Retro Television Review: St. Elsewhere 2.22 “Hello, Goodbye”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988.  The show can be found on Hulu and, for purchase, on Prime!

This week, season two comes to an end.

Episode 2.22 “Hello, Goodbye”

(Dir by Linda Day, originally aired on May 16th, 1984)

Due to St. Eligius being structurally unsound, the first floor is temporarily closed.  The ER, which was the busiest part of the hospital, is no longer operative and Shirley Daniels is assigned to redirect any and all ambulances to Boston General.  As Joan explains it, either the first or the third floor had to be closed so that a team of engineers could strengthen the building.  The third floor is surgery, where all the money is made.  And so, it’s the ER that closes.  Joan, meanwhile, is designated as the scapegoat for all of the recent problems at St. Eligius.  She loses her job with the mayor’s office.

Fresh from interviewing a nervous Dr. Elliott Axelrod (Stephen Furst) for a position as a resident, Dr. Auschlander collapses.  Dr. Westphall fears that his old friend is going to die but finally, Auschlander wakes up and says that he’s not done fighting yet.  Neither is St. Eligius.

Luther finds a stuffed Cheshire cat for a young heart patient.  Dr. Craig finally starts to forgive his drug addict son, Stephen (Scott Paulin).  And Dr. Morrison takes his son on a walking tour of Boston and meets a college student named Clancy (a young Helen Hunt).  Even though Clancy label Morrison a “boomer,” she still spends the night with him.  Morrison finally takes off his wedding ring and appears ready to try to move on with his life.

The second season ends on a melancholy note.  Apparently, the show’s producers weren’t sure whether or not St. Elsewhere was going to be renewed for a third season and this episode was designed to work as both a season and a series finale.  Very few of the regular characters appear and the episode is dominated by Westphall and Morrison, both of whom tend to be rather somber.  In other words, this is a depressing episode but it’s not an episode without hope.  Auschlander does wake up.  Morrison does pursue a tentative relationship with Clancy.  Even with the hospital temporarily shut down, life goes on.  Unlike Wendy Armstrong, nobody gives up.  It’s sad but at least there’s a chance that things could get better.

Both this episode and the second season overall were a roller coaster, deftly mixing drama and comedy and giving the show’s ensemble cast a chance to shine.  Next week, we start season three!

8 Shots From 8 Horror Films: The Conclusion


This October, I’m going to be doing something a little bit different with my contribution to 4 Shots From 4 Films.  I’m going to be taking a little chronological tour of the history of horror cinema, moving from decade to decade.

Today, we bring our history of horror to a conclusion …. for now.

8 Shots From 8 Horror Films

The Witch (2015, dir by Robert Eggers)

Hereditary (2018, dir by Ari Aster)

Midsommar (2019, dir by Ari Aster)

Us (2019, dir by Jordan Peele)

The Lighthouse (2019, dir by Robert Eggers)

Malignant (2021, dir by James Wan)

X (2022, dir by Ti West)

Nosferatu (2024, dir by Robert Eggers)

 

Onstage On The Lens: The Rocky Horror Show (dir by Christopher Luscombe)


With Halloween approaching, the Shattered Lens presents to you a recording of the 2015 West End production of The Rocky Horror Show, featuring Richard O’Brien, Emma Bunton, Stephen Fry, Anthony Head, Ben Forster, Haley Flaherty, and David Bedella.

The film is so popular that I think some people tend to overlook Rocky Horror‘s theatrical origins.  Personally, I prefer this energetic stage version to the film.

 

Horror Song of the Day: Monster (by Irene & Seulgi)


“Monster” by Irene & Seulgi (sub-unit of the K-pop girl group Red Velvet) dives into a dark and captivating space, blending eerie visuals with a sound that really sticks with you. The music video channels the vibe of classic sapphic vampire films, especially those atmospheric, haunting works by Jean Rollin. Irene takes on the role of a succubus-like figure, this hypnotic presence who seems to dominate Seulgi both visually and emotionally. Their movements, cold doll-like expressions, and the green light symbolizing possession all come together to paint a picture of seduction as a form of power struggle, where desire and control are beautifully intertwined.

Sonically, the song pushes boundaries with a mix of dark pop, industrial beats, and dubstep textures. The production is sharp, with synths that cut through like shadows and a bassline that grabs hold and won’t let go. Irene and Seulgi’s vocals glide between whispery softness and fierce intensity, capturing the delicate balance of temptation and danger that drives the song’s energy. The repetitive hook has a spell-like quality, reinforcing the feeling of being caught by this irresistible “monster.”

What really makes “Monster” stand out is how the song and video come together to create a seamless fusion of horror and sensuality. This isn’t just spooky imagery matched with a dark sound—it’s a fully immersive experience that captures the intoxicating mix of fear and desire. The supernatural themes of possession and seduction fit perfectly with the song’s hypnotic beats and evocative vocal delivery. “Monster” tells a story framed in shadows and light, a stylish journey where eroticism and horror enhance each other, pulling the listener deeper into its mesmerizing hold.

