As today is the anniversary of the birth of Edgar Allan Poe, today’s scene that I love features Poe’s most famous interpreter, Vincent Price, reciting and performing The Raven. This scene comes from a 1985 television special that was called The Teller and the Tale.
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Saturdays, I will be reviewing the Canadian sitcom, Check it Out, which ran in syndication from 1985 to 1988. The entire show is currently streaming on Tubi!
This week, Howard’s paranoid and with good reason! They are all out to get him….
Episode 3.4 “I’m Okay, You’re A Spy”
(Dir by Alan Erlich, originally aired on October 17th, 1987)
After the new stockboy, 12 year-old Brad (played by T and T‘s Sean Roberge), shows Howard a newspaper article about how the company that purchased Cobb’s has been sending corporate spies into its stores to evaluate management, Howard gets extremely paranoid. He becomes convinced that there must be a spy in the store. He gathers Brad, Leslie, Christian, Viker, and Marlene into the stockroom and asks them if they’ve noticed anyone strange in the store. He also suggests that any one of them could possibly be the spy.
Or maybe — just maybe — the spy is the new butcher who keeps asking Howard all sorts of questions about the other employees. He would seem to be the most likely suspect and we know it’s him because the episode opens with him getting his assignment and talking about how he can’t wait to get Howard Bannister fired. Howard, of course, is so paranoid about the possibility of there being a spy in the store that he expresses all of his fears and frustrations to the spy. In other words, this is yet another episode episode where Howard is a complete moron. The previous season was split evenly between episodes where Howard was competent and episodes where Howard was an idiot. The episodes featuring stupid Howard were always funnier than the episodes featuring smart Howard so I think the showrunners made the right decision to focus o Howard’s stupidity in the third season. No one wants to watch a show about a good boss. What fun is that?
(It’s kind of like how we loved The Office when it was all about Michael screwing up but, when it became about new boss Andy proving himself, we all tuned out.)
It turns out that not everyone at the new corporation is supportive of the whole spy thing. T.C. Collingwood comes to the store and informs Howard that his butcher is the spy. Howard replies by giving the spy a lot of work to do. I guess that’s one way to handle it but it doesn’t change the fact that Howard told the spy that everyone at the store was incompetent and should be fired. This episode makes less and less sense the more that I think about it. Can’t corporate just look at whether or not the store had made any money and use that to determine whether or not Howard’s doing a good enough job? This episode didn’t make much sense.
Incidentally, Edna was on vacation during this episode. How many vacation does Edna get in the year? It seems like she’s never at the store. I have a feeling that Howard is going to run off with T.C. Collingwood at some point in the new future. Maybe that’s for the best. At least then Edna wouln’t have to flee to Florida every month.
Next week …. Howard wants to be a TV star! We’ll see what happens.
“Brandon, you are not ready to be my head chef.”
Oh my God, did Chef Ramsay really just say that!? I’ve watched a lot of episodes of Hell’s Kitchen but I don’t think any elimination has taken me as much by surprise as the elimination of Brandon this week. Brandon is who I expected to win this season and I know that I’m not alone in that. That said, Brandon did struggle at service. Of all the chefs to receive black jackets, Brandon struggled the most and, even more importantly, Brandon was really the only one to struggle. Ramsay didn’t have much of a choice but I have a feeling Brandon will return in a future season.
Speaking of Chef Ramsay, I also caught the second part of the Kitchen Nightmares premiere. I’m glad that Ramsay apparently thinks that he’s fixed that restaurant but I can promise that there is no way I would ever voluntarily eat at any establishment featured on this show. I don’t care if it’s clean now. Once a rat trap, always a rat trap.
This week’s episode of Abbott Elementary surfaced in comparison to last week’s but that’s to be expected considering the brilliance of last week’s show. I still laughed at Ava trying to figure out what it’s like to “date the poors.”
