Mason of the Mounted (1932, directed by Harry L. Fraser)


Bill Mason (Bill Cody) is a member of the Canadian Mounted Police who is sent over the border to track down a murderous horse thief.  Going undercover, Mason discovers that a nearby frontier town is being terrorized by rustlers.  The townspeople have named Calhoun (LeRoy Mason) as the head of the local posse but Mason soon discovers that Calhoun is actually the horse thief!

Mason of the Mounted is only 57 minutes long but it’s a very slow-moving 57 minutes.  It’s also a pre-Code film but, other than a grisly shot of a dead body at the start of the film, there’s nothing about Mason of the Mounted that you wouldn’t expect to find in a western made under the production code.  Much of the film centers around Mason befriending an American teenager named Andy Talbot (played by Andy Shuford).  This was actually one of 8 films that Bill Cody and Andy Shuford made together.  Cody was a genuine cowboy who performed in wild west shows before and after his film career.  Shuford was a child actor whose career was primarily in Westerns.  During World War II, he enlisted in the U.S. Army Air Corps, flew many missions out of England, and eventually reached the rank of colonel.  He never returned to making films.

As for Mason of the Mounted, Bill Cody has some authentic cowboy grit and is credible when he’s on a horse or shooting a gun but the plot moves too slowly and most of the cast is stiff and awkward.  I did like the idea of the main rustler disguising himself as the only person capable of stopping the rustlers.  That was an interesting idea and I wish the movie had done more with it.  This is a film that’s mostly for fans of the genre and even the most undemanding western fan will probably have a hard time making their way through the whole thing.

Cleaning out the DVR: The Boy In The Plastic Bubble (dir by Randal Kleiser)


This made-for-television film from 1976 tells the story of Tod Lubitch (played by a pre-Saturday Night Fever John Travolta).  Tod was born without an immune system and, as a result, he’s had to spend his entire life in a germ-free, plastic bubble.  When Tod was a child, it wasn’t such a big deal not being able to leave his house without getting in a plastic ark beforehand.  But now, he’s in his teens and he wants to do teenager stuff.  His parents (Robert Reed and Diana Hyland) are overprotective.  His doctor (Ralph Bellamy) says that there’s little chance that Tod’s condition will ever improve.  But the girl next door, Gina (Glynnis O’Connor), finds herself falling in love with Tod and she wants to help him live a normal life.  Gina loves to ride horses and Tod wants to ride one with her.  As we all know, horses are totally germ-free.

The Boy In The Plastic Bubble is one of those movies that has a reputation.  It’s usually cited as being the epitome of 70s schmaltz and, indeed, it is very 70s and it is very schmaltzy.  It’s one of those films where the big dramatic moments are so overdone that they instead often become kind of comedic.  When Tod finally convinces his parents to allow him to attend school, he does so while wearing a special protective outfit that makes him look like a cross between an old school astronaut and a demented teddy bear.  When it looks like his suit might be malfunctioning, he runs into the plastic cell that’s been set up in the back of the classroom and strips it off while all of his classmates watch.  Everyone’s truly impressed by both Tod’s positivity and the sight of a 22 year-old John Travolta rolling around in gym shorts.

Indeed, while watching the film, it’s impossible not to ask certain questions.  In what world, for instance, could Robert Reed, best known for playing the patriarch on The Brady Bunch, be John Travolta’s father?  Why is there such a weird tension between Tod and his mother?  (It may have had something to do with the fact that Travolta was dating Diana Hyland at the time.)  How does Tod keep his hair so perfect while living in a plastic bubble?  Did anyone think that the scene where Tod is carried onto the beach inside a plastic box would be so odd to watch?  Reportedly, The Boy In The Plastic Bubble was based on the lives of two young men who has the same condition as Tod.  According to Wikipedia, one of them was very amused by the idea the Todd’s protective outfit would keep him safe at school.  And, then of course, there’s the film’s ending, which tries to offer a ray of hope but instead leaves you convinced that Tod is going to die at any minute.

