Music Video of the Day: London Boy by Tash (2022, dir by Arasmis Duran)


This is a simple song and a fairly simple video but both of them definitely captured a very specific feeling and moment of one’s life.  I think anyone can relate, whether they’ve had a London boy or not.  I don’t have much else to say about this one but sometimes, it’s not necessary to say a lot.

Enjoy!

Lisa Marie’s Week In Television: 1/23/22 — 1/29/22


Another week in January essentially means another week of allergies and sneezing.  I watched quite a few movies this week but I also catched a few shows.  When you’re feeling under the weather, it’s sometimes more fun to watch something that’s only going to require 30 minutes of your attention as opposed to 132 of them.

Allo Allo (Sunday Night, PBS)

The show started with Rene nearly blowing up the cafe while trying to hide the stolen land mines and it ended with Herr Flick and Von Smallhousen trapped on a British airplane flying high over occupied France.  Along the way, Crabtree tried to speak French and the British airmen hid in a barrel.  It was all good fun.  I laughed.

The Amazing Race (Wednesday, CBS)

I wrote about the latest episode of The Amazing Race here!  Switzerland, as I mentioned in my write up, is a beautiful country.  The scenery is gorgeous and the people understand the value of staying on schedule.

The Bachelor (Monday Night, ABC)

This week on The Bachelor, the women went to group therapy and Clayton continued to try to understand and replicate human behavior.  Seriously, they should just call him the Claytonbot.  I keep expecting him to ask someone why humans laughs and cry.

Bar Rescue (Monday Morning, Paramount TV)

Jon Taffer rescued a karaoke bar.  Yay!  A world without music is not a world for any of us.

Football Game: Buccaneers vs. Rams (Sunday Evening, NBC)

If only both teams could have won!  Seriously, from what I’ve seen of it, football is the most depressing sport ever because the players on the team that doesn’t win always end up sitting there and crying while the other team is celebrating.  That sucks.  If I was the coach, I would make sure that every game ended in a tie so that everyone could be a winner.

Full House (Sunday Afternoon, MeTV)

God, this was a bad show.  I watched the first four episodes of the show on Sunday afternoon.  I felt kind of bad about not liking it but it was just so painfully cutesy.  The first episode of the series featured John Stamos and the goofy guy moving in with John Stamos.  The second episode featured John Stamos and his band trying to practice while two of Bob Saget’s daughters danced around.  (The band sounded terrible.)  The third episode featured …. I don’t even remember.  I know it was during the third or the fourth episode that the school year started.  Candace Cameron was upset about being put in a gifted class.  John Stamos hit on a teacher.  I can’t remember what the goofy one did.

From what I understand, the first four episodes are apparently the show’s highpoint so I can’t imagine what the rest of the series must have been like.

King of the Hill (Weekday Afternoons, FXX)

I watched three episodes of this classic on Friday.  Things got started with Grillstravaganza, in which Bobby temporarily fell under the influence of Joe Jack.  This was followed by the episode where Mr. Strickland briefly got involved with Luanne’s pool-based bible study group.  And then the final episode I watched featured Hank taking over the middle school’s organic garden.  Anything that featured Hank trying to motivate the apathetic students at the middle school was always funny.  Hank’s work at the organic garden may have been a success but he was still perturbed when he ended up getting added to the mailing list of a hippie food store called Passages.

Open All Hours (Sunday Night, PBS)

Granville discovered that he had a cousin and she used to be able to communicate with the spirit world.  Unfortunately, Granville’s spirit had already been too thoroughly broken for him to take much comfort in that knowledge.

Parking Wars (Monday Morning, A&E)

On Monday morning, as I watched the parking cops go out of their way to harass the citizens of Philadelphia, it occurred to me that most of these episodes were filmed over ten years ago.  I wonder how many of these people still work for the government and how many have retired.  How many are receiving a pension and how many are still walking the sidewalks and saying, “I’m just doing my job here?”  Hopefully, they’re all retired and collecting a pension.  It has to be kind of a sad existence, though.  How does anyone sleep soundly with the knowledge that they were a part of the system?

