Tonight’s episode of The Walking Dead began with a tune recognizable to many gamers who played through Bethesda’s Fallout 3.
“Maybe” by The Ink Spots have been used many times to highlight simpler, idyllic times when compared to post-apocalyptic wastelands. It worked well for Fallout 3 and definitely lent an eerie, disturbing quality to the flash forward opening to the latest episode of The Walking Dead.
Maybe
Maybe you’ll think of me
When you are all alone
Maybe the one who is waiting for you
Will prove untrue, then what will you do?
Maybe you’ll sit and sigh, wishing that I were near
Then maybe you’ll ask me to come back again
And maybe I’ll say maybe.
Maybe you’ll think of me
When you are all alone
Maybe the one who is waiting for you
Will prove untrue, then what will I do?
Maybe, you’ll sit and sigh, wishing that I were near
Then maybe you’ll ask me to come back again
“Just look at the flowers, Lizzie. Just look at the flowers.” — Carol Peletier
The Walking Dead tv series has always diverged from the comic book source to keep fans of the books guessing. Some fans of the comic books have complained about this since it would mean discarding certain subplots and characters that they love but were really non-essential to the overall story being told for the tv series version. Yet, the writers of the show, through the comic book’s creator Robert Kirkman, have mined the comic book source for material that remains important to the show’s narrative.
The latest episode, “The Grove”, takes a disturbing but very important subplot from the comics and manages to adapt it for the tv series in a way that made it one of the series’ best.
A cold opening that manages to be both quaint, idyllic and disturbing which sets the tone for the rest of the episode sees the return of the group led by Carol. It’s a group that could almost be seen as a makeshift family unit. There’s Carol the loving, yet stern mother who wants to make sure her daughters learn how to survive in this dangerous, new world while Tyreese remains te compassionate and protective father. Lizzie, Mika and Rick’s baby daughter Judith make up the children who must now adapt to this new world or perish.
First off, Judith remains the blank slate in the show. She’s the first baby born after the world went to hell and thus will have to grow up in it’s new environs and new set of morals and principles. The old civilization is gone and while people try to hold onto what made that civilization tick only those willing to adapt to this new world seem to survive. Now, Lizzie and Mika were already forming their own personalities and sets of morals when the zombie apocalypse hit. We see the two Samuels girl go in differing paths in how they cope with this new world.
While seeing these two girls’ inability to adapt to the world post-zombie apocalypse was a nice theme to explore the episode really focused on the group’s maternal unit. This latest episode was a culmination of the new Carol Peletier that season 4 unleashed on an unsuspecting audience.
This was a character that we saw as being the meek victim of spousal abuse even before the zombies arrived. Her emotional trauma would continue with the loss of her young daughter Sophia in season 2 and almost dying during break in prison security in season 3. Yet, by the time season 4 rolled around we see her become a hardened survivor who has turned the corner and decided she will not remain a victim anymore and make sure those people see as being helpless (the young children in the group) learn how to defend themselves from zombies and humans alike.
The titular grove the group stumbles upon early in the episode has an almost mystical quality to it. An idyllic locale in the middle of literal hell on earth. There’s untainted well water to be had, a pecan grove for food and even a solitary deer that seems to come by at the most opportune time for meat. Hell, the cabin even has a working gas stove (probably a propane tank fed one) and a secure enough fence of barbed wire to fend off the random zombies that may wander by. It’s almost paradise in comparison to the different place Carol, Tyreese and the girls have had to call shelter.
It is no wonder that both Tyreese and Carol entertain the idea of maybe staying at the grove and making a life for themselves with the girls instead of continuing onto the unknown potential haven that is Terminus. But one thing this show has been consistent about when it comes to it’s characters seeming to find peace and tranquility is that it will pull the rug from under them to reveal that things are not ideal and that it’s just a veneer over the ugliness and brutality this new world has turned into.
The rug gets pulled out gradually from beneath Carol’s feet as both Mika and Lizzie continue to fail in heeding her teachings about survival. Mike remains adamant about not ever wanting to hurt anyone alive (she makes some headway in killing off some zombies during the episode) which Carol sees as dangerously naive of the young girl. Lizzie on the other hand begins to reveal an even more dangerous quality which would turn tragic by episode’s end.
