: Harold E. Stine)

The Godfather Part II (1974, dir by Francis Ford Coppola, DP: Gordon Willis)

New Year’s Evil (1980, dir by Emmett Alston, DP: Edward Thomas)

Once Upon A Time In America (1984, dir by Sergio Leone, DP: Tonino Delli Colli)

Scenes That I Love: A New Year In Strange Days


Strange Days (1995, dir by Kathryn Bigelow, DP: Matthew F. Leonetti)

2025’s first scene that I love comes to us from a film that was released 30 years ago.  With its portrayal of a society desperately looking for both meaning and sensation in an increasingly digitized and detached world, Kathryn Bigelow’s Strange Days predicted the future and it has continued to find new fans and admirers despite having been a box office disappointment when it was originally released.

In this scene, Ralph Fiennes and Angela Bassett bring in the new year with the knowledge that they have many more strange days ahead of them.

As do we all.

(It’s always somewhat jarring to see a science fiction film that is set in what is now the past.  Welcome to 2000!  That said, Strange Days did a very good job of predicting where the world was heading.)

Fighting, By Case Wright


I had a man pinned down with his face pressed against the asphalt at a barbecue in Georgetown, Washington D.C. – July, 2007 and I was about to spank him in front of 45 people.

EARLIER….

Georgetown in July and August is like living inside of Vick’s Vaporizer with the swamp gas rising in the morning. When you think of D.C., you might think of the Washington Monument, museums, and overly horny politicians, BUT there is another side to the city and it is swampy and forested and that is where Washingtonians live. In fact, every neighborhood in DC looks more like the forest is trying to take the neighborhood back to when the World was young. Georgetown is even more like this because it is rife with ravines, towpaths, canals, and apartment buildings where the back doors look like they open to magical forests.

My apartment building was painted brick in the front and had a backyard area for garbage, barbecues, and a 50 yard long sloped driveway that fed all the way down to the towpath canal. The area was choked with trees and life. During cicada season, you could not see the ground and only heard the satisfying crunches as you made your way to the buses to take you downtown to make your living. I grew up not far from Georgetown and the memories were fresh and remain so today. The memories of my father were with me too- they were etched forever on my forehead, chin, back, and arms.

There had been a bad storm the week before and the city had lost power. I unfortunately had bought an entire month’s worth of beef, chicken, and pork. Without refrigeration, it was all going to spoil; so, I decided to have a barbecue for my entire building and feed the multitudes. People brought beer and wine and, as always, there was a group of people who snuck off to blow weed behind the oak trees. I semi-recognized everyone, but I didn’t know their names.
I was chatting with my neighbors and there was a girl about 25 feet away from our conversation. She was from a floor or two above me and she looked like the central casting version of a brown-haired sorority girl and she was beginning to scream at a man I did not recognize. It was then that another storm had come to D.C.- a hurricane – and it had my name.

I was upon them both in a moment and to this day I don’t remember the 25 feet I crossed to get to them. I found out later that as they started arguing, my face went blank as I went to them. I saw him grabbing her breasts and she yelled and hit his hands. I did not know if they were there together or not; so, I asked her:
“Do you need help?”
She was agitated and said, “Yes, Please.”
The distress, pleading, and humiliation on her face filled me with a distilled cold rage that I hadn’t felt since I saw my mother’s helpless face after my father had lost his temper- again.

He tried to get out a whole sentence:
“So what are you gonna do Faaaggo…..”

Too late, I had him already off his feet and arching through the air in a controlled body slam crash! He was no weakling; he was at least 5 feet 9 inches and worked out, but I’m a 200 pound Dago and bench press 250 Lbs. with ease. Important side note: If you’re gonna fight, fight. If you’re gonna shoot, shoot. AND if you’re gonna bodyslam a man into Georgetown’s finest asphalt – YOU JUST DO IT – NO TALKING. The air left his lungs. He was lucky his mouth didn’t make contact with the ground or the dental bills would’ve been immense. The 45 people at the barbecue went silent and stared agape at me and this subjugated man.

He tried to speak….”Fuck you…Faaaago….”
“Shhhhh….” I said as I chicken-winged his right arm with my right and used my left hand to push down on the side of his face slowly turning it so the sharp pebbles began to dig into the left side of his face.
“UGGHHHHHH…” He moaned.
“Shhhhh…” I said shaking my head like a didactic parent.

His right eye strained to its corner to look up at me.
“I’m going to let you go, but you are going to apologize to her (I turned my head to his victim), everyone here, leave and you will never return.” I said.
The girl stood up, took a breath, crossed her arms, and waited for his apology.
I turned his head so I could speak clearly.
“Fuck you….Whore!” He said.
The crowd made a collective wincing – “Ooooooh”
The Hurricane arrived.

