Happy 2nd Anniversary!!


I want to wish everyone a Merry Christmas and Happy Holidays!

Through the Shattered Lens began as a way to keep me from getting bored on Christmas Eve of 2009 and tonight marks the 2nd year anniversary of that decision. Since then The site has gained several new writers and each of them has brought a unique voice to the world of entertainment blogging. The site doesn’t make money. It’s writers are all volunteers given the free rein to write what they want and how they want to. For a site dedicated to everything entertainment it doesn’t send it’s writers to film premieres or set production visits. It is a site which embraces the notion of grindhouse and that’s what we’ve done and continued to do since it’s inception.

I’ve come to see everyone who has contributed to the site as friends and humbled that they’ve stuck around this long without complaint. We all don’t always agree on what’s written but in the end it’s the civilized manner by which we discuss and debate the things written about that I think sets the site apart from other entertainment sites.

Here’s to hoping that the next year is even more successful and, first and foremost, fun for all involved and those who have continued to visit the site since the beginning. While I don’t know what the future will bring I do know that whatever comes around the corner myself and everyone here will have fun come rain or shine. Here’s to the upcoming year and hope y’all come ’round once in awhile to see what we have up our sleeves.

Til then, just “awwww” at the cuteness that are the Mini Ika’s.

The LAFCA Honors Terrence Malick, Michael Fassbender, and …. The Descendants?


For those of you who love to follow the Oscar race, today is a big day.  Several groups announced their picks for the best of 2011 today.  The most important of these groups would be the Los Angeles Film Critics Association.  Though the LAFCA has a pretty iffy record when it comes to predicting the actual Oscar winners, their picks still tend to influence the nominations. 

Here are the LAFCA winners, along with a little commentary from yours truly.

Best Musical Score: Hanna (runner-up: Drive)

There was a lot I liked about the LAFCA awards but this is the one that truly made me go: “Yay!”  Hanna was a great film that deserves a lot more attention than its been given.

Best Cinematography: The Tree of Life (Runner-up: The City of Life and Death)

Best Production Design: Hugo (runner-up: Tinker, Tailor, Solider, Spy)

Best Supporting Actress: Jessica Chastain for Coriolanus, The Debt, The Help, Take Shelter, Texas Killing Fields, and The Tree of Life (runner-up: Janet McTeer for Albert Nobbs)

Considering that she has next to no range as an actress, Jessica Chastain is having a pretty good year.  I have a feeling she’ll win an Oscar in February and then eventually end up joining the cast of Law & Order: SVU.

Best Supporting Actor: Christopher Plummer in Beginners (runner-up: Patton Oswalt in Young Adult)

As good as Plummer was in Beginners, think about how much more exciting it would have been if Oswalt had won.

Best Screenplay: A Seperation. (runner-up: The Descendants)

Best Documentary: The Cave of Forgotten Dreams (runner-up: The Arbor)

Again, let us consider that Werner Herzog’s masterpiece wasn’t even a semi-finalist as far as the Academy is concerned.

Best Independent/Experimental Film: Spark of Being

Best Actress: Yun Jung-hee in Poetry (runner-up: Kirsten Dunst in Melancholia)

Yay!  I am so bored with Meryl Streep.

Best Actor: Michael Fassbender for Shame, A Dangerous Method, X-Men: First Class, and Jane Eyre. (runner-up: Michael Shannon in Take Shelter)

Yay!  For both the winner and the runner-up. 

Best Director: Terrence Malick for The Tree of Life (runner-up: Martin Scorsese for Hugo)

I was on twitter when this result was announced and Oh. My. God.  My timeline like totally exploded with people getting all excited and hopeful.  And then, quite a few minutes later, all that excitement turned to rage as the next award was announced–

Best Picture: The Descendants (runner-up: The Tree of Life)

That’s right.  After going out on a limb with best actress and (debatably) best director and going out of their way to honor the unfairly neglected, the LAFCA gave best picture to one of the most overrated films of 2011 — The Descendants.  This despite the fact that The Descendants hadn’t won a single other award and was a runner-up in only one category.  That must have really loved that 2nd place screenplay.  This choice reeks of compromise, as if a group of critics decided to all unite and vote for their 2nd or 3rd choice in order to keep a more controversial films like The Tree of Life from winning.

That said, my pick for the best of 2011 remains Hanna.

