The Art Directors Guild, yesterday, announced their nominations for the best of 2021! The winners will be announced on March 5th!
PERIOD FEATURE FILM “The French Dispatch” Production Designer: Adam Stockhausen “Licorice Pizza” Production Designer: Florencia Martin “Nightmare Alley” Production Designer: Tamara Deverell “The Tragedy of Macbeth” Production Designer: Stefan Dechant “West Side Story” Production Designer: Adam Stockhausen
FANTASY FEATURE FILM “Cruella” Production Designer: Fiona Crombie “Dune” Production Designer: Patrice Vermette “Ghostbusters: Afterlife” Production Designer: François Audouy “The Green Knight” Production Designer: Jade Healy “Shang-Chi and the Legend of the Ten Rings” Production Designer: Sue Chan
CONTEMPORARY FEATURE FILM “Candyman” Production Designer: Cara Brower “Don’t Look Up” Production Designer: Clayton Hartley “In the Heights” Production Designer: Nelson Coates “The Lost Daughter” Production Designer: Inbal Weinberg “No Time to Die” Production Designer: Mark Tildesley ANIMATED FEATURE FILM “Encanto” Production Designers: Ian Gooding, Lorelay Bové “Luca” Production Designer: Daniela Strijleva “The Mitchells vs. the Machines” Production Designer: Lindsey Olivares “Raya and the Last Dragon” Production Designers: Paul Felix, Mingjue Helen Chen, Cory Loftis “Sing 2” Art Director: Olivier Adam
Stop worrying so much. Stop making yourself sick with all of you anxiety. Stop searching online for new things to panic about. Stop and have a good time. This video has a good message and it’s one that I happen to agree with. There’s a difference between staying informed and purposefully driving yourself mad. Sometimes, you just have to be willing to enjoy yourself. I fear that there’s a lot of people out there who have forgotten that or who feel guilty if they’re not constantly depressed all the time.
Enjoy yourself. Dance in the street. Swim in a stranger’s pool. Star in a music video. Hang out in the back seat of someone’s car. Sing a song about the joys of getting laid. Whatever it is that you have to do, do it.
As I said, it’s a good message. Everyone needs to listen to Upsahl. Or, at the very least, they need to listen to my interpretation of Upsahl. They need to listen to this song and they also need to listen to Drugs, a song that perfectly captures this current cultural moment. A good song always captures the period in which it was written. Of course, a good song also always has a good beat to which you can dance. Sorry, folk music lovers.
Anyway, enjoy!
I’m up all night online I’m looking up my symptoms Tell myself I’m fine But my system just ain’t listenin Like oooh This aint normal how Im feelin, no ooh Running higher than a fever
When palms start to sweat I feel it in my stomach This is how I get Every time I know you’re comin’ over
Whooo Sometimes I think that I might die with you Whooo It’s like I’m almost too alive with you
My hearts gonna beat so fast, gonna beat so fast Gonna beat so fast that it might stopOh it feels like… My hearts gonna beat so fast, gonna beat so fast Gonna beat so fast that it might stop Hit my chest like Wooohh ooh ooh oohh, Wooohh ooh ooh oohh, boom boom Wooohh ooh ooh oohh, Wooohh ooh ooh oohh, boom boom
Kiss my neck Whisper in my ear ‘You aint seen nothing yet’ Cool me down and catch my breath like Whoo This is aint normal how I’m feeling, no ooh Say whatever, I’ll believe it cause Ahhh ahhh ahhh ahh ahh ahh
My hearts gonna beat so fast, gonna beat so fast Gonna beat so fast that it might stopOh it feels like… My hearts gonna beat so fast, gonna beat so fast Gonna beat so fast that it might stop Hit my chest like Wooohh ooh ooh oohh, Wooohh ooh ooh oohh, boom boom Wooohh ooh ooh oohh, Wooohh ooh ooh oohh, boom boom Wooohh ooh ooh oohh, Wooohh ooh ooh oohh, boom boom Wooohh ooh ooh oohh, Wooohh ooh ooh oohh, boom boom My hearts gonna beat so fast, gonna beat so fast Gonna beat so fast that it might stop
This made-for-television film from 1976 tells the story of Tod Lubitch (played by a pre-Saturday Night Fever John Travolta). Tod was born without an immune system and, as a result, he’s had to spend his entire life in a germ-free, plastic bubble. When Tod was a child, it wasn’t such a big deal not being able to leave his house without getting in a plastic ark beforehand. But now, he’s in his teens and he wants to do teenager stuff. His parents (Robert Reed and Diana Hyland) are overprotective. His doctor (Ralph Bellamy) says that there’s little chance that Tod’s condition will ever improve. But the girl next door, Gina (Glynnis O’Connor), finds herself falling in love with Tod and she wants to help him live a normal life. Gina loves to ride horses and Tod wants to ride one with her. As we all know, horses are totally germ-free.
