Summer Dreams: The Story of the Beach Boys (1990, directed by Michael Switzer)

Posted on April 10, 2025 by Jedadiah Leland

Bruce Greenwood stars as Dennis Wilson and Greg Kean plays his brother Brian in this made-for-TV movie about the history of the Beach Boys. The movie focuses on Dennis and his struggle with his abusive father (Arlen Dean Snyder) and his ultimately fatal addictions. Bo Foxworth plays Carl Wilson, who doesn’t get a line until half an hour into the movie. Andrew Myler plays Al Jardine and Casey Sanders plays Mike Love, both of whom are portrayed as being bystanders while Brian and Dennis create the Beach Boys sound. (Jardine doesn’t get a single line in the movie.) An actor named Michael Reid MacKay shows up briefly as Charles Manson, wearing a fake beard and crashing at Dennis’s pad in the 60s. The movie portrays the Beach Boys transformation from being a clean-cut group of California teenagers to psychedelic pioneers by putting everyone in a wig once the late 60s arrive.

Summer Dreams claims to be The Story of the Beach Boys but next to no time is spent on the recording of Pet Sounds and Smile isn’t mentioned at all. (Don’t go looking for Van Dyke Parks.) Admittedly, this film was made before Brian Wilson made his touring comeback so I guess it would make sense that the story would focus on Dennis, who had died seven years previously. (Brian is portrayed as being neurotic and sensitive but not mentally ill.) Bruce Greenwood doesn’t do a bad job as Dennis and there definitely is a place for a movie that takes a real look at Dennis Wilson and his contributions to the group. Dennis was, in many ways, as serious an artist as Brian but, due to his early death, he’s often overlooked. But this film, mired as it is in biopic cliches and bland recreations of the 60s and 70s, doesn’t do justice to either Brian or Dennis or the group as a whole.

Watch Love & Mercy instead.

The Eric Roberts Collection: DC Down (dir by Geoff Meed)

Posted on April 10, 2025 by Lisa Marie Bowman

In 2023’s DC Down, Washington D.C. is hit by an earthquake!

It’s a 6.3 on the Richter scale, which means the aftershocks are going to be even worse. The Washington Monument now has a big crack on it. The Potomac is threatening to flood the city. And even worse, both the President (Sean Young) and the Vice President are trapped underneath a bunch of White House rubble. (Fortunately, the main White House is still standing and actually looks remarkably sturdy. The President and the Vice President were touring a new wing of the White House that was under construction.)

General Harris (Terry Woodbury) is determined to head up efforts to dig up the chief executive and hopefully find either her or the Vice President alive. However, Speaker of the House Terry Wilder (Eric Roberts) has other ideas. First, Wilder invokes the 25th Amendment and takes over as temporary President. Then he suggests that a militia group be brought in to search through the rubble and rescue the president. General Harris thinks that’s an odd idea but, in the end, he goes with it. Needless to say, Wilder does not have the president’s best interests at heart. For him, this earthquake is the perfect opportunity to take over. He orders the head of the militia to kill the president when she is found. Can Wilder be stopped?

(For that matter, do we want to stop Wilder? Eric Roberts seems like he would be a much more entertaining president that Sean Young.)

D.C. Down is another Asylum mockbuster, the type that I used to love to watch on the SyFy network. It’s cheap and it’s ridiculous and it’s self-aware enough to be entertaining despite all of that. You have to appreciate any film that can not only work in an earthquake and a flood but also a political coup. Add to that, Eric Roberts actually gets a few more scenes than usual in this film. I have to admit that I laughed out loud when he first appeared, casually walking up to the ruins of the White House extension as if it was just another day in the nation’s capitol. But, again, that’s a part of the charm of DIY, almost-punk rock charm of the Asylum and their mockbusters. They defy the conventional definitions of good and bad and they create a unique cinematic world all their own, in this case a world where both Sean Young and Eric Roberts can be President over the course of a day. Good for the Asylum! I hope they never stop making movies.

