Horror Film Review: Everfall (dir by John Kissack)


The 2018 horror film, Everfall, tells the story of Eva and Daniel.

Eva Saint (Jessica McLeod) is a figure skater who, at one time, had a bright future.

Daniel (Joe Perry) is the world’s worst boyfriend.

Daniel is also the reason why Eva’s skating career get derailed.  Daniel hosts his own “extreme sports YouTube channel,” which he calls “The Daniel Show.”  Daniel is the type who tends to say things like, “This is going to be a totally new direction for the Daniel Show!”  One of Daniel’s new directions was to convince his girlfriend to stand on a ledge.  Unfortunately, while Daniel was showing off for the camera, Eva fell off that ledge and broke her leg.

A year later, Eva’s leg is scarred but healed.  She wants to get back into the world of competitive figure skating but she’s struggling.  She’s no longer as confident in herself as she once was.  None of her old partners want to work with her anymore.  Even worse, she’s still going out with Daniel.  I’m not sure why.  If I was dating a guy who was responsible for me falling off a roof, I’d probably break up with him as soon as I regained consciousness.

Eva’s coach gives her one last option.  She can go to an obscure little town called Everfall, where they have an annual skating competition.  Eva’s never heard of it before but she knows that she has to do something so she agrees.  And again, for some reason, she takes Daniel and Daniel’s cameraman, Jordan (Kristian Wang), with her.

The competition at Everfall turns out to be even worse than Eva was expecting.  First off, the ice skating rink appears to be on the verge of collapse.  Secondly, there don’t seem to be another other skaters around.  The mysterious Mrs. Redgrave (Catherine Gell) sends Eva to Dressing Room #5.  Dressing Room #5 turns out to be a not very pleasant place to be….

Everfall is an effectively creepy film, one that makes good use of its eerie location and which features an excellent performance from Jessica McLeod.  Everfall is also a film that never really makes much sense but, in this case, that’s acceptable.  When you’re dealing with a skating rink that may or may not be haunted by several ghosts, you can get away with a little incoherence.  The film is full of surreal moments and disturbing imagery.  Characters appear to die and then, just as quickly, they show back up again.  It’s a film that was obviously influenced by Kubrick’s The Shining — particularly the final few scenes — but it also manages to carve out its own rather odd identity.

While Eva, Daniel, and Jordan are wandering around the skating rink from Hell, there’s also wildfire raging around the town of Everfall.  Amazingly enough, Eva’s father is a fireman but he refuses to acknowledge that Eva’s in any sort of danger.  Eva’s parents are played by Jayson Therrien and Julie Orton.  They bicker through the entire film and, to be honest, I could have done without the majority of their scenes.  The scenes between Therrien and Orton wreck havoc on the film’s narrative momentum.  Whenever you’re really starting to get into whatever’s happening to Daniel, Eva, and Jordan, Eva’s parents pop up and start arguing with each other.  The main theme of these scenes is that Eva’s dad isn’t willing to rescue her from a fire despite the fact that he is a fireman and that’s literally his job.  You really can’t help but feel sorry for Eva.  She never had a chance.

Everfall has its flaws.  This is one of those films where the camera is always moving, even when it should be sitting still.  That said, there’s enough strange details and out-there plot twists to make it an effective head trip and it ends on a nicely surreal note.  That’s always a good thing.

Horror on the Lens: An Evening With Edgar Allan Poe (dir by Kenneth Johnson)


What better way to get ready for Halloween than spending a little time with Vincent Price?

In this 1970 film, Price recites four of Poe’s works in front of a live studio audience.  Price performs as only Price could, proving once again that he was not only an iconic figure in the history of horror but an iconic actor as well.

Enjoy!

The TSL’s Horror Grindhouse: Blood Rage (dir by John Grissmer)


Filmed in 1983 but not released until 1987, Blood Rage tells the heart-warming story of two twin brothers, Todd and Terry Simmons (both played by Mark Soper).