And yet, for all the obvious flaws, The Boy In The Plastic Bubble is slightly redeemed by the sincerity that Travolta and O’Connor bring to their roles.  In particular, Travolta brings a smoldering anger to his role, which may not have been present in the script but which feels appropriate for the character.  As played by Travolta, Tod may understand why he’s in the bubble but he’s still pissed off about it.  O’Connor has an even more difficult role to play because Gina’s actions often don’t make a lot of sense.  But O’Connor makes you believe that she’s sincere in her desire to give the Bubble Boy the high school experience that he deserves.  It’s a schmaltzy film but Travolta and O’Connor bring a few moments of emotional honesty to it.

Director Randal Kleiser later worked with John Travolta on Grease.  I don’t think Danny Zuko would have been a good influence on the Boy in the Plastic Bubble.

The New Frontier (1935, directed by Carl Pierson)


In 1889, wagon master Milt Dawson (Sam Flint) rides into a western town. He is planning on meeting his son John, who is also a wagon master. However, when a friend of Milt’s is killed by gambler Ace Holmes (Warner Richardson), Milt announces that he’s going to clean up the town and Ace is the first piece of trash that Milt is going to toss out. Ace responds by having his henchmen shoot Milt in the back.

After Milt’s death, his son finally arrives in town and you know that Ace is going to be in trouble because John Dawson is played by John Wayne! Seeking to avenge his father’s death, John teams up with an outlaw named Kit (Al Bridge) and declares war on Ace and his gang.

This is a typical western programmer, one that would probably be forgotten if not for the presence of John Wayne in an early starring role. This was before Stagecoach so the budget is low and the plot is simple. Even in his early 20s, John Wayne has the natural authority that would later make him a star but it’s still strange for me to see him in any film where he’s playing a young man who still has parents. There are some actors who you can’t picture as ever having been anything less than middle-aged and John Wayne is one of them. While most of the other actors are stiff and awkward, Wayne seems right at home in the dusty streets of The New Frontier. Interestingly, given Wayne’s identification with law-and-order, he plays a character here who has no problem working with outlaws and who understands that sometimes, the law can be unfair.  Ace is the most powerful man in town and John has no choice but team up with those on the outs of what was then considered to be respectability.  Another memorable scene juxtaposes a gun battle with the town’s citizens praying in church, a reminder that innocent people were often caught in the middle of the old west’s grudge matches.  These are interesting themes, though they’re not very deeply explored.  

Though the gunfights are nicely choreographed and shot, the chance to see a pre-stardom John Wayne clean up the old west is the main reason to watch The New Frontier.

Here Are The 2021 Nominations of the Set Decorators Society!


For those struggling to fill out your predictions for Best Production Design on your imaginary Oscar ballot, here are the 2021 nominations of The Set Decorators Society!

The winners will be announced on February 22nd.

BEST ACHIEVEMENT IN DECOR/DESIGN OF A FEATURE FILM – PERIOD
Being the Ricardos
House of Gucci
Licorice Pizza
Nightmare Alley
The Power of the Dog

BEST ACHIEVEMENT IN DECOR/DESIGN OF A FEATURE FILM — FANTASY OR SCIENCE FICTION
Dune
The King’s Man
The Matrix Resurrections
Spider–Man: No Way Home
The Tragedy of Macbeth

BEST ACHIEVEMENT IN DECOR/DESIGN OF A FEATURE FILM — CONTEMPORARY
CODA
Don’t Look Up
The Hand of God
The Lost Daughter
No Time To Die

BEST ACHIEVEMENT IN DECOR/DESIGN OF A FEATURE FILM — MUSICAL OR COMEDY
Cruella
Cyrano
The French Dispatch
tick, tick…BOOM!
West Side Story

The Power of the Dog Wins In Denver!


