Morrowind/Skyrim Theme Piano and Violin Cover


To cap off the night as I recover from that arrow I took to the knee I would like to share one of the many reasons why YouTube continues to be the gift that keeps on giving.

Two very talented ladies decided to take it upon themselves to cover both the main themes to Elder Scrolls III: Morrowind and Elder Scrolls V: Skyrim as a medley. To say that they knocked it out of the park would be an understatement. To think they accomplished this by listening to the two themes and creating the musical arrangements themselves without any sheet music just speaks to their talent as musicians.

Source: YouTube

Trailer: Alan Wake’s American Nightmare


One of my favorite video game titles of 2010 was the Remedy Entertainment and Microsoft Studios psychological thriller game Alan Wake. This title was a psychological thriller mashed up with survival horror that was influenced by Stephen King stories and David Lynch’s eccentric tv series, Twin Peaks. It was one of the few games which put a major scare to me whenever I played it which was usually at night. While the game didn’t sell copies in the Modern Warfare 3 level it did sell enough that it gained quite a huge fan following who clamored for more of Alan Wake and his fight against the malevolent Dark Presence. (Lisa Marie’s been trying the gaming thing lately and I must admit that Alan Wake is right up her dark sensibilities). Fans ended up getting two DLC chapters with “The Signal” and “The Writer”.

There had been rumors and talks about a proper sequel in the works within Remedy Entertainment, but such things continued to be unsubstantiated. While a rumor of sequel continued to persist the developers finally announced that there will be a new Alan Wake game, but it wasn’t going to be a sequel. It was to be a stand-alone Xbox Live Arcade title that should keep fans of the franchise happy while a sequel was being bandied about within the studio (I believe a sequel is already in development but still unconfirmed). This latest title was to be called Alan Wake’s American Nightmare.

The trailer for this title first premiered at Spike TV’s VGA 2011 and the game has tentative release date sometime around the Q1 of 2012.

Trailer: Mass Effect 3 “Against All Odds”


Mass Effect 3 is one of the most-anticipated gaming titles for 2012. It will be the third and final title that chronicles the character of Cmdr. Shepard and his fight to save the galaxy against the extragalactic threat of the “Reapers”. It’s developer, BioWare, has been quite busy since the title was first announced with showing gaming fans some tidbits about the game’s development. Most of the trailer which has come out about this game has been a mix of pre-rendered CG animation and actual gameplay footage which at times seems to be quite indistinguishable from each other.

The latest trailer for this game first premiered at this weekend’s Spike TV’s Video Game Awards. To say that the reaction to the trailer was a near-unanimous geekgasm would be an understatement. If there was a game that will pull gamers from their near-obsessive playing of Bethesda’s Skyrim it would be BioWare’s Mass Effect 3. This trailer is all gameplay and shows some of the latest gameplay mechanics (such as the dodge roll moves) during one of the game’s many stages.

I, for one, have already preordered and fully paid my N7 Collector’s Edition copy of this game and will just  have to wait for it’s release date of March 6, 2012.

Trailer 2: Battleship (dir. Peter Berg)


With Skyrim having taken over my life for the past month or so I’ve been quite remiss with my duties on the site, but no more!

To help me catch up on things around these parts I’ve decided to join the rest of blogosphere and post the latest official trailer for what looks like the offspring when Transformers and 2012 decided to mate. What we get is Peter Berg’s ludicrous, but looks to be quite fun, film adaptation of that classic Hasbro wargame toy. Battleship looks to fill up 2012’s lack of a new Transformers film.

Some have begun to call this the Rihanna film, but I rather think that she’s just a piece in the machine that is Hasbro’s latest attempt to rule the entertainment world with their films based on their classic toy lines. I was very iffy about Berg doing this film, but after two trailer and this one showing more scifi carnage and action I may just put this on my “guilty pleasure” list for 2012.

Battleship is set of a May 18, 2012 release date.

Song of the Day: Sacred Worlds (by Blind Guardian)


The latest “Song of the Day” comes from those metal gods who make up the power metal band, Blind Guardian. It’s a song which begins their latest full-length album, At The Edge of Time, and also a reworking of the song the band created for the console rpg title, Sacred 2: Fallen Angel. The song I’ve chosen this time around is “Sacred Worlds”.