The Boy In The Plastic Bubble is one of those movies that has a reputation. It’s usually cited as being the epitome of 70s schmaltz and, indeed, it is very 70s and it is very schmaltzy. It’s one of those films where the big dramatic moments are so overdone that they instead often become kind of comedic. When Tod finally convinces his parents to allow him to attend school, he does so while wearing a special protective outfit that makes him look like a cross between an old school astronaut and a demented teddy bear. When it looks like his suit might be malfunctioning, he runs into the plastic cell that’s been set up in the back of the classroom and strips it off while all of his classmates watch. Everyone’s truly impressed by both Tod’s positivity and the sight of a 22 year-old John Travolta rolling around in gym shorts.
Indeed, while watching the film, it’s impossible not to ask certain questions. In what world, for instance, could Robert Reed, best known for playing the patriarch on The Brady Bunch, be John Travolta’s father? Why is there such a weird tension between Tod and his mother? (It may have had something to do with the fact that Travolta was dating Diana Hyland at the time.) How does Tod keep his hair so perfect while living in a plastic bubble? Did anyone think that the scene where Tod is carried onto the beach inside a plastic box would be so odd to watch? Reportedly, The Boy In The Plastic Bubble was based on the lives of two young men who has the same condition as Tod. According to Wikipedia, one of them was very amused by the idea the Todd’s protective outfit would keep him safe at school. And, then of course, there’s the film’s ending, which tries to offer a ray of hope but instead leaves you convinced that Tod is going to die at any minute.
And yet, for all the obvious flaws, The Boy In The Plastic Bubble is slightly redeemed by the sincerity that Travolta and O’Connor bring to their roles. In particular, Travolta brings a smoldering anger to his role, which may not have been present in the script but which feels appropriate for the character. As played by Travolta, Tod may understand why he’s in the bubble but he’s still pissed off about it. O’Connor has an even more difficult role to play because Gina’s actions often don’t make a lot of sense. But O’Connor makes you believe that she’s sincere in her desire to give the Bubble Boy the high school experience that he deserves. It’s a schmaltzy film but Travolta and O’Connor bring a few moments of emotional honesty to it.
Director Randal Kleiser later worked with John Travolta on Grease. I don’t think Danny Zuko would have been a good influence on the Boy in the Plastic Bubble.
No more kissing in the rain? But what else is the rain for?
If you’ve been following and reading this site long enough, you know how obsessed I am with the rain. As far as I’m concerned, rain is perfect for any occasion. Any movie is improved by at least one storm. Any book is improved by at least one chapter that begins with a description of cloudy skies. And any kiss is improved by the rain. I’m a big fan of the rain.
I’m also a fan of moody, atmospheric music videos like this one.
Enjoy!
My dear, I am running out of time Out of sync and closing down And the light begins to fade
I close my eyes in the dark One look reveals that it’s time to leave
Is this the end of everything? I think It’s time to tear it all apart
Some days can feel like razorblades Cutting through the naked skin Ready for the next attack?
I catch your eyes in the dark One look can tell that it is time to go
Is this the end of everything? Maybe it’s time to tear it all apart
No more kissing in the rain
I think we need this last goodbye You know I know we’re growing colder
This week, I got caught up on a lot of movies. I have a lot more that I still need to see because, at the end of the upcoming week, I plan on posting my picks for the best and the worst of 2021!
For those struggling to fill out your predictions for Best Production Design on your imaginary Oscar ballot, here are the 2021 nominations of The Set Decorators Society!
The winners will be announced on February 22nd.
BEST ACHIEVEMENT IN DECOR/DESIGN OF A FEATURE FILM – PERIOD
Being the Ricardos
House of Gucci
Licorice Pizza
Nightmare Alley
The Power of the Dog
BEST ACHIEVEMENT IN DECOR/DESIGN OF A FEATURE FILM — FANTASY OR SCIENCE FICTION
Dune
The King’s Man
The Matrix Resurrections
Spider–Man: No Way Home
The Tragedy of Macbeth
BEST ACHIEVEMENT IN DECOR/DESIGN OF A FEATURE FILM — CONTEMPORARY
CODA
Don’t Look Up
The Hand of God
The Lost Daughter
No Time To Die
BEST ACHIEVEMENT IN DECOR/DESIGN OF A FEATURE FILM — MUSICAL OR COMEDY
Cruella
Cyrano
The French Dispatch
tick, tick…BOOM!
