Song of the Day: Carry On Wayward Son (by Kansas)


Kansas

If there was ever a song that’s become synonymous with a TV series (and there’s been a lot of them) then I would say that the latest “Song of the Day” would be at the top of this particular mountain. This particular song became the signature song of the series. I am talking about that classic song from 70’s progressive rock group Kansas, “Carry On Wayward Song”.

The song was released as part of the band’s Leftoverture full-length album. The single for the song was released around 1976 and became one of the band’s biggest hits. “Carry On Wayward Son” is just one of those songs which instantly hooks you and won’t let go. From the acapella intro followed up by a prolonged progressive section that leads up to vocals accompanied by some subtle percussions and keyboards.

Then there’s lead guitarist and founding member Kerry Livgren starting, bridging then ending the song with guitar solos that were all different from each other. One usually will see two solos, but three in and in three different instances tend to be the exception to the rule.

In the long run this song will stick to your mind once it catches a hold of you and you’ll be happy to sing-along whenever it comes on. For Supernatural fans this song has become an anthem for their favorite show and definitely will send Wincest fans of the two brothers in the show into a-twitter.

Carry On Wayward Son

Carry on my wayward son
There’ll be peace when you are done
Lay your weary head to rest
Don’t you cry no more

(guitar solo)

Once I rose above the noise and confusion
Just to get a glimpse beyond this illusion
I was soaring ever higher
But I flew too high
Though my eyes could see I still was a blind man
Though my mind could think I still was a madman
I hear the voices when I’m dreaming
I can hear them say

Carry on my wayward son
There’ll be peace when you are done
Lay your weary head to rest
Don’t you cry no more

(guitar solo)

Masquerading as a man with a reason
My charade is the event of the season
And if I claim to be a wise man
It surely means that I don’t know
On a stormy sea of moving emotion
Tossed about I’m like a ship on the ocean
I set a course for winds of fortune
But I hear the voices say

Carry on, you will always remember
Carry on, nothing equals the splendor
Now your life’s no longer empty
Surely heaven waits for you

Carry on my wayward son
There’ll be peace when you are done
Lay your weary head to rest
Don’t you cry no more

(guitar solo)

Great Guitar Solos Series

Star Wars: TIE Fighter Anime Short Film


StarWarsTIEFighter

There’s always been great combos throughout history. Whether it was Lee and Stonewall, Grant and Sherman right up to peanut butter and jelly. Sometimes two things alone and by themselves are very good, but only reach the level of greatness when put together.

This short anime film by animator Paul Johnson (Youtube user Otaking77077) done over four years in the traditional anime style is turning out to be one of the best things to come out this year. It combines two things that were already great on their own, anime and Star Wars, but when put together has reached epicness status.

It even puts the narrative (scored with heavy metal fashion by Zakir Rahman) completely on the side of the Galactic Empire. This is a narrative we rarely get to see since everyone seems to be all in Team Rebel Alliance.

Enough talk…just watch and enjoy.

Song of the Day: Whipping Post (The Allman Brothers Band)


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If there was ever song which perfectly fused the two into the music genre commonly as blues rock it would The Allman Brothers Band’s iconic song from their 1969 self-titled album, “Whipping Post”.

I consider “Whipping Post” one of the greatest rock songs ever created. It’s blues origins could be heard throughout the song from the near-perfect slide-guitar playing by one of rock’s greatest guitarists in Duane Allman. The lyrics to the song is classic existential blues of an evil woman the cause of one’s ruination and of the metaphorical whipping post the song’s subject is put through.

While brother Greg’s vocalizing has been a highlight for some the true highlight of the song comes from the band’s two lead guitarists. The song manages to showcase both player’s skills in two separate guitar solos that come after the songs two verses and choruses. We get Duane Allman performing magic with the first guitar solo in slide-guitar fashion with Dickey Betts joining in on the tail end on rhythm guitar. The second guitar solo has the two performers switching roles with Duane augmenting Bett’s electric guitar work with some slide work on acoustic guitar.

