Song of the Day: Whole Lotta Love (by Led Zeppelin)


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I missed a couple of nights with a post leading up to Valentine’s Day. So, I shall make it up with a quickie, but definitely a classic choice for latest “Song of the Day”.

In what has to be one of the sexiest and raunchiest songs to explode from that little supergroup called Led Zeppelin in late 1969. Everything about this song oozes sex from Robert Plant’s performance to the silky riffs by Jimmy Page right up to the rhythmic pounding by Bonham on drums.

The song I speak of “Whole Lotta Love” and considered a favorite amongst fans of the group. Enough talk and just listen. I’m pretty sure there’s a sizable number of people who visit this site and go on the many social media outlets that owe their existence to their parents having this song on.

Whole Lotta Love

You need coolin’, baby, I’m not foolin’
I’m gonna send ya back to schoolin’
Way down inside, a-honey, you need it
I’m gonna give you my love
I’m gonna give you my love, oh

Wanna whole lotta love
Wanna whole lotta love
Wanna whole lotta love
Wanna whole lotta love

You’ve been learnin’
And baby, I been learnin’
All them good times
Baby, baby, I’ve been a-yearnin’, ah
A-way, way down inside
A-honey, you need-a
I’m gonna give you my love, ah
I’m gonna give you my love, ah

Oh, whole lotta love
Wanna whole lotta love
Wanna whole lotta love
Wanna whole lotta love
I don’t want more

Ooh, just a little bit
Ah, ah, ah, ah
Ah, hah, hah
Ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah
Ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah
No, no, no, no, ah
Love, low-ow-ow-ow-ove
Oh, my, my, my

You’ve been coolin’
And baby, I’ve been droolin’
All the good times, baby, I’ve been misusin’
A-way, way down inside
I’m gonna give ya my love
I’m gonna give ya every inch of my love (Ah)
I’m gonna give you my love
Yeah, alright, let’s go

Wanna whole lotta love
Wanna whole lotta love
Wanna whole lotta love
Wanna whole lotta love

(Way down inside) Way down inside
(Way down inside, woman, you) Woman
(Woman, you) You need it
(Need) Love

My, my, my, my
My, my, my, my, oh
Shake for me, girl
I wanna be your backdoor man
Hey, oh, hey, oh
Hey, oh, ooh
Oh, oh, oh, oh
Hoo-ma, ma, hey
Keep a-coolin’, baby
A-keep a-coolin’, baby
A-keep a-coolin’, baby
Ah, keep a-coolin’, baby, ah, ah-hah, oh-oh

Game of Thrones Season 4 “Foreshadowing”


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April 6, 2014 is when we return to the Seven Kingdoms of Westeros. We will see a continuation of the war and the storm of swords which troubles the lands. The Red Wedding will pose consequences for those who participated and across the Narrow Sea the Mother of Dragons begins her conquest and plans her inevitable return to reclaim the Iron Throne that is her birthright.

Here is a 14-minute sneak peek that foreshadows the events foretold for the upcoming season where Winter is still coming.

Review: The Walking Dead S4E09 “After”


 

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“I know we’ll never get things back to the way they used to be.” — Rick Grimes

We finally see the return of AMC’s very popular horror series, The Walking Dead, after a couple months on hiatus. Last we saw the series seemed to have done a sort of reboot of season 3’s season finale. A season finale that people thought would include not just the Governor’s assault on the prison, but the scattering of Rick’s group to the four winds. Season 3 didn’t end as expected and to say it was anti-climactic would’ve been a major understatement.

So, out goes Glen Mazzara as showrunner of the show and in comes Scott M. Gimple as head honcho for season 4. The change has been a nice change for the series which can’t seem to get on a consistent narrative track. Sure, it’s had major moments when it’s best thing on TV at that given moment, but it’s a far and few.

Gimple has done a much better job this season of letting the characters grow and let them dictate how the season unfolds. The zombies continue to remain the main threat (this season has shown them to be even more dangerous than in season’s past) but now interpersonal conflict adds a new level of complexities to keeping everyone safe and alive for one day more.