On Monday, the Denver Film Critics Society named The Power of the Dog as the best film of 2021!  Here are all the winners from Denver:

Best Picture
​Belfast
Drive My Car
Dune
The Power of the Dog
Spider-Man: No Way Home

Best Director
Kenneth Branagh – Belfast
Jane Campion – The Power of the Dog
Joel Coen – The Tragedy Of Macbeth
Ryusuke Hamaguchi – Drive My Car
Denis Villeneuve – Dune

Best Actress
Jessica Chastain – The Eyes Of Tammy Faye
Lady Gaga – House Of Gucci
Alana Haim – Licorice Pizza
Nicole Kidman – Being The Ricardos
Kristen Stewart – Spencer

Best Actor
Nicolas Cage – Pig
Benedict Cumberbatch – The Power of the Dog
Peter Dinklage – Cyrano
Will Smith – King Richard
Denzel Washington – The Tragedy Of Macbeth

Best Supporting Actress
Cate Blanchett – Nightmare Alley
Ariana DeBose – West Side Story
Kirsten Dunst – The Power of the Dog
Aunjanue Ellis – King Richard
Ruth Negga – Passing

Best Supporting Actor
Ben Affleck – The Tender Bar
Ciaran Hinds – Belfast
Troy Kotsur – CODA
J.K. Simmons – Being The Ricardos
Kodi Smit-McPhee – The Power of the Dog

Best Sci-Fi/Horror
Dune
The Green Knight
Last Night In Soho
A Quiet Place Part II
Spider-Man: No Way Home

Best Animated Film
Encanto
Flee
Luca
The Mitchells vs. The Machines
Raya And The Last Dragon

Best Comedy
Barb & Star Go To Vista Del Mar
Don’t Look Up
Free Guy
The French Dispatch
The Suicide Squad

Best Visual FX
Dune
Godzilla vs. Kong
The Green Knight
Shang-Chi And The Legend Of The Ten Rings
Spider-Man: No Way Home

Best Original Screenplay
Zach Baylin – King Richard
Kenneth Branagh – Belfast
Mike Mills – C’mon C’mon
Michael Sarnoski – Pig
Paul Thomas Anderson – Licorice Pizza

Best Adapted Screenplay
Jane Campion – The Power of the Dog
Joel Coen – The Tragedy Of Macbeth
​Ryusuke Hamaguchi – Drive My Car
Sian Heder – CODA
Jon Spaihts, Eric Roth & Denis Villeneuve – Dune

Best Documentary
The First Wave
Flee
Procession
Summer Of Soul
The Velvet Underground

Best Original Song
“Be Alive” – King Richard
“Dos Oruguitas” – Encanto
“Guns Go Bang” – The Harder They Fall
“Just Look Up” – Don’t Look Up
“No Time To Die” – No Time To Die

Best Score
Germaine Franco – Encanto
Jonny Greenwood – The Power of the Dog
Jonny Greenwood – Spencer
Jeymes Samuel – The Harder They Fall
Hans Zimmer – Dune

Best Foreign Language Film
Drive My Car
Flee
A Hero
Petite Maman
The Worst Person In The World

Here Are The 2021 Nominees of the Visual Effects Society


On Tuesday (again, we’re playing catch-up), the Visual Effects Society announced their nominations for the best visual effects work of 2021 and, as you can probably guess, there was a lot of love for Dune and the Marvel films.

The winners will be announced on March 8th!  Here are the nominee:

OUTSTANDING VISUAL EFFECTS IN A PHOTOREAL FEATURE
“Dune”
“Godzilla vs. Kong”
“The Matrix Resurrections”
“No Time To Die”
“Shang-Chi and the Legend of the Ten Rings”
“Spider-Man: No Way Home”

OUTSTANDING SUPPORTING VISUAL EFFECTS IN A PHOTOREAL FEATURE
“Candyman”
“Last Night in Soho”
“Nightmare Alley”
“The Last Duel”
“The Tragedy of Macbeth”

OUTSTANDING VISUAL EFFECTS IN AN ANIMATED FEATURE
“Encanto”
“Luca”
“Raya and the Last Dragon”
“Sing 2”
“The Mitchells vs. The Machines”