Best Foreign Language Film: The City of Life and Death (runner-up: A Separation)

So, A Separation has a better screenplay than the best film of 2011, yet it’s not as good a film as The City of Life and Death.

New Generation award: Martha Marcy May Marlene

To recap, the three major critics groups have now spoken and each one has named a different film for best picture.  The National Board of Review went for Hugo, the New Yorkers went for The Artist, and the LAFCA went for The Descendants.

In fact, the Artist was totally ignored by Los Angeles and I’ve noticed that there seems to be a backlash developing against this film.  The Artist won’t be opening here until Dec. 21st so I can’t judge it but I would say that if you’re upset about about a French film like The Artist getting so much attention, don’t worry.  Maybe David Fincher will remake it with American actors next year.

The National Board of Review Gives It Up For “Hugo”


 

It took them a while but, earlier today, the folks who made up the National Board of Review (nobody’s quite sure who they are) finally announced their picks for the best of 2011.  And the winner is — Martin Scorsese’s Hugo!  As anyone who was on twitter earlier today knows, this was something of a surprising result and most of the self-appointed film experts out there seemed to be convinced that the NBR would honor either War Horse or The Artist.  Seeing as it took the NBR longer than usual to announce the winners, I’m assuming that the voting was fairly close.  The NBR is usually considered to be a precursor to the Academy Awards so, if nothing else, this result would seem to bode well for Hugo‘s chances to pick up a best picture nomination.  Here are the winners with the occasional editorial comment from me:

Best Film:
Hugo

(I loved Hugo, though my favorite film of the year remains, at this point, Hanna)

Best Director:
Martin Scorsese, Hugo

Best Actor:
George Clooney, The Descendants

(I may be the only person in America who thinks that The Descendants is overratedCertainly, the members of the NBR disagree with me on that point.)

Best Actress:
Tilda Swinton, We Need to Talk About Kevin

(This was kind of surprising since I think the conventional wisdom was that Meryl Streep would win everything for The Irony Lady.)

Best Supporting Actor:
Christopher Plummer, Beginners

(I have a feeling that Plummer’s going to be the sentimental favorite at the Oscars.)
Best Supporting Actress:
Shailene Woodley, The Descendants

Best Original Screenplay:
Will Reiser, 50/50

(Yay!  This film has been strangely underrated as an awards contender but it deserves a lot more attention.)

Best Adapted Screenplay:
Alexander Payne, Nat Faxon & Jim Rash, The Descendants

Best Animated Feature:
Rango

(Another yay!)
Breakthrough Performance:
Felicity Jones, Like Crazy

Breakthrough Performance
:
Rooney Mara, The Girl with the Dragon Tattoo

(Bleh.  On twitter, I already went into a rant about how too many of my fellow film bloggers have allowed themselves to be co-opted into a conspiracy to both  force The Girl With The Dragon Tattoo remake down our throats and to try to make us forget about the original trilogy and the fact that Noomi Rapace gave a brilliant performance as Lisbeth.  I’ll hold off on going into that again until it’s time to review the remake but seriously, people — the Hollywood establishment is not going to give you a promise ring, I don’t care how much you kiss their ass.)

Debut Director:
J.C. Chandor, Margin Call

Best Ensemble:
The Help

(Believe it or not, I still need to see this one.)

Spotlight Award
:
Michael Fassbender (A Dangerous Method, Jane Eyre, Shame, X-Men: First Class)

(Oh. My. God.  So.  Hot.)

NBR Freedom of Expression
:
Crime After Crime

NBR Freedom of Expression:
Pariah

Best Foreign Language Film:
A Separation

Best Documentary:
Paradise Lost 3: Purgatory

Special Achievement in Filmmaking:
The Harry Potter Franchise – A Distinguished Translation from Book
to Film

(This is probably my favorite award to be given out by NBR.  Seriously, the Harry Potter franchise provided me — and so many others — such a blessed escape whenever life seemed overwhelming.)