On Peacock, I watched the three episode documentary Girls Gone Wild: The Untold Story and yes, that was certainly disgusting and disturbing, It was even worse than Hulu’s Jerry Springer: Fights, Camera, Action, which I also watched. I guess I felt like catching up on some sordid history this week!
Speaking of sordid, Who Wants To Marry A Multi-Millionaire is on YouTube. I watched it and I have to admit that I laughed when the “millionaire” came lurching out and started speaking in a voice that sounded exactly like Bill Hader’s. Who Wants To Marry A Multi-Millionaire was a one-time, two-hour special that aired in 2000. The man behind this fiasco (the marriage was annulled, the millionaire was not a millionaire but just a guy who was the subject of multiple restraining orders) went on to create The Bachelor.
Also on YouTube, I found all six episodes of The Starlet, a reality competition show where aspiring actresses competed for a walk-on role on One Tree Hill. Stop laughing, it was a real show. I vaguely remember watching it when it first aired. I watched it a second time on Monday because I was bored. One of the judges was Faye Dunaway. Faye was surprisingly nice. The mean judge was Vivica A. Fox.
Case and I are continuing to watch Dark, on Netflix. What a fascinating and macabre show! I recommend it to anyone reading.
I watched the latest episodes of Special Forces: World’s Toughest Test but I don’t remember a damn thing about them, other than it amused me how everyone pretended to be taking everything so seriously.
And, as always, I watched the shows that I review on a weekly basis. I’m not going to sit here and list them all because I’m tired. But you can find all my reviews on this site. Yay!
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Saturdays, I will be reviewing Welcome Back Kotter, which ran on ABC from 1975 to 1979. The entire show can be purchased on Prime.
This week, it’s Welcome Back Barbarino!
Episode 4.14 “Bride and Gloom”
(Dir by Norman Abbott, originally aired on January 13th, 1979)
Epstein needs a favor from Barbarino. Remember the time I saved your life? Epstein asks. No, Barbarino replies. Well, no matter! Epstein is still intent on getting to Barbarino to pay him back marrying Epstein’s Guatemalan cousin, Angelina (Rachel Levario). Angelina needs her citizenship so Vinnie just needs to stay married to her from three days and then they’ll get a divorce and Vinnie can continue to date Nurse Sally (Linda McCullough). (“What you’re doing is so noble!” Sally tells Barbarino. I am not sure I would have the same reaction to my boyfriend announcing he was marrying someone else.)
Julie and Woodman tell Barbarino that he’s too young to get married and it’s somewhat jarring to remember that Barbarino and the rest of the Sweathogs are still just supposed to be high school kids. (John Travolta was the youngest member of the cast but, by the time the fourth season rolled around, even he looked too old to be hanging out at Buchanan High.) Gabe is not around to provide any advice and I don’t think this episode even bothered to come up with an excuse to explain his absence.
Angelina does not speak a word of English so Epstein serves as the translator while she and Barbarino fight about the wedding. Angelina wants a nice wedding. Barbarino just wants to get it over with. They compromise by holding the ceremony in Barbarino’s ugly apartment. (If the show couldn’t even spend the money to convince Gabe Kaplan to appear in the show that he was starring on, there was no way they were going to splurge for an extra set.) The guests are the Sweathogs and Julie and, for some reason, Mr. Woodman. Babarino and Epstein both have huge families but none of them show up for the wedding. I guess hiring extras would have cost money. The show did hire an actor to play the priest so that was good of them.
Does Vinnie Barbarino get married? No. Angelina changes her mind and marries a musician instead. Barbarino can go back to dating Sally and I guess Gabe will just hear about it later at dinner.
“I’m so confused!” Barbarino says at one point and the audience goes wild. Even though Travolta spent this episode looking like he was pretty much over the whole thing, the studio audience was happy to see him. The show’s greatest strength, at this point, was Travolta but this episode also shows the limits of the show’s format. Barbarino had to be both a high school student and a green card groom. It felt odd and kind of unpleasant.