Seinfeld (Weekdays, Comedy Central)

I watched two episodes on Friday afternoon.  George and Jerry flew out to Hollywood to see Kramer.  kamer, meanwhile, was arrested for being a serial killer.  The real killer was Clint Howard, who was briefly arrested but who escaped police custody after George and Jerry accidentally left the backdoor of a police car unlocked.  It was all kind of dark, to be honest.

Silk Stalkings (Tubi)

On Monday, I got back to binging my favorite 90s show about attractive detectives investigating half-naked criminals.  The first episode featured Chris falling for a duplicitous skip tracer who, it turned out, was actually just a hitwoman.  Oh, Chris!  Everyone knows you and Rita are in love!  The next episode featured Chris and Rita investigating the murder of a vice cop.  They suspected that it may have been a cop-on-cop killing and, of course, it all linked up to Chris’s past.  It was kind of a dull episode, to be honest.  It wasn’t quite trashy enough.  Oh well!

I didn’t return to the show until Thursday.  The first episode I watched opened with the brutal murder of a wealthy married couple.  At first, Chris and Rita thought that the murders had been committed by the couple’s twin sons but eventually, it was discovered that it was actually the work of the maid and a hitman.  That episode was enjoyably sordid.  The episode that followed was a bit less interesting.  Chris and Rita investigated a gang of jewel thieves, one of whom was played by a youngish Tobin Bell.  It was all a bit bland but the chemistry between Rob Estes and Mitzi Kapture kept things fun.

The TSL’s Grindhouse: Bolero (dir by John Derek)


The 1984 film, Bolero, tells the story of  Ayre “Mac” MacGillvary (Bo Derek) and her best friend, Catalina (Anna Obregon).  They’re young, they’re rich, they’ve just graduated from college, and, despite the fact that they both appears to be in their early 40s, they’re determined to lose their virginities to the most perfect lovers that they can find.

Because the film is taking place in the 1920, Mac and Catalina first travel to the Middle East in hope of finding a Rudolph Valentino-style sheik.  Accompanying them is Mac’s chauffeur and protector, Cotton (a clearly embarrassed George Kennedy).  Though Mac does manage to find a sheik (played by Greg Benson), her efforts to lose her virginity to him prove to be a failure.  Though the Sheik is willing, he indulges a bit too much with his hookah and ends up passing out right before the consummating the act.

Well, if a sheik can’t do it, how about a bullfighter?  Mac and Catalina leave the Middle East for Spain and it’s there that Mac catches the eyes of Angel (Andrea Occhipinti), a celebrated bullfighter.  Mac decides that Angel will be the one to take her virginity but it turns out that, once again, nothing as is easy as it should be.  It turns out that Angel already has a lover and he’s been with her since she was a teenager.  And a 14 year-old Gypsy named Paloma (played by Olivia d’Abo) has already decided that she is going to be Angel’s next lover, which is incredibly icky even before the film makes it even ickier,  

While Mac is trying to seduce Angel, Catalina is trying to seduce a Scottish attorney named Robert Stewart (Ian Cochrane).  “What do you wear under your skirt?” Catalina asks.  “It’s a kilt!” Stewart yells because he’s Scottish.  Anyway, Catalina eventually does get an answer to her question so yay Catalina!

As for Mac, she does eventually manage to win Angel’s attention but then …. OUCH!  Angel gets gored by a bull and yes, he gets wounded exactly where you think that he gets wounded.  Suddenly, Angel can no longer get it up but fear not.  “We’re going to make that thing work,” Mac says, before she then takes up bullfighting herself.  It all eventually leads to a scene that makes heavy use of dry ice and a neon light that misspells the word ecstasy. 

