Song of the Day: Sympathy for the Devil (The Rolling Stones)

Posted on February 3, 2025 by Arleigh

The latest “Song of the Day” is very near and dear to my blues-covered metal heart. I consider it one of the best rock ‘n’ roll songs ever created. It’s been covered by numerous bands in the decades since it’s initial release but I will always consider the original as the best. The latest song of the day is The Rolling Stones’ “Sympathy for the Devil”.

This song was released in the early days of December 1968. It was the opening track for The Rolling Stones’ latest album (Beggars Banquet) at that date. What makes this song so great is how simple the song really comes across. It doesn’t have the typical blues rock tone of previous Stones’ songs until Keith Richard’s guitar solo around the 2:55 mark. The song definitely sounds more like a combination of folk rock (by way of it’s spoken word-like lyrics) and a samba (due to the incorporation of additional percussions like the congas).

“Sympathy for the Devil” has been called a confession song while others see it as the narcissistic bragging of the narrator. Both viewpoints are quite valid and there are more as every listener of this song hears and imagines different themes. I always saw it as a combination of the two. It’s Lucifer’s confession and bragging about his role in the tumultuous and evil events in man’s history. It’s a song that its narrator wants to understand and admit that while he has been there through all those dark moments in history, he wouldn’t have been able to do what he’s done if not for people allowing him in and becoming complicit.

Sympathy for the Devil

Please allow me to introduce myself
I’m a man of wealth and taste
I’ve been around for a long, long years
Stole many a man’s soul and faith

And I was ’round when Jesus Christ
Had his moment of doubt and pain
Made damn sure that Pilate
Washed his hands and sealed his fate

Pleased to meet you
Hope you guess my name
But what’s puzzling you
Is the nature of my game

I stuck around St. Petersburg
When I saw it was a time for a change
Killed the czar and his ministers
Anastasia screamed in vain

I rode a tank
Held a general’s rank
When the blitzkrieg raged
And the bodies stank

Pleased to meet you
Hope you guess my name, oh yeah
Ah, what’s puzzling you
Is the nature of my game, oh yeah
(woo woo, woo woo)

I watched with glee
While your kings and queens
Fought for ten decades
For the gods they made
(woo woo, woo woo)

I shouted out,
“Who killed the Kennedys?”
When after all
It was you and me
(who who, who who)

Let me please introduce myself
I’m a man of wealth and taste
And I laid traps for troubadours
Who get killed before they reached Bombay
(woo woo, who who)

Pleased to meet you
Hope you guessed my name, oh yeah
(who who)
But what’s puzzling you
Is the nature of my game, oh yeah, get down, baby
(who who, who who)

Pleased to meet you
Hope you guessed my name, oh yeah
But what’s confusing you
Is just the nature of my game
(woo woo, who who)

Just as every cop is a criminal
And all the sinners saints
As heads is tails
Just call me Lucifer
‘Cause I’m in need of some restraint
(who who, who who)

So if you meet me
Have some courtesy
Have some sympathy, and some taste
(woo woo)
Use all your well-learned politesse
Or I’ll lay your soul to waste, um yeah
(woo woo, woo woo)

Pleased to meet you
Hope you guessed my name, um yeah
(who who)
But what’s puzzling you
Is the nature of my game, um mean it, get down
(woo woo, woo woo)

Woo, who
Oh yeah, get on down
Oh yeah
Oh yeah!
(woo woo)

Tell me baby, what’s my name
Tell me honey, can ya guess my name
Tell me baby, what’s my name
I tell you one time, you’re to blame

Oh, who
woo, woo
Woo, who
Woo, woo
Woo, who, who
Woo, who, who
Oh, yeah

What’s my name
Tell me, baby, what’s my name
Tell me, sweetie, what’s my name

Woo, who, who
Woo, who, who
Woo, who, who
Woo, who, who
Woo, who, who
Woo, who, who
Oh, yeah
Woo woo
Woo woo

Great Guitar Solos Series

4 Shots from 4 Anime: Isekai Edition

Posted on February 1, 2025 by Arleigh

Continuing my current focus on the isekai corner of the anime fandom I present four shots from four isekai anime series that is currently still airing with new seasons. All started out strong and gaining new fans.