In a split second, I decided his punishment with this logic: Blood for blood, pain for pain, and in his case: humiliation for humiliation.
“I’m gonna do what your Daddy shoulda done. I’m gonna take your pants down and spank your bare ass purple!” I said.
He began to studder.
“Y-y-y-y-y-y-you… w-w-w-w-w-w wouldn’t.” he said.
“Yes, I will.” I replied.
Everything was silent. There was no breathing, no crickets, no cicadas, no wind – just the rapt silence of the crowd and the forest herself.
I moved my knee to his back and brought my left hand to the waistband of his khaki shorts as I continued to use my right hand to keep pressing his face into the asphalt.
I grabbed his waistband firmly and gave it a shake before doing my windup.
Everyone inhaled with a collective gasp.
The eye of the Hurricane was directly overhead.
I began my wind up…..
“W-w-w-w-w-w-w-w-w-wait….” He begged.
I paused.
“Ok.”
He tried to bring air into his lungs. His right eye looked at his victim-
“I-I-I’m s-s-s-sorry I grabbed your titties.”
“And?” I asked firmly.
“A-a-and I’m s-s-s-sorry to all of you and I’ll never come back.” He said.
His eye looked at me and everyone else’s eyes looked at me, but they were all looking at the wrong person for the judgement. If they had looked at the right person, it would’ve never happened in the first place.
My head turned and I looked directly at Her.
Soon, everyone turned to look at her too.
My face was passive and I looked at her with my Italian inquisitive eyebrows and then I looked down briefly at him. His eye had welled with tears as his eye met with hers. My eyes returned to her.
She held his fate with the power of the Ancient Queens. She was biting her bottom lip and moving her eyes around with what I was sure was the same expression she had when she took the SATs. 
The Queen gave a brief nod. I returned it.
In one fluid motion, I had him on his feet and gave him a shove to his back. He stumbled then broke out to a full-on sprint. He got 30 yards away and turned back and shouted:
“Fuck you, faaago..”
I started to move towards him to finish my work and he bolted.
The Hurricane had passed. I made a brief sigh, went over to the picnic table, and pointed to the 2-liter Coke and a man met my gaze with his hand gesture saying – Sure– ALL YOURS!
I nodded at him, poured, took a swig, got up and went to the door. It was heavy and slammed behind me.
I waited a moment and then, I heard –
“Did that just fucking happen?!”
I shrugged, went back to my apartment, and went to bed.

Previous Moments:

  1. My Dolphin by Case Wright
  2. His Name Was Zac by Lisa Marie Bowman
  3. The Neighborhood, This Morning by Erin Nicole
  4. The Neighborhood, This Afternoon by Erin Nicole
  5. Walking In The Rain by Erin Nicole
  6. The Abandoned RV by Erin Nicole
  7. A Visit To The Cemetery by Erin Nicole
  8. The Woman In The Hallway by Lisa Marie Bowman
  9. Visiting Another Cemetery by Erin Nicole
  10. The Alley Series by Erin Nicole
  11. Exploring The Red House by Erin Nicole
  12. The Halloween That Nearly Wasn’t by Erin Nicole
  13. Watchers and Followers by Erin Nicole
  14. Visitors by Erin Nicole

Music Video of the Day: Stay Golden by Saint Motel (2024, dir by A/J Jackson and Mario Contini)


Honestly, what better way to start the New Year than with my favorite band, Saint Motel?

I like this video because they’re stars, they’ve got a tour bus, they’re driving across the country, and they’ve got adoring fans everywhere but the members of the band still come across as just being a very cool and laid back group of people.  They’re having fun and they’re passing that fun on to the folks who come to see and hear them.  Saint Motel is staying golden.

I saw Saint Motel in Dallas in 2020.  They’re a great live band.  They bring a lot of energy to the stage and it’s obvious that they love their fans.  I recommend this band to everyone.  Hopefully, they’ll provide the soundtrack to my 2025.

Enjoy!

Happy New Year From The Shattered Lens


by Erin Nicole

HAPPY NEW YEAR!

2024 is over and 2025 has begun.  The slate is clean, the page is blank, and it’s all up to us to decide what type of year this is going to be.

I’ve included two signs in this post.  At the top is what I hope to do whenever I am tempted to give into anger, despair, or bitterness.  At the bottom is what I sincerely hope for all of us in 2025.

By Erin Nicole

Happy New Year!  My resolution is to make 2025 count!

