Here’s The Trailer For The Boogeyman!


Another year, another Stephen King adaptation.

The Boogeyman is based on a short story that King wrote in 1973.  Obviously, King is a big name in horror but how can any film called Boogeyman hope to top the work of Ulli Lommel?

Here’s the trailer:

Here’s The Trailer For Murder Mystery 2!


The first Murder Mystery was an entertaining and even rather sweet mix of comedy and mystery so I guess we shouldn’t be surprised that both Adam Sandler and Jennifer Aniston have returned for Murder Mystery 2.  Apparently, in the years since the first film, Nick and Audrey have started their own detective agency and they’ve even taken that trip to Paris!  However, an invitation to an island wedding put them right in the middle of another mystery!

If this film is successful, I imagine we’ll get several more Nick/Audrey films.  And why not?  Sandler and Aniston had a really fun chemistry in the first film.  Let’s hope the same is true for the second one.

Here’s the trailer for Murder Mystery 2!

I Watched Gibsonburg (2013, dir. by Jonathon Kimble and Bob Mahaffey)


Based on a true story, Gibsonburg is my favorite type of sports story.  It’s about a team that won even though everyone expected it to lose.

During the 2005 regular season, Gibsonburg High School’s baseball team compiles a desultory record of 6 wins and 17 losses.  With a record like that, no one gives them much of a chance in the state’s championship tournament.  But, against the odds, the Gibsonburg Golden Bears not only win the first game of the tournament but the second one and then the third one.  Soon, it starts to look like Gibsonburg could actually come out of nowhere to win the state championship!

I liked Gibsonburg.  There’s a lot of baseball scenes but, even more importantly, the movie is about what the underdog baseball team does for the spirit of its hometown.  Gibsonburg has been hit hard by the recession and businesses are shutting down left and right.  One of the team’s best players had just been told that the family’s bakery is going to be closed in a few weeks.  The team’s victories gives the entire town something to believe in and it shows that you can succeed even when everyone is expecting you to fail.  The team starts to win after the player comes across as valuable coin that might be lucky but, as the movie shows, the coin had nothing to do with it.  Gibsonburg won because the team came together and refused to give up.  The movie is a heart-warming celebration of community, friendship, and baseball.

Icebreaker (2000, directed by David Giancola)


Carl Grieg (Bruce Campbell) is a terminally ill terrorist who takes over a Vermont ski resort while his henchpeople search the nearby mountains for a lost shipment on plutonium.  The only man who can stop Carl is a wiseass but determined ski patroller, Matt Foster (Sean Astin).  Not only does Matt have to stop Carl from getting his hands on the plutonium but he also has to save his fiancée (Suzanne Turner) and her father (Stacy Keach), both of whom are being held hostage by Carl.  Since his future father-in-law thinks that he’s nothing more than good for nothing ski bum, this is Matt’s chance to prove himself worthy of joining the family.

Icebreaker tries to be Die Hard in a Ski Lodge but it fails because Sean Astin is no one’s idea of an action star.  With his laid back and goofy manner, Astin miscast as someone who can leap from from an exploding ski lift and land in the snow with barely a scratch on him.  This was the last film that Sean Astin made before Peter Jackson offered him the role of Sam in the Lord of the Rings trilogy.  Needless to say, Astin was much better cast in that role than as a knock-off of Bruce Willis.

As for the rest of the cast, Bruce Campbell hams it up as Carl and, while it is always good to see Bruce, he also appears to be having so much fun that it makes him a less than convincing terrorist.  With his shaved head, it’s easy to mistake Bruce for Billy Zane.  Stacy Keach does a good job playing someone who is never not annoyed.  Considering that his daughter wants to marry a ski bum and they’re being held hostage by a villain who wants to make his very own nuclear bomb, can you blame him?

There’s some skiing action but none of it is really memorable.  There is also a scene featuring repeated shots of a counter on a bomb, announcing that Astin only had 30 seconds to do what he needs to do before everything explodes.  I think the timer may have been broken because it took a lot long than 30 seconds for that countdown to reach zero.  If you really want to see Die Hard In A Ski Resort, I suggest sticking with Cliffhanger.  That one not only only has Sylvester Stallone and Michael Rooker cracking jokes but also John Lithgow speaking with a posh accent.

The AARP Honors Top Gun: Maverick!