OUTSTANDING ANIMATED CHARACTER IN A PHOTOREAL FEATURE
“Finch” – Jeff
“Flora & Ulysses” – Ulysses
“Jungle Cruise” – Aguirre
“Venom: Let There Be Carnage” – Carnage

OUTSTANDING ANIMATED CHARACTER IN AN ANIMATED FEATURE
“Encanto” – Mirabel Madrigal
“Luca” – Luca
“Raya and the Last Dragon” – Tuk Tuk
“The Mitchells vs. The Machines” – Katie Mitchell

OUTSTANDING CREATED ENVIRONMENT IN A PHOTOREAL FEATURE
“Dune” – Arrakeen City
“Jungle Cruise” – Waterfall Canyon
“Spider-Man: No Way Home” – The Mirror Dimension
“The Suicide Squad” – Valle Del Marre

OUTSTANDING CREATED ENVIRONMENT IN AN ANIMATED FEATURE
“Encanto” – Antonio’s Room
“Luca” – Portorosso Piazza
“Raya and the Last Dragon” – Talon
“Sing 2” – Crystal Theater
“Vivo” – Mambo Cabana

OUTSTANDING VIRTUAL CINEMATOGRAPHY IN A CG PROJECT
“Encanto” – “We Don’t Talk about Bruno”
“Godzilla vs. Kong” – Ocean Battle
“Loki” – Lamentis; Race to the Ark
“Raya and the Last Dragon”
“Shang-Chi and the Legend of the Ten Rings”

OUTSTANDING MODEL IN A PHOTOREAL OR ANIMATED PROJECT
“Black Widow” – The Red Room
“Dune” – Royal Ornithopter
“Encanto” – Casita Madrigal
“The Suicide Squad” – Jotunheim

OUTSTANDING EFFECTS SIMULATIONS IN A PHOTOREAL FEATURE
“Dune” – Dunes of Arrakis
“Godzilla vs. Kong” – Ocean Water & Battle Destruction
“Shang-Chi and the Legend of the Ten Rings” – Water, Bubbles & Magic
“The Suicide Squad” – Corto Maltese City Destruction

OUTSTANDING EFFECTS SIMULATIONS IN AN ANIMATED FEATURE
“Encanto”
“Luca”
“Raya and the Last Dragon”
“Sing 2”

OUTSTANDING COMPOSITING and LIGHTING IN A FEATURE
“Black Widow” – Red Room Crashing Back to Earth
“Dune” – Attack on Arrakeen
“Dune” – Hologram and Hunter Seeker
“Shang-Chi and the Legend of the Ten Rings” – Macau City
“Spider-Man: No Way Home” – Liberty Island Battle and Christmas Swing Finale

OUTSTANDING SPECIAL (PRACTICAL) EFFECTS IN A PHOTOREAL PROJECT
“Eternals”
“Jungle Cruise”
“The Matrix Resurrections”
“The Tomorrow War”

The Power of the Dog Wins in Houston!


On Wednesday (yes, I’m playing catch-up), the Houston Film Critics Society became the latest group to name The Power of the Dog as the best film of 2021!

Here all the winners from Houston:

Picture
Belfast
CODA
Don’t Look Up
Dune
King Richard
Licorice Pizza
Parallel Mothers
The Power of the Dog
tick, tick … Boom
The Tragedy of Macbeth

Director
Paul Thomas Anderson – Licorice Pizza
Kenneth Branagh – Belfast
Jane Campion – The Power of the Dog
Guillermo del Toro – Nightmare Alley
Denis Villeneuve – Dune

Actor
Benedict Cumberbatch – The Power of the Dog
Peter Dinklage – Cyrano
Andrew Garfield – tick, tick … Boom
Will Smith – King Richard
Denzel Washington – The Tragedy of Macbeth

Actress
Jessica Chastain – The Eyes of Tammy Faye
Olivia Colman – The Lost Daughter
Penelope Cruz – Parallel Mothers
Alana Haim – Licorice Pizza
Emilia Jones – CODA
Kristen Stewart – Spencer