The first half of the season saw many new characters introduced (some given to more time to develop while others just cannon fodder) and some leave and some die. The biggest exits happening to be that of Hershel and the Governor himself. Both end up getting their ticket punched in the very assault on the prison that fans of the comic book have been wanting to see since the end of season 3. With that reboot of last season’s finale out of the way and with Rick and his group surviving out in the wilds in their own separate ways we now come to the start of the second half of The Walking Dead season 4.

Tonight’s return starts off pretty much moments after episode 8 with the prison now in flames and zombies pretty much roaming everywhere. We get Michonne returning to find something or someone. In the end, she ends up finding two zombies she turns into armless and jawless pets to help her blend in with the rest of the herd. She also manages to find Hershel’s reanimated head which she destroys and leaves behind but not before pausing for a moment to remember al that she has lost once more.

The episode jumps back and forth between Michonne’s time spent after fleeing the prison and those of Rick and Carl. The father and son duo are having a much tougher time. Rick is too injured from his fight with the Governor and their supplies of ammo and provisions are next to nothing. It doesn’t help that Carl’s resentment towards Rick has come to the surface after the disastrous events at the prison.

This episode was really about Michonne and Carl dealing with the events from the previous episode. Michonne has seen the group she has begun to see as a family scattered everywhere and a place that was becoming home destroyed. Worst yet would be seeing Hershel, who she was beginning to connect with, killed before her eyes. This causes her to revert back to how we first saw her in season 3. Alone once again and dragging along two zombie pets to keep her safe. Maybe being alone and away from any sort of emotional attachment would be best for her, but her own subconscious makes it finally known to her that this is not so.

She could sleepwalk through the rest of whats left of her life in this post-apocalyptic world or try and retain some of the humanity and connection with others that she was having within Rick’s group. Or she could just give up and end up becoming like the very thing that has destroyed the world. We see this in a sort of flashback dream sequence where we finally get some backstory on Michonne and her life before the fall of civiization. We now know where she got her original pair of zombie pets and why she had such a strong reaction to holding baby Judith back in the prison. This flashback Michonne was not the badass, katana-wielding survivor we’ve come to know the past two seasons, but one who seemed well-to-do with a nice family and a young son.

Like everyone else in this new world order she has lost just as much as everyone else, yet she seems to have found a way to adapt and prevail while others fail and die or succumb to their basest instincts. In the end, she chooses to get back what she had lost fleeing the prison and the zombie salughter she initiates in doing so seemed not just cathartic for her character but for the audience as well.

As for Carl, we see him attempting to deal with his current situation on his own. His resentment toward his father’s inability to protect him, Judith and everyone at the prison has begun to gnaw at him. He sees Rick as a failure not just as a father, but as a leader. His needling of Rick by mentioning Shane’s name and everyone who has died under his watch sounds like harsh truth being exposed, but also makes Carl come across like a rebelling teen trying to prove to his father that he is better than him. As we see throughout Carl’s segment, he can take care of himself, but he also has so many close-calls that his bravado makes him out to be like a teenager playing at being an adult when everyone knows he still has further to go.

Yet, as much as Carl might not be ready to cut off the parental strings, Rick understands that continuing to treat Carl like a regular kid who must be protected from the dangers of the world doesn’t belong in this new world. The Carl that Rick was searching for in the first two episodes of season 1 is no more. His son has become not just a veteran and capable survivor like him, but one who has left his childhood behind in order to be more helpful.

The Walking Dead will always be about the zombies and how this new world has danger for it’s survivors lurking in every home, building and shadows both zombies and humans. Yet, the show, especially this season, has tried to explore what this world has done to these survivors and how it’s either brought out the best, worst and everything in-between. We’ve seen characters fail to live up to the very ideals that allows one to keep a hold on their humanity while others succeed. Tonight we saw two survivors who have made a sort of peace with their situation and now moving forward to try and live one day more.

As the tagline for the second half of season 4 points out: “Don’t Look Back”.

Here’s to hoping that the show’s writer take that motto to heed and continue to look forward instead of looking back trying to fix what needed fixing. The show is now halfway through it’s fourth season and, for good or ill, it needs to move ahead with what it has established and let the audience decide whether they should continue to watch week in and week out.