Top Films (in alphabetical order)

The Artist (Can’t Wait To See It)
The Descendants
(Overrated)
Drive (Yay!)
The Girl with the Dragon Tattoo (Bleh)
Harry Potter and the Deathly Hallows Part 2 (Yay!)
The Ides of March (One of the worst films of the year)
J. Edgar (Bland and forgettable but well-made)
Tree of Life
(Yay!)
War Horse
(Going to see it but I feel obligated to do so and I resent it, to be honest)

Top 5 Foreign Language Films (in alphabetical order)

13 Assassins
Elite Squad: The Enemy Within
Footnote
Le Havre
Point Blank

Top 5 Documentaries (in alphabetical order)

Born to be Wild
Buck
George Harrison: Living in the Material World
Project Nim
Senna

Top 10 Independent Films (in alphabetical order)

50/50 (Yay!)
Another Earth
(Whatever, this was a terrible movie)
Beginners (A good film that deserves to be seen)
A Better Life
(Overrated)
Cedar Rapids (Likable but nothing spectacular)
Margin Call
(Need to see it)
Shame
(Fassbender!)
Take Shelter
(Yay!)
We Need To Talk About Kevin
(Looking forward to it)
Win Win
(Yay!)

SemtexSkittle vs. Bethesda: Why I Won’t Buy Skyrim


Yes, Skyrim! Universally heralded as a triumph of gaming. It has received perfect scores at numerous well-regarded review sites and from important critics up and down the world of game reviews. Well, I have an opinion about Skyrim, too. Or, probably a shade more accurately, I have an opinion about Bethesda Softworks, because they’re not getting one penny from me for their new “triumph”, and they’re not going to receive much in the way of praise in this review. So, if you’re an irredeemable fan of the studio, the comments section is open for you to yell at me below. Just understand that you’re coming from a different place than I am. I automatically mistrust any title that Bethesda puts out (and yes, I will be explaining in detail in this article) and I’m predisposed to dislike their games. I do not view them as having a history of putting out excellent games. I can’t name an excellent game they’ve developed. I’m more than happy to discuss within that framework; just let my point of view be understood.

I don’t think Bethesda makes good video games, and I never have.

That statement, by itself, startles people.

That statement, by itself, causes people to leap to Bethesda’s defense. No, I’m told, read this review! It will explain why their latest game is worth buying right away. No, I’m told, Bethesda’s latest title is a great game, you just aren’t giving it a chance.

Maybe. Maybe all of that is true. But in my mind, I have a laundry list of completely legitimate complaints, and they arose from trying pretty hard to appreciate the content that Bethesda was providing. For those who are interested in an alternate take on Bethesda, the sandbox “WRPG”, and their various “triumphs” in gaming… there may be some content of interest for you here.

My personal experience with Bethesda starts with their 2002 release of Elder Scrolls III: Morrowind. I had absolutely innumerable problems with this game, ranging from the skill-raising / leveling system through the lack of a useful map feature. But in my personal experience, Morrowind was stable, it looked pretty, and it had good intentions. This was a modern-era “WRPG” (which for some reason has become synonymous for some people with “sandbox”. Let’s clear this up now: Bethesda makes “sandbox” games, but this is not a universal feature of the Western-developed RPG). It used modern technology to render its tiny group of facial models, and it told a suitably generic RPG story that was delightfully fleshed out by books, notes, and conversations all around the in-game world.

Oblivion continued the grand tradition established in Morrowind. I refused to pay for this game based on my experience with Morrowind, but I was willing to try it out. I borrowed the title from a friend a couple of years after the game had been released. I was alarmed to discover that the game still had unresolved bugs. I encountered graphical glitches and issues (most of them relatively minor, albeit annoying. Because of how modern playtesting works, it’s highly improbable that any game will ever be totally free of texture and graphics glitches), but also weird problems with the AI of both enemies and NPCs. I also encountered problems with enemies that I couldn’t see or locate by any means keeping me ‘in combat’, unable to fast travel or otherwise use the game’s features. None of these problems were, strictly speaking, game breakers. But this was years after launch, and these bugs reared their ugly heads much more often than I’d expect to see even at launch for any professional studio title. Arguments about the size and complexity of Oblivion don’t fly – if you can’t create a game that I can trust be stable and fun at Oblivion’s size, then the game needs to be smaller. You are, as always, entirely free to disagree on this point, but for me it’s no contest. My problems with Oblivion also included the absurd leveling system – I can’t imagine how that system was ever thought to be a good idea – a weak, lazy storyline, unbelievably long loading times, and strictly by-the-numbers gameplay. In short, everything in the game took a back seat to the size of the world. I just can’t imagine how anyone wanted to explore such a huge world limited by such a mediocre game.