Film Review: Anora (dir. by Sean Baker)


I sometimes forget that as a viewer, I have no control over a movie’s storytelling process. I remember watching Clint Eastwood’s Mystic River after blind-buying it and pleading with the film during a major scene between Sean Penn and Tim Robbins’ characters. I knew why the story moved in this direction. I understood the choices each character made and what brought them to this moment, but nothing could change the events. Not my pleas, not my anger, nothing. Great film, but hard watch. What’s presented on screen is the story we’re given.

Sean Baker’s Anora is a fun film in many ways. I was a little skeptical at first, but quickly found myself invested in where this story was taking me. Before you decide to watch it, however, you should know there’s a lot of sex in the first 30 minutes or so. I don’t know how Disney’s gonna handle that one when it gets to Hulu, but hey, Alien Romulus holds up just fine with the violence involved.

Anora introduces us to Anora “Ani” Mikheeva, a sex worker who everyone at her nightclub, Headquarters, adores. When she meets Ivan (Mark Eydelshteyn), it’s business as usual. He spends a lot, was looking for a girl who could speak Russian and Ani discovers he’s the son of an oligarch. They hit things off so well that during a party in Vegas, they decide to get married. When word of the marriage reaches Ivan’s parents, they send Toros (Karran Karagulian) and two of his employees, Igor (Yuri Borisov) and Garnick (Vache Tovmasvan) to have the wedding annulled. What starts as a simple task becomes a full on quest when Ivan panics and leaves. Will the group find Ivan? And if they do, can Ani convince Ivan to uphold the marriage? That’s the gist of the film.

In some ways, the flow of Anora reminds me of Norman Jewison’s Moonstruck. We’re introduced to Ivan’s extended family, and despite all of the issues, there are some small connections made over time. As they spend time trying to locate Ivan, I loved the interactions Ani has with the group. Without revealing too much, it all comes to a head. The pacing is pretty even. For a film that’s 2 Hours and 15 minutes, you won’t even notice how fast it moves.

When it comes to acting, the entire film is carried singlehandedly on the shoulders of Mikey Madison. She was impressive in Once Upon a Time in Hollywood, and she completely shines here. Ani is sexual and kind, yet fierce when it comes to fighting for what’s hers. She easily stands toe to toe with anyone she’s up against. Madison is easily due the recognition she’s received so far since the film was released. Granted, she’s not alone in all this. both Karagulian and Tomvmasvan serve as comedic foils in certain ways, which really help to move the story along. There are fine performances from all of the cast members, but these the ones who stood out, in particular.

The Cinematography is pretty standard in Anora. While there are a number of dark setting scenes, they’re all well lit. There any any shots in the film that stood out as being spectactular in any way.

The only real drawback to Anora is the direction of the story. It’s not a terrible thing. It may be more a realistic ending, more in the vein of Robert Benton’s Kramer vs. Kramer or Damien Chazelle’s Babylon, where you might find yourself hoping for one outcome, only to receive something else entirely. It doesn’t fully hurt the film. I’d argue that it might enhance it, considering how eager I was for what I wanted to see occur.

Overall, Anora is a fine film if you’re not discouraged by the sexual elements early on. You might find yourself cheering for Ani throughout her adventure, despite the directions the story takes.

Lisa Marie’s Oscar Predictions For December


With the 2024 coming to a close and awards season in full swing, the Oscar race has become a lot clearer.  For the last time this year, here are my monthly Oscar predictions!

Be sure to check out my predictions for AprilMayJuneJuly, August,  September, October, and November!

Best Picture

Anora

The Brutalist

A Complete Unknown

Conclave

Dune Part Two

Emilia Perez

Nickel Boys

Sing Sing

The Substance

Wicked

Best Director

Sean Baker for Anora

Brady Corbet for The Brutalist

Coralie Fargeat for The Substance

RaMell Ross for Nickel Boys

Denis Villeneuve for Dune Part Two

Best Actor

Adrien Brody in The Brutalist

Timothee Chalamet in A Complete Unknown

Daniel Craig in Queer

Colman Domingo in Sing Sing

Ralph Fiennes in Conclave

Best Actress

Cynthia Erivo in Wicked

Marianne Jean-Baptiste in Hard Truths

Mikey Madison in Anora

Demi Moore in The Substance

Kate Winlset in Lee

Best Supporting Actor

Yura Borisov in Anora

Kieran Culkin in A Real Pain

Edward Norton in A Complete Unknown

Guy Pearce in The Brutalist

Denzel Washington in Gladiator Part II

Best Supporting Actress

Aunjanue Ellis-Taylor in Nickel Boys

Ariana Grande in Wicked

Felicity Jones in The Brutalist

Margaret Qualley in The Substance

Zoe Saldana in Emilia Perez

Here Are The 2024 Nominations Of The Georgia Film Critics Association


Earlier today, the Georgia Film Critics Association announced its nominees for the best of 2024!  The winners will be announced on January 7th,