By this time many will have written and discussed the events involving Lizzie and Mika that would add another emotional stone on Carol’s back. It’s a sequence that’s as disturbing as anything this show has put on the air in the last four years. It’s not often that children get killed in tv shows (well except for Law and Order: SVU) and yet The Walking Dead manages to do it twice in one night and both times it’s not gratuitous or meant to be entertaining. both Mika and Lizzie’s death become a sort of crucible Carol must go through to find a sort of equilibrium between the nurturing mother she was before season 4 and the cold, pragmatic survivor she has become this season. She still remains conscious to the fact that hard decisions need to be made for the greater good and she makes it ones again when Lizzie murders her younger sister Mika. It’s a murder not done in spite or malice. Lizzie truly believes that Mika will return and remember not to attack her friends and family.
In the end, the grove ceases to be the ideal haven Carol and Tyreese saw it as in the beginning and realize it’s just another place to leave behind with bad memories. It’s become another haunted place for the next people to find and wonder what happened to the previous inhabitants and what caused them to leave behind three small graves in the flower and pecan grove.
Notes
Tonight’s episode was written by showrunner Scott M. Gimple and directed by Michael Satrazemis.
The cold opening sequence was a nice touch using The Ink Spot’s “Maybe” song that was also used in the Bethesda post-apocalyptic game, Fallout 3.
Mika definitely came off as being the more intelligent of the two sisters. Though as many would probably point out, just as Carol did, her inability to hurt other people who will want to hurt her will get her killed sooner or later.
Lizzie’s personality matches very closely that of the comic book Carol who began to see the zombies as more her friends than a danger. I’m sure Kirkman had a hand in helping Gimple round out the character of the elder Samuels girl.
I noticed that the pistol that Mika carried with her was a Smith & Wesson M&P 9 (full-size one even) just for the fact that I also own one so it was very recognizable.
The different subplots involving the scattered groups of prison survivors seem to be following an uneven timeline within this midseason narrative. The fire and smoke seen by Carol, Tyreese and the girls would mean that they’re at least a day behind Daryl and Beth.
Gimple must’ve been a fan of Steinbeck because tonight’s episode had a very Of Mice and Men feel to it right up to the sequence with Carol and Lizzie in the end.
Talking Dead Guests: Melissa McBride of The Walking Dead, Yvette Nicole Brown from Community and WWE’s CM Punk.
With the trailer for the James Brown biopic now out for people to watch I just thought it would be appropriate I share one of my favorite scenes from the many years of watching Saturday Night Live.
Before he became a mega superstar during the 80’s, Eddie Murphy was just part of the ever-changing cast of comedians for Saturday Night Live. One of the funniest skits had Eddie as James Brown doing the intro to his very own talk show, Celebrity Hot Tub.
“Why hurt yourself when you can hurt other people.” — Joe
The Walking Dead has taken on a new narrative path since it’s return after this season’s mid-season break. One of the biggest complaints that some fans and critics have had about the show has been the lack of character development for many of the roles in the show. We’re not talking about people who show up for a scene or an episode or two. It’s for those who have become regulars through the show’s many season.
Well, it looks like from the show’s writers will be trying to rectify that flaw this second half of season 4.
Since the show’s return from it’s mid-season break it’s taken on an almost zealous attempt to show the audience more of who these people truly are. Each new episode in this second half has been more about exploring each surviving character’s backstory either through some sort of flashback (like we saw tonight with the cold opening showing Bob’s lonely existence before being found by Daryl and Glenn pre-prison attack) or some of the quieter moments of exposition between characters (last week’s episode between Daryl and Beth was a prime example of this). We’ve gotten to learn more about our favorite zombie apocalypse survivors. They’ve shown themselves to be more than what the previous seasons have made us to think of them.
Tonight’s episode continued to explore the growing relationship (whether romantic or platonic) between resident badass Daryl Dixon and bright-eyed optimist Beth Greene. We see him trying to teach the younger Greene girl how to become a better with the crossbow and be a better tracker. Throughout their section of tonight’s episoode we see Daryl become more protective of young Beth Greene. The false front he’s put up in the past to avoid getting closer to people has started to come down. In past season fans and writers have looked at Daryl Dixon as someone who probably would be better off being alone instead of trying to deal with a dysfunctional “family” unit of survivors. He’s the only one who seems to be ready-made for this zombie apocalypse.
