Horror Film Review: Population 436 (dir by Michelle McLaren)


Hi, and welcome to the 100th remake of The Wicker Man.

In this version from 2006, our victim is played by Jeremy Sisto.  He’s a good actor but he’s no Nicolas Cage.  He played Steve Kady, who works for the U.S. Census Bureau so let’s all take a moment to boo the federal government.  Booooo!  Steve has been sent to the small town of Rockwell Falls, North Dakota so that he can count the citizenry and I guess help to determine whether North Dakota should get a second congressional district.

Anyway, Steve arrives in town and he quickly meets Deputy Bobby Caine, who is played by Fred Durst.  A town where Fred Durst is responsible for maintaining law and order?  It’s a madhouse!  Actually, it’s a bit of a exaggeration to call the town a madhouse but there’s definitely something a little bit off about it.  The people seem to be old-fashioned and very religious. Could it be that they’re Mennonites?  If so, Steve’s gotten lucky because we’ve got a lot of Mennonites in Texas and, for the most part, they’re the nicest people you could hope to meet.

Anyway, Steve does some research and he discovers that the town has a long history of losing people to a mysterious fever and that somehow the town has never had more nor less than 436 citizens.  It’s almost as if something’s being done to specifically make sure that the town’s population always remains at 436.  The people who live there can’t leave without falling victim to any number of mysterious accidents.  The people who show up — like folks from the Census Bureau, for instance — are expected to stay.  Is it a supernatural thing or is it just an amazing religious-based coincidence?

Steve is going to have to figure it out because he’s falling in love with Courtney Lovett (Charlotte Sullivan) and she apparently doesn’t want to spend the rest of her life in a small town in North Dakota.  Also, it turns out that Bobby Caine is also in love with Courtney and he’s not happy about losing her to someone who works for the Census Bureau.  I don’t blame him.  I guess this where I would insert a joke about some song written by Limp Bizkit but, to be honest, I haven’t thought about Limp Bizkit in nearly twenty years and I’m not going to start now.

Anyway, this is kind of a padded review because there’s really not a lot to say about Population 436.  It’s an okay horror movie but it’s not a particularly interesting one.  By this point, we’ve seen so many messed up little towns and so many weirdly old-fashioned people with strange religious beliefs that it’s hard to be shocked by any of it anymore.  Even the movie’s “shock” ending feels predictable.  On the plus side, the film does make good use of the inherent creepiness of living in a state that’s defined by wide open spaces.  The town of Rockwell Falls does look convincingly creepy.  On the negative side, the film is a bit superficial and never bothers to really explore any of the issues that it raises.  It’s content to just say, “Religious people are crazy,” and while many will agree with that sentiment, it’s hardly as subversive a statement as Population 436 seems to think that it is.

Of course, if Population 436 encourages just one viewer to be paranoid about census takers and government bureaucracy, it will have all been worth it.

Review: The Walking Dead S2E7 “Pretty Much Dead Already”


“It ain’t like it was before!” – Shane Walsh

[spoilers within]

Tonight marks the mid-season finale of AMC’s The Walking Dead. We won’t get a new episode until the show returns in February to continue with season 2’s second half. One could say that tonight’s episode is the reason why this show has gained such a vocal and loyal following despite it’s many flaws both large and small.

This new season has been trying to improve on some of the flaws of the truncated first season by working on rounding out some of the main characters on the show. Whether the writers succeeded in this aspect of the show’s writing has been a hit-or-miss proposition. Characters like Daryl Dixon, Shane Walsh and new ones like Maggie and Hershel Greene become more fully realized during the first six episode this season while others like Rick, Dale, Carol and T-Dog remain too one-dimensional too often through the first half of the season. Then there are plot threads which seem to either drag on too long (search for the missing Sophia) or get too little mention (what is up with the nearly invisible T-Dog through this first half). It’s these inconsistencies which has brought out the even more vocal minority of the show’s viewers who have come to either feel apathetic towards the series or hate it for one reason or another.