The song was originally titled “Sacred” and was introduced in the game the band made it for during a quaint sequence where virtual, fantasy versions of the band do headbanging show in your typical fantasy inn populated by orcs, goblins, trolls and other find gentle creatures. While the original song was great on its own when the band reworked it with a brand new orchestral intro and outro the song took on a more epic sound.

It’s a pretty long song at a running time of 9:17 and is one of the better songs in Blind Guardian’s latest album. It’s also one of thew songs in my Skyrim playlist which I listen to nonstop while playing in Bethesda Softworks’ latest epic rpg title.

Sacred Worlds

The realm’s bleeding
It suffers
Old and weak

No further arguing
There is war at hand
The system’s failing
Engines running

Then after all
I sense the end is dawning
These lunatics deny the truth

I know I will not fail
There’ll be

War it’s now or never
We shall stand together
One by one
This world is sacred
(I’m coming home)
War it’s now or never
We shall stand together
One by one
This world is sacred
I’m coming home

Coming home

You chase in twilight
And you know
You will be on your own
On your own

The misery shown
I’ll be alone in this hour
I’ll face the unknown
Witness the end

I’m bleeding, I’m fading
Here in my final hour
When long-lost memories return
And a voice keeps calling
“All dead and gone
It’s out of hand
Life is in motion”
I’m wishing, I’m fading
“Time to wake up
Face the truth”

I’m sinking
I’m drowning
There’s no doubt, no regret
“Time to reveal now”
This is no illusion
It is real
Carry on the flame
It’s not over now
Watch me, I will rise
Time to reveal now

I know I will not fail
Anymore

I’ll go on forever
All that really matters
Blessed realm
This world is sacred
(I’m coming home)
War it’s now or never
We shall stand together
One by one
This world is sacred
(I’m coming home)

Yesterday’s gone
There’s no today, no tomorrow
I’m raised from the dead
The ritual failed

There at the gates
I’m left alone in this hour
Driven insane
I am left alone

And now I drown in deepest shadows
While the golden hall is sealed
I’m wishing
I’m fading
And I’m part of the machine

My eyes are the eyes of a dead man
And I feel the unholy stream
The source of my power
T-energy
I’m in control

I will live forever
All that really matters
Find the one
This world is sacred
(I’m coming home)
War it’s now or never
We shall stand together
One by one
This world is sacred
I’m coming home

I spread my wings
But keep on falling
I should have known
I can see it coming
The war is over
There’s whispering in the wind
Just let me out of here
There is no way
There’s no end
While all the suffering goes on
All that I know
Is that I’m not insane
It’s not over

Trailer: G.I. Joe: Retaliation


I will admit right here and right now that I really enjoyed G.I. Joe: The Rise of Cobra when it came out in 2009. I know that it was really panned by critics and many film-goers, but I thought it brought the cartoonish action of the original cartoon to life. I wasn’t too thrilled with some of the casting choices, but overall I had fun with the film. I wasn’t really the only one who enjoyed it since it made quite enough in the box-office to warrant a sequel. This sequel looks to bring in only a few people from the first film (Channing Tatum, Ray Park and Lee Byung-hun as Duke, Snake Eyes and Storm Shadow respectively) while bringing in a new cast and, most important of all, a new director and writers.

Jon Chu, fresh off the success of Fast Five, took on this project and from the trailer shown above it looks like he has injected the very same fun action he did for the Fast and the Furious franchise. It’s going to be interesting to see if the action in this sequel follows the same cartoonish (lasers and stuff) kind they had in the first film or will Chu and crew go old-school action and just go with bullets, bombs and rockets. If they go with the latter then I am all for it. Plus, it has “The Rock” as Roadblock. That alone had me as ticket-buyer on Day One of it’s release.

G.I. Joe: Retaliation is set for a June, 29, 2012 release.

Trailer: Shame (dir. Steve McQueen) Red Band


Shame looks to be the film of 2011 which may just be one of the most talked about. This is no mean feat considering earlier independent films such as Drive has been the talk of the town whether one loved or hated the film.

The film stars Michael Fassbender who has been having quite the year with exceptional roles both in mainstream and the arthouse circuit (X-Men: First Class and A Dangerous Method). It also stars Carey Mulligan playing the younger sister to Fassbender’s 30ish yuppie who has issues with his addiction and urge when it comes to sex. The film has been given by the MPAA the dreaded NC-17 rating, but instead of railing against this system it looks like filmmaker Steve McQueen will embrace the rating and release the film as is.