Previous Eric Roberts Films That We Have Reviewed:

Uncommon Valor (1983, directed by Ted Kotcheff)

Posted on April 9, 2025 by Jedadiah Leland

Retired Marine Colonel Jason Rhodes (Gene Hackman) and oilman Harry MacGregor (Robert Stack) share a tragic bonf. Both of them have sons that served in Vietnam and are listed as being MIA. Believing that their sons are still being secretly held in a POW camp in Loas, Rhodes and MacGregor put together a team to sneak into Southeast Asia and rescue them.

With MacGregor supplying the money and Rhodes leading the mission, the team includes Blaster (Red Brown), Wilkes (Fred Ward), Sailor (Randall “Tex” Cobb), and Charts (Tim Thomerson), all of whom served with Rhodes’s son. Also joining in his helicopter pilot Curtis Johnson (Harold Sylvester) and former Marine Kevin Scott (Patrick Swayze), whose father was also listed as being MIA in Vietnam. After a rough start, the group comes together and head into Laos to bring the prisoners home!

Uncommon Valor is one of the many movies released in the 80s in which Vietnam vets returned to Asia and rescued those who were left behind. In the 80s, there was a very strong belief amongst many Americans that soldiers were still being held prisoner in Vietnam, Cambodia, and Laos and Hollywood was quick to take advantage of it. The box office success of Uncommon Valor set the stage for films like Rambo and Missing In Action, film in which America got the victory that it had been denied in real life.

What set Uncommon Valor apart from the films that followed was the cast. Not surprisingly, Gene Hackman brings a lot more feeling and nuance to his performance as the obsesses Col. Rhodes than Sylvester Stallone and Chuck Norris brought to their trips to Vietnam. The film surrounds Hackman with a quirky supporting cast, all of whom represent different feelings about and reactions to the war in Vietnam. Fred Ward’s character suffers from PTSD. Randall “Tex” Cobb, not surprisingly, is a wild man. Patrick Swayze’s character is trying to make the father he’ll never know proud. Robert Stack and Gene Hackman represent the older generation, still trying to come to terms with everything that was lost in Vietnam and still mourning their sons. The raid on the POW camp is exciting but it doesn’t feature the type of superhuman action that’s present in other POW-rescue films. Col. Rhodes and his soldiers are ordinary men. Not all of them survive and not all of them get what they want.

Uncommon Valor started out as a screenplay from Wings Hauser, though he’s not present in the cast of the final film and he was only given a “story” credit. John Milius served as producer. Director Ted Kotcheff is best-known for First Blood, another action film about America’s struggle to come to terms with the Vietnam War.

The Eric Roberts Collection: Raptor (dir by Jim Wynorski)

Posted on April 9, 2025 by Lisa Marie Bowman

In 2001’s Raptor, Eric Roberts stars as Jim Tanner, the sheriff of a small desert town. When the locals start turning up all shredded to heck, Sheriff Tanner suspects that maybe it was an animal attack. When the sheriff’s daughter (Lorissa McComas) witnesses one of the attacks and goes into a coma as a result, Tanner is determined to get justice, even if it means working with his ex-girlfriend, Barbara (Melissa Brasselle).

It turns out that it’s neither coyotes nor bears that are attacking the folks in the desert. Instead, it’s a bunch of dinosaurs that have been brought back into existence by Dr. Hyde (Corbin Bernsen, wearing a beret), a mad scientist who has a laboratory in a secret government installation. When the army realizes that there’s a bunch of mini-dinosaurs roaming the desert, they send in a special taskforce to take care of the problem.

It’s a pretty simple movie and no one in the cast, Roberts included, really seems to be taking it all that seriously. There a few scenes where Corbin Bernsen looks like he’s about to break out laughing at some of his dialogue. Director Jim Wynorski keeps the action moving and tosses in plenty of blood and a little nudity. If you’ve ever seen any of the other films that Wynorski directed for producer Roger Corman, you’ll know what to expect from Raptor.