“Pretty Much Dead Already” is the title of tonight’s episode and what happens throughout this episode goes a long way to rewarding the show’s loyal viewers for their wait through the first six episodes of this season and all its many flaws. It’s en episode which doesn’t come off as subtle with how it explores new themes of whether one belongs in a world of the living dead and does one have to lose their humanity to survive long. The episode also brings to a head the conflict which has been brewing for the last couple episodes between Rick’s group and that of Hershel Greene’s.

We see a silent opening of Rick and his group of survivors enjoying a breakfast with the tension in the air thick with unspoken consequences from the previous episode’s deluge of secrets being revealed. While Glenn had revealed the secret of the walkers in the barn to Dale the rest of the group still were kept unawares. Despite look of pleading from Maggie for Glenn to not tell the group he gives in to his conscience and tells everyone the biggest secret and their reaction at this reveal ranged from shock, surprise, incredulity and, finally with Rick, a hint of anger. It how everyone moves forward with this final secret reveal that the episode focuses mostly on. There were still some moments of character development and conflict sprinkled throughout the episode (mainly involving Shane and his distancing from Rick, Lori and others of the group), but the episode’s narrative still moved towards a final confrontation between Hershel’s need to keep the zombies corralled with the hope a cure could be found for them or Shane voicing everyone’s concern that a barn full of zombies was a disaster waiting to happen. Either they took care of the problem while they were still kept relatively harmless or they continue on towards their original plan of reaching Fort Benning.

This question finally gets answered with Shane forcefully making the decision for everyone. Jon Bernthal’s performance in the final five minutes of this episode was pretty good and while he teetered on over-the-top level in his anger and frustration at having to make the hard decisions concerning the group’s safety (at least in his own mind) he never steps over the line. The scene where he shows Hershel (as both he and Rick attempt to bring back two more catch-poled zombies back to the barn) made for some very tense and illuminating moments for everyone in the scene. We see understanding from people like Andrea and Daryl who think what Shane is saying is true to the look of horror on the faces of Hershel and Maggie as their idyllic world begins to crash all-around them. Maggie has gradually begun to move away from her father’s viewpoints about the zombies and how they should be treated through the last couple episodes, but to finally see Shane show them the true horror of what the world has become really hits both her father and herself pretty brutal and hard.

It’s interesting to note that tonight’s episode actually made a conscious effort to try and humanize the zombies. The way the episode unfolded was almost like the writers were trying to add some credence to Hershel’s way of thinking. This focus was understandable since everyone in the episode either followed Hershel blindly, were beginning to doubt Hershel’s way of doing things or just outright hostile towards it. This made the massacre of the zombies coming out of the barn with Shane leading a veritable firing squad somewhat poignant and sad. Even Glenn joined in on the shooting spree (though not before silently asking for Maggie’s consent) with an earlier personal epiphany about how he had forgotten just how dangerous the zombies were.

In the end, even the massacre of the barn zombies wasn’t the biggest shock of tonight’s episode. As the sound of gunfire stopped and the echoes faded away we hear a final zombie come out of the barn’s darkened interior and into the daylight. This was the final secret that finally answered the biggest and most dividing question of the second season of The Walking Dead.

Where the hell was Sophia?

Her final moments on the show has her coming out last from the barn and everyone’s fears were confirmed and everyone’s hopes about her eventually being found safe and alive were dashed. Even Shane who had been so gung-ho in showing Hershel and Rick that he was the right man for this new world to make the decisions about people’s well-being was left dumbstruck and unable to do what was needed. It took Rick — lambasted by both fans and detractors of the show plus Shane on top of them as being weak and unable to make the hard choices and decisions — to do what was needed. The scene ending with him standing over the body of Sophia after he shot her in the head (with the same Python revolver he used to start the series with the shooting of the little girl zombie in the pilot) made for a sad, poignant and incredible ending to what had been a tumultous story-arc to cover the first half of this new season.