I find this decision refreshing. The film is for adults and mature audiences and should be seen by only those old enough as allowed by the NC-17 rating. One thing for sure is that the film has been getting major hype and buzz due to Fassbender baring it all and on more than one occasion. Will this titillating aspect of the film be the biggest draw for audiences or will the performances, direction and writing by the creative minds involved in the film be it’s biggest seller. Either way should be good since in the end the film will be seen.

Shame is set to have a December 2, 2011 release in the United States…just in time for awards season.

Review: The Walking Dead S2E7 “Pretty Much Dead Already”


“It ain’t like it was before!” – Shane Walsh

[spoilers within]

Tonight marks the mid-season finale of AMC’s The Walking Dead. We won’t get a new episode until the show returns in February to continue with season 2’s second half. One could say that tonight’s episode is the reason why this show has gained such a vocal and loyal following despite it’s many flaws both large and small.

This new season has been trying to improve on some of the flaws of the truncated first season by working on rounding out some of the main characters on the show. Whether the writers succeeded in this aspect of the show’s writing has been a hit-or-miss proposition. Characters like Daryl Dixon, Shane Walsh and new ones like Maggie and Hershel Greene become more fully realized during the first six episode this season while others like Rick, Dale, Carol and T-Dog remain too one-dimensional too often through the first half of the season. Then there are plot threads which seem to either drag on too long (search for the missing Sophia) or get too little mention (what is up with the nearly invisible T-Dog through this first half). It’s these inconsistencies which has brought out the even more vocal minority of the show’s viewers who have come to either feel apathetic towards the series or hate it for one reason or another.

“Pretty Much Dead Already” is the title of tonight’s episode and what happens throughout this episode goes a long way to rewarding the show’s loyal viewers for their wait through the first six episodes of this season and all its many flaws. It’s en episode which doesn’t come off as subtle with how it explores new themes of whether one belongs in a world of the living dead and does one have to lose their humanity to survive long. The episode also brings to a head the conflict which has been brewing for the last couple episodes between Rick’s group and that of Hershel Greene’s.

We see a silent opening of Rick and his group of survivors enjoying a breakfast with the tension in the air thick with unspoken consequences from the previous episode’s deluge of secrets being revealed. While Glenn had revealed the secret of the walkers in the barn to Dale the rest of the group still were kept unawares. Despite look of pleading from Maggie for Glenn to not tell the group he gives in to his conscience and tells everyone the biggest secret and their reaction at this reveal ranged from shock, surprise, incredulity and, finally with Rick, a hint of anger. It how everyone moves forward with this final secret reveal that the episode focuses mostly on. There were still some moments of character development and conflict sprinkled throughout the episode (mainly involving Shane and his distancing from Rick, Lori and others of the group), but the episode’s narrative still moved towards a final confrontation between Hershel’s need to keep the zombies corralled with the hope a cure could be found for them or Shane voicing everyone’s concern that a barn full of zombies was a disaster waiting to happen. Either they took care of the problem while they were still kept relatively harmless or they continue on towards their original plan of reaching Fort Benning.

This question finally gets answered with Shane forcefully making the decision for everyone. Jon Bernthal’s performance in the final five minutes of this episode was pretty good and while he teetered on over-the-top level in his anger and frustration at having to make the hard decisions concerning the group’s safety (at least in his own mind) he never steps over the line. The scene where he shows Hershel (as both he and Rick attempt to bring back two more catch-poled zombies back to the barn) made for some very tense and illuminating moments for everyone in the scene. We see understanding from people like Andrea and Daryl who think what Shane is saying is true to the look of horror on the faces of Hershel and Maggie as their idyllic world begins to crash all-around them. Maggie has gradually begun to move away from her father’s viewpoints about the zombies and how they should be treated through the last couple episodes, but to finally see Shane show them the true horror of what the world has become really hits both her father and herself pretty brutal and hard.

It’s interesting to note that tonight’s episode actually made a conscious effort to try and humanize the zombies. The way the episode unfolded was almost like the writers were trying to add some credence to Hershel’s way of thinking. This focus was understandable since everyone in the episode either followed Hershel blindly, were beginning to doubt Hershel’s way of doing things or just outright hostile towards it. This made the massacre of the zombies coming out of the barn with Shane leading a veritable firing squad somewhat poignant and sad. Even Glenn joined in on the shooting spree (though not before silently asking for Maggie’s consent) with an earlier personal epiphany about how he had forgotten just how dangerous the zombies were.