Yet, as we’ve seen in the second half of this season being alone is something that he doesn’t want to ever return to. He may remain gruff and surly, but his need to be around those who care about him and people who he wants to belong with has made him a more well-rounded badass. The way the Daryl and Beth half of the episode ended it’s going to be interesting if his need to belong with a group will cause him to forget the humanity he has found while being with Rick’s group.
The theme of being alone continues, and actually began, with the Bob, Sasha and Maggie half of tonight’s episode which was aptly titled, “Alone”. Bob’s time being alone in the wilderness was the cold opening for tonight’s episode and revealed much about the enigmatic Bob. This was all done with Bob not speaking a line of dialogue in the first few minutes. He seemed able enough to survive on his own, but the moment Glenn and Daryl arrive and offers him sanctuary back in the prison he accepts with no questions asked.
It’s a theme that runs throughout tonight’s episode. Being alone may make it easier to survive. No one to worry about. Only have to keep one person alive. But for these survivors it’s the comfort of having others looking out for you which makes it all worth the headaches and drama that comes with being involved with other people. These lone wolf survivors may be great at surviving on their own, but they also want to be doing more than just survive. They want to live and being with others. It makes them feel more human and gives them a higher purpose than just trying to survive day to day.
Some fans may not be liking this more introspective turn of The Walking Dead this second half of the season. There’s still some gruesome scees to be had, but there’s also many more quiet scenes of just characters interacting with each other minus the violence and brutality inherent in a show about the zombie apocalypse.
Notes
Tonight’s episode was written by Curtis Gwinn and directed by Ernest Dickerson.
Some great genuinely scary moments in tonight’s episode: the fog sequence with the zombies involving Bob, Maggie and Sasha was shot and directed well by veteran director Ernest Dickerson (who has directed some of the best episodes in the series). Another was Daryl finding himself stuck in a room filling up with zombies and the only way out was going through them.
Tonight’s episode was the strongest of this season’s second half. We just didn’t get to learn about some of the things which motivates Bob, but also what made Sasha and Maggie such good survivors. Larry Gilliard, Jr. hasn’t been given enough chances to stretch his acting skills this season, but tonight he was allowed to do just that and he passed with flying colors.
Beth is really thirsting for some of Daryl and was really apparent in tonight’s episode. This should make Daryl/Carol shippers not very happy at all.
For Dead Rising fans tonight’s episode should bring a smile to their faces as we see Maggie become an expert in zombie killing just using a street sign pole and it’s very sharp squared steel sign.
The episode opened and ended with the song “Blackbird Song” by Lee DeWyze.
Jeff Kober returns as the leader of the small band of raiders we saw in the episode “Claimed”. His return may mean he’s the big baddie for this second half as the different groups make their way to Terminus.
Talking Dead Guests: Sonequa Martin-Green and Lauren Cohan, Sasha and Maggie of The Walking Dead.
It’s just less than a month away from one of 2014’s most-anticipated films. It’s the sequel to Captain America: The First Avenger and Marvel Studios has been kind enough to treat it’s fans to a 4-minute clip/trailer of the film.
This clip from Captain America: The Winter Soldier comes early in the film and helps in setting the tone of the film. This is not the gung-ho and patriotic first film. This follow-up shows the after-effects of the events from The Avengers and how it’s created a sense of paranoia and conspiracy surrounding the very group Captain America has now become a part of.
Where the first film had the nostalgic feel similar to Joe Johnston’s The Rocketeer, this sequel looks to tap the 70’s conspiracy and 80’s technothriller genres. It’s anyone’s guess whether the Russo Brothers succeeded, but just going by this extended scene and the previous teasers and trailers they may have just done that.
Captain America: The Winter Soldier arrives in North America on April 4, 2014.
Hard to imagine it’s been 9 years since the original Sin City hit the big screen. It was a comic book adaptation that many thought wouldn’t work, especially how Rodriguez envisioned it to be slavishly loyal to not just Miller’s dialogue but also his unique art style.
The original film’s success quickly ramped up rumors that a sequel was already being planned using the second graphic novel in the Sin City series. Rodriguez himself stated he wanted Angelina Jolie for the role of Ava Lord, the titular “Dame to Kill For”, but after years and years of delay the role finally landed on Eva Green‘s lap (not a bad choice and one I fully support).