The show will return this February. It is safe to say that moving forward the second half will be all about how new showrunner Glen Mazzara sees the show as and how to keep it the momentum of tonight’s episode into the second half. Darabont’s contribution to the show has probably ended with tonight’s episode or, as some have surmised, maybe even a couple episodes earlier. If the latter is the case then his firing from the show, as controversial and polarizing a decision to genre fans who love his work, may work to the show’s benefit. With Darabont we had a creative mastermind who dealt with film, but never with long-form tv shows. Maybe in addition to AMC being penny-pinchers and creating a hostile working arrangement with Darabont was only part of the problem. Could be that Darabont not having any experience writing for TV finally showed and kept the show from fixing some of the writing problems from the previous season. It will be interesting how a veteran tv writer and showrunner like Glen Mazzara will handle a show that tries to explore the conflicts and drama of a zombie apocalypse.

“Pretty Much Dead Already” doesn’t mean the show is now dead on arrival, but it does highlight that the premise which drives The Walking Dead could easily symbolize how this apocalyptic event has killed what humanity some might have had while also highlighting that every zombie killed was still someone’s son, daughter, mother, father, friend and family. In a world full of dead people the walking dead may not be the zombies but the survivors themselves.

Notes

  • Once again I like how the show has evolved the character of Glenn. Even when he’s being awkward as he tells everyone the secret of the barn gives a glimpse as to the sort of person Glenn is. Part of him wants to make Maggie happy, but knowing that keeping the secret of the barn will endanger his people and Maggie, he makes the hard decision to tell all even if it means Maggie hates him for it. Glenn shows that he can make the hard choices but do so with his conscience guiding him.
  • This is opposite with how the show has developed Shane this season and how this episode finally shows Shane tipping past his breaking point. Yes, he shows he can make the hard decisions but he does so not with his conscience as his guide but his base, survival instinct.
  • I found it darkly comical how Shane tried to one-up Rick in the eyes of Lori by pointing out how he was the one who has saved Lori and Carl to her. This scene with Lori really makes Shane less the badass zombie killer with people’s well-being in mind, but more of a selfish, sociopath who’s begun to believe all the lies he has been telling everyone and himself to justify his actions.
  • This in contrast to Daryl. While Daryl didn’t have as many scenes in tonight’s episode the ones he was in continued to explore his dual-nature. He will always be the true badass zombie killer in the show, but the show also continues to explore his growing humanity in his steadfast belief that they will find Sophia. It’ll be interesting how the dashing of his hopes on the Sophia subject will affect him moving forward.
  • I like how Daryl also hides behind aggressive reactions to hide his discomfort at others caring about his well-being and his safety. Will Daryl succumb to his inner-Merle and revert to how we first saw him in the beginning of the series as the violent, angry redneck? Or will he finally realize that the group does care and appreciate what he has done and continue on his journey into becoming a part of this post-apocalyptic family unit.
  • T-Dog has been pretty much useless and invisible this first-half of the season. I think I’ll echo what others have been saying about this character. Either give him something to do other than stand in the background or kill him off, but hopefully in spectacular and heroic fashion.
  • Even though Robert Kirkman gave an explanation about Sophia, the barn and Hershel during the after-show Talking Dead live segment I still think the second half needs to fully explain whether Hershel already knew that the girl the group had been searching for and putting themselves in danger during these searches.
  • There still some awkwardness in how child actor Chandler Riggs has been handling the role of Carl, but he’s getting better. I hope this improvement continues because Carl, whether the show follows the comic books or not, will become a major player in this show’s overall narrative sooner or later.
  • Once again, great make-up effects work by Greg Nicotero and his make-up effects wizards at KNB EFX. Their work tonight wasn’t as gruesome as the previous couple of episodes, but their work to give a semblance of humanity to these zombies helped make tonight’s episode one of the better ones, if not the best, of the show.
  • Finally, Andrew Lincoln does his best performance as Rick Grimes. Love how he lets his expression speak for themselves throughout most of the final 5 minutes of the episode. From the helpless look as he fails to stop Shane to finally showing everyone that only he can truly make the hard decision as he finally puts down Sophia while Shane watches helplessly this time around.

So, what did people think of tonight’s episode and the whole first-half of this second season. Did you like it? Does the show still have problems to work out with how these characters are written? Will Darabont’s removal and absence in these last few episodes and moving forward make the second half of season two something to look forward to?

All comments welcome and will be discussed in healthy, civilized, if heated discussions.