Anime You Should Be Watching: Redline


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Anime has always skewed towards the hyperkinetic imagery that most Western animation rarely, if ever, put on the screen. Where Western animation has a much more flowing style that tries to mimic realism in the artform with anime we get intense action in the animation no matter what genre.

One recent anime that pretty much takes this hyperkinetic style to a new level was 2009’s OVA (original video animation) title from renowned anime studio Madhouse simply called Redline. It’s a wall-to-wall scifi action film that combines futuristic setting and world-building with the speed freak action of the racing genre.

Redline was directed by Takeshi Koike and it took him and his crew of animators from Madhouse a total of seven years and millions of dollars to finish the project. This was a project that pushed the animation to it’s limits with the film using over 100,000 hand-drawn pages of animations that at times looked like it was something that looked more computer-generated. It’s a film that showed many of Koike-san’s artistic influences from his mentor Yoshiaki Kawajiri (well-known for classic anime titles as Vampire Hunter D and Ninja Scroll) right up to the thick lines and heavy blacks of Frank Miller.

The plot for Redline is really not that complex and for some it’s too simple that it became a flaw. It’s a story about the a futuristic race that uses the greatest groundcar racers in the galaxy (instead of the current hovercar this world has turned to using) to tell a story about the underdog fighting against adversity to win not just the ultimate prize but the love of a girl who also happens to be one of his main rivals in the film. The story revolves around the main characters of Sweet JP, with his ludicrous pompadour (the subject of many jokes in the film) and 50’s-style Greaser leather jacket, and his main rival and love interest in Sonoshee.

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Redline barely brings the main leads past being cardboard cutouts as characters, but the story gives the two enough backstory to make them easy to relate to. Yet, it’s not the story that will hook and pull in anime fans both veterans and newbies. It’s all about the action and animation that makes this film one of those anime that people really should be watching. There’s so much action going on in the film that one could easily lose themselves in all that kinetic energy to forgive it’s story’s basic simplicity.

Some have called Redline as the anime version of the latest Fast and Furious films (mainly the last two), but I disagree with that assessment. The latest Fast and Furious films are attempts to make a live-action version of Redline. The two share similar traits and follow that racing creed that the Vin Diesel franchise has popularized: “Ride or Die”.

Redline might not the be the greatest story ever told in anime, but for pure-adrenaline action from beginning to end there’s none better. One can watch it on Youtube on their streaming service, yet I recommend that people who have a huge HDTV (especially the latest 4K screens) watch it on that to see hand-drawn animation at it’s best.

 

Scenes I Love: Godzilla vs. Megalon


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It’s just 17 more days til the King of Monsters return to the big-screen. What better way to make a path for his triumphant return than showing you one of my favorite Godzilla scenes ever.

This scene was what got me totally hooked on Godzilla and his monster buddies. While Godzilla vs. Megalon was never one of the brightest stars in the history of the Big Guy’s filmography it definitely showed that Godzilla was more than just kicking and smashing buildings down and burning things with his atomic breath.

Say hello to the Godzilla’s Tail-Slide Double-Kick!

Trailer: Godzilla (Asia Edition)


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Gareth Edwards’ upcoming Godzilla film has been gaining some major hype and buzz since last year’s Comic-Con and with each new teaser and trailer that the studio releases. Yet, outside of more and more looks at the King of Monsters himself we really haven’t seen anything to tell us that there will be other kaiju in this film.

Well, this latest trailer released for the Asian market finally answers the question of whether Godzilla will be wreaking destruction on human cities by himself or doing so while fighting other kaiju. From this latest trailer we see several glimpses of other giant monsters with a flying one being the most obvious. Some think this could be a new iteration of Godzilla rival and sometimes ally Rodan, but I’m hoping that it’s something new and that Rodan and other famous kaiju from past Godzilla films get introduced in later films (if there’s to be any).

Godzilla is set for a May 16, 2014 release date.

Artist Profile: Hyung-tae Kim (1978 — )


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Korean manwha artist and illustrator Hyung-tae Kim has become famous for his video game illustrator and art design work.

Born in February 1978 in Seoul, South Korea, Kim began his career in the video game industry creating background music for games, but he soon moved on to the art and design phase of the game process. His most notable works has been the covers and art design for the console rpg series Magna Carta and the Korean mmorpg title Blade & Soul for software studio NCSoft.

His style of artwork has been described as anatomically incorrect which is true, but he uses this deformation technique as a way to allow the unique individual personalities of each character to come out through the design. The unique look of his artwork has made his art books and art pieces highly sought after (both of which are very limited in nature) once they come out and then afterwards in secondary collectible markets.

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AMV of the Day: Strangers Like Us (Gargantia on the Verdurous Planet)


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It’s been a month since Anime Boston 2014 and I’ve decided to put up the third AMV to win one of the categories from the con.

This particular AMV won the Romance category and for once it uses an anime that I’m not familiar with, but after watching the video I’m definitely looking forward to checking it out once the blu-ray comes out sometime this year.