All of that having been said, I didn’t hate Oblivion the way I hated Morrowind. It wasn’t until I played Fallout 3 that my opinion of Bethesda was cemented. Fallout 3 was essentially just a re-skin of Oblivion; it was meshed with reasonable effectiveness with basic elements of a first person shooter, but on the whole, the game did not break new ground in terms of the game engine. Gone was Oblivion’s crazy level up system in favour of a traditional character improvement system that was essential to recapture the essence of Fallout. So far, so good. Once again, we’re treated to a huge world, and Fallout 3 was visually impressive right from the start. But I played Fallout 3 on its day of launch, and I spent as much time resetting my XBox 360 console and retreading ground I’d already covered after frustrating crash bugs as I did doing anything else. It features all of the same bugs I remembered from Oblivion – occasional graphics glitches, occasionally melded with something more sinister where the game’s collision would allow the player to become inescapably trapped. Bizarre AI problems that cropped up occasionally and mostly fall under the category of ‘vexing, but not game-breaking’. Oh, and the crashes. It’s not a good thing when I have to spend time thinking about saving, and worrying when I can’t save, not because of the game’s difficulty curve or the possibility of screwing things up with a bad decision in the story, but because of bugs. Bugs which I can’t really avoid, because having the game freeze when you bring up the game’s inventory screen is… well, the game can’t be played without that feature. Not for any length of time.

Does Bethesda try and patch these bugs? Eventually, yes. But other game studios don’t have to release constant patches to address serious bugs. Other studios don’t launch games that have this many bugs. End users are always going to find glitches that the developer misses; modern playtesting relies heavily on automation, and simply can’t match the penchant for creative mischief that characterizes the gaming community. But the problems with every single one of Bethesda’s releases goes far beyond occasional glitches. As a gamer, I usually don’t spend much time trying to break games, or trying to figure out what weird things I can do with the environment of a game like Fallout 3. The fact that, despite my style, I can’t stop running into bugs, speaks to a deeper issue. Bethesda deserves their reputation for releasing buggy games. And let’s not even get into Fallout: New Vegas, which Bethesda published – doing themselves no credit in the process.

So, enough is enough. New releases on the XBox 360 are going to cost about $60 U.S. And I’m not going to pay to support a product that always feels like it was pushed out the door without attention to quality control. And that’s why I won’t be paying one red cent for Skyrim. Frankly, I don’t care how good the game is. I’ve heard almost universally positive things (clouded by the fact that a friend of mine ran into a crash bug in his first hour playing the game), I’ve heard the new engine is wonderful, and that it improves dramatically on the gameplay of Oblivion, that the leveling system is fun and intuitive, and that the game is a visual masterpiece set in an amazingly huge 3-D game world. In fact, I’m almost certain that I would enjoy Skyrim. But enjoying Skyrim would be giving tacit approval to a studio who I have lost all respect for, and who I feel is unworthy of the support of the gaming community. I, personally, feel that Bethesda makes mediocre games which enjoy the benefit of an insane amount of positive press. I’ve always felt that way, as you can see from the brief history I outlined above. But it’s not inconceivable that Bethesda could make a great game. I just can’t vote for them with my dollars. Not anymore.

500K Milestone!!


Just a couple months ago the site reached it’s first major milestone of 1000 posts. It’s taken almost two years but we’ve finally reached another major milestone in the site’s brief history.

While we don’t get the tens to hundreds of thousands of page views per day the more established and much bigger blogs get on a day-to-day basis I’m still proud to say that our motley band of writers have been able to attract at least a thousand or more views a day. With that in mind we’ve finally reach 500K in page views since the site’s inception a little under 2 years ago and I think we’re on our way to making it a million in less time.

Once again, I must thank my co-founder of the site in @LisaMarieBowman for keeping things fresh and fun for people to visit. Other writers like necmoonyeti, pantsukudasai56 and Semtex Skittle (@Cindaer) have done their best to add their unique voices to the site whether it be reviews and/or thoughts on music (mainly metal), anime and manga to gaming titles. Writer Leonard Wilson (@Cavatica) has become another of the unique voices this year and has established his own brand of reviews of films to the many on this site. The rest of the gang like Senor Geekus (@SenorGeekus), danceonavolcano (@nyneshaydee), zackthewicked1, leonth3duke (@DukeD1989) and Dazzling Erin (@TakeSumE) are not as prolific as the other but their contributions still is what makes this site run.