The song’s lyrics were written by Duane’s brother Greg who is also the band’s lead singer. His vocals in this song comes out as if coming from the very depths of perdition. There’s genuine, fierce emotion in the singing by Greg Allman and everyone else who has covered the song never seem to replicate the very same emotion which made “Whipping Post” so great the moment it was first heard in 1969 and continues to be great as a new generation in the 21st century gets introduced to the band.

The studio version of the song is powerful in it’s own right…

…but it’s the 22-minute long live recording At Fillmore East that the song has attained mythical status.

Whipping Post

I’ve been run down
I’ve been lied to
I don’t know why,
I let that mean woman make me a fool
She took all my money
Wrecks my new car
Now she’s with one of my good time buddies
They’re drinkin’ in some cross town bar

Sometimes I feel
Sometimes I feel
Like I’ve been tied
To the whipping post
Tied to the whipping post
Tied to the whipping post
Good lord I feel like I’m dyin’

(guitar solo)

My friends tell me
That I’ve been such a fool
And I have to stand down and take it babe,
All for lovin’ you
I drown myself in sorrow
As I look at what you’ve done
Nothin’ seems to change
Bad times stay the same
And I can’t run

Sometimes I feel
Sometimes I feel
Like I’ve been tied
To the whipping post
Tied to the whipping post
Tied to the whipping post
Good lord I feel like I’m dyin’

(guitar solo)

Sometimes I feel
Sometimes I feel
Like I’ve been tied
To the whipping post
Tied to the whipping post
Tied to the whipping post
Good lord I feel like I’m dyin’

Great Guitar Solos Series

Review: The Walking Dead S5E15 “Try”


TheWalkingDeadS5E15

“It’s their world, we’re just living in it.” — Enid

[spoilers within]

Tonight’s episode of The Walking Dead marks the penultimate one for the show’s fifth season. It has been a season that’s seen the series remain on a consistent high. It still had some episodes which fell a bit flat, but overall season 5 has been the show’s best and delivered on showrunner Scott M. Gimple’s promise to keep the story moving forward.

The episode begins with a cold opening that shows the aftermath of the deadly supply run to the solar factory warehouse in the previous episode. We have to stories being told. There’s Glenn still haunted by having to witness Noah’s death by zombies very up close and personal. We see him tell Rick about how he and the others made a mistake and how it led to the deaths of Aidan and Noah. He feels responsible and hopes that it doesn’t ruin their chance in making the Alexandria experiment work. He still believes in the concept that is the ASZ (Alexandria Safe-Zone) and even Noah’s death doesn’t budge him from that belief. Rick, on the other hand, only sees danger and trouble when it comes to the ineptitude of the Alexandrians. His fears and doubts about whether the Alexandrians can pull their weight when it comes to keeping everyone safe has been confirmed.

Deanna, on the other hand, hears a different tale from Nicholas. It’s a tale of how it was he who tried to save Aidan and not leave him behind. It was Glenn who distracted and caused the death of Aidan and whose bloodthirsty attitude got Noah killed. Nicholas spoke about how he would never leave Aidan, his friend, behind and even included newcomer Tara as someone he tried to save. There’s some hints that Deanna has a sense that Nicholas wasn’t telling her the truth of what happened, but we don’t get to hear her voice out these doubts.

“Try” is a very appropriate title for tonight’s episode. We see several characters attempt to try and find a way to make the combination of Rick’s people and the Alexandrians co-exists together peacefully. Glenn, despite what some of these Alexandrians have done, still believes that they need to make Alexandria work. It’s their last chance to go beyond just existing and surviving but actually living life. He’s become the show’s moral compass (hopefully not a death sentence) now that Hershel and Tyreese are gone. Yet, unlike the previous moral compasses in the show, Glenn does understand that sometimes pragmatism must rule the day above all else. He just believes that Alexandria needs a chance to survive the growing pains of their group’s arrival.