Some have pointed out that the quality in later seasons have dipped for some, but those who invested their time to watch these series have stuck with the four series. With the dearth of mid to bad isekai series coming out year after year it’s just due time for the genre to go out with a whimper, but until that happens…“Isekai is dead! Long live the isekai!”

**Overlord** (***Ōbārōdo***) by Kugane Maruyama

***The Rising of the Shield Hero*** (**Tate no Yūsha no Nariagari**) by Aneko Yusagi

**That Time I Got Reincarnated as a Slime** (***Tensei Shitara Suraimu Datta Ken***) by Fuse

**The Eminence in Shadow** (***Kage no Jitsuryokusha ni Naritakute!***) by Daisuke Aizawa

AMV of the Day: Eye of the Storm (Gate: Thus the Japanese Self-Defense Force Fought…)

Posted on January 30, 2025 by Arleigh

My latest pick for AMV of the Day comes courtesy of creator WarLuxAMVs with his editing work using scenes from the isekai series Gate: Thus the Japanese Self-Defense Force Fought… (a series that was profiled years ago as an anime recommendation).

It focuses heavily on the character Rory Mercury who, despite her appearance, turns out to be the most powerful character in the whole series and is also the source of much hijinks involving the main protagonist, Yoji Itami. As the videos shows, she’s quite bloodthirsty in equal amounts to being the gothic lolita type. She’s also quite adept at wielding her massive halberd with ease.

WarLuxAMVs does a very good job in syncing up the action scenes with the WattWhite song “Eye of the Storm” and if there’s one description that fits Rory Mercury when she’s going about her apostle duties then being the “eye of the storm” fits her like a black satin and lace glove.

Song: Eye of the Storm by WattWhite

Anime: Gate: Thus the Japanese Self-Defense Force Fought…

Creator: WarLuxAMVs

Past AMVs of the Day

Trailer: Sinners (2nd Official)

Posted on January 28, 2025 by Arleigh

Ryan Coogler and Michael B. Jordan have become their generations director-actor duo. Films like Fruitvale Station, Creed, Creed 2, Black Panther and Black Panther: Wakanda Forever has the two working together for over a decade and they continue with a new film that brings the two into a new genre with the period action horror Sinners.

We haven’t had a good horror film set in the Deep South and this one takes it a layer deeper by setting it during Jim Crow era. Knowing Coogler there’s bound to be more than just visceral action and horror for audiences to sink their teeth on.

Michael B. Jordan will be joined by other MCU alumni Hailee Steinfeld and Wunmi Mosaku and his frequent collaborators Ludwig Göransson, Autumn Durald Arkapaw and Michael Shawver.

Sinners is set for release on April 18, 2025.

Anime You Should Be Watching: Farming Life In Another World (Isekai Nonbiri Nouka)

Posted on January 27, 2025 by Arleigh

The last anime I recommended was the mature and very dark MONSTER. It’s time to lighten and chill things down a bit with my next recommendation. This series is one of my recent favorites that I’ve re-watched several times since the 12-episode season came out January 2024. The series I am talking about is Farming Life In Another World (Isekai Nonbiri Nouka).

The series is quite light-hearted and almost a fantasy version of farming life sims like Stardew Valley. Like many isekai (trans. another world), Farming Life In Another World is about a random person (usually from Japan) who has been transported to another world either through the mistake of some multiversal god/goddess or through the machinations of a certain truck-kun.

What or who is a truck-kun? Well, I’m glad you asked. Truck-kun is literally a truck that has become the go-to implement in sending a poor person from our would and into another by running them over while they are not looking. If there was ever a perfect example of why we should always look both ways before crossing the street it is that truck-kun is always out there lurking, waiting for the right time to pounce and claim another victim. Except, truck-kun wasn’t the culprit this time around but health problems from literally being overworked to death that sends out protagonist reincarnating to another world.

So, back to Farming Life In Another World, our protagonist has been accidentally taken to another world by God and apologizes to our main character for the unfortunate turn his life had taken by sending him to this new world. God’s generosity he asks Hikaru for one wish to make his life easier on this new world and Hikaru, in his past-life as an overworked, middle-aged office worker from Japan, asks for long-life and a chance to live a quiet and arboreal life this second time around. With his new found abilities and the Omnipotent Farming Tool to help fulfill Hikaru’s wish, God sends him off to this new world, dropping him off in the Forest of Death where Farming Life In Another World begins in earnest.