The dinosaurs are cute. They’re all obviously puppets and there’s a lot of scenes of them moving quickly through the desert with an intense look in their eyes. Apparently, almost all of the dinosaur footage was lifted from the first three Carnosaur films, which perhaps explains why the film suddenly goes from being about Sheriff Tanner trying to protect his town from the dinosaurs to being about a bunch of soldiers hunting for the dinosaurs in Dr. Hyde’s underground lab. It’s cheap but it’s kind of fun, a timewaster that no one should take seriously.

Previous Eric Roberts Films That We Have Reviewed:

The Eric Roberts Collection: Las Vegas Story (dir by Byron Q)

Posted on April 8, 2025 by Lisa Marie Bowman

2015’s Las Vegas Story tells the story of Maria (Christina Bocanegra), a 30ish single mother with four kids, a house that she has to pay the bills on, and an adorable dog that gives her quizzical looks whenever she leaves for work in the middle of the night.

Maria works as an escort, meeting with men in hotel rooms and collecting enough money to keep her family fed and to prevent the house from falling apart. When her friend and former mentor, a stripper named Izzie (Francesca Fanti), comes to Vegas, Maria allows Izzie to say with her. When another old friend named Doug (Wade-Allain Marcus) shows up, Maria allows him to crash on her couch despite the fact that Doug is a drug dealer and he’s gotten in trouble with some very bad people.

Las Vegas Story has the usual collection of gangsters and corrupt cops that you would expect to find in a film like this but, ultimately, it’s more of a character study than a typical narrative. The film follows Maria over the course of her nights. Maria isn’t ashamed of how she makes her money but she doesn’t have any illusions about the business either. Las Vegas Story is about a woman doing what she has to do to support her family and Christina Bocanegra gives a strong and sympathetic performance in the lead role.

Maria’s most faithful client is played Eric Roberts and it must be said that Roberts give an excellent and rather poignant performance as a businessman who is terminally ill and who seems to sincerely care about Maria. Roberts doesn’t have a huge role but he definitely makes an impression and shows that he’s still more than capable of giving a memorable performance.

Previous Eric Roberts Films That We Have Reviewed:

Command 5 (1985, directed by E.W. Swackhamer)

Posted on April 8, 2025 by Jedadiah Leland

Morgan (Stephen Parr) is a mysterious government operative who puts together a special paramilitary force to take on extreme threats. He says that only misfits are allowed to join his group because they have the edge he needs. Smith (William Russ) is a wild Texan who drives like a maniac. Psychiatrist Winslow (Sonja Smits) can fire an Uzi better than any man. Kowalski (John Matuszak) is a demolitions expert who listens to Beethoven. Jack Coburn (Wings Hauser) is a rebellious detective who is good with a throwing knife.

After a montage of their extensive training and a scene where our heroes take a look at the bullet-proof RV that they’ll be traveling the country in, the movie finally gets down to business. A motorcycle-riding terror cult led by Delgado (Gregory Sierra) has taken an entire town hostage and is threatening to kill everyone unless they’re given a flight out of the country. Our heroes drive their bulletproof van into town and try to defeat the bad guys. There’s one good scene where the RV is driving down the town’s main street and getting hit nonstop with bullets. The scene was obviously ripped off from the end of Clint Eastwood’s The Gauntlet but it’s still exciting to watch. Otherwise, the action in this one is pretty rudimentary.

I guess Command 5 was supposed to be a pilot for television show that never went into production. It is very much a television production. There’s a lot of shooting but no blood. Wings Hauser is less dangerous than usual. The whole thing ends with Command 5 looking forward to adventures that were never to come. Watching the pilot, you can see why it never became a show. The characters were all thinly-written and never seemed to have much of a connection with each other and Hauser and Russ both seemed to be competing to be the loose cannon of the group. This one is for Wings Hauser completists only.