Here’s to another year to look forward to and better things to come for the crew of Through the Shattered Lens.

Note: yes, every milestone will be celebrated with a choice anime/manga based artwork. >_<

The Toadsuckers Have Spoken: 15 Semi-Finalists for Best Documentary And Still No Room for Werner Herzog


Yesterday, the Academy of Motion Picture Arts and Sciences released the titles of the 15 semi-finalists for the Best Feature Length Documentary Oscar.  This list will, of course, be narrowed down to the 5 final nominees.

Without further ado, here’s the 15 semi-finalists:

  • Battle for Brooklyn(RUMER Inc.)
  • Bill Cunningham New York(First Thought Films)
  • Buck(Cedar Creek Productions)
  • Hell and Back Again(Roast Beef Productions Limited)
  • If a Tree Falls: A Story of the Earth Liberation Front(Marshall Curry Productions, LLC)
  • Jane’s Journey(NEOS Film GmbH & Co. KG)
  • The Loving Story(Augusta Films)
  • Paradise Lost 3: Purgatory(@radical.media)
  • Pina(Neue Road Movies GmbH)
  • Project Nim(Red Box Films)
  • Semper Fi: Always Faithful(Tied to the Tracks Films, Inc.)
  • Sing Your Song(S2BN Belafonte Productions, LLC)
  • Undefeated(Spitfire Pictures)
  • Under Fire: Journalists in Combat(JUF Pictures, Inc.)
  • We Were Here (Weissman Projects, LLC)

My response as I look at this list is: “Huh?”  Which is to be expected because I live in Flyover country and, as a result, our local theaters don’t get sent all that many documentaries.  Still, I have to say that, as someone who tries her darndest to keep up with these things, I’m not familiar with a lot of these films.  I saw Buck in the theaters and I watched Bill Cunningham New York via OnDemand after my sister recommended it to me.  I meant to see Project Nin when it briefly played at the Dallas Angelika but, for whatever reason, I missed it.  (I may have been burned out on movies about chimpanzees after seeing Rise of the Planet of the Apes.)  I’ll definitely see Paradise Lost 3 if it ever manages to get down to my part of the world.

If anything surprises and disappoints me, it’s that Werner Herzog’s Cave of Forgotten Dreams isn’t on the semi-finalist list.  Neither are two other documentaries that I loved — Jig and Resurrect Dead.  (I have to admit that I’m not sure if those two films were submitted for consideration or if they would have even been eligible to be considered.  I just know that I enjoyed them when I saw them OnDemand.)  I’m also surprised that The Paper isn’t on the list of semi-finalists.  I haven’t actually seen The Paper but just judging from the trailer and the subject matter (The New York Times struggling to remain relevent), it seemed like the type of documentary that traditionally seems to get nominated.

Finally, despite the fact that I haven’t seen it, I would kinda like to see Paradise Lost 3 win the award if just to honor the entire Paradise Lost series.  After all, if not for those films, the West Memphis 3 would still be sitting in prison.  Every year, during the Academy Awards ceremony, we have to sit through some pompous speech about how documentaries can change the course of history.  Well, the Paradise Lost films actually did and, again taking into consideration that I haven’t seen the actual film yet, it seems like that deserves to be honored, no?

(And before any of you excitable types start bitching and whining — and you know who you are — Undefeated is a documentary about a high school football team and should not be mistaken for The Undefeated, the documentary about Sarah Palin that also came out this year.)

Billy Crystal and the Holy Grail?


So, here I was all excited and everything because I had an excuse to start another one of my never-ending polls and what happens?  Less than 24 hours after I set up my poll asking you who you think should replace Eddie Murphy as the host of next year’s Oscar ceremony, Billy Crystal tweets that he’s got the job.

Seriously?

They couldn’t just leave us in suspense for an extra day or two?

Anyway, Billy Crystal isn’t really a surprising choice as people were mentioning his name from the minute Murphy stepped down.  However, he is a rather boring choice and I guess that the show’s producer, Brian Grazer, has decided not to do the whole “edgy” thing.  Which is probably a good thing since the Academy Awards version of edgy tends to be … well, it’s hard to say what it is but it’s distinguished by smoothed corners and a definite lack of sharp edges. 

I guess what I’m saying is that the Oscars are a big round table and apparently, Billy Crystal is going to be King Arthur next year.  Though, according to our poll, you would have much rather seen either myself or the Muppets holding court.