Finally, why is Barbarino’s apartment is always so filthy? I get that he’s supposed to be poor and living in New York but seriously, couldn’t they have swept the set occasionally? The sight of that apartment always depresses me.
This episode features the cast going through the motions and, as was often the case with season 4, it’s obvious that no one really wants to be there. I certainly didn’t want to be there! Next week features Barbarino’s final appearance on the show. Soon, Vinnie will be free.
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th: The Series, a show which ran in syndication from 1987 to 1990. The entire series can be found on YouTube!
This week, Micki is faced with a moral dilemma.
Episode 2.24 “The Shaman’s Apprentice”
(Dir by William Fruet, originally aired on May 29th, 1989)
Micki’s friend, Blair (Isabelle Mejias) is in the hospital. She’s been having serious chest pains and, as Micki puts it, she’s too young to be suffering from them. Blair finds out that she has a sarcoma and the doctors are not giving her much chance to live. Dr. Lamar (James B. Douglas), the arrogant head of surgery at the local hospital, doesn’t seem to really care whether Blair lives or dies. All he cares about is taking care of the wealthy patients who might be moved to donate some of their money to the hospital.
However, Blair has found a reason for hope. There is a Native American doctor named John Whitecloud (Paul Sanchez). He has his own clinic, one that is funded by a rich man who Dr. Lamar said couldn’t be saved. Dr. Lamar hates Whitecloud, largely because Lamar is a racist who views Whitecloud’s “shamanistic” techniques with scorn. However, Whitecloud appears to be capable of saving anyone. Of course, the doctors and the nurses who have failed to treat Whitecloud with respect have a habit of mysteriously dying, usually right before Whitecloud manages to save a terminal patient.
Whitecloud does indeed have an objects that Jack and Ryan are interested in retrieving. It’s not a cursed antique. Instead, it’s a rattle that Whitecloud stole from his grandfather, Spotted Owl (Gordon Tootoosis). Whitecloud is using the rattle to cure his patients but, for every cure, he also has to use it to kill someone else. Whitecloud even uses it to kill Spotted Owl, though Whitecloud seems to feel bad about doing it. When Jack realizes that Whitecloud’s next target is going to be Dr. Lamar, he and Ryan are determined to stop him….
….except, as Micki points out, stopping Whitecloud will mean that her friend Blair will die. Why, Micki wonders, should Lamar get to live while Blair dies? Micki argues that they should at least let Whitecloud cure Blair but Jack gently explains that it doesn’t work that way. Jack says that their job is not to play God.
Long story short: The spirit of Spotted Owl shows up to drag Whitecloud into the afterlife. Jack gives the rattle back to the tribe, despite Ryan feeling that it should be in the vault. (“It’s not ours to take,” Jack explains in that reasonable and reassuring way of his.) Micki is angry and depressed that Blair is probably going to die. Blair stands on a street corner and stares at Whitecloud’s now empty clinic. Roll the end credits!
Wow, that was depressing! But it was really the only way the episode could end and I respect the fact that the show had the courage and the integrity to stay true to itself and end on such a down note. Not many shows would have had the courage to resist coming up with some sudden, miracle solution. This episode had some really cheap looking special effects and some not-so-great acting from some of the guest stars but Chris Wiggins, Robey, and John D. LeMay were as strong as always. This episode was especially an effective showcase for Chris Wiggins, who played Jack with just the right amount of weary gravitas. This was a depressing episode but it was a good one.
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988. The show can be found on Hulu and, for purchase, on Prime!
Oddly enough, this week’s episode is not available on Hulu. I had to purchase it on Prime. I’m not really sure why this episode — and apparently this episode alone — wouldn’t be on Hulu. The world of Streaming is a strange and arbitrary place.