Another of Rick’s people trying to make it work is Michonne. She’s had her time in exile in the wilds of this new and dangerous world. Her survival to this point has been in part due to those solitary months on her own with only herself to keep safe. Yet, she has also found out that being alone was a detriment to her psyche’s well-being and finding Rick and his people was what ultimately saved her not just from the zombies but from her own self-destructive ways.

She sees what’s happening with Sasha. A friend and fellow survivor deep in the midst of PTSD who has lost so much in such a short period of time that she hasn’t had the chance to take in and accept those losses let alone mourn them. Michonne understands what Sasha is going through but also realizes that they need her for what’s to come. Michonne wants to make Alexandria work and instability brought on by Sasha’s death wish and Rick’s inability to trust the Alexandrians will only make that prospect harder to achieve.

It is no surprise that the episode ends with Michonne taking control of a situation brought on by Rick’s blunt force behavior in trying to convince the Alexandrians that the way they were doing things were not going to work going forward. Michonne’s belief in the Alexandrians’ survival skills might mirror Rick’s own thoughts on the matter, but where Rick wants a confrontation to be the catalyst of change she seems more than willing to lead by example.

On the other side of things are Rick and Deanna looking to be at loggerheads about what’s truly best of Alexandria. It’s easy to take Rick’s side that the way Deanna and the rest of the Alexandrians have been doing things were just not going to cut it in this new world. It’s a world that Rick and his people have experienced first-hand and lost people along the way, but in the end have survived all it has thrown at them. Deanna, on the other hand, still believes in the rule of law and order, civilization over anarchy. She doesn’t believe in killing those who could be a danger to the ASZ (like Peter who also happens to be the lone physician and surgeon), but instead would rather exile them out into the wilds.

It’s a way of doing things that Rick sees as another way of putting the ASZ in danger. Deanna doesn’t think so and this clashing of philosophies on how things should be done looks to be one that’s heading into a confrontation that puts everyone in danger. Neither side seem willing to try and compromise and find a way to make the two groups con-exist. No attempt to allow the Alexandrians to learn from what Rick and his people could teach them to be better survivors. No attempt from Rick and those who believe him to adjust to this new life. A life that they see as a danger in itself. They see Alexandria’s walls as something that could make them soft and distract them from surviving.

So, we have the extended season finale next week and the question of whether Rick is too far gone to stay in Alexandria will be one of the questions that need answering. Will the group have to suffer through another loss of one of their own for the Alexandrians to finally realize that their survival before Rick and his people arrived have been through blind luck not through the civilizing rule of Deanna? Will Rick and the others just leave Alexandria or will the group finally splinter-off from those wanting to try and make it work and those unable to?

Then there are those zombies with the “W” cut into their foreheads looking to crash the party.

Notes

  • Tonight’s episode of The Walking Dead, “Try”, was directed by Michael E. Satrazemis and written by series veteran Angela Kang.
  • “Keep walking” has become Rick’s version of Carol’s “look at the flowers”. Pete should’ve been sprinting away the moment Rick uttered those wordsa at him with those Rick dead-eyes.
  • Nine Inch Nails’ “Somewhat Damaged” plays during the episodes cold opening and was a nice reminder that both groupsm Rick’s and the Alexandrians, have been damaged in some fashion since the start of the zombie apocalypse.
  • Still wondering how Nicholas knew about the Glock Rick hid in the blender out in the woods (Nicholas was in the ASZ when Rick and the group arrived). Is there someone outside the walls that told Nicholas of the hidden pistol?
  • Talking Dead guests tonight are Yvette Nicole Brown (Community), series executive producer Gale Anne Hurd and Chandler Riggs (Carl Grimes of The Walking Dead)

Season 5

 

Song of the Day: Rock You Like A Hurricane (by Scorpions)


Scorpions

Here I am!