So, we’re now going back to Basin City for more tales of booze, broads and bullets in this hyper-noir film that should be loved or hated in equal measures by those who have followed Frank Miller’s career. Once again the directing duties have been split between Rodriguez and Miller. Here’s to hoping that Miller has learned how to be a much better directer after his last film, The Spirit, tanked.
Sin City: A Dame to Kill For is set for an August 22, 2014 release date.
I know, I know, another Transformers extravaganza coming this summer. As if the last two wasn’t enough to swear me off the franchise. Well, guess what this one doesn’t have any of the actors from the first three and drops in a whole bunch of new ones to play war with the aforementioned robots who are more than meets the eye.
Instead of Shia LaBeouf in the lead role screaming like the most unheroic lead ever we get the manly man Mark Walhberg himself playing a Texas dad out to protect his daughter from the men in black while jump starting a rusted Optimus Prime on his spare time.
This fourth film looks to be a new start for the franchise that we all thought ended with a bang and a whimper with Transformers: Dark of the Moon, but there were still more Transformers that never made it to the bigscreen and what better way to do that than make a fourth. So, it looks like fans finally get Grimlock and the Dinobots plus a Decepticon that looks to be Galvatron.
Again, I will be seeing this (it’s like the scifi blockbuster version of Saw) just for the fact that it doesn’t have Shia LaBeouf for people to listen to scream shrilly every two or three minutes. Plus, it has Optimus Prime wrestling and then riding Grimlock.
Transformers: Age of Extinction is ready to make our eyes explode on June 27, 2014.
Always known to be the quirky, eccentric personality, during last night’s broadcast of the 86th Academy Awards, Bill Murray provided a fitting, spontaneous tribute to his long-time friends and collaborator Harold Ramis.
Harold Ramis passed away last week at the age of 69 and Murray’s on-stage tribute to his friend must’ve brought not just smiles and applause from the crowd but some tears as well.
Whatever one thinks of last night’s show this was one moment that made it all worth watching.
One of the great guitarists ever passed away (some would say he’s one of the greatest, if not the best there ever was) in the last 24 hours.
Paco de Lucia has passed on into legend as one of history’s greatest guitarist. He joins such fellow luminaries as Django Reinhardt, Jimi Hendrix, Andres Segovia, Stevie Ray Vaughan and Robert Johnson to just name a few now playing their guitars in the next life.
Paco came from a family of flamenco singers and guitarists. His musical upbringing was molded by his father Antonio Sanchez. He would take classic flamenco guitar playing and incorporate other musical genres such as jazz, classical and bossa nova. While flamenco traditionalists heaped criticisms at Paco de Lucia for incorporating the many different styles of guitar playing with flamenco the movement to create a new flamenco sound which still adhered to classic flamenco playing but with some added new sound to appeal to a new generation that was beginning to listen to a variety of musical styles.
While many young people would scratch their heads as to who this Spaniard was to be considered one of the greatest guitarist of all-time (I would remind such individuals that not all guitarists were playing rock or metal), I would suggest they listen to his most popular song and just marvel at the talent and legend that was Paco de Lucia.
February is almost over and I’m sure those who celebrated Valentines Day a couple weeks back are either flying high on love or becoming bitter by the day at things not turning out the way either party have imagined.
The latest “Song of the Day” puts into words such a a scenario that those in the latter might be going through right about now. It’s a song by soul and blues singer Bill Withers. He’s better known for classic soul hits such as “Lean On Me”, “Just the Two of Us” and “Ain’t No Sunshine”.
“Who Is He (And What Is He To You)” is a song of infidelity and betrayal. I just love the bass line that goes throughout the song. The song’s lyrics also hints at a sense of malice and and built-up rage at the betrayal. One could almost imagine how things will erupt after the final note and lyric has faded in the background.
Who Is He (And What Is He to You)
A man we passed just tried to stare me down And when I looked at you, you looked at the ground I don’t know who he is but I think that you do
Dag gummit Who is he and what is he to you
I have something in my heart and in your eyes Tell me he’s not someone just passin’ by And when you cleared your throat was that your cue
Dag gummit dag Who is he and what is he to you
Now when I add the sum of you and me I get confused and I keep coming up with three You’re too much for one man but not enough for two
Dag gummit Who is he and what is he to you
Hey you tell me man don’t have not much for intuition That what you really think or are you wishin’ Before you wreck your old home be certain of the new
Through the Shattered Lens 