Supporting Actor
Andrew Garfield – The Eyes of Tammy Faye
Ciarán Hinds – Belfast
Troy Kotsur – CODA
J.K. Simmons – Being the Ricardos
Kodi Smit-McPhee – The Power of the Dog

Supporting Actress
Jessie Buckley – The Lost Daughter
Ariana DeBose – West Side Story
Ann Dowd – Mass
Kirsten Dunst – The Power of the Dog
Aunjanue Ellis – King Richard

Ensemble Cast
Belfast
CODA
Mass
Nightmare Alley
The Power of the Dog

Screenplay
Belfast
CODA
Don’t Look Up
Licorice Pizza
The Power of the Dog

Animated Feature
Encanto
Flee
Luca
Raya and the Last Dragon
The Mitchells vs. the Machines

Cinematography
Dune
Nightmare Alley
The Power of the Dog
The Tragedy of Macbeth
West Side Story

Documentary Feature
Flee
The Rescue
The Sparks Brothers
Summer of Soul
Val

Foreign Language Feature
Drive My Car
Flee
Parallel Mothers
Riders of Justice
The Worst Person in the World

Original Score
Dune
The French Dispatch
The Harder They Fall
The Power of the Dog
Spencer

Original Song
“Dos Oruguitas” – Encanto
“Guns Go Bang” – The Harder They Fall
“Just Look Up” – Don’t Look Up
“No Time to Die” – No Time to Die
“Wherever I Fall – Pt. 1” – Cyrano

Visual Effects
Dune
The Matrix Resurrections
Shang-Chi and the Legend of the Ten Rings

Stunt Coordination
Black Widow
The Matrix Resurrections
No Time to Die
Shang-Chi and the Legend of the Ten Rings
Spider-Man: No Way Home

I Watched The Fan (1996, dir. by Tony Scott)


Yesterday, I told my sister that I wanted to watch a good baseball movie.

“How about The Fan?” she said, “It’s on Starz.”

“Is The Fan really a baseball movie?” I asked.

“It’s got people with baseball bats in it.” she said.

The Fan does have people with baseball bats.  Wesley Snipes is a baseball player who is getting paid a lot of money to swing a bat for the Giants but he’s in a slump because Benicio del Toro won’t let him wear his old number.  Robert de Niro is a Giants fan who uses a baseball bat to beat to death his best friend after de Niro kidnaps Snipes’s son and demands that Snipes play better.  Snipes has to win a game, even though it’s raining and he has terrible stats against the opposing pitcher.  De Niro sneaks on the field as an umpire and makes bad calls on purpose, which proves everything that I’ve ever said about umpires.

The Fan wasn’t bad.  I liked the baseball scenes and I also liked the scenes where de Niro would just start overreacting to anyone saying anything bad about the Giants because everyone knows a fan like that.  (Where I live, most of them are Cowboys fans.)  Whenever de Niro started to go crazy, Nine Inch Nails would play on the soundtrack, which was funny but also too obvious.  There was a lot about the movie that didn’t make any sense.  At the end of the movie, it’s raining so hard that there’s no way the game would have been allowed to continue but I guess once you accept that de Niro could sneak on the field dressed like an umpire, you have to accept that a baseball game would continue in the middle of a flash flood.  But we all know fans like the one played by de Niro.  At the start of the movie, I actually felt bad for him because it was so obvious that baseball was the only thing he had.  He still had all of his pictures from Little League and he wanted his son to be as big a baseball fan as he was because that was the only way that he knows how to relate to other people.  But then he started killing people and giving baseball fans everywhere a bad name.

Josh Hamilton once said that Dallas wasn’t a “real baseball town,” which hurt the feelings of fans like me who had supported him, through all of his struggles, when he was a member of the Rangers.  Whenever Hamilton would return to Arlington to play against the Rangers, everyone in the stands would chant, “Baseball town,” whenever he stepped up to the plate.  I still think it was rude for Hamilton to say what he said but he was right that Dallas doesn’t produce the type of baseball fans who will disguise themselves as umpires and take the field with a knife hidden in their cleats.  Rangers fans aren’t “the crazy fans,” like the ones who Snipes says he can’t stand in The Fan.  I hope that never changes but I also hope the Rangers get it together this upcoming season.  Support the team without kidnapping or killing anyone, that’s the duty of every true fan.  GO RANGERS!