I think I’ve been saying that all day and it’s all because of a very catchy and classic hard rock song from my youth. It’s also the latest “Song of the Day” and marks another entry in the current series of great guitar solos.

“Rock You Like A Hurricane” by Scorpions was one of those rock songs during the 1980’s that really help propel a very good rock band into the next level of epicness (yes, that’s a word I decided is a real one). It was also a song that took advantage of the new visual media called music video to help market it to a much wider audience.

Many people tend to just fixate on the chorus of the song and tend to not remember the bulk of the songs lyrics. If they did they would realize it’s quite the raunchy bit of songwriting. The song is pretty much about someone looking to hook up and once partner has been chosen…well we know by the chorus how the encounter will develop and end up.

For a song about no-nonsense one-night stands it also has a classic guitar solo in the middle by lead guitarist Matthias Jabs that has been admired by listeners since the song’s inception. Jabs might not be as well known outside of the hard rock and heavy metal community, but his guitar playing talent was and is just as good as any of his contemporaries during the early 80’s.

Rock You Like A Hurricane

It’s early morning, the sun comes out
Last night was shaking and pretty loud
My cat is purring, it scratches my skin
So what is wrong with another sin?

The bitch is hungry, she needs to tell
So give her inches and feed her well
More days to come, new places to go
I’ve got to leave, it’s time for a show

Here I am
Rock you like a hurricane
Here I am
Rock you like a hurricane

My body is burning, it starts to shout
Desire is coming, it breaks out loud
Lust is in cages till storm breaks loose
Just have to make it with someone I choose

The night is calling, I have to go
The wolf is hungry, he runs the show
He’s licking his lips, he’s ready to win
On the hunt tonight for love at first sting

Here I am
Rock you like a hurricane (Are you ready, baby?)
Here I am
Rock you like a hurricane
Here I am
Rock you like a hurricane (Come on, come on, baby)
Here I am
Rock you like a hurricane

Rock you like a hurricane

(guitar solo)

It’s early morning, the sun comes out
Last night was shaking and pretty loud
My cat is purring, it scratched my skin
So what is wrong with another sin?

The night is calling, I have to go
The wolf is hungry, he runs the show
He’s licking his lips, he’s ready to win
On the hunt tonight for love at first sting

Here I am
Rock you like a hurricane (Are you ready, baby?)
Here I am
Rock you like a hurricane
Here I am
Rock you like a hurricane (Come on, come on, come on, come on, come on)
Here I am
Rock you like a hurricane

Here I am

Great Guitar Solos Series

Song of the Day: Róisín Dubh (by Thin Lizzy)


BlackRoseThinLizzy

Even though it’s a day late I should still include as the latest “Song of the Day” an epic song from the greatest rock band to come out of the Emerald Isle.

The band is Thin Lizzy. The song is “Róisín Dubh (Black Rose)”.

I would’ve added this song somewhere down in the future even if it didn’t have an awesome guitar solo that segues into dueling guitars during the middle section. Why you ask would I have added it well it’s because it’s Thin Lizzy and was a great marriage of traditional Celtic music with that very American folksy blues rock that was huge during the 1970’s.

Phil Lynott (R.I.P.) does an amazing job on bass and with the vocals (one of the best there ever was on the mic). Yet, the song soars once Gary Moore and Scott Gorham start battling it out in the middle section with an opening guitar solo and then both going at it.

So, yes it is a great addition to our ongoing “Greatest Guitar Solos” series within the “Song of the Day” feature.