Bolero is one of those sex-obsessed films that tries so hard to be erotic that it actually goes in the opposite direction and becomes so firmly anti-erotic that one gets the feeling it could be used as a torture device in a George Orwell novel.  “The Anti-Sex League sentences you to watch Bolero!”  A huge part of the problem is that, even though everyone in the film is certainly attractive, there’s still next to no chemistry between Bo Derek and any of her potential lovers.  The film was directed by Bo’s then-husband, John Derek and, somewhat perversely, John continually films her in the least flattering ways possible.  John also tries to introduce some humor into the film — at one point, it turns into a silent film, complete with title cards — but it all falls flat.  Finally, the gored bullfighter is played by a very handsome Italian actor named Andrea Occhipinti who I immediately recognized as being the same actor who played the killer in Lucio Fulci’s The New York Ripper.  Though it was a bit unfair to Occhipinti (whose likable blandness was exactly what made him such a subversive choice to play the killer in Fulci’s film), I was worried every moment that Mac was left alone with him.  (Occhipinti is now one of Italy’s most respected film producers.) 

Produced by Cannon Films, Bolero was apparently a huge flop when it was released.  Bolero was considered to be so bad that it led to MGM announcing that they would no longer help to distribute any other Cannon Films.  I can’t really blame MGM.  Even when viewed decades later, Bolero is a dull romp that’s fit only for the Anti-Sex League.

A Blast From The Past: Censorship: A Question of Judgment


The year is 1963 and Nancy is the editor of the high school newspaper.  She’s upset that so many students are settling their disagreements through fighting.  She wants to run a story about the fights and she wants to publish the pictures of the two students who were involved in the latest brawl.  When her faculty advisor points out that a high school newspaper is supposed to be positive and that publishing the pictures of the combatants would be an invasion of their privacy, Nancy argues that she has a responsibility as a journalist….

NANCY, IT’S A HIGH SCHOOL NEWSPAPER!  YOU’RE NOT A JOURNALIST!

Anyway …. what would you do?

This film is from 1963 and it seems to be a bit biased in Nancy’s favor.  Of course, Nancy should publicly shame any student caught fighting!  Myself, I have to disagree.  I’m reminded of the old but very true saying: “No one likes a snitch.”  Add to that, judging from the opening shots of this film, the entire school witnessed the fight so it’s not like Nancy is going to be telling her readership something that they didn’t already witness firsthand.  Seriously, what is Nancy’s problem?

I’m against censorship but I’m also against being a snitch.  Honestly, I think Nancy has gone a little power mad.

However, if you want to consider for this issue for yourself, here, from 1963, is Censorship: A Question of Judgment:

Music Video of the Day: Valentina by Public Service Broadcasting, ft. Smoke Fairies (2015, dir by ????)


This is from Public Service Broadcasting’s The Race For Space, which I highly recommend. This song and the video are about Valentina Tereshkova, who was the first woman to go into space. In 1963, she spent three days in space and orbited the Earth a total of 48 times.

Enoy!

Music Video of the Day: Look Up by Toni Collette & The Finish (2007, dir by ????)


Toni Collette can sing!

On another note, my little ADD-wracked brain has been having a hard time remembering that the name of Adam McKay’s latest film is Don’t Look Up and not Don’t Look Now.  (Don’t Look Now, of course, is the classic Nicolas Roeg film about Julie Christine and Donald Sutherland taking an eventful trip to Venice and getting to know a mysterious person who wanders around while wearing a red jacket.  Seriously, if you’re missing traveling and you’re into the romance of Italy, check out Don’t Look Now!)  Fortunately, a friend sent me this video as a way to help me remember the difference between the two.  Personally, I prefer the music video to Adam McKay’s film.  It’s a lovely video and there’s no one yelling at me.

Toni Colette & The Forward released one album in 2006, Beautiful Awkward Pictures.  Two singles were released off the album, this one and the title track.  The video for the title track was directed by Nash Edgerton and I’m tempted to think that he may have done this one as well.  But I’m not sure so until I get some sort of official confirmation, we’ve got question marks.

This song was written by Toni Collette herself.

Enjoy!