 

To be honest, the AARP naming Top Gun: Maverick the best film of 2022 is perhaps the least surprising moment of the 2022 awards season.  Don’t get me wrong.  I love Top Gun: Maverick and it’s my pick for the best of 2022.  But I don’t think there was ever any doubt that it was going to win with an organization made up of people who saw the first Top Gun when it was originally released in theaters.

Anyway, here are all the AARP winners!  You can see all of the nominees by clicking here.

Best Picture/Best Movie for Grownups
Top Gun: Maverick

Best Actress
Michelle Yeoh (Everything Everywhere All at Once)

Best Actor
Brendan Fraser (The Whale)

Best Supporting Actress
Judith Ivey (Women Talking)

Best Supporting Actor
Judd Hirsch (The Fabelmans)

Best Director
Baz Luhrmann (Elvis)

Best Screenwriter
Kazuo Ishiguro (Living)

Best Actress (TV)
Sheryl Lee Ralph (Abbott Elementary)

Best Actor (TV)
Jeff Bridges (The Old Man)

Best TV Series
The Old Man

Best TV Movie/Limited Series
Black Bird

Best Ensemble
She Said

Best Intergenerational Movie
Till

Best Time Capsule
Elvis

Best Grownup Love Story
Good Luck to You, Leo Grande

Best Documentary
Gabby Giffords Won’t Back Down

Best Foreign Film
The Quiet Girl (Ireland)

 

Monday Live Tweet Alert: Join Us For End of a Gun and White Lightning!


As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

 

 

Tonight, for #MondayActionMovie, the film will be 2016’s End of a Gun!  Selected and hosted by Matthew Titus, it features Steven Seagal being Steven Seagal.

 

Following #MondayActionMovie, Brad and Sierra will be hosting the #MondayMuggers live tweet.  We will be watching 1973’s White Lightning, starring Burt Reynolds!  This film can be found on Prime and Tubi!

It should make for a night of fun viewing and I invite all of you to join in.  If you want to join the live tweets, just hop onto twitter, start End of a Gun at 8 pm et, and use the #MondayActionMovie hashtag!  Then, at 10 pm et, start White Lightning , and use the #MondayMuggers hashtag!  The live tweet community is a friendly group and welcoming of newcomers so don’t be shy.   

Burt says “Come on in!”

Retro Television Reviews: Hitchhike! (dir by Gordon Hessler)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1974’s Hitchhike!  It  can be viewed on YouTube!

Claire Stevens (Cloris Leachman) is an emotionally vulnerable woman who is dealing with her loneliness and depression by driving to San Francisco to visit her sister.  As she’s driving, she spots a young man named Keith (Michael Brandon).  Keith is standing on the side of the road and holding out his thumb.  At first, Claire does the smart thing and she drives by him without stopping.  However, Claire starts to feel guilty so she turns around and — NO, CLAIRE!  WHAT ARE YOU THINKING!? — offers him a ride.  It turns out that he’s going to San Francisco as well!

At first, the drive is awkward.  Keith says that he doesn’t want to talk and he doesn’t appreciate it when Claire tries to make him listen to the classical music station.  But, as they drive, Keith starts to let down his defenses.  He says that he wishes that he could just sail away on the ocean.  He encourages Claire to embrace life and to just go for it.  They stop at a pier and have lunch.  Claire buys Keith a silly white hat and she places it on his head because, as she puts it, “it’s cute.”  Keith argues with her but he doesn’t take off the hat.  However, when Keith spots some cops, he immediately leads Claire away from them.

The viewer watches all of this with a sense of dread because the viewer knows what Claire doesn’t.  The viewer knows that Keith is the son of a wealthy man.  The viewer knows that Keith had been having an affair with his stepmother, who was only a few years older than Keith.  And the viewer knows that Keith murdered his stepmother with the same weapon that he’s currently carrying in his bag.  The police are looking for Keith and Keith is willing to do just about anything to stay free.

I have to admit that I yelled a little when Claire offered Keith a ride because it was such an obviously stupid thing to do.  Everyone knows that it’s never a good idea to pick up a hitchhiker.  And, if you’re a woman who is driving down an isolated road by yourself, the last thing you should ever do is offer a ride to some strange man standing on the side of the road.  Claire’s actions were foolish but, because she was played by Cloris Leachman, it was still hard not to sympathize with her.  Claire is someone who feels as if she’s been abandoned by the world and, quite obviously, she sees Keith as a kindred spirit.  Over the course of their journey, it becomes obvious that Claire is using Keith as a substitute for what she’s missing in her life.  He becomes both a son and a companion to her.  Unfortunately, Keith tends to go into a rage whenever he sense anyone getting too close to him.