Episode 1.8 “Tweety and Ralph”
(Dir by Mark Tinker, originally aired on December 20th, 1982)
Dr. Craig is still trying to track down the mysterious Dr. Barnum, the man who says that he’s interested in Craig’s convertible. Dr. Craig is constantly getting messages from Barnum. He’s constantly hearing Barnum being paged on the PA. Craig has become obsessed with tracking down the elusive Dr. Barnum.
Of course, Dr. Barnum does not exist. What started as a practical joke on the part of Dr. Samuels has grown into a hospital-wide conspiracy of people playing with the emotions of the pompous and prickly Dr. Craig. Craig is so obsessed with selling his car that he even cuts his hand while working on the engine. Finally, Dr. Craig’s wife, Ellen (played by William Daniels’s real-life wife, Bonnie Bartlett), confronts Samuels and tells him that she knows what he’s doing. When Samuels hears that Craig cut his hand, he feels guilty. He knows how important a surgeon’s hands are. Samuels finally works up the courage to tell Craig the truth. Craig laughs. And then he punches out Dr. Samuels.
And you know what? Dr. Samuels totally deserved it. Good for you, Dr. Craig!
(Everyone seems to have forgiven Dr. Samuels for causing a VD break-out during the pilot. They’re very forgiving at St. Eligius.)
Meanwhile, the Legionnaire’s outbreak is finally contained, with the culprit being one dirty shower head. Ward 5 is re-opened! Yay! Dr. Westphall celebrates his victory but still comes across as being the most depressed man on the planet. While that goes on, Dr. Fiscus reveals that he now carries a gun so he won’t get mugged in the ER again and Dr. Cavanero considers her decision to devote her life to her career when a friend check into the hospital for hysterectomy.
That said, the majority of the episode centered around Ralph (Richard Marcus) and Jane (Laraine Newman), two psychiatric patients. Jane is pregnant and Ralph is the father. Ralph is a genius who graduated at the top of his class from MIT and who invented his own personal computer. Unfortunately, he also thinks that he’s a bird and has been stealing medical supplies to build a giant nest in one of the supply closets. Jane wants to marry Ralph but, when she and Ralph go out to dinner with Dr. Beale, Jane can only watch in horror as Ralph panics at the sight of a cat. “Caw! Caw!” Ralph shouts as he jumps up on a chair. The cat, for its part, just looks confused.
In other words, the marriage is off. Jane tells Ralph that she’ll always love him but that she can’t be with him anymore. The episode ends with a close-up of Ralph intensely staring at the camera. Uh-oh, that doesn’t look good….
This was a weird but ultimately effective episode. I really shouldn’t have been as emotionally moved as I was by Ralph and Jane’s story. Ralph’s behavior was more than a little cartoonish. But, I have to admit that I felt really sad as Jane said goodbye to Ralph. Richard Marcus and Laraine Newman did such a good job playing the characters that I couldn’t help but be sad that things weren’t working out for them.
Oh well. I guess that’s just another day at St. Eligius….
Naoki Urusawa is widely considered one of the great mangaka (comic artist who illustrates and/or writes manga) and some sees him as one of the great storytellers of our time. His work ranges from science fiction (20th Century Boys) to sports (Happy!) and to psychological thriller (MONSTER). It is his foray into the psychological thriller realm that we are here today.
MONSTER was originally published through 18 volumes from December 1998 to December 2001. This is a rarity amongst non-shonen manga which tend to be the type of manga that remains the most popular and non-ending publishing run. Urusawa’s psychological thriller wasn’t initially seen as something that would become popular and well-received when he first approached his editor about the idea for the epic story. Yet, despite his editor’s misgivings, MONSTER gained not just critical-acclaim but a strong following not just from manga readers, but from those who usually do not subscribe to what some would see as just another comic. It is this crossover appeal along all types of readers that would see Urusawa’s dark work sell over 20 million copies sold.
Like all popular manga, MONSTER would get an anime adaptation that ran from early April 2004 and to the series’ finale late September 2005. Just like its manga, the anime series would come to be known as one of the great anime series of the past 25 years. Where some anime adaptations of popular and critically-acclaimed works tend not reach the same level quality, MONSTER avoids the pitfalls of telling such a dense and heavy story by taking on the challenge and letting the series run for as long as it needs to be able to tell a faithful adaptation.