Look up look up
The sky is falling
Colors changing
People laughing
In the face of danger
Look out look out
The bruise is swelling
Streets are bleeding
Angels calling
In a time of rescue
The rivers flooding
Boats are sinking
Lights are fading
An attempt to get through
To the ocean of you
All naked & blue
How do you do
Watch out watch out
The fools are fighting
There’s love that’s dying
An earth that’s crying
For the life it once knew
Trace the day
Across all space
To find a smile
Upon your face
I could never replace
The hue of these days
It’s just a phase
That we can’t sleep
We can only weep
For all we can’t keep
We live in dream
Hear this hear this
The record’s playing
There’s lovers swaying
A town that’s praying
For a laugh to see them through
The rocket’s lifting
The air is thinning
Shapes are shifting
Oh god but what a view
One for your time
Two for your words
Three for a picture of a
Four dimensional world
Five to live with each other
Six to sing the same song
Seven not to eat them
Eight to feel that you belong
Nine to let go of fear
Ten to hold your vision dear
Look up look up
The sky is falling
Colors changing
People laughing
In the face of danger
The bruise is swelling
Streets are bleeding
Angels calling
In a time of rescue
The rivers flooding
Boats are sinking
Lights are fading
An attempt to get through
The fools are fighting
There’s love that’s dying
An earth that’s crying
For the life it once knew
For the life it once knew
For the life it once knew
For the life it once knew

Finally, Here Are The 2021 Nominations of the Costume Designers Guild!


I have one last set of guild nominations to share with you today.  Here are the 2021 nominations of the Costume Designers Guild!

Excellence in Sci-Fi / Fantasy Film
Dune – Jacqueline West & Robert Morgan
The Green Knight – Malgosia Turzanska
The Matrix Resurrections – Lindsay Pugh
Shang-Chi and the Legend of the Ten Rings – Kym Barrett
Spider-Man: No Way Home – Sanja M. Hays
The Suicide Squad – Judianna Makovsky

Excellence in Contemporary Film
Coming 2 America – Ruth E. Carter
Don’t Look Up – Susan Matheson
In The Heights – Mitchell Travers
No Time to Die – Suttirat Anne Larlarb
Zola – Derica Cole Washington

Excellence in Period Film
Cruella – Jenny Beavan
Cyrano – Massimo Cantini Parrini & Jacqueline Durran
House of Gucci – Janty Yates
Nightmare Alley – Luis Sequeira
West Side Story – Paul Tazewell

Here Are The 2021 Producers Guild Nominations!


The Producers Guild nominations is one of the biggest of the awards season precursors.  The fact that neither Spider-Man: No Way Home nor No Way To Die were mentioned here probably means neither is going to pull off a surprise best picture nomination.  So, it looks like Dune will get the blockbuster slot this year.

Both Being the Ricardos and Don’t Look Up were nominated.  Don’t even get me started.

The Award for Outstanding Producer of a Feature Theatrical Motion Picture
Being The Ricardos
Belfast
CODA
Don’t Look Up
Dune
King Richard
Licorice Pizza
The Power Of The Dog
Tick, Tick…Boom!
West Side Story

The Award for Outstanding Producer of Animated Theatrical Motion Pictures
Encanto
Luca
The Mitchells vs. The Machines
Raya And The Last Dragon
Sing 2
 
The Award for Outstanding Producer of Documentary Motion Pictures
The PGA previously announced the nominations in this category on December 10th, 2021.
 
Ascension
The First Wave
Flee
In The Same Breath
The Rescue
Simple As Water
Summer Of Soul (…Or, When The Revolution Could Not Be Televised)
Writing With Fire

Here Are The 2021 Eddie Nominations!


The American Cinema Editors have announced the nominations for the 2021 Eddie Awards!

The Eddie Awards are usually a pretty good precursor as far as the best picture race is concerned.  If a film is going to be the best of the year, it’s typically going to be well-edited, Bohemian Rhapsody‘s Oscar notwithstanding.  When these nominations were announced, there was brief flurry of activity on twitter as people said, “Where’s West Side Story?”  West Side Story is not here, which is surprising.  However, West Side Story did receive a DGA nom so its still looking pretty good as far as getting nominated is concerned.