Róisín Dubh

Tell me the legends of long ago
When the kings and queens would dance in the realm of the Black Rose
Play me their melodies I want to know
So I can teach my children, oh

Pray tell me the story of young Cuchulainn
How his eyes were dark his expression sullen
And how he’d fight and always won
And how they cried when he was fallen

Oh tell me the story of the Queen of this land
And how her sons died at her own hand
And how fools obey commands
Oh tell me the legends of long ago

Where the mountains of Mourne come down to the sea
Will she no come back to me
Will she no come back to me

Oh Shenandoah I hear you calling
Far away you rolling river
All down the mountain side
All around the green heather
go lassie go

(dueling guitar solos)

Oh Tell me the legends of long ago
When the kings and queens would dance in the realms of the Black Rose
Play me their melodies so I might know
So I can tell my children, oh

My Roisin Dubh is my one and only true love
It was a joy that Joyce brought to me
While William Butler waits
And Oscar, he’s going Wilde

Ah sure, Brendan where have you Behan?
Looking for a girl with green eyes
My dark Rosaleen is my only colleen
That Georgie knows Best

But Van is the man
Starvation once again
Drinking whiskey in the jar-o
Synge’s Playboy of the Western World

As Shaw, Sean I was born and reared there
Where the Mountains of Mourne come down to the sea
It’s such a long, long way from Tipperary

Great Guitar Solos Series

Song of the Day: Rainbow in the Dark (by Dio)


Rainbowinthedark

It’s just appropriate that we follow up the previous “Song of the Day” that was one of Ozzy Osbourne’s solo tracks with one who replaced him for a brief time as frontman of OZzy’s previous band, Black Sabbath.

Ronnie James Dio will always be one of the metal gods. People may disagree but they will always be wrong. Some would say it’s the height of arrogance to name one’s band after themselves and, for the most part, I would agree with them. Yet, if there as ever a musician who deserved to have their arrogance as part and parcel of their immense talent it would be Ronnie James Dio and the band he would form after his stint with Black Sabbath. A band that he would simply call Dio.

It would be remiss not to include the second track to be released as a single from the group’s debut album, Holy Diver.

I speak of the song “Rainbow in the Dark” which remains one of my favorite Dio songs and, I honestly believe, his best one. I’m not the only one who seem to think so, but even the song’s mass appeal to it’s heavy metal and hard rock following doesn’t dismiss the fact that it’s Ronnie James Dio at his best. Not to mention has one of the best guitar solos ever.

A guitar solo which comes midway during the song and performed by group guitarist Vivian Campbell.

Rainbow in the Dark

When there’s lightning
You know, it always brings me down
‘Cause it’s free, and I see that it’s me
Who’s lost and never found

I cry out for magic
I feel it dancing in the light
It was cold, lost my hold
To the shadows of the night

No sign of the morning coming
You’ve been left on your own
Like a rainbow in the dark
A rainbow in the dark

Do your demons
Do they ever let you go?
When you’ve tried, do they hide deep inside?
Is it someone that you know?

You’re just a picture
You’re an image caught in time
We’re a lie, you and I
We’re words without a rhyme

There’s no sign of the morning coming
You’ve been left on your own
Like a rainbow in the dark
Just a rainbow in the dark, yeah

(guitar solo)

When I see lightning
You know, it always brings me down
‘Cause it’s free, and I see that it’s me
Who’s lost and never found

Feel the magic
I feel it floating in the air
But it’s fear, and you’ll hear
It calling you, beware, look out

There’s no sight of the morning coming
There’s no sign of the day
You’ve been left on your own
Like a rainbow

Like a rainbow in the dark, yeah-yay
You’re a rainbow in the dark
Just a rainbow in the dark
No sign of the morning
You’re a rainbow in the dark, whoa

Great Guitar Solos Series

Song of the Day: Mr. Crowley (by Ozzy Osbourne)


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Why is it that those with creative talents that border on genius tend to die young and much too soon. This has become almost synonymous with the premature passing of some of the greatest musician of the last 50 years. Most seem to be from the rock and metal corner of the musical landscape. Some has been due to the very lifestyle led by these musicians. A lifestyle of libertine excess that catches up to their talent way too soon.