This anime is definitely one of the lighthearted ones with a bit of the fan-service thrown in to add to the comedic aspect of the story being told. Farming Life In Another World was adapted from the light novel of the same name by author Kinosuke Naito. The source material made more use of Hiraku’s endless stamina courtesy of God by having him literally sleep with every female that joins the village he ends up building in the middle of the Forest of Death. The anime lightens up on this aspect of the light novel and turns it into a running joke in that he gets nervous and tries to forget the fact that every female (from vampires, killer angels to all types of elves) want to have sex with him. The anime adaptation is the PG-version of what was a very raunchy light novel.

Yet, despite the apparent change in tone with the anime adaptation compared to the light novel source material, Farming Life In Another World does actually work as a slice-of-life comedy isekai. Fans of the light novel may cry that the changes from the sex comedy that was the light novel was too much of a change for fans who have never read the light novel will not miss anything. What they will get instead is a lighthearted series that eases new fans to anime into a new genre of the medium that has dominated the industry for the past decade or so.

Just like any adaptation of a written source material there will always be those who complain that the adaptation should be slavishly faithful to the original material. Yet, I always say that even if the adaptation has made drastic changes to the source material it doesn’t change the fact that the original still exists to be enjoyed. Sure, the ecchi and heavy fanservice of the light novel has been changed to be more PG-rated but it doesn’t detract from the fun and chill vibes of the anime version.

Farming Life In Another World works, in my opinion, because it does minimize the more raunchier side of the story to concentrate on the day-to-day and slice-of-life tone of the source material. The anime focuses on the world building and comedy side of Hiraku’s journey with his companions as they build what amounts to as an advanced and powerful village in the middle of what his new world considers the most dangerous area in the world. He does this with the help from Rurushi Ru (vampire mage) and Tia (angel aka the Annihilation Angel) who start off as frenemies but turn into close friends and friendly rivals (the show hinted at Hiraku marrying both which is a compromise the show makes to the source material).

Isekai is a genre in anime that has been very prevalent each new season for the past decade or so. Some would say that this genre has been the bane of the anime industry since we see knock-offs after knock-offs every year with most being bad (though some I would consider bad but enjoyable enough to be guilty pleasures). Yet, the genre has produced some of the best series in that same time frame. They’re not the majority, but they’re there enough in number to wash the taste of the awful ones.

Does Farming Life In Another World count as one of the best in genre? I say no, but it doesn’t have to be one of the best. It just had to be the best in what it had to be and that’s a slice-of-life comedy with some clever world building that would make any one who is a fan of sims games giddy. While we don’t get the raunchy and fanservice heavy anime adaptation of the light novel (if one wanted to know what such a version would look like I suggest they watch 1980’s sex comedies like Porky’s or Revenge of the Nerds).

Plus, the anime has a banger of an opening song.

“Flower Ring” by Shino Shimoji and Aya Suzaki

Faming Life In Another World Series Trailer

Song of the Day: Ramblin’ Man (The Allman Brothers Band)

Posted on January 23, 2025 by Arleigh

The Allman Brothers Band, as accomplished and acclaimed as they were, seem to not have the garnered the same attention with the younger generations like their contemporaries such as Lynyrd Skynyrd, Kansas, Creedence Clearwater Revival, etc. It’s a shame really since they were probably the greatest band to come out of the southern rock scene.

Led by frontman Gregg Allman with the mythical Duane Allman and Dickey Betts bookending him as duo lead guitarists, The Allman Brothers Band came onto the scene with their mixture of blues-inspired rock and that southern flavor (almost a touch of the bluegrass and country) that left such a huge with rock listeners during the late 60’s and throughout the 1970’s. Their signature song will always be the ever-present “Whipping Post” where anyone wanting to take up the guitar will hear the genius slide-guitar playing of Duane Allman (dying at the age of 24 and cementing his spot in rock legend lore).