In the end, even the massacre of the barn zombies wasn’t the biggest shock of tonight’s episode. As the sound of gunfire stopped and the echoes faded away we hear a final zombie come out of the barn’s darkened interior and into the daylight. This was the final secret that finally answered the biggest and most dividing question of the second season of The Walking Dead.

Where the hell was Sophia?

Her final moments on the show has her coming out last from the barn and everyone’s fears were confirmed and everyone’s hopes about her eventually being found safe and alive were dashed. Even Shane who had been so gung-ho in showing Hershel and Rick that he was the right man for this new world to make the decisions about people’s well-being was left dumbstruck and unable to do what was needed. It took Rick — lambasted by both fans and detractors of the show plus Shane on top of them as being weak and unable to make the hard choices and decisions — to do what was needed. The scene ending with him standing over the body of Sophia after he shot her in the head (with the same Python revolver he used to start the series with the shooting of the little girl zombie in the pilot) made for a sad, poignant and incredible ending to what had been a tumultous story-arc to cover the first half of this new season.

The show will return this February. It is safe to say that moving forward the second half will be all about how new showrunner Glen Mazzara sees the show as and how to keep it the momentum of tonight’s episode into the second half. Darabont’s contribution to the show has probably ended with tonight’s episode or, as some have surmised, maybe even a couple episodes earlier. If the latter is the case then his firing from the show, as controversial and polarizing a decision to genre fans who love his work, may work to the show’s benefit. With Darabont we had a creative mastermind who dealt with film, but never with long-form tv shows. Maybe in addition to AMC being penny-pinchers and creating a hostile working arrangement with Darabont was only part of the problem. Could be that Darabont not having any experience writing for TV finally showed and kept the show from fixing some of the writing problems from the previous season. It will be interesting how a veteran tv writer and showrunner like Glen Mazzara will handle a show that tries to explore the conflicts and drama of a zombie apocalypse.

“Pretty Much Dead Already” doesn’t mean the show is now dead on arrival, but it does highlight that the premise which drives The Walking Dead could easily symbolize how this apocalyptic event has killed what humanity some might have had while also highlighting that every zombie killed was still someone’s son, daughter, mother, father, friend and family. In a world full of dead people the walking dead may not be the zombies but the survivors themselves.

Notes

  • Once again I like how the show has evolved the character of Glenn. Even when he’s being awkward as he tells everyone the secret of the barn gives a glimpse as to the sort of person Glenn is. Part of him wants to make Maggie happy, but knowing that keeping the secret of the barn will endanger his people and Maggie, he makes the hard decision to tell all even if it means Maggie hates him for it. Glenn shows that he can make the hard choices but do so with his conscience guiding him.
  • This is opposite with how the show has developed Shane this season and how this episode finally shows Shane tipping past his breaking point. Yes, he shows he can make the hard decisions but he does so not with his conscience as his guide but his base, survival instinct.
  • I found it darkly comical how Shane tried to one-up Rick in the eyes of Lori by pointing out how he was the one who has saved Lori and Carl to her. This scene with Lori really makes Shane less the badass zombie killer with people’s well-being in mind, but more of a selfish, sociopath who’s begun to believe all the lies he has been telling everyone and himself to justify his actions.
  • This in contrast to Daryl. While Daryl didn’t have as many scenes in tonight’s episode the ones he was in continued to explore his dual-nature. He will always be the true badass zombie killer in the show, but the show also continues to explore his growing humanity in his steadfast belief that they will find Sophia. It’ll be interesting how the dashing of his hopes on the Sophia subject will affect him moving forward.
  • I like how Daryl also hides behind aggressive reactions to hide his discomfort at others caring about his well-being and his safety. Will Daryl succumb to his inner-Merle and revert to how we first saw him in the beginning of the series as the violent, angry redneck? Or will he finally realize that the group does care and appreciate what he has done and continue on his journey into becoming a part of this post-apocalyptic family unit.
  • T-Dog has been pretty much useless and invisible this first-half of the season. I think I’ll echo what others have been saying about this character. Either give him something to do other than stand in the background or kill him off, but hopefully in spectacular and heroic fashion.
  • Even though Robert Kirkman gave an explanation about Sophia, the barn and Hershel during the after-show Talking Dead live segment I still think the second half needs to fully explain whether Hershel already knew that the girl the group had been searching for and putting themselves in danger during these searches.
  • There still some awkwardness in how child actor Chandler Riggs has been handling the role of Carl, but he’s getting better. I hope this improvement continues because Carl, whether the show follows the comic books or not, will become a major player in this show’s overall narrative sooner or later.
  • Once again, great make-up effects work by Greg Nicotero and his make-up effects wizards at KNB EFX. Their work tonight wasn’t as gruesome as the previous couple of episodes, but their work to give a semblance of humanity to these zombies helped make tonight’s episode one of the better ones, if not the best, of the show.
  • Finally, Andrew Lincoln does his best performance as Rick Grimes. Love how he lets his expression speak for themselves throughout most of the final 5 minutes of the episode. From the helpless look as he fails to stop Shane to finally showing everyone that only he can truly make the hard decision as he finally puts down Sophia while Shane watches helplessly this time around.