MONSTER the anime I would put up with all the other great live-action thrillers whether film or tv and for the most part would surpass most of them. The sophistication of its execution from the making the complex plot of the story easy to follow without dumbing it down for the general audience and, this is where MONSTER hits the mark, in keeping a steady and pace that neither rushes things or keep scenes last longer than they should before boredom begins to creep in.
Those who are not big on the cutesy and/or the hyper-action of most anime that tend to be popular with the general public, I suggest taking on MONSTER and just see just how mature and sophisticated the medium can be in addition to the rest.
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989. The entire show is currently streaming on Freevee and several other services!
This week, the highway leads to college and R-rated movies!
Episode 3.9 “Code Name: FREAK”
(Dir by Michael Landon, originally aired on November 19th, 1986)
Jonathan and Mark have been assigned to work on a college campus. While Jonathan gets to teach a computer class, Mark is assigned to be the resident assistant of a rowdy bunch of jocks who all live in the same dorm. This episode continues the Highway to Heaven tradition of Mark always being humiliated by the assignment. If I was Mark, I would be wondering why “the boss” always gives me the worst possible jobs.
Chris Gunn (Jeff Bryan Davis) is starting his first semester at the college. He’s smart, he’s well-read, and he’s desperate to make friends with everyone. Unfortunately, Chris is also only 13 years old and, even if he did graduate from high school, there’s no way he should be away from home at the college. He has no friends. No one invites him to any parties. Chris is refused entry to an R-rated movie because he is not accompanied by an adult.
Chris’s roommate is Danny (Gary Hershberger), a football player who is not quite as shallow as his fellow jocks. When it looks like Danny might flunk his computer class, Danny’s frat brothers offer to accept Chris into the frat if Chris agrees to hack into Jonathan’s commercial and get the answers for the next big test. Chris does so but then double-crosses Danny by giving him all the wrong answers. Chris’s not as naive as everyone thought!
Danny flunks the test and loses his spot on the football team. When its learned that he cheated, Danny loses his scholarship and is expelled for refusing to reveal how he got the answers for the test. Danny, knowing what happens to narcs, refuses to sell out and lit appears that he’s going to lose his scholarship as a result. Stunned that Danny didn’t want to get him in trouble, Chris tells the truth to the school’s dean. Danny is allowed to stay and after some prodding from Jonathan, the dean decides to allow Chris to stay as well.
Chris and Danny are both super-excited and have a new found respect for each other. They celebrate by….
GOING TO AN R-RATED MOVIE! Danny accompanies Chris so Chris gets to see a movie that’s he’s probably too young for! Yay!
This is a prototypical episode of Highway to Heaven. It’s unapologetically sentimental and rather predictable but it’s also so incredibly earnest and sincere that it doesn’t really matter. We want to see everything work out for everyone and fortunately, it does.
Myself, it will never not amuse me that, after learning that he won’t be expelled and neither will Danny, Chris’s firth thought is that they should go catch an R-rated picture while they still have time. And Danny agrees! I always want to know what type of film are they watching. Is it a slasher film or a mindless high school comedy or maybe something featuring a bunch of fast cars and occasionally juvenile behavior?
This was a classic episode. I assume Danny and Chris are still best friends.
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Malibu CA, which aired in Syndication in 1998 and 1999. The entire show is currently streaming on YouTube!
This week, a special guest star is forced to appear on the show.
Episode 1.24 “Uncle Charlie”
(Dir by Gary Shimokawa, originally aired on May 9th, 1999)
Jason and Scott are totally excited because their Uncle Charlie is coming to visit. As they explain to Murray, Uncle Charlie has been in the Marines for 30 years and is a total badass. Murray says that he tried to join the Marines but was classified as being “FW.” “Freaking weirdo,” Murray says. Peter then says that he doesn’t like it when Charlie comes to visit because Charlie always make fun of him for being too thin. Really when this show started and Peter was supposed to be like a seriously cool surfer dude?