Notes

  • Tonight’s episode was written and directed by The Walking Dead creator Robert Kirkman and series producer Greg Nicotero.
  • The cold opening for tonight’s episode was almost scene for scene out of the comic book with the exception of Hershel taking the place of Tyrese.
  • It was nice to see Aldis Hodge in the role of Michonne’s lover and father to her son. He was great in Leverage and nice to see him back on the small screen.
  • Michonne’s dream flashback gave us some answers as to her past, but it still doesn’t answer the one important question: where she got the katana and how did she got so proficient with it.
  • Still no word on baby Judith.
  • Talking Dead Guests: series producer and KNB FX head honcho Greg Nicotero and Michonne herself, Danai Gurira.

Season 4

Scenes I Love: In the Line of Fire


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1993’s In the Line of Fire was and continues to be one of my favorite action-thrillers. What’s not to like about a film that has John Malkovich playing a rogue and mentally-unstable CIA assassin who has decided that he wants to assassinate the current President of the United States. Then there’s Clint Eastwood as the last living Secret Service agent who failed to prevent Kennedy’s assassination in Dallas.

The film was directed by Wolfgang Petersen and was both tense and thrilling in equal amounts. Yet, the film also took some time to develop the relationship between Eastwood’s aging Secret Service agent with a much younger, but capable agent played by Rene Russo. This is a relationship that starts off as quite adversarial but one that gradually moves past that into one of respect then romance.

It was the scene with the two characters taking a break from the dangers of their job to debate the role of women in the Secret Service. It makes Eastwood’s character sound very old-fashioned and while it annoys Russo’s character to no end there’s a sort of playful and flirty byplay between the two throughout the scene. It’s a scene that culminates with Eastwood’s character predicting through years of experience that Russo’s agent character has shown interest in him and thus planting the seeds of a budding romance.

This is the scene I’ve chosen to continue the march towards next week’s Valentines Day.

Song of the Day: Right Here Waiting (by Richard Marx)


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Another day and another entry leading up to Valentines Day. Yeah, I know some don’t like this particular holiday. Some think it’s become too commercialized, but I’ve always remained a romantic at heart and I can’t help but look forward to this day.

Even when single this day was a special day to reflect on relationships past. Remembering the good and fun times while trying to learn from the mistakes.

The latest “Song of the Day” comes straight out of my high school days of 1989. I first heard this song on the radio while on break from my very first line reading for a school play. There was a piano in the room where everyone broke for lunch. Someone decided to play this song and soon every guy began to sing the song while the ladies either looked at us with dreamy eyes or something.

When the saying from people of my generation parrot the same lines our parents and their parents before them comes up I believe it to be true. They really don’t make ballads like this anymore. There’s a sincere sense of earnestness and romance to the lyrics and the overall sound of the song.

Over the years some have tried to mock this song and Richard Marx, but it never really goes anywhere. This song remains timeless and for those who look forward to what Valentines Day truly mean beyond the crass commercialism.

Right Here Waiting

Oceans apart day after day
And I slowly go insane
I hear your voice on the line
But it doesn’t stop the pain

If I see you next to never
How can we say forever

Wherever you go
Whatever you do
I will be right here waiting for you
Whatever it takes
Or how my heart breaks
I will be right here waiting for you

I took for granted, all the times
That I thought would last somehow
I hear the laughter, I taste the tears
But I can’t get near you now

Oh, can’t you see it baby
You’ve got me goin’ crazy

Wherever you go
Whatever you do
I will be right here waiting for you
Whatever it takes
Or how my heart breaks
I will be right here waiting for you

I wonder how we can survive
This romance
But in the end if I’m with you
I’ll take the chance

Oh, can’t you see it baby
You’ve got me goin crazy

Wherever you go
Whatever you do
I will be right here waiting for you
Whatever it takes
Or how my heart breaks
I will be right here waiting for you
Waiting for you

Trailer: Neko Samurai


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Here’s a quick one from Japan. It’s called Neko Samurai and it’s something that could only be done in that land of badass and cute.

It’s a film about a samurai assassin who cannot go through with latest assassination job. The target which seems to have gotten to this hardened samurai assassin is none other than a white kitty.

The trailer is in Japanese with no translation other than the music which repeats the line “I’m so great!” which might just describe this film perfectly even after just seeing the trailer. Plus, the kitty winked.