I Watched Major League: Back To The Minors (1998, Dir. by John Warren)

Posted on April 8, 2025 by Dazzling Erin

Roger Dorn (Corbin Bernsen), the former third baseman for the Cleveland Indians, is the new owner of the Minnesota Twins. There’s a hotshot hitter playing for the Buzz, the Twins’s Minor League affiliate. Downtown Anderson (Walton Goggin) can hit the ball over the fences but he still needs to learn about teamwork before he’ll be ready to move up to the majors. Roger recruits an old friend, an aging pitcher named Gus Cantrell (Scott Bakula), to manage the Buzz and mentor Downtown. Under Gus’s leadership, the Buzz starts winning games. Even some former Indians, like Pedro Cerrano (Dennis Haysbert) and Taka Tanaka (Takaaki Ishibashi), are recruited to play for the Buzz. When the manager of the Twins, Leonard Huff (Ted McGinley), insults Gus and the Buzz over dinner, Gus challenges the Twins to an exhibition game, the minors against the majors. Huff accepts the challenge.

I had always heard that Major League: Back To The Minors was the worst of three Major League films but I liked it. It wasn’t as good as the first one but it wasn’t as boring as the second one. A lot of it has to do with the cast, who give it their all. Walton Goggins is great as the cocky Downtown Anderson but really, all of the actors playing entire team did a good job. They’re all misfits, of course. I especially liked Doc (Peter Mackenzie), a medical student-turned-pitcher who has the slowest fastball in the game. This movie had a little of the warmth and insider humor that made the first Major League film so special. It’s an underdog story, with the minor league players proving that they’re just as good as the spoiled players in the big leagues.

I didn’t find the idea of an exhibition game between the Twins and the Buzz to be believable. In the movie, they actually play two games against each other and they both take place during the regular season. When did they find the time to play each other? I guess they gave up one of their travel days but it still doesn’t seem like something that would happen.

I enjoyed this movie more than I thought I would. It helped that I love baseball. And I love the minor leagues, even if they don’t get the same respect as the majors. Some of the best baseball I’ve ever seen has been in minor league games. They may not have the huge contracts but they’ve got the talent, they’ve got something to prove, and they’ve got the love of the game.

The Lawless Nineties (1936, directed by Joseph Kane)

Posted on April 7, 2025 by Jedadiah Leland

The year is 1890 and Wyoming is on the verge of voting for statehood. Newspaperman Major Carter (George “Gabby” Hayes) believes that it’s time for Wyoming to become a state and most of the locals agree with him. Businessman Charles Plummer (Harry Woods) does not want Wyoming to become a state and he’s willing to send out his main henchman, Steele (Al Bridge), to intimidate the voters and to silence Carter. Plummer has a profitable racket going and the last thing he wants is for the U.S. government to get involved in his activities. It falls to two federal agents, John Tipton (John Wayne) and Bridger (Lane Chandler), to supervise the voting and protect the citizen. When Major Carter is shot by a drunk anti-statehood activist, the mission to make Wyoming a part of the Union becomes personal.

The Lawless Nineties is typical of the B-movies that John Wayne made for Republic Pictures before John Ford resurrected his struggling career by casting him as The Ringo Kid in Stagecoach. There are plenty of gunfights and horse chases and explosions as the bad guys try to keep the townspeople from voting and the federal agents set up their own sting operation to expose Plummer’s gang. Wayne seems more relaxed here than he did in some of his other B-movies. He was obviously getting more comfortable with being on camera and playing the hero. Probably the most interesting thing about this film is that Gabby Hayes (credited as George Hayes, without his famous nickname) plays the renowned and intelligent Major Carter. Hayes was just a year away from establishing himself as a perennial B-movie sidekick and supplier comedy relief. He would soon be best-known for playing characters who had little in common with the intelligent and well-spoken Major Carter. In The Lawless Nineties, Hayes gets a chance to play something other than the comedic relief and turns out to be petty good at it.

This is another one of those westerns that will be enjoyed by fans of the genre. It’s nothing special but it does allow Wayne to show hints of his future stardom and it also gives Gabby Hayes a chance to show what he was actually capable of.