In 1974, young Todd and Terry go to a drive-in movie with their mother, Maddy (Louise Lasser) and Maddy’s boyfriend.  (It’s suggested that Maddy has had many boyfriends over the years.)  The twins fall asleep in the back of the station wagon but, when they wake up, they discover that Maddy is making out with her date.  This inspires Terry to sneak out of the car, grab a nearby hatchet, and walk from car to car.  When he comes across another couple making love, he hacks the man to death and then watches as the man’s naked date runs into the night.  Realizing that he’s about to get in a lot of trouble, Terry hands the hatchet to Todd and then rubs blood on his brother’s face.  As a result, everyone assumes that Todd is the murderer.

Nine years later, Terry is living with Maddy at a secluded apartment complex called Shadow Woods.  Todd, on the other hand, is stuck in an asylum and not very happy about it.  On Thanksgiving, Todd escapes from the asylum and heads off to Shadow Woods.

Here’s where things get strange.  Everyone assumes that Todd is heading to Shadow Woods to get revenge.  That’s certainly what I assumed when he first escaped.  But it turns out that Todd, despite all he’s been through, is still a gentle soul.  He just wants to be free and to see his family.  However, when Terry learns that Todd has escaped, he sees it as a perfect excuse to go on another killing spree.

So, while Todd is sneaking around the complex, Terry is killing Maddy’s latest boyfriend and all of their neighbors.  Everyone who sees Todd asumes that he’s Terry and almost everyone who sees Terry assumes that he’s Todd.  It’s an intriguing premise that has a lot of potential.  Unfortunately, Blood Rage never gets as much mileage out of the idea as it should.  It’s not until the last few minutes of the film that it really digs into just how messed up Maddy and her sons really are.

Every by the standards of an 80s slasher film, Blood Rage is brutal.  Hands are hacked off.  Heads are separated from necks.  One unfortunate victim is chopped in half and spends what seems like several minutes feeling around for the lower half of her body.  As opposed to emotionless killing machines like Jason Voorhees and Michael Myers, Terry Simmons seems to get real kick out of what he’s doing, which makes him all the more disturbing.  Interestingly, it’s not just the killing that Terry enjoys.  Terry also seems to enjoy knowing that he’s specifically going to get Todd in even more trouble.  He’s the ultimate bad sibling.

Mark Soper plays both Todd and Terry and he does a good enough job in the role that you can tell the two twins apart.  Occasionally, Soper does occasionally go a bit overboard as Terry but then again, most murderers aren’t known for their subtle personalities.  The film is pretty much stolen by Louise Lasser, who gives a memorably eccentric performance as Maddy who is, in her own way, just as unstable as her sons.  Some of the performances from the surprisingly large number of victims are inconsistent but, in the end, everyone dies convincingly and that’s what really matters in a film like this.

As I mentioned at the start of this review, Blood Rage was filmed in 1983 and sat on the shelf for four years.  Apparently, several different versions of the film have been released.  There’s a version called Nightmare at Shadow Woods that has almost all of the gore cut out.  The version that’s on Shudder is apparently uncut but it also opens with a title card that reads Slasher.  Blood Rage is a bit of a generic title but it is appropriate.  There is a lot of blood and there’s a lot of rage.

In the end, Blood Rage is an effective, if uneven, slasher movie.  Though the budget was undeniably low, the gore effects are convincing and the whole twin subplot allows from some unexpected moments.  The low-budget look of the film actually works to Blood Rage‘s advantage.  The grainy images occasionally give the film a rather dream-like feel.  At its best, it looks like a filmed nightmare.  At its worst, it just looks like another low-budget slasher flick from Florida.

Blood Rage may not be a masterpiece but it is a good film for the Halloween (and, given the film’s set-up, Thanksgiving) seasons.

 

Anguish (1987, directed by Bigas Luna)


John Pressman (Michael Lerner) is a mentally unbalanced, middle-aged, diabetic mama’s boy who is losing his eyesight.  When his mother (Zelda Rubinstein) orders John to go out and collect healthy eyes, it leads to John going on a rampage that eventually brings him to a movie theater.  After he barricades everyone inside, he starts to pick off the patrons one-by-one, removing their eyes with a scalpel.

Meanwhile, in another theater, an audience watches John’s rampage on the big screen.  Is the story of John Pressman just a movie?  Maybe.  But in the audience, people start to react strangely.  A woman breaks down in tears.  When John Pressman starts to kill people in his movie, a man in the audience starts to kill people in the real theater.  When the mother in the movie-within-a-movie sends her son out to get eyes, is she after the eyes of the people in her movie or the people watching in the audience?  Has the madman in the audience been possessed by the movie or is he just another spree killer, an ever-present threat in both the movies and the real world?  And how will his rampage be stopped?