The AMV in question is “Strangers Like Us” by davenfonet who uses the Phil Collins song of the same title and the mecha series Gargantia on the Verdorous Planet. The video itself doesn’t go for the usual ballad-like tone, but instead goes for a much more fun romance vibe that doesn’t seem to win many Romance category contests. This time this type of romance AMV wins and the fact that it makes me want to watch the series after never having heard of it til Anime Boston means the creator succeeded.

Anime: Gargantia on the Verdorous Planet

Song: “Strangers Like Us” by Phil Collins

Creator: davenfonet

Past AMVs of the Day

 

AMV of the Day: The Gore Never Bothered Me Anyway (Elfen Lied)


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The latest “AMV of the Day” doesn’t come courtesy of this past spring’s Anime Boston, but it caught my eye since it was the latest creation from one of my favorite AMV creators: IleiaAMVs.

“RadioAkshun” was her very popular and excellent AMV from last year’s anime con season and her latest offering for this weekend’s Sakura-Con 2014 may just be another hit.

This latest anime music video from IleiaAMVs combines one of the more mature-oriented anime one can get into without venturing into the truly extreme anime with one of the most popular songs of the past year with “Let It Go” from Frozen. One wouldn’t think that Elfen Lied and Frozen would go together like peanut butter and jelly but in this one instance they’re perfect together.

Anime: Elfen Lied

Song: “Let It Go” from Frozen (feat. Idina Menzel)

Creator: IleiaAMVs

Past AMVs of the Day

Trailer: Green Inferno


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Let’s make it a triple-bill of trailers.

Here’s the first official trailer for Eli Roth’s first film in 6 years. It’s been awhile since we;ve had a proper cannibal film in the theaters and from the buzz coming out of the festival circuit this one could be something to keep a look out for.

Song of the Day: The Rains of Castamere (by Sigur Rós)


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In season 3 of HBO’s Game of Thrones we saw a wedding come to a bloody conclusion as one of the five kings who were warring for the Iron Throne in the Seven Kingdoms of Westeros was finally brought low through betrayal and the machinations of the Lannister patriarch. It was an event that will forever be known to fans of both books and the show as “The Red Wedding”.

Tonight, we find ourselves in just the second episode of Season 4 of the show. With his power over the Seven Kingdoms pretty much solidified it was high time for King Joffrey to have his wedding to Margaery Tyrell to help cement the alliance which brought the powerful House Tyrell to the Lannister side of the war.

The wedding has been dubbed “The Purple Wedding” by fans of the books due to the color symbolizing the color of royalty and this wedding one of royal means. So, while season 3 had the shocking “Red Wedding” it looks like the fourth season will have the eventful and memorable “Purple Wedding” to get post-episode tongues wagging.

It is with this wedding event we have our latest “Song of the Day” and it’s another appearance by a very popular song from the show (outside of it’s opening theme song). “The Rains of Castamere” has already made an appearance before when it was sung by the group The National. Tonight’s version was sung by the Icelandic post-rock group Sigur Rós.

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And who are you, the proud lord said,
that I must bow so low?
Only a cat of a different coat,
that’s all the truth I know.
In a coat of gold or a coat of red,
a lion still has claws,
And mine are long and sharp, my lord,
as long and sharp as yours.

And so he spoke, and so he spoke,
that lord of Castamere,
But now the rains weep o’er his hall,
with no one there to hear.
Yes now the rains weep o’er his hall,
and not a soul to hear.

The Raid 2: Berandal “Gang War” Deleted Scene


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So, just got back from watching The Raid 2: Berandal and I must say that I was left speechless. So, while I gather my thoughts in order to write up a review here’s a clip released by director Gareth Evans of a scene removed from the finished film due to pacing issues.

It’s a scene that took close to 6 days to set-up and film and quite a bit of money to do so. The fact that it’s a scene so heavy in action that it was still deleted from the film just goes to show just how awesome were the action in the film that this particular one was left on the cutting room floor.

Song of the Day: Captain America March (by Alan Silvestri)


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I think it would be safe to assume that the last week or so has been all about Captain America.

Captain America: The Winter Soldier has been tearing up the box-office both here in the US and overseas. I have seen it twice already and most likely would be thrice if the issue of bills wasn’t coming up so soon. I’m still working on writing up a quick review about my thoughts on this latest Marvel Studios offering. Until then just enjoy one of the best pieces of film score ever created for the Marvel Cinematic Universe.

Alan Silvestri’s “Captain America March” from Captain America: The First Avenger definitely makes one feel the decency and righteousness of the good man that is Steve Rogers. It’s so earnestly patriotic (not jingoistic at all as some were afraid this score would be) that it echoes past classic John Williams scores for the Indiana Jones film franchise. It’s also one of the few film tracks where it makes great use of the brass and percussion section of the orchestra. This song wouldn’t feel out of place in a big band orchestra playing to help celebrate the soldiers coming home after VE-Day.