Anyway, Charlie shows up and he’s played by Dick Butkus. After finishing up both Hang Time and Half-Nelson, I thought I was done with reviewing anything to do with Dick Butkus but nope, here he is in yet another Peter Engel-produced show! I imagine that Butkus did this show as a favor to Peter Engel or maybe Butkus was just under a contract that he couldn’t get out of. Still, it’s hard not to notice that Butkus does not appear to be particularly enthusiastic about appearing on Malibu CA. While it’s true that Butkus always came across as being more of an ex-athlete than an actor (because, of course, that’s exactly what he was), Butkus still at least made an effort on Hang Time. In Malibu, CA, Butkus seems to be struggling to stay awake.
Uncle Charlie is upset because the Marines want him to consider retirement. Charlie works out his frustration by having Jason and Scott do calisthenics. (He’s not their favorite uncle anymore!) But then Charlie starts hanging out with Murray and Murray encourages Charlie to be a beach bum. That sounds good to Charlie and I have to admit that I think Dick Butkus hanging out on the beach in a Hawaiian shirt with Murray actually had a lot of potential. I’m as surprised as anyone that Murray has turned out to be this show’s saving grace but he has. I guess we should be glad the Marines didn’t take him.
Charlie’s new beach-centric philosophy becomes a problem when Charlie finds himself being considered for a job at a military school. The school doesn’t want beach bums! Can Jason and Scott straighten Charlie out? Will Jason ever manage to get through a scene without looking straight at the camera for his cue? Who cares?
As for the B-plot, Traycee has tickets to the Beastie Boys. She invites Stads and Sam to come to the concert with her. Awwww, how nice! “You’ve only got two tickets!” Stads snaps because, for some reason, the show has decided that Stads should always be in a bitchy mood. (Remember when the show started and Stads was vaguely likable?) Sam and Stads compete for the title of Traycee’s best friend. Years later, Paris Hilton had a reality competition show based around the same concept.
This episode was dull. When not even Dick Butkus can make your actors look good by comparison, you’ve got a problem.
The first official trailer for the return of Daredevil to the small screen has finally been released by Marvel Television (a part of Marvel Studios). Daredevil: Born Again will finally and officially be the homecoming of the live-action Daredevil character that many fans have been clamoring for. Disney is finally embracing the Netflix Marvel shows as part of the MCU (they ignored the ABC/Netflix Marvel shows like they were something one found under their shoes).
Charlie Cox is back as Matt Murdock aka Daredevil, The Man With No Fear. Vincent D’Onofrio is also back as his arch nemesis Wilson Fisk aka The Kingpin. Pretty much the rest of the cast of the Netflix Daredevil show and its many spin-offs are back, as well.
There was some major fears and trepidations from fans of those shows that Disney will water down the mature-aspect of those shows in order to have them on Disney+. The fact that Kevin Feige and his braintrust at Marvel Studios made a major overhaul of the shows creative team six-episodes in of the shows production to start anew tells me that the initial plan to make the show more lighthearted didn’t so well when reviewed by the powers-that-be. So, after some many months of major reshoots, change in showrunner and directors, we now see a taste of that pivot away from the studio’s original plan.
Daredevil: Born Again trailer channels the original Netflix series’ serious and mature tone. Even the fear that the violence of the original series would be water-downed could be put to rest. Daredevil: Born Again definitely is for mature-audiences only.
The Marvel Cinematic Universe hasn’t has many hits since the end of Avengers: End Game, but this trailer (hopefully just a hint of what to expect when the show comes out) is a right step in the direction of righting the MCU ship, because the pop-culture landscape is much better when its tentpole franchises are working perfectly on all cylinders rather than not.
Through the Shattered Lens 