Anguish is a clever, multi-layered Spanish horror film.  Watching the film, it’s important to remember that it was produced in the middle of a worldwide moral panic about whether or not people could experience violent movies without becoming violent themselves.  At first, it seems like the film is saying that horror movies are a bad influence but then there’s a twist ending that turns the entire premise on its head.  As the movie peels away layer after layer of plot, you’ll find yourself wondering what’s real and what’s just a movie.

An unheralded horror classic, Anguish is two good movies in one.  Obviously, the film about John Pressman and his crazy mother is considerably more cheesy than the one about the madman in the “real” world but both films are full of atmosphere, suspense, and a some surprisingly grisly violence.  The movie-within-a-movie also features Michael Lerner and Zelda Rubinstein, two actors who just seem like they were destined to play a henpecked son and his crazy mother.  Lerner is one of the best character actors around and Anguish gives him a rare leading role.  Lerner makes the most of it, carefully cutting out eyeballs while his mother’s voice echoes in his head.

Anguish is a good head trip of a film.  It’s long been rumored that Anguish contains subliminal images and sounds that are designed to make the people watching feel nervous.  I don’t know if that’s true, though the film does open with the following classic warning:

During the film you are about to see, you will be subject to subliminal messages and mild hypnosis.

This will cause you no physical harm or lasting effect, but if for any reason you lose control or feel that your mind is leaving your body — leave the auditorium immediately.

Luckily, Anguish is available on DVD and Blu-ray so you can watch it in the safety of your own home.

The Car: Road to Revenge, Review by Case Wright


Happy Horrorthon! I warn you that this post might look …. weird. My Chrome version of wordpress has been possessed. There’s NO OTHER EXPLANATION! EVER!

The Car: Road To Revenge is a sequel to The Car from 1977…. MINDBENDER! No wonder I feel like having a key party and getting an orange couch… Dramatization:

This film was written after Death Race 2050 – ALT Title: Miffed Max: Budget Road, Reviewed like a boss! also by G. J. Echternkamp. I have to write that G.J. is a genuinely nice person and these are great genre films. I could easily see Bruce Campbell starring in a Echternkamp movie. Believe me, I have some ideas….G.J. …DM me. 😉 really! Car 2 is set in a dystopian future, but really it didn’t seem any worse than Seattle today. Car 2 had fancy cars, embattled police, and shitty local government, and lawlessness; if you threw in some drizzle, I’d be right at home.

The film begins with Caddock (Jamie Bamber) of Battlestar Galactica fame. He’s a possessive and corrupt prosecutor who is in an on again off again thing with Daria (Kathleen Munroe). Apparently, he gets an evil computer chip that everyone wants … for some reason. I never fully understood why they wanted the chip or why they’d kill Caddock for it. Did the chip have the recipe for Coca Cola? Were they hardcore gamers? Did it have the latest version of Microsoft Word?

Caddock puts the evil chip into his car and it does …. something. I wasn’t really sure what it did, but when the bad guys go after Caddock for it and kill him, the chip causes Caddock to possess the car. Caddock Car spends the rest of the movie avenging his own death and trying to get Daria to be his … Car Girlfriend? I wasn’t sure how that Daria/Caddock Car consummation would work, but I know she’d have to use plenty of Jiffy Lube or maybe they could MAACO out for a while. I’m not saying it would be a AAA session, but maybe they could get used to it and have a GOODYEAR or two.

Caddock’s murder/slash possession puts Ranier (Grant Bowler) on the case. By on the case, he basically drinks a lot and gets into the pants of Daria. Bad idea because Caddock Car is possessive is it like Daria’s all Meineke and tries to run over Ranier…a lot. Then, the movie gets…weird. The bad guys who want the chip, kill or try to kill A LOT of people to get the chip. Why? It will apparently improve their body augmentations and I don’t mean like the piercings on a Seattle Soccer Mom…. I mean Robotech stuff. Caddock Car manages to squish most of his enemies to death and I mean jump on a Capri-Sun when you’re bored at your kid’s soccer game squish.