Best Picture
“Anora”
“The Brutalist”
“Challengers”
“Conclave”
“Dune: Part Two”
“Flow”
“Nickel Boys”
“Sing Sing”
“The Substance”
“Wicked”

Best Director
“Anora” – Sean Baker
“The Brutalist” – Brady Corbet
“Dune: Part Two” – Denis Villeneuve
“Nickel Boys” – RaMell Ross
“The Substance” – Coralie Fargeat

Best Actor
Adrien Brody (“The Brutalist“)
Timothée Chalamet (“A Complete Unknown“)
Colman Domingo (“Sing Sing“)
Ralph Fiennes (“Conclave“)
Keith Kupferer (“Ghostlight“)

Best Actress
Lily-Rose Depp (“Nosferatu“)
Cynthia Erivo (“Wicked“)
Marianne Jean-Baptiste (“Hard Truths“)
Mikey Madison (“Anora“)
Demi Moore (“The Substance“)

Best Supporting Actor
Yura Borisov (“Anora“)
Kieran Culkin (“A Real Pain“)
Clarence Maclin (“Sing Sing“)
Guy Pearce (“The Brutalist“)
Denzel Washington (“Gladiator II“)

Best Supporting Actress
Danielle Deadwyler (“The Piano Lesson“)
Aunjanue Ellis-Taylor (“Nickel Boys“)
Ariana Grande-Butera (“Wicked“)
Katy O’Brian (“Love Lies Bleeding“)
Margaret Qualley (“The Substance“)
Zoe Saldaña (“Emilia Pérez“)

Best Original Screenplay
“Anora” – Sean Baker
“The Brutalist” – Brady Corbet, Mona Fastvold
“Challengers” – Justin Kuritzkes
“A Real Pain” – Jesse Eisenberg
“The Seed of the Sacred Fig” – Mohammad Rasoulof
“September 5” – Moritz Binder, Tim Fehlbaum, Alex David
“The Substance” – Coralie Fargeat

Best Adapted Screenplay
“Conclave” – Peter Straughan
“Dune: Part Two” – Denis Villeneuve, Jon Spaihts
“Nickel Boys” – RaMell Ross, Joslyn Barnes
“Sing Sing” – Greg Kwedar, Clint Bentley
“Wicked” – Winnie Holzman, Dana Fox

Best Cinematography
“The Brutalist” – Lol Crawley
“Dune: Part Two” – Greig Fraser
“Inside the Yellow Cocoon Shell” – Đinh Duy Hưng
“Nickel Boys” – Jomo Fray
“Nosferatu” – Jarin Blaschke

Best Production Design
“The Brutalist” – Judy Becker, Patricia Cuccia
“Dune: Part Two” – Patrice Vermette, Shane Vieau
“Furiosa: A Mad Max Saga” – Colin Gibson, Katie Sharrock
“Nosferatu” – Craig Lathrop
“Wicked” – Nathan Crowley, Lee Sandales

Best Original Score
“The Brutalist” – Daniel Blumberg
“Challengers” – Trent Reznor & Atticus Ross
“Conclave” – Volker Bertelmann
“Dune: Part Two” – Hans Zimmer
“The Wild Robot” – Kris Bowers

Best Original Song
“Ain’t No Love in Oklahoma” – Jessi Alexander, Luke Combs, Jonathan Singleton (“Twisters“)
“Compress/Repress” – Trent Reznor, Atticus Ross (“Challengers“)
“El Mal” – Clément Ducol, Camille, Jacques Audiard (“Emilia Pérez“)
“Kiss the Sky” – Delacey, Jordan K. Johnson, Stefan Johnson, Maren Morris, Michael Pollack, Ali Tamposi (“The Wild Robot“)
“Sick in the Head” – Móglaí Bap, Mo Chara, DJ Próvaí, Adrian Louis Richard Mcleod, Toddla T (“Kneecap“)

Best Ensemble
“Conclave”
“Dune: Part Two”
“Saturday Night”
“Sing Sing”
“Wicked”

Best International Film
“All We Imagine as Light”
“Flow”
“Kneecap”
“Red Rooms”
“The Seed of the Sacred Fig”