So, what did people think of tonight’s episode and the whole first-half of this second season. Did you like it? Does the show still have problems to work out with how these characters are written? Will Darabont’s removal and absence in these last few episodes and moving forward make the second half of season two something to look forward to?

All comments welcome and will be discussed in healthy, civilized, if heated discussions.

AMV of the Day: Imagica


The latest AMV of the Day comes courtesy of AMV creator “Chiikaboom” whose works I’ve chosen many times for this feature. This one was just completed and released by Chiikaboom less than a month ago and, like her other AMV’s, this one truly impresses.

This latest AMV from Chiikaboom is simply called “Imagica”. She’s taken on the theme of the mahou shoujo (magical girl) genre which continues to be one of the more popular ones in anime and manga both in Japan and overseas. Casual viewers and readers of the “magical girl” genre tend to view them as just cute and peppy, but for those who have actually watched these series from start to finish know that they’re more than colorful, happy characters.

Chiikaboom latches onto the darker aspects of the mahou shoujo genre and runs with it headlong towards one of the songs which made the Sucker Punch soundtrack one of the best of 2011. The song she picks to shine a light on the darker side of the magical girls is the Emily Browning cover of the Eurythmics classic song, “Sweet Dreams (Are Made of This)”. The haunting rendition of this song by Emily Browning matches up well with the darker scenes of these magical girls. Scenes which goes beyond young girls and teens with powers, but how such powers weigh heavily on them.

“Imagica” is one of the better AMV’s to arrive on the scene in the last couple months. Once again it’s the one person who seems to have the flair for the dramatic and just the right touches which makes these AMV from Chiikaboom the best.

Anime: Sailor Moon, Houkago No Pleaides, Magical Girl Lyrical Nanoha Movie (1st), Cardcaptor Sakura, Pretear, Mermaid Melody Pitchi Pitchi Pitch, Kamikaze Kaitou Jeanne, Uta Kata, Princess Tutu, Puella Magi Madoka Magica, Revolutionary Girl Utena, Magic Knight Rayearth

Song: “Sweet Dreams (Are Made Of This)” by Emily Browning

Creator: Chiikaboom

500K Milestone!!


Just a couple months ago the site reached it’s first major milestone of 1000 posts. It’s taken almost two years but we’ve finally reached another major milestone in the site’s brief history.

While we don’t get the tens to hundreds of thousands of page views per day the more established and much bigger blogs get on a day-to-day basis I’m still proud to say that our motley band of writers have been able to attract at least a thousand or more views a day. With that in mind we’ve finally reach 500K in page views since the site’s inception a little under 2 years ago and I think we’re on our way to making it a million in less time.

Once again, I must thank my co-founder of the site in @LisaMarieBowman for keeping things fresh and fun for people to visit. Other writers like necmoonyeti, pantsukudasai56 and Semtex Skittle (@Cindaer) have done their best to add their unique voices to the site whether it be reviews and/or thoughts on music (mainly metal), anime and manga to gaming titles. Writer Leonard Wilson (@Cavatica) has become another of the unique voices this year and has established his own brand of reviews of films to the many on this site. The rest of the gang like Senor Geekus (@SenorGeekus), danceonavolcano (@nyneshaydee), zackthewicked1, leonth3duke (@DukeD1989) and Dazzling Erin (@TakeSumE) are not as prolific as the other but their contributions still is what makes this site run.

Here’s to another year to look forward to and better things to come for the crew of Through the Shattered Lens.

Note: yes, every milestone will be celebrated with a choice anime/manga based artwork. >_<