Caddock Car eventually gets the majority of his revenge. I had trouble figuring out who to root for sometimes, but I guess it was Daria. She was pretty badass and eventually kills Caddock Car, but Caddock Car is avenging his murder…so, maybe him too. Anyway, Caddock Car gets driven into the bottom of a …lake? Quarry? Large above ground pool? I could not really tell where the car ended up, but it’s dead…or is it???

Happy Horrorthon!!!!

International Horror Film Review: Kung Fu Zombie (dir by Hwa I Hung)


Kung Fu Zombie, a 1981 film that was produced in Hong Kong, tells the story of….

Well, it’s a little bit difficult to explain just what exactly it tells the story of.  I’ve watched it a total of three times over the past two months and I’m still not totally sure what’s going on in the movie.  Some of that is because, like many martial arts films, it was heavily cut and haphazardly dubbed when it made it’s way over to New York’s 42nd Street theaters.  Most of it, however, is because Kung Fu Zombie is a mess.  It’s a big, glorious, wonderfully entertaining mess.

Pang (Billy Chong) is a martial artist who is respected in town but who can’t get any respect from his father.  Even after Pang foils a bank robbery and and sends the bandit, Lu Dai (Cheng Ka Ying) to prison, Pang’s father, Fong (Chang Tao), continues to say that Pang is not good enough to inherit the estate.  As if to prove his point, Fong randomly attacks Pang whenever he gets a chance.  Pang usually fights his father until Fong has a heart attack and falls over.  Pang is never sure whether or not Fong is actually dead because apparently, Fong like to pretend to be dead so that he can attack Pang while the latter is celebrating his father’s death.

Anyway, Lu Dai comes back to town and recruits the local wizard, Wu Lang (Chan Lau), to create a bunch of zombies that he can then use to kill Pang.  Wu Lang creates the zombies but they don’t do much good.  When Lu Dai summons Pangs to the local graveyard and then attacks him, Lu Dai ends up falling in a coffin and landing on a bed of spikes.  Lu Dai’s body may be dead but his spirit is still following around Wu Lang, demanding a new body.

When Pang kills yet another criminal — a serial killer named Kwan Weig Long (Kwon Young Moon) — Wu Lang tries to put Lu Dai’s spirit into Long’s body.  However, Long is so evil and Wu Lang is such an incompetent sorcerer that, instead of allowing Lu Dai to take over Long’s body, Lang’s spell instead causes Long to come back to life as a vampire.  Soon, Long is roaming through the village, drinking everyone’s blood.  Whenever Long appears, the James Bond theme song plays on the soundtrack, which is odd but enjoyable.

Meanwhile, Lu Dai still needs a body.  Fortunately, Fong has died for real.  With so many different dead people walking around, can Pang bring peace and safety to the village?

Kung Fu Zombie is thoroughly berserk movie, one that mixes well-choreographed fights with moments of bizarre comedy and even stranger horror.  Now, admittedly, the film itself isn’t exactly scary.  I mean, the vampire looks fearsome but every time he appears, the Bond music starts up and it pretty much becomes impossible to take him seriously.  But, at the same time, how can you not appreciate a movie that not only steals the Bond theme but then uses it as the calling card of a serial killer-turned-vampire?  It’s just so weird that there’s no way you can’t love it.  Really, that’s pretty much the perfect description of Kung Fu Zombie.  It’s messy but the action is nonstop and the plot is wonderfully weird.  One gets the feeling that the director and his actors just made up the story as they were going along.  It’s impossible not to love it.

Kung Fu Zombie is a gloriously chaotic film and it’s currently on Prime.  Watch it and keep a eye out for the dead.

Horror Film Review: Blumhouse’s Fantasy Island (dir by Jeff Wadlow)


Welcome to Fantasy Island, where your fantasies come true….

Well, some of them do.  Some of them don’t.  Some of them play out ironically and some of them play out literally.  How does the island work?  Who knows?  It seems to be kind of random.  Mr. Rourke (Michael Pena) is your host and he’s got a tragic backstory of his own.  Is he a friend or an enemy?  Is he an angel or is he a devil?  Who knows?  Who cares?  The film doesn’t.