West Side Story
On Monday, the Denver Film Critics Society named The Power of the Dog as the best film of 2021! Here are all the winners from Denver:
Best Picture
Belfast
Drive My Car
Dune The Power of the Dog
Spider-Man: No Way Home
Best Director
Kenneth Branagh – Belfast Jane Campion – The Power of the Dog Joel Coen – The Tragedy Of Macbeth
Ryusuke Hamaguchi – Drive My Car
Denis Villeneuve – Dune
Best Actress
Jessica Chastain – The Eyes Of Tammy Faye
Lady Gaga – House Of Gucci
Alana Haim – Licorice Pizza
Nicole Kidman – Being The Ricardos Kristen Stewart – Spencer
Best Actor
Nicolas Cage – Pig Benedict Cumberbatch – The Power of the Dog Peter Dinklage – Cyrano
Will Smith – King Richard
Denzel Washington – The Tragedy Of Macbeth
Best Supporting Actress
Cate Blanchett – Nightmare Alley Ariana DeBose – West Side Story Kirsten Dunst – The Power of the Dog
Aunjanue Ellis – King Richard
Ruth Negga – Passing
Best Supporting Actor
Ben Affleck – The Tender Bar
Ciaran Hinds – Belfast
Troy Kotsur – CODA J.K. Simmons – Being The Ricardos Kodi Smit-McPhee – The Power of the Dog
Best Sci-Fi/Horror Dune
The Green Knight
Last Night In Soho
A Quiet Place Part II
Spider-Man: No Way Home
Best Animated Film
Encanto Flee
Luca
The Mitchells vs. The Machines
Raya And The Last Dragon
Best Comedy
Barb & Star Go To Vista Del Mar
Don’t Look Up
Free Guy The French Dispatch
The Suicide Squad
Best Visual FX Dune
Godzilla vs. Kong
The Green Knight
Shang-Chi And The Legend Of The Ten Rings
Spider-Man: No Way Home
Best Original Screenplay
Zach Baylin – King Richard
Kenneth Branagh – Belfast
Mike Mills – C’mon C’mon Michael Sarnoski – Pig Paul Thomas Anderson – Licorice Pizza
Best Adapted Screenplay Jane Campion – The Power of the Dog Joel Coen – The Tragedy Of Macbeth
Ryusuke Hamaguchi – Drive My Car
Sian Heder – CODA
Jon Spaihts, Eric Roth & Denis Villeneuve – Dune
Best Documentary
The First Wave
Flee
Procession Summer Of Soul
The Velvet Underground
Best Original Song
“Be Alive” – King Richard
“Dos Oruguitas” – Encanto
“Guns Go Bang” – The Harder They Fall
“Just Look Up” – Don’t Look Up “No Time To Die” – No Time To Die
Best Score
Germaine Franco – Encanto Jonny Greenwood – The Power of the Dog Jonny Greenwood – Spencer
Jeymes Samuel – The Harder They Fall
Hans Zimmer – Dune
Best Foreign Language Film Drive My Car
Flee
A Hero
Petite Maman
The Worst Person In The World
On Tuesday (again, we’re playing catch-up), the Visual Effects Society announced their nominations for the best visual effects work of 2021 and, as you can probably guess, there was a lot of love for Dune and the Marvel films.
The winners will be announced on March 8th! Here are the nominee:
OUTSTANDING VISUAL EFFECTS IN A PHOTOREAL FEATURE
“Dune”
“Godzilla vs. Kong”
“The Matrix Resurrections”
“No Time To Die”
“Shang-Chi and the Legend of the Ten Rings”
“Spider-Man: No Way Home”
OUTSTANDING SUPPORTING VISUAL EFFECTS IN A PHOTOREAL FEATURE
“Candyman”
“Last Night in Soho”
“Nightmare Alley”
“The Last Duel”
“The Tragedy of Macbeth”
OUTSTANDING VISUAL EFFECTS IN AN ANIMATED FEATURE
“Encanto”
“Luca”
“Raya and the Last Dragon”
“Sing 2”
“The Mitchells vs. The Machines”
OUTSTANDING ANIMATED CHARACTER IN A PHOTOREAL FEATURE
“Finch” – Jeff
“Flora & Ulysses” – Ulysses
“Jungle Cruise” – Aguirre
“Venom: Let There Be Carnage” – Carnage
OUTSTANDING ANIMATED CHARACTER IN AN ANIMATED FEATURE
“Encanto” – Mirabel Madrigal
“Luca” – Luca
“Raya and the Last Dragon” – Tuk Tuk
“The Mitchells vs. The Machines” – Katie Mitchell
OUTSTANDING CREATED ENVIRONMENT IN A PHOTOREAL FEATURE
“Dune” – Arrakeen City
“Jungle Cruise” – Waterfall Canyon
“Spider-Man: No Way Home” – The Mirror Dimension