The Eric Roberts Collection: Night Night (dir by Niki Koss)

Posted on April 7, 2025 by Lisa Marie Bowman

April Davis (Brenna D’Amico) has just inherited a small fortune and she’s got a wonderful boyfriend named Robert. Plus, she lives in Texas! Her life is going wonderfully! But then, a terrible car accident leaves her in a five-month coma. When she finally awakens, she discovers that the people in the other car — a mother and her children — were killed in the accident. Because she had a few drinks before she got behind the wheel and she was texting with her boyfriend while driving, she is now being investigated for vehicular manslaughter.

April is taken home by Robert (Nick Marini) but it turns out that things have changed. As Robert explains it, April was in a coma for five months so he had to handle things until she woke up. As a result, he now has a key to the house. He bought her a new phone to replace the one that was taken by the police. He bought her a new monitor for her computer. Robert’s been on top of everything! What a great guy …. except, there seems to be something different about Robert as well. He’s angrier than April remembered and he’s controlling. He says it’s for April’s own good but who knows for sure? April starts to have strange dreams and nightmares and soon, she’s wondering what’s real and what isn’t.

Released in 2021 and filmed in the lovely town of Corsicana, Texas, Night Night is an effectively dream-like thriller, one that features a good lead performance from Brenna D’Amico and a plot that’s full of twists and turns. Despite the low budget, director Niki Koss does a good job of creating a properly ominous atmosphere. This film really took me by surprise. I was mostly watching because Eric Roberts was in it but the film’s story drew me in pretty quickly.

As for Eric Roberts, this is one of his one-scene wonders. He plays Dr. Nelson and gives April an update on her condition after she awakens. The late Tony Todd also makes an appearance in this film, playing April’s attorney. Neither role is big but the film itself works so well that it doesn’t matter that neither Roberts nor Todd play particularly prominent roles. This was a good, independent thriller. Give it a chance.

Previous Eric Roberts Films That We Have Reviewed:

Arizona (1931, directed by George B. Seitz)

Posted on April 6, 2025 by Jedadiah Leland

In one of his earliest starring roles, John Wayne plays Lt. Bob Denton, a West Point football star who gets assigned to a post in Arizona where he’ll be under the command of his mentor, Colonel Frank Bonham (Forrest Stanley). Bonham is married to Evelyn (Laura La Plante), who is Bob’s former girlfriend and who only married Bonham after Denton told her that he didn’t even intend to marry anyone. In Arizona, Denton meets Bonnie (June Clyde), who is the younger sister of Evelyn. Bonnie and Denton fall for each other so the jealous Evelyn rips her dress and accuses Denton of trying to force himself on her. Bonham is ready to drum Denton out of the service but then Evelyn learns that Denton and Bonnie are secretly married and destroying Denton’s life will also mean destroying Bonnie’s happiness.

Arizona is a simplistic melodrama and probably one that wouldn’t be made today. Denton is undeniably a cad, telling Evelyn that he didn’t want to make a commitment to her after dating her for two years and then turning right around and deciding to pursue Evelyn’s sister. But Evelyn’s reaction goes overboard. She marries an older man just to get back at Denton (even though Denton didn’t want to marry her so why would he care?) and then she accuses Denton of trying to force himself on her. Evelyn needs to move on and Bonham needs to get a divorce. Instead, Evelyn tries to destroy one man’s life and Col. Bonham is very understanding. What’s a false accusation of rape between friends?

This was one of John Wayne’s first starring roles in a major studio production. The film was produced by Columbia, where Harry Cohn did seven films with Wayne before exiling him back to Poverty Row, where Wayne did B-pictures before John Ford finally cast him in Stagecoach. Wayne seems awkward and uncomfortable in much of Arizona. Top-billed Laura La Plante does a better job as Evelyn but the way the film ultimately shrugs off her false accusations just doesn’t feel right.

Arizona is a misfire in the Duke’s early filmography.