My point here is that Blumhouse’s Fantasy Island does not make much sense.  It’s about a group of people who go to Fantasy Island and each get their own individual fantasy from Mr. Rourke.  Apparently, all you have to do to get a fantasy is fill out a one-page questionnaire and have a conversation with Mr. Rourke.  It sounds like it should be fun but sometimes, people die!

Gwen Olsen (Maggie Q) visits the island so that the love of her life will propose to her and then they can get married and have a child.  Gwen’s lover, Nick (Evan Evagora), died in a fire years ago but suddenly, he’s alive and he’s proposing!  But is a fantasy family the same as a real family?

Melanie Cole (Lucy Hale) wants revenge on a girl who tormented her in junior high but is torturing Sloane (Portia Doubleday) really worth giving up her humanity and working with the fearsome Dr. Torture (Ian Roberts)?  Seriously, the dude’s name is really Dr. Torture.

Patrick Sullivan (Austin Stowell) is a policeman who wants to serve in the army, like his father did.  Patrick’s fantasy leads to him being forced to wander around in the jungle until he gets taken prisoner by a bunch of soldiers, one of whom is his father (Mike Vogel)!  Considering his father is dead, Patrick is initially shocked but then a few minutes later, Patrick’s like, “Cool, whatever”

J.D. (Ryan Hansen) and Brax (Jimmy O. Yang) are brothers who want to “have it all!”  That’s their fantasy.  For them, having it all means a big mansion, sexy models, and a nonstop pool party.  But what if having it all also means getting hunted by a drug cartel led by Devil Face (Kim Coates) and …. wait a minute.  That doesn’t make any sense at all.  If their fantasy was, “I want to be a super rich like Scarface or Escobar,” maybe it would then make sense for a drug cartel to show up but how does “having it all” lead to Kim Coates running around with a machine gun?

Anyway, needless to say, everyone’s fantasy goes differently than how they were expecting.  Eventually, all the fantasies connect because everyone has a Final Destination-style connection.  For some reason, this leads to everyone ending up in an underground cavern, where they’re chased by random killers.  I’m not sure why, to be honest.

Usually, I love incoherent movies but Fantasy Island was just annoying.  The main problem is that the fantasies were all just ripped off from other, better movies.  For instance, Melanie’s fantasy was basically just a sequel to Saw.  J.D. and Brax were in a cheap, Hulu action comedy.  Patrick and Gwen’s fantasies felt as if they were lifted from one of those religious films where someone prays and gets a chance to visit with their dead loved ones.

Now, at this point, I should say that Fantasy Island is based on an old TV show where, every week, different guest stars would visit the island and they would have a fantasy and, I assume, learn a lesson.  I’ve only seen a few episodes of the show but my impression is that the island was always portrayed as being a benevolent force.  People didn’t come to the island and say, “I want this experience” and then end up getting shot in the head.  I imagine that explained why the Island was able to remain open and popular.  In the movie, though, the Island leads to several deaths and you have to wonder why that wouldn’t hurt business.  I mean, if I survived a trip to the movie’s Fantasy Island, I’d probably call my senators and demand that the island by nuked into oblivion.  Both of my senators are Republicans so you know they’d be willing to do it, too.

Anyway, my fantasy was for Blumhouse’s Fantasy Island to be shorter than it was because the movie’s about 30 minutes too long and not really interesting enough to hold your attention during the slow spots.  Unfortunately, my fantasy did not come true.

Horror on the Lens: Satan’s Triangle (dir by Sutton Roley)


Hi there and welcome to October!  This is our favorite time of the year here at the Shattered Lens because October is horror month.  For the past three years, we have celebrated every October by reviewing and showing some of our favorite horror movies, shows, books, and music.  That’s a tradition that I’m looking forward to helping to continue this year.

Let’s start things off with the 1975 film. Satan’s Triangle!  Satan’s Triangle tells the story of what happens when a derelict boat is spotted floating in the middle of the ocean.  An attempt to rescue the boat leads to mystery, tragedy, horror, and …. well, let’s just say that there’s a reason why this stretch of ocean belongs to Satan.

Featuring atmospheric direction from Sutton Roley and a great performance from none other than Kim Novak, Satan’s Triangle is one of the best made-for-TV horror films that I’ve ever seen and I think it’s the perfect way to start off this year’s horrorthon!

Enjoy!