Yet, Dickey Betts also had his time to shine as Duane’s partner-in-crime and this is more than evident on his work in the band’s track “Ramblin’ Man” released in 1973 which in itself inspired by the Hank Williams song of the same name. “Ramblin’ Man” is one of the band’s more country-sounding song, but it’s blues rock foundation comes to the forefront with Dickey Betts performing the outro guitar solo to finish off the song.

While Duane Allman’s death in 1971 could’ve been the death knell to this rising band, it powered through this tragedy and more than a little help from Duane’s guitar-mate Dickey Betts.

Ramblin’ Man

Lord, I was born a ramblin’ man,
Tryin’ to make a livin’ and doin’ the best I can.
And when it’s time for leavin’,
I hope you’ll understand,
That I was born a ramblin’ man.

My father was a gambler down in Georgia,
And he wound up on the wrong end of a gun.
And I was born in the back seat of a Greyhound bus
Rollin’ down highway 41.

Lord, I was born a ramblin’ man,
Tryin’ to make a livin’ and doin’ the best I can.
And when it’s time for leavin’,
I hope you’ll understand,
That I was born a ramblin’ man.

[Interlude]

I’m on my way to New Orleans this mornin’,
Leaving out of Nashville, Tennessee,
They’re always having a good time down on the bayou, Lord
Them Delta women think the world of me.

Lord, I was born a ramblin’ man,
Tryin’ to make a livin’ and doin’ the best I can.
And when it’s time for leavin’,
I hope you’ll understand,
That I was born a ramblin’ man.

[Repeat and Fade]
Lord, I was born a ramblin’ man…

[Guitar Solo]

Great Guitar Solos Series

Scenes I Love: The Raid 2

Posted on January 22, 2025 by Arleigh

Yesterday, I highlighted one of my more recent guilty pleasures, Timu Tjahjanto’s unhinged action thriller The Night Comes for Us, and today I highlight an action scene from an earlier film that helped propel Indonesia’s action film scene to most Westerners with a little sequence from Gareth Edwards’ The Raid 2. A sequel to his own earlier film, The Raid.

This sequence stars the character only known as Hammer Girl and played Julie Estelle who is also in The Night Comes for Us. I would’ve picked her scene from that film to highlight but it spoils a major part of the film so I decided on this scene in The Raid 2 that got her noticed with action film aficionados worldwide.

It’s a simple set-up. Girl with two claw hammers in a crowded train silently squares up against a train car full of yakuza members. What comes next is a masterclass in action choreography that induces many a visceral response form the viewer yet hard to look away from.

Guilty Pleasure No. 75: The Night Comes for Us (dir by Timo Tjahjanto)

Posted on January 21, 2025 by Arleigh

Some of the most inventive action films have been coming out of Southeast Asia these past 20 or so years. It was led by the very entertaining and brutal actions films headlined by martial artist turned action star Tony Jaa from Thailand then followed up by Indonesian action star Iko Uwais from The Raid series by Welsh director Gareth Edwards.

In 2018, Netflix bought the distribution rights for an Indonesian action thriller from director Timo Tjahjanto that starred the aforementioned Iko Uwais, Joe Taslim, Julie Estelle and a who’s who of Indonesia’s acting scene. At first glance, The Night Comes for Us looked to cash-in o the popularity of Gareth Edwards’ The Raid series, but one would be both mistaken and remiss to think such a thing.

The Night Comes for Us looked at Edwards’ The Raid duology and thought to itself that the action wasn’t brutal and visceral enough so decided to rectify that missed opportunity. Timo Tjahjanto took what he learned from his past work on horror films and decided to add some of those visual storytelling techniques to an action film that one would either have a hard time to sit through while viewing or just gobble with up with glee.

Guilty pleasure doesn’t mean the film has to be cheaply made or seen as being bad it’s good type of thing. I always thought that its something that one enjoyed despite knowing that there’s many out there who would look at someone askance for enjoying such a low-brow affair. The Night Comes for Us is both visually stunning in its production yet still has that low-down, grungy feel to it that harkens back to the hey day of grindhouse films of the 70’s and early 80’s. The only thing missing from this film was film grain imperfections such as film scratches and flaws to give it that 42nd street, NYC movie theater circa 1970’s experience (stale, days old popcorn and sticky floors included).