“The Suicide Squad” – Valle Del Marre
OUTSTANDING CREATED ENVIRONMENT IN AN ANIMATED FEATURE
“Encanto” – Antonio’s Room
“Luca” – Portorosso Piazza
“Raya and the Last Dragon” – Talon
“Sing 2” – Crystal Theater
“Vivo” – Mambo Cabana
OUTSTANDING VIRTUAL CINEMATOGRAPHY IN A CG PROJECT
“Encanto” – “We Don’t Talk about Bruno”
“Godzilla vs. Kong” – Ocean Battle
“Loki” – Lamentis; Race to the Ark
“Raya and the Last Dragon”
“Shang-Chi and the Legend of the Ten Rings”
OUTSTANDING MODEL IN A PHOTOREAL OR ANIMATED PROJECT
“Black Widow” – The Red Room
“Dune” – Royal Ornithopter
“Encanto” – Casita Madrigal
“The Suicide Squad” – Jotunheim
OUTSTANDING EFFECTS SIMULATIONS IN A PHOTOREAL FEATURE
“Dune” – Dunes of Arrakis
“Godzilla vs. Kong” – Ocean Water & Battle Destruction
“Shang-Chi and the Legend of the Ten Rings” – Water, Bubbles & Magic
“The Suicide Squad” – Corto Maltese City Destruction
OUTSTANDING EFFECTS SIMULATIONS IN AN ANIMATED FEATURE
“Encanto”
“Luca”
“Raya and the Last Dragon”
“Sing 2”
OUTSTANDING COMPOSITING and LIGHTING IN A FEATURE
“Black Widow” – Red Room Crashing Back to Earth
“Dune” – Attack on Arrakeen
“Dune” – Hologram and Hunter Seeker
“Shang-Chi and the Legend of the Ten Rings” – Macau City
“Spider-Man: No Way Home” – Liberty Island Battle and Christmas Swing Finale
OUTSTANDING SPECIAL (PRACTICAL) EFFECTS IN A PHOTOREAL PROJECT
“Eternals”
“Jungle Cruise”
“The Matrix Resurrections”
“The Tomorrow War”
On Wednesday (yes, I’m playing catch-up), the Houston Film Critics Society became the latest group to name The Power of the Dog as the best film of 2021!
Here all the winners from Houston:
Picture
Belfast
CODA
Don’t Look Up
Dune
King Richard
Licorice Pizza
Parallel Mothers The Power of the Dog
tick, tick … Boom
The Tragedy of Macbeth
Director
Paul Thomas Anderson – Licorice Pizza
Kenneth Branagh – Belfast Jane Campion – The Power of the Dog Guillermo del Toro – Nightmare Alley
Denis Villeneuve – Dune
Actor Benedict Cumberbatch – The Power of the Dog Peter Dinklage – Cyrano
Andrew Garfield – tick, tick … Boom
Will Smith – King Richard
Denzel Washington – The Tragedy of Macbeth
Actress Jessica Chastain – The Eyes of Tammy Faye Olivia Colman – The Lost Daughter
Penelope Cruz – Parallel Mothers
Alana Haim – Licorice Pizza
Emilia Jones – CODA
Kristen Stewart – Spencer
Supporting Actor
Andrew Garfield – The Eyes of Tammy Faye
Ciarán Hinds – Belfast
Troy Kotsur – CODA
J.K. Simmons – Being the Ricardos Kodi Smit-McPhee – The Power of the Dog
Supporting Actress
Jessie Buckley – The Lost Daughter
Ariana DeBose – West Side Story Ann Dowd – Mass Kirsten Dunst – The Power of the Dog
Aunjanue Ellis – King Richard
Ensemble Cast
Belfast
CODA Mass
Nightmare Alley
The Power of the Dog
Screenplay
Belfast
CODA
Don’t Look Up
Licorice Pizza The Power of the Dog
Animated Feature
Encanto
Flee
Luca
Raya and the Last Dragon The Mitchells vs. the Machines
Cinematography Dune
Nightmare Alley
The Power of the Dog
The Tragedy of Macbeth
West Side Story
Documentary Feature
Flee
The Rescue
The Sparks Brothers Summer of Soul
Val
Foreign Language Feature Drive My Car
Flee
Parallel Mothers
Riders of Justice
The Worst Person in the World
Original Score
Dune
The French Dispatch
The Harder They Fall The Power of the Dog
Spencer
Original Song
“Dos Oruguitas” – Encanto
“Guns Go Bang” – The Harder They Fall
“Just Look Up” – Don’t Look Up “No Time to Die” – No Time to Die “Wherever I Fall – Pt. 1” – Cyrano
Visual Effects Dune
The Matrix Resurrections
Shang-Chi and the Legend of the Ten Rings
Stunt Coordination
Black Widow
The Matrix Resurrections No Time to Die
Shang-Chi and the Legend of the Ten Rings
Spider-Man: No Way Home