A Time To Die (1991, directed by Charles T. Kanganis)


Jackie (Traci Lords) is a single mom and a photographer who loses custody of her son when she’s framed for cocaine possession by a corrupt cop named Eddie Martin (Robert Miano).  Jackie is released from jail early, on the condition that she do 400 hours of community service.  Specifically, she is ordered to take pictures of the LAPD doing a good job and not killing people.  Captain Ralph Phibbs (Richard Roundtree) makes it very clear that she is to take only positive pictures of the LAPD or she could go back to jail and end up never seeing her son again.

However, even while doing community service, Jackie’s a rebel.  She decides to follow around Eddie and get pictures of him engaged in the same type of corruption that got her sent to prison.  Jackie manages to get Eddie on film murdering a pimp but, instead of going to the authorities, she wants to use the picture to blackmail Eddie into clearing her name.  Eddie, who has a cocaine problem, doesn’t respond well to being blackmailed and he decides to get the negatives and kill Jackie, not necessarily in that order.

While Eddie’s trying to kill Jackie, Frank (Jeff Conaway), another cop, is trying to maneuver his way into Jackie’s bed.  At first, Jackie doesn’t trust Frank because he’s a cop but then Frank takes her on a date to a domestic disturbance call and soon, she’s falling for him.  Frank, though, might not be as trustworthy as he seems.

This is one of the many direct-to-video thrillers in which Traci Lords appeared in the years immediately following her forced retirement from the adult film industry.  As was often the case with her 90s films, Lords is the best thing about A Time To Die.  In this film, Traci Lords again shows that she was a good actress.  Unfortunately, because of her past, she never got the type of roles that she really deserved.  In A Time To Die, she is believably tough and she makes the clunkiest dialogue credible.  Unfortunately, the other members of the cast don’t try anywhere near as hard as Lords does to bring some sort of reality to their stereotypical roles.  Conaway and Miano both sleepwalk through their roles while Richard Roundtree is reduced to getting mad and doing a lot of shouting.  Though the plot is sometimes predictable and it doesn’t take a psychic to know that Eddie is eventually going to go after Jackie’s son, the story is still interesting enough to hold your attention while your watching the movie.

A Time To Die is an occasionally interesting B-thriller that is elevated by the efforts of Traci Lords.

Fist Fighter (1989, directed by Frank Zuniga)


C.J. Thunderbird (played by Jorge Rivero) is a former professional fighter who is now a miner living in Arizona.  Two years ago, Thunderbird’s best friend was killed by a fighter named Rhino (Matthias Hues).  Thunderbird swore vengeance and, when he gets a telegram informing him that Rhino has been spotted in Bolivia, Thunderbird heads down to South America, looking to settle things once and for all.  With the help of a down-on-his-luck trainer named Punchy (Edward Albert), Thunderbird nearly defeats Rhino in the ring but the fight is suddenly stopped by the local police, all of whom are paid off by local drug dealer, Billy Vance (Mike Connors).  Rhino works for Vance and Vance doesn’t want his most fearsome goon to be shown up in public.  Thunderbird and Puchy soon find themselves in one of those prisons where the inmates are forced to take part in underground cage matches.  Thunderbird’s only chance of survival and perhaps escape depends upon defeating yet another fighter, the Beast (Gus Rethwisch).

The coolest thing about Fist Fighter is that it’s called Fist Fighter.  It sounds like a title for a movie that someone made up but instead, it’s very, very real.  The 2nd coolest thing about Fist Fighter is that the hero is named Thunderbird.  I think this was Thunderbird’s only film adventure.  If Fist Fighter had made more money, it could have led to a Thunderbird franchise.  Jorge Rivero wasn’t much of an actor but he’s good in the fight scenes and Edward Albert overacts to such an extent that he easily makes up for Rivero’s inability to actually show emotion.  I also liked Mike Connors as the smug villain.  Brenda Bakker plays Billy Vance’s mistress.  Of course, she ends up falling for Thunderbird.

Fist Fighter is dumb but entertaining.  If Rivero’s role has been played by Jean-Claude Van Damme or Dolph Lundgren, two action stars who could actually act as well as convincingly fight, Fist Fighter would probably be a cult classic.  As it is, it’s one of the more entertaining of the many rip-offs of Bloodsport.