Frontier Marshal (1939, directed by Allan Dwan)


When Wyatt Earp (Randolph Scott) arrives in the town of Tombstone, he takes the law in his own hands by preventing a local outlaw named Indian Charlie (Charles Stevens) from destroying the saloon owned by Ben Carter (John Carradine).  For his trouble, Earp is beaten up by Carter’s men.  Earp, however, does get a  job as the town’s new marshal.

After some initial weariness, Wyatt befriends an alcoholic dentist and gunfighter named Doc Holliday (Cesar Romero).  While Earp keeps the peace in Tombstone, Doc is torn between two women, dancehall girl Jerry (Binnie Barnes) and his ex-girlfriend, Sarah (Nancy Kelly).

With Carter and his man planning on robbing a payroll train and also kidnapping frontier performer, Eddie Foy (played by the real Foy’s son, Eddie Foy, Jr.), it is only a matter of time before Earp takes on Carter at the legendary O.K. Corral.

Frontier Marshal was only the second sound film to be made about Wyatt Earp’s time in Tombstone and it was the first to use Earp’s name.  (In the first film version of the story, also called Frontier Marshal, Earp’s name was changed to Michael Wyatt.)  This was because Wyatt’s widow was offended by some of the material that was included in the biography that served as the basis for Frontier Marshal and threatened to sue anyone who wanted to make a movie out of it.  In order to get her permission to make the film, 20th Century Fox agreed that no reference would be made to Wyatt’s marriage in the film.  Mrs. Earp ended up suing anyways.  20th Century Fox settled.

As for the film, it’s in no way historically accurate and it pales in comparison to My Darling Clementine, Gunfight at the O.K. Corral, Tombstone, and the Star Trek episode where Kirk, Spock, and McCoy thought they were in the old west.  It is, however, better than The Gunfighters episode of Dr. Who.  Randolph Scott is convincing as an upright and law-abiding Wyatt Earp, quite a contrast to the real Wyatt.  The movie though is stolen by Cesar Romero, who plays Doc Holliday as being pathologically self-destructive.  Cesar Romero is not necessarily the first name that comes to mind when you think of a great western actor but he’s very convincing here.  John Carradine is a perfect villain and keep an eye out for Lon Chaney, Jr. as one of his henchmen.  Unfortunately, the final gunfight feels rushed and, for all the build up, it isn’t as exciting as it should be.  Frontier Marshal will mostly be of interest to those curious to see how Doc Holliday, Wyatt Earp, Tombstone and the Gunfight at the O.K. Corral were portrayed in films before they became a sacrosanct part of the mythology of the Old West.

Frontier Marshal was later remade, as My Darling Clementine, by John Ford.  Ward Bond, who played Morgan Earp in Ford’s film, plays the original town marshal in Frontier Marshal.  Charles Stevens, who plays Indian Charlie in Frontier Marshal, was often falsely described by the Hollywood publicity mill as being the real-life grandson of Geronimo.  He also appeared in My Darling Clementine, once again playing the role of Indian Charlie.  It was one of the nearly 200 films he made before he died in 1964.

4 Shots From 4 Jim Jarmusch Films


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, the Shattered Lens wishes a happy birthday of one of the most important and independently minded filmmakers of the past 40 years, Jim Jarmusch!

It’s time for….

4 Shots From 4 Jim Jarmusch Films

Stranger Than Paradise (1984, dir by Jim Jarmusch, DP: Tim DiCillo)

Down by Law (1986, dir by Jim Jarmusch, DP: Robby Muller)

Dead Man (1995, dir by Jim Jarmusch, DP: Robby Muller)

Coffee and Cigarettes (2003, dir by Jim Jarmusch, DP: Tom DiCillo)