One such individual who went before his time yet made such an impact on the music scene that he’s considered one of the greatest metal guitarist of all-time (I say one of the best guitarist in or out of metal). His name was Randy Rhoads.

Only 25 when he passed away not due to a life of excess (he was actually quite responsible a rock star in his era where sex, booze and drugs were commonplace) but to a tragic accident that didn’t need to happen.

While some always point to his guitar work on the Ozzy Osbourne song “Crazy Train” from his solo debut album, I always thought one of his best guitar work was on another song from that debut album. The song I speak about is “Mr. Crowley”.

The song itself is one of those songs that drove parents crazy when they first heard their young teenage sons listening to it. I mean it’s a song about self-proclaimed Anti-Christ, libertine and sex magick user Aleister Crowley. Yet, it’s not Ozzy’s vocals that make the song memorable. It’s Rhoad’s lead guitar performance with special focus on the two guitar solos which rise up in the middle of the track and closes it out.

Mr. Crowley

Mister Crowley
What went down in your head?
Oh, Mister Crowley
Did you talk to the dead?

Your lifestyle to me seems so tragic
With the thrill of it all
You fooled all the faithful with magic
Yeah, you waited on Satan’s call

Mister Charming
Did you think you were pure?
Mister Alarming
In nocturnal rapport

Uncovering things that were sacred
Manifest on this earth
Oh, conceived in the eye of a secret
Yeah, they scattered the afterbirth

(guitar solo)

Mister Crowley
Won’t you ride my white horse?
Mister Crowley
It’s symbolic, of course

Approaching a time that is classic
I hear that maiden’s call
Approaching a time that is drastic
Standing with their backs to the wall

Was it polemically sent?
I wanna know what you meant
I wanna know
I wanna know what you meant, yeah!

(guitar solo/outro)

Great Guitar Solos Series

San Andreas Once Again Takes Out the Golden State


San Andreas Banner

With all the rocking and rolling and metal headbanging the site has been on of late it’s just appropriate that we  take a quick intermission with a different sort of rocking and rolling.

The Rock aka Dwayne Johnson will take on the Big One and only one will come out victorious.

San Andreas is set for a May 29, 2015 release date.

Song of the Day: Sweet Child o’ Mine (Guns N’ Roses)


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As a child of the 1980’s it would be difficult to come up with a greatest guitar solo ever list and not make mention of the work of one Slash. The man with the top hat, who played a mean Gibson Les Paul  would become part of what the 80’s called “The Most Dangerous Band” in Guns N’ Roses.

“Sweet Child o’ Mine” would become one of the band’s biggest hits and, ultimately, their most recognizable. This is quite an impressive considering this is the band that came up with quite a bit of classic tunes in the short time they all played together. It’s also the song where Slash truly made his mark by creating not just one of the most recognized opening hard rock riffs, but also one of the best guitar solos.

For a band that was seen and who saw itself as “the most dangerous” they also came up with a power ballad that combined not just genuine emotions, but the hard rock sensibility one expected from a band such as Guns N’ Roses. It’s a power ballad worthy of past great power ballads such as “Stairway to Heaven” and “Free Bird”.

Sweet Child O’ Mine

She’s got a smile that it seems to me
Reminds me of childhood memories
Where everything
Was as fresh as the bright blue sky

Now and then when I see her face
She takes me away to that special place
And if I stared too long
I’d probably break down and cry

Sweet child o’ mine
Sweet love of mine

She’s got eyes of the bluest skies
As if they thought of rain
I’d hate to look into those eyes
And see an ounce of pain

Her hair reminds me of a warm safe place
Where as a child I’d hide
And pray for the thunder and the rain
To quietly pass me by

[3x]
Sweet child o’ mine
Sweet love of mine

(guitar solo)

[4x]
Where do we go?
Where do we go now?
Where do we go?
Sweet child o’ mine

Great Guitar Solos Series