For me, the biggest surprise was the nomination for Tick, Tick…Boom!.  The guilds really seem to like this movie.  As for the nomination that made me groan, Don’t Look Up was the worst edited film since …. well, Bohemian Rhapsody.

BEST EDITED FEATURE FILM (DRAMATIC)
Úna Ní Dhonghaíle – Belfast
Joe Walker – Dune
Pamela Martin – King Richard
Elliot Graham & Tom Cross – No Time To Die
Peter Sciberras – The Power of the Dog

BEST EDITED FEATURE FILM (COMEDY)
Tatiana S. Riegel – Cruella
Hank Corwin – Don’t Look Up
Andrew Weisblum – The French Dispatch
Andy Jurgensen – Licorice Pizza
Myron Kerstein & Andrew Weisblum – Tick, Tick…Boom!

BEST EDITED ANIMATED FEATURE FILM
Jeremy Milton – Encanto
Catherine Apple & Jason Hudak – Luca
Greg Levitan – The Mitchells vs. The Machines
Fabienne Rawley & Shannon Stein – Raya And The Last Dragon
Gregory Perler – Sing 2

BEST EDITED DOCUMENTARY (FEATURE)
Janus Billeskov Jansen – Flee
Bob Eisenhardt – The Rescue
Joshua L. Pearson – Summer Of Soul (…Or, When The Revolution Could Not Be Televised)
Ting Poo & Leo Scott – Val
Affonso Gonçalves & Adam Kurnitz – The Velvet Underground

Here Are The WGA Nominations!


The DGA was not the only major guild to announce its nominations today.  The Writers Guild also announced its nominations for the best of 2021.

I hate to say it but it’s starting to look very probable that two of my last favorite films of 2021 — Don’t Look Up and Being The Ricardos — are going to be best picture nominees.  I mean, I can understand the nomination for Being the Ricardos because Aaron Sorkin is a brand name and the whole script was designed to appeal to people in the industry.  But the screenplay for Don’t Look Up was terrible.  If it picked up a WGA nod, that means that Adam McKay’s panic porn has a strong base of support in Hollywood.

ORIGINAL SCREENPLAY
Being the Ricardos – Written by Aaron Sorkin (Amazon Studios)
Don’t Look Up – Screenplay by Adam McKay, Story by Adam McKay & David Sirota (Netflix)
The French Dispatch of the Liberty, Kansas Evening Sun – Screenplay by Wes Anderson, Story by Wes Anderson & Roman Coppola & Hugo Guinness & Jason Schwartzman (Searchlight Pictures)
King Richard – Written by Zach Baylin (Warner Bros. Pictures)
Licorice Pizza – Written by Paul Thomas Anderson (United Artists)

ADAPTED SCREENPLAY
CODA – Screenplay by Siân Heder, Based on the Original Motion Picture La Famille Belier Directed by Eric Lartigau, Written by Victoria Bedos, Stanislas Carree de Malberg, Eric Lartigau and Thomas Bidegain; Apple
Dune – Screenplay by Jon Spaihts and Denis Villeneuve and Eric Roth, Based on the novel Dune Written by Frank Herbert; Warner Bros. Pictures
Nightmare Alley – Screenplay by Guillermo del Toro & Kim Morgan, Based on the Novel by William Lindsay Gresham (Searchlight Pictures)
Tick, Tick…Boom! – Screenplay by Steven Levenson, Based on the play by Jonathan Larson (Netflix)
West Side Story – Screenplay by Tony Kushner, Based on the Stage Play, Book by Arthur Laurents, Music by Leonard Bernstein, Lyrics by Stephen Sondheim, Play Conceived, Directed and Choreographed by Jerome Robbins (20th Century Studios)

DOCUMENTARY SCREENPLAY
Being Cousteau – Written by Mark Monroe & Pax Wasserman (National Geographic)
Exposing Muybridge – Written by Marc Shaffer (Inside Out Media)
Like a Rolling Stone: The Life & Times of Ben Fong-Torres – Written by Suzanne Joe Kai (StudioLA.TV)