This film has it all and it has it in such abundance that one might just forgive Timo Tjahjanto for overdoing things when it came to the brutal violence that in years past would’ve earned it the dreaded XXX thus endearing it to the grindhouse crowd. The film actually opens up and ends in one of the few calm and introspective scenes with everything else in-between just straight up violence both hand-to-hand and gun variety. The Night Comes for Us is the film version of that saying “it woke up and chose violence.”

Joe Taslim headlines the film and he gives such a visceral and unhinged performance that one would be forgiven for mistaking his character as the villain if seeing the film in the middle after missing the beginning. Iko Uwais usually plays the reluctant hero in his previous films, but gets to let loose in a more antagonist role that more than matches Taslim when the two finally square off each other. The other stand-out performance to highlight would be Julie Estelle as The Operator who can throw down just as extreme as the men and, in fact, her fight scenes are pretty much the most brutal in the whole film and that is saying a lot.

So yeah, The Night Comes for Us, go see it and be horrified and/or amazed in equal measure. I guarantee that even if you hate the experience you won’t say that it was ever boring or bland.

Previous Guilty Pleasures

AMV of the Day: Gods (Solo Leveling)

Posted on January 20, 2025 by Arleigh

Latest AMV of the Day comes courtesy of AMV creator ABOKAI and its all about Jin-woo of the anime series Solo Leveling. I know some anime purists don’t like watching anime adaptations of Korean manwha (South Korean version of Japanese manga). I can take it or leave it since there’s not many examples of such adaptations though I have read quite a few Korean webtoons that were expanded into more official manwha.

Solo Leveling is one of the better Korean manwha and its follows the long-standing and well-utilized power fantasy of Japanese shonen manga. Jin-woo is one such MC whose rise from lowly nobody to OP main character was best shown in the one of the main fight sequences in the first season of Solo Leveling.

ABOKAI does a great job of editing the fight sequences to match the energy of the song by South Korean kpop girl group NewJeans. The song itself, titled GODS, was the anthem for the League of Legends World 2023.

Solo Leveling just premiered its second season and this AMV just a good way to remember just how action-packed this series is.

Song: GODS by NewJeans (뉴진스)

Anime: Solo Leveling

Creator: ABOKAI

Past AMVs of the Day

Anime You Should Be Watching: MONSTER

Posted on January 17, 2025 by Arleigh

Naoki Urusawa is widely considered one of the great mangaka (comic artist who illustrates and/or writes manga) and some sees him as one of the great storytellers of our time. His work ranges from science fiction (20th Century Boys) to sports (Happy!) and to psychological thriller (MONSTER). It is his foray into the psychological thriller realm that we are here today.

MONSTER was originally published through 18 volumes from December 1998 to December 2001. This is a rarity amongst non-shonen manga which tend to be the type of manga that remains the most popular and non-ending publishing run. Urusawa’s psychological thriller wasn’t initially seen as something that would become popular and well-received when he first approached his editor about the idea for the epic story. Yet, despite his editor’s misgivings, MONSTER gained not just critical-acclaim but a strong following not just from manga readers, but from those who usually do not subscribe to what some would see as just another comic. It is this crossover appeal along all types of readers that would see Urusawa’s dark work sell over 20 million copies sold.

Like all popular manga, MONSTER would get an anime adaptation that ran from early April 2004 and to the series’ finale late September 2005. Just like its manga, the anime series would come to be known as one of the great anime series of the past 25 years. Where some anime adaptations of popular and critically-acclaimed works tend not reach the same level quality, MONSTER avoids the pitfalls of telling such a dense and heavy story by taking on the challenge and letting the series run for as long as it needs to be able to tell a faithful adaptation.

MONSTER the anime I would put up with all the other great live-action thrillers whether film or tv and for the most part would surpass most of them. The sophistication of its execution from the making the complex plot of the story easy to follow without dumbing it down for the general audience and, this is where MONSTER hits the mark, in keeping a steady and pace that neither rushes things or keep scenes last longer than they should before boredom begins to creep in.

Those who are not big on the cutesy and/or the hyper-action of most anime that tend to be popular with the general public, I suggest taking on MONSTER and just see just how mature and sophisticated the medium can be in addition to the rest.