Hitchhike! is a short movie and, for all the dramatic build-up, it ends on a rather anti-climatic note.  Cameron Mitchell shows up as a detective who is looking for Claire and Keith and he gives a mannered performance that is oddly over-the-top by even his generous standards.  That said, Michael Brandon has the blandly handsome look of a generic but charming serial killer while Cloris Leachman gives a credible and sympathetic performance as Claire.  If nothing else, this film can be watched with The Hitcher as a double feature.  Never stop your car for anyone!

Film Review: You People (dir by Kenya Barris)


Ezra Cohen (Jonah Hill) and Amirah Mohammed (Lauren London) have been dating for six months.  Ezra is a Jewish atheist who works at a brokerage firm but who says his lifelong dream has been to be a podcaster.  Lauren is Black and a devout Muslim.  A graduate of Howard University, she is pursuing a career as a designer.  Despite coming from very different backgrounds, Ezra and Amirah are deeply in love and want to get married.  However, becoming engaged also means …. MEETING THE PARENTS!

Shelley and Arnold Cohen (played by Julia Louis-Dreyfus and David Duchovny) are self-styled progressives who immediately embarrass Ezra by going out of their way to trying to show how liberal and non-racist they are.  Shelley, in particular, goes out of her way to bond with Amirah but it’s immediately obvious that Shelley views Amirah as being more someone to show off than as an actual human being.  Meanwhile, Akbar Mohammed and Fatima Mohammed (played by Eddie Murphy and Nia Long) are members of the Nation of Islam who admire Louis Farrakhan and who claim that the Jews were behind the slave trade.

Just from that plot description, you can see a huge part of the problem with the new film, You People.  Whereas Shelley’s problem is that she’s too quick to brag about how much she loves the idea of having a black daughter-in-law, Akbar’s problem is that he’s an anti-Semite.  His main objections to Ezra are that 1) Ezra isn’t black and 2) Ezra’s Jewish.  While Shelley takes Amirah shopping, Akbar tries to get Ezra killed by tricking him into wearing “the wrong colors” to a barbershop.  While Shelley shows off Amirah to all of her liberal friends, Akbar shoves Ezra onto a basketball court.  While Shelley is awkwardly trying to prove that she’s an ally, Akbar is inviting himself to Ezra’s wild Las Vegas bachelor party.  (Akbar is disturbed to discover that Ezra has a “coke guy.”  If this film had been made ten years ago, Ezra would have had a weed guy and it would have been easier to buy the film’s contention that Akbar is being unreasonable.)  Shelley is certainly obnoxious and she fully deserves to get called out for her behavior.  But Akbar is an anti-Semite who peddles the type of conspiracy theories that have been at the center of the alarming rise in recent hate crimes.  Whereas Shelley is clueless, Akbar is actually malicious.  And while that’s a story that one certainly could try to tell, it also makes it a bit difficult to buy the film’s fanciful ending.  The movie ultimately can’t decide if it wants to be a fearless satire of race relations or a feel-good romcom.  The tone of the film switches from scene to scene and Kenya Barris’s direction is so inconsistent that he makes Judd Apatow look like a disciplined filmmaker by comparison.

The cast is full of talent but the characters are largely one-dimensional.  Jonah Hill is undoubtedly a good actor but he’s also nearly 40 years old and, with his full beard, he looks about ten years older, which makes it a bit hard to believe that he would be that concerned with getting the approval of his future in-laws.  At first, a role of Akbar would seem ideal for Eddie Murphy but, with the exception of a scene where Akbar quizzes Ezra on his favorite Jay-Z song in an attempt to trick Ezra into saying the “n-word,” Murphy doesn’t really get to do much other than stand around with a pained expression on his face.  Probably the most interesting performance in the film comes from Mike Epps, who plays Akbar’s brother and who is one of the few characters willing to call everyone out on their hypocrisy.  But, unfortunately, Epps is only in a handful of scenes and the film uses him as more of a dramatic device than a fully rounded character.