AMV of the Day: Left Us Falling (Clannad & Clannad: After Story)


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It’s now February and that means there just might an influx of Valentines-related postings popping up until the 14th. The first one comes courtesy of our latest “AMV of the Day”. This new AMV is both romantic and more than a bit melancholy.

“Left Us Falling” is an AMV based on scenes from the anime series Clannad and, it’s follow-up, Clannad: After Story. The video focuses on the character of Tomoya Okazaki and the changes to his life from the inclusion of two pivotal ladies into his wayward life. The first part of the video shows how much he realizes that Nagisa is the one for him. This is quite a life-changing event for Tomoya since the game and anime the series is based on is of the harem variety. The second person to enter his life that truly upends his life in a good way would be his young daughter Ushio.

To say anymore would be a total spoiler for those who haven’t seen the series and will leave it at that. I will say that the two series plays off quite differently with the first season coming off as being more of the romantic-comedy while the second season turns on a more serious note.

I know I’ve recommended that people watch this series in the past and I will repeat myself and point out that people should watch this series at least once in their life.

Anime: Clannad and Clannad: After Story

Song: “It Can’t Be Over” by Melody Fall

Creator: LucioleAMV

Past AMVs of the Day

Super Bowl Trailer: The Amazing Spider-Man 2 “Enemies Unite”


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The Amazing Spider-Man 2 continues the reboot Sony began with the Spider-Man franchise minus Sam Raimi and Tobey Maguire. While The Amazing Spider-Man did quite well in the box-office when it came out in 2012 the general consensus with fans and critics alike was that it was just another origins tale that rehashed events from the Peter Parker story that was already well-known to comic book and non-comic book fans alike.

This sequel will now bring in villains and some plot points that fans have been waiting for since the franchise first began in the early 2000’s. We have Jamie Foxx and Paul Giamatti as the villains Electro and Rhino finally appearing on film with hints that other iconic Spider-Man villains such as the Vulture and the Hobgoblin probably having a cameo. This sudden flood of villains looks to be Sony’s attempt to set-up a Sinister Six film that would be the studio’s way to counter the success of Marvel’s and Disney’s success with The Avengers.

Time will tell if this gamble will end up paying off for Sony and many comic books wish it won’t since there’s a chance it would return Spider-Man to Marvel Studios thus making him available to appear in future films as an Avenger.

Sony went to unprecedented lengths to make sure people knew about the new trailer arriving on Super Bowl Sunday. We had a teaser teasing the trailer for the Super Bowl. Then we had the brief teaser shown during the Super Bowl. Below is the full 3-minute plus trailer that was shown on-line soon after.

The Amazing Spider-Man 2 is set for a May 2, 2014 release date.

Super Bowl Trailer: Transformers: Age of Extinction


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Yes, it is another Transformers film about to descend on the population this coming summer.

Could we finally get a quality one after the last two which got worse and worse with each new entry? I can’t say for sure, but this fourth entry does have one thing going for it and that is the lack of Shia LaBeouf. Instead we get Mark Walhberg in the lead human role. Optimus Prime and Bumblebee return with new robots filling in the rest.

If there’s one thing about Transformers: Age of Extinction that will get me to see it once it comes out is the fact that it has Grimlock and his merry band of Dinobots finally making their appearance. Yes, Grimlock and that’s all I need.

Transformers: Age of Extinction is set for a July 27, 2014 release date.

Super Bowl Trailer: Noah


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Noah is Darren Aronofsky’s follow-up to his critically-acclaimed film Black Swan (which was reviewed by Lisa Marie Bowman herself) and he looks to tell the tale of Noah’s Ark from the Book of Genesis.

When news first came out that Aronofsky would follow-up Black Swan with a biblical epic that retold the Flood and Noah’s role in saving those not corrupted according to Heaven was a sort of headscratcher. The teasers and trailers that has come out about the film hasn’t really fired up the masses. Some think it as another sword-and-sandals epic that’s late to that particular subgenre’s resurgence. Some think too much fantasy elements has been added.

One thing I’m sure of is that Aronofsky will not make an uninteresting film.

Noah is set for a March 28, 2014 release date.