Best Animated Film
“Flow”
“Inside Out 2”
“Memoir of a Snail”
“Wallace & Gromit: Vengeance Most Fowl”
“The Wild Robot”

Best Documentary Film
“No Other Land”
“The Remarkable Life of Ibelin”
“Sugarcane”
“Super/Man: The Christopher Reeve Story”
“Will & Harper”

Breakthrough Award
Clarence Maclin
Mikey Madison
Katy O’Brian
RaMell Ross
Maisy Stella

Oglethorpe Award for Excellence in Georgia Cinema
“Civil War” (Alex Garland)
“Color Book” (David Fortune)
“The Forge” (Alex Kendrick, Stephen Kendrick)
“The Idea of You” (Michael Showalter, Robinne Lee, Jennifer Westfeldt)
“Juror #2” (Clint Eastwood, Jonathan A. Abrams)
“Makayla’s Voice: A Letter to the World (short; Julio Palacio, Makayla Cain)
“The Piano Lesson” (Malcolm Washington, Virgil Williams, August Wilson)
“The Preakness (short; Akshay Bhatia)
“Saturday Night” (Jason Reitman, Gil Kenan)
“The South Got Something to Say” (Ryon Horne, Tyson Horne, Ernie Suggs, DeAsia Paige)

Here Are The 2024 Nominations of the Kansas City Film Critics Circle!


Yesterday, The Kansas City Film Critics Circle announced their nominations for the best of 2024!  The winners will be announced on January 4th!

BEST FILM
Anora
Civil War
Conclave
Dune: Part Two
I Saw The TV Glow
Nickel Boys
A Real Pain
Sing Sing
The Substance
Wicked

ROBERT ALTMAN AWARD FOR BEST DIRECTOR
Sean Baker – Anora
Jon M. Chu – Wicked
Coralie Fargeat – The Substance
RaMell Ross – Nickel Boys
Denis Villeneuve – Dune: Part Two

BEST ACTOR
Timothée Chalamet – A Complete Unknown
Timothée Chalamet – Dune: Part Two
David Dastmalchian – Late Night with the Devil
Colman Domingo – Sing Sing
Ralph Fiennes – Conclave

BEST ACTRESS
Cynthia Erivo – Wicked
Karla Sofía Gascón – Emilia Pérez
Mikey Madison – Anora
Demi Moore – The Substance
June Squibb – Thelma

BEST SUPPORTING ACTOR
Yura Borisov – Anora
Kieran Culkin – A Real Pain
Chris Hemsworth – Furiosa: A Mad Max Saga
Clarence Maclin – Sing Sing
Adam Pearson – A Different Man
Jeremy Strong – The Apprentice
Denzel Washington – Gladiator II

BEST SUPPORTING ACTRESS
Joan Chen – Didi
Danielle Deadwyler – The Piano Lesson
Ariana Grande – Wicked
Margaret Qualley – The Substance
Zoe Saldana – Emilia Pérez

BEST ORIGINAL SCREENPLAY
Anora
The Brutalist
Civil War
A Real Pain
The Substance

BEST ADAPTED SCREENPLAY
Conclave
Dune: Part Two
Nickel Boys
Sing Sing
The Wild Robot

BEST CINEMATOGRAPHY
The Brutalist
Civil War
Dune: Part Two
Gladiator II
Nickel Boys
Nosferatu
Wicked

BEST ORIGINAL SCORE
Challengers
Conclave
Dune: Part Two
The Substance
The Wild Robot

BEST ANIMATED FEATURE
Flow
Inside Out 2
Memoir of a Snail
Wallace & Gromit: Vengeance Most Fowl
The Wild Robot

BEST FOREIGN LANGUAGE FILM
All We Imagine as Light
Emilia Pérez
Flow
I’m Still Here
Kneecap
Twilight of the Warriors: Walled In

BEST DOCUMENTARY
Dahomey
Look Into My Eyes
Seeking Mavis Beacon
Sugarcane
Super/Man: The Christopher Reeve Story
Will & Harper

VINCE KOEHLER AWARD FOR BEST SCIENCE FICTION/FANTASY/HORROR
Dune: Part Two
I Saw The TV Glow
Late Night with the Devil
Nosferatu
The Substance

TOM POE AWARD FOR BEST LGBTQ FILM
I Saw The TV Glow
Emilia Pérez
Love Lies Bleeding
My Old Ass
Will & Harper
Queer

BUSTER KEATON AWARD FOR BEST STUNT ENSEMBLE FILM
Deadpool & Wolverine
Dune: Part Two
The Fall Guy
Furiosa: A Mad Max Saga
Monkey Man