Monster

My move is unique
Not ordinary
1 2 5 to 7
I’m a dancer in the darkness
I’ll crack every joint in my body
And come close to your bed
I’ll horribly steal your heart
And dominate you

Under a single lighting, why are there two shadows?
I guess something else woke up inside me
I’m a little monster, be scared of me
I’m bothering you making you dream only about me
I’ll dance and play as I cast a spell
On your body in a nightmare
I’m a little monster
I’m a little monster

I rose from
The ashes in the cold ground
From dusk to dawn
I still exist
I don’t hate this madness
I’m having fun
You can’t get out
Don’t run away, you’ll get hurt
I save you and tease you again
Oh I’m perfect and messed up again

I’m a little monster, be scared of me
I’m bothering you making you dream only about me
I’ll dance and play as I cast a spell
On your body in a nightmare
I’m a little monster
I’m a little monster

See, I’m just playing
No bad intentions
I’m small but dangerous
Who would refuse me?
It’s time for the red sun to rise at dawn
Now that you are relieved
You try to come out of the dream
But monster lives forever

I’m a little monster, be scared of me
I’m bothering you making you dream only about me
I’ll dance and play as I cast a spell
On your body in a nightmare
I’m a little monster
I’m a little monster
I’m a little monster

The Killing Joke, Book Review by Case Wright


This was a hard book to review. I had avoided reading it for years because there’s an SA, but also- A CLOWN! Look, clowns are out to murder you! I mean for real they are clowns – see below

Why would you think these creatures would not want to murder your face?! Yes, they have balloon animals, but that that’s just to lure you into for their feeding!
“The Killing Joke” is a Joker origin story and how he was born out of one bad day. We begin with Joker as a struggling comedian with a child on the way. He is desperate for cash and decides to participate in a heist to get out of poverty. The crooks that he teamed up with to do the heist target the Joker’s former job at a chemical plant had always planned on making him the fall guy for the heist. His wife dies by a product malfunction, sending Joker spiraling. Technically, Joker is not born until after he falls into the chemicals, but we see his name pre-Joker; so, maybe he was always Joker? I’m not sure.

The origin story is interwoven with the Joker shooting and SAing Commissioner Gordan’s daughter and generally driving him insane. There is also A LOT of nudity that I wasn’t prepared for with a fair amount of leather. Joker kidnaps Gordan, strips him nude, puts some leather on him, and then makes him look at horrify images of the SA. Honestly, why not just kill Joker? Of course, we would. We’d shoot him on sight as a terrorist. Instead of doing the normal choice and having Joker killed, Gordan wants him taken alive. WHY? Really, why? What more does he have to do? They make a point that Joker wants to show that anyone could be driven insane by one bad day, but the real insanity is not shooting all of these super villains on sight!

The book ends with a joke with the symbolism that life itself and all of the evil he committed was also a joke. It was purposefully ambiguous, but it did scare me- BECAUSE CLOWNS!



Did You Remember the Cat, Short Film Review by Case Wright


Happy Halloween! I see A LOT of terrible movies for your pleasure. It’s a really weird relationship we have. However, I am glad to do it because there are some gems, not from AI because that’s pretty much the worst. “The Mountains of Madness” AI short wasn’t terrible, but maybe I have trouble seeing it now because I have been so mentally hurt….for you. I have seen so many ham-fisted AI slops this month that you’d think that I worked in a deli! Unlike the usual dreck I watch for you, this short is a treasure and I am almost thinking I won’t review any other shorts because I want to end on a high note or maybe I’ll go all in and end on a very low note.

A couple escaped their home where a demon they summoned called “The Choir” has killed all of their friends. One problem: they forgot the cat- Mr Whiskers; so, they have to re-enter the house of horrors to save their pet. There is a recurring song the couple wrote to get the cat to play: “Littlest Man” … it’s cute. As they struggle to rescue their cat, we learn that they are an unhappy couple.

The unhappy duo must fight “The Choir” demon to get the cat. The demon’s only weakness is loud noises and being stabbed. The couple’s relationship is like The Choir demon because they have endless awkward silences, which has destroyed their relationship. The cat was used by the couple to avoid their awkward silences; in fact, the cat was the only glue in their relationship.

By fighting the demon and rescuing their cat, they healed their relationship… a little. I still think that they will break up, but it is ok because the cat is safe and I got to review something good! It’s weird to be able to look a film up on IMDB again because AI films are excluded as far as I am able to ascertain. I recommend this short and I really do believe that you will like it! Enjoy the rest of Halloween!

Have A Culty Halloween With The Pulps


Since the start of the pulp era, cults have been a popular subject.  Usually dressed in red and concealing their faces behind hoods, cult members have menaced and frightened.

For this Halloween, here are some of the cults of the pulp era.

by Walter Baumhofer

by Arnold Kohn

by John Newton Howitt

by Rudolph Zirm

by Tom Lovell

by John Walter Scott

by George Hargis

by Harry Lemon Parkhurst

by Hugh Joseph Ward

by John Drew

by J. Allen St. John