As I watched You People, I couldn’t help but think about another film about an interracial wedding, Rachel Getting Married.  That film provided a believable and multi-layered look at two different cultures coming together.  You People, however, can’t quite make up its mind what it believes or what it wants to say and, unfortunately, what it does say is often said with a surprising lack of self-awareness.  At times, it’s so proud of itself that it feels like it almost could have been written by Shelley Cohen.

You People is streaming on Netflix.

Live Tweet Alert: Watch The Prowler with #ScarySocial


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, for #ScarySocial, I will be hosting 1981’s The Prowler!

That’s right!  It’s the most ruthless slasher film ever made, with special death effects from the great Tom Savini!

If you want to join us on Saturday night, just hop onto twitter, start the film at 9 pm et, and use the #ScarySocial hashtag!  The film is available on Prime, Tubi, and a few other streaming sites.  I’ll be there co-hosting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy.

Here’s What Won At Sundance


To be absolutely honest, I didn’t really pay much attention to the Sundance Film Festival this year.  I may or may not regret that come next December.  Traditionally, it seems that at least a few Oscar contenders begin their journey at Sundance but there’s always a chance that the big Sundance success story could turn out to be something like Zolaa film that gets a lot of festival hype but doesn’t really stick around in anyone’s mind afterwards.

Today, the 2023 Sundance Film Festival’s awards winners were announced.  Time will tell whether or not the films listed below will have much of a life outside of Sundance.  Out of the films honored, Magazine Dreams sounds like the one most likely to break out.

U.S. DRAMATIC COMPETITION
Grand Jury Prize: A.V. Rockwell for “A Thousand and One”
Audience Award: “The Persian Version,” directed by Maryam Keshavarz
Directing: Sing J. Lee for “The Accidental Getaway Driver”
Waldo Salt Screenwriting Award: Maryam Keshavarz for “The Persian Version”
Special Jury Award: Acting: Lio Mehiel for “Mutt”
Special Jury Award: Ensemble: The cast of “Theater Camp,” directed by Molly Gordon and Nick Lieberman.
Special Jury Award: Creative Vision: The creative team of “Magazine Dreams,” directed by Elijah Bynum
Festival Favorite Award: “Radical,” directed by Christopher Zalla

U.S. DOCUMENTARY COMPETITION
Grand Jury Prize: “Going to Mars: The Nikki Giovanni Project,” directed by Joe Brewster and Michèle Stephenson
Audience Award: “Beyond Utopia”
Directing: Luke Lorentzen for “A Still Small Voice”
Jonathan Oppenheim Editing Award: Daniela I. Quiroz for “Going Varsity in Mariachi”
Special Jury Award – Clarity of Vision: “The Stroll,” directed by Kristen Lovell & Zackary Drucke
Special Jury Award – Freedom of Expression: “Bad Press

WORLD CINEMA DRAMATIC COMPETITION
Grand Jury Prize: “Scrapper”
Audience Award: “Shayda,” directed by Noora Niasari
Directing Award: Marija Kavtaradze “Slow”
Special Jury Award – Cinematography: Lílis Soares for “Mami Wata”
Special Jury Award – Best Performance: Rosa Marchant, “When It Melts”
Special Jury Award – Creative Vision: Sofia Alaoui for “Animalia”

WORLD CINEMA DOCUMENTARY COMPETITION
Grand Jury Prize: “The Eternal Memory”
Audience Award: “20 Days in Mariupol,” directed and produced by Mstyslav Chernov

Special Jury Prize – Directing: “Smoke, Sauna Sisterhood,” Anna Hints
Special Jury Award – Creative Vision: “Fantastic Machine”
Special Jury Award – Verité: “Against the Tide”

OTHER AWARDS
NEXT Audience Award: “Kokomo City”
NEXT Innovator Award: “Kokomo City”
Alfred P. Sloan Feature Film Prize: “The Pod Generation”

SHORTS
Short Film Grand Jury Prize: “When You Left Me on That Boulevard,” directed by Kayla Abuda Galang
Short Film Jury Award – U.S. Fiction: “Rest Stop,” directed by Crystal Kayiza
Short Film Jury Award – International Fiction: “The Kidnapping of the Bride,” Sophia Mocorrea
Short Film Jury Award – Non-Fiction: “Will You Look at Me,” directed by Shuli Huang.
Short Film Special Jury Award – International Directing: “AliEN0089,” directed by Valeria Hofmann.
Short Film Special Jury Award – U.S Directing: “The Vacation,” directed by Jarreau Carrillo