To be honest, I feel as if I’ve already reviewed just about everything that I watched this week. For instance, I spent ten hours watching Dahmer on Netflix and then I posted a review here on the site. So, this week in television is going to pretty much be full of links. For that reason, I considered not doing a post for this week but what can I say? I’m a completist. I haven’t missed a week yet and I don’t want to start.
Anyway, here’s what I watched this week!
Accused (Tuesday Night, FOX)
I started to watch Accused this week but as soon as I saw that dusty courtroom with the big Texas flag hanging over the door and the title cared announced that this was “Lubbock, Texas,” I realized that I probably wasn’t going to make it through the entire episode. Then, the accused was escorted into the courtroom by some old guy wearing a string tie and I said, “Nope,” and stopped watching. I’ve been told by some folks on Twitter that this week was actually a good episode but I don’t care. There were too many dumb clichés in the first three minutes for me to devote another 44 minutes of my life to the episode.
American Idol (Sunday Night, ABC)
Is it Hollywood week, yet!? I know it’s not any different from any other season but the auditions just seem to be going on forever!
The Bachelor (Monday Night, ABC)
Sex week turned out to be a disaster, as I think we all knew it would. After announcing that he would not be having sex with the three remaining bachelorettes, Zach went on to have sex with Gabi and then decided it would be a good idea to tell Kaity all about it …. DURING THIER DATE! Meanwhile, Ariel — who was the most accepting of Zach’s decision not have sex with any of three finalists — was sent home. The Fantasy Suite pretty much exists to create drama and that’s what it did this week. That said, Zach’s really not interesting enough for this season to be the emotional rollercoaster that it’s supposed to be. Boring Guy Turns Out To BeA Jerk …. wow, that’s a shock.
Dahmer (Netflix)
As a part of my preparation for covering the Emmys in another few months, I watched all ten episodes of Dahmer this week. I reviewed the miniseries here.
Farmer Wants A Wife (Wednesday, FOX)
Hey, it’s the State Fair of Texas! And a rodeo! Look at everyone having fun! Take that, Bachelor!
On Wednesday, I watched two episodes of King of the Hill. The first was one of my favorites, featuring Minh, Peggy, and Nancy all running for a seat on the school board. The second one featured Bobby going to military school and discovering that it wasn’t quite as strict as his grandfather claimed it would be. King of the Hill always makes me smile.
Law & Order (Thursday Night, NBC)
Law & Order returned with a new episode, in which the murder of a journalist was investigated. The story was obviously based on a recent murder that happened out in Las Vegas. The real-life story is pretty interesting but the Law & Order version wasn’t. The scenes with Cosgrove and Shaw interrogating suspects and investigating the crime often felt like self-parody. Sam Waterston still has his natural gravitas but it’s hard not to feel that both he and McCoy have earned the right to retire.
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Saturdays, I will be reviewing California Dreams, which ran on NBC from 1992 to 1996. The entire show is currently streaming on YouTube!
This week, continuity goes to Hell with the California Dreams!
Episode 4.11 “Heal the Bay”
(Dir by Patrick Maloney, originally aired on December 2nd, 1995)
This episode opens with all the Dreams hanging out at Sharky’s, getting ready to head to the beach. Tiffani blows a conch shell to let all the surfers know that the tide is up. Mark says that he’s bringing his guitar to the beach so he can practice getting girls. Jake and Lorena discuss what they’re taking to the beach. Not surprisingly, Lorena is planning on taking a lot more than Jake while Jake is going to keep things simple….
Wait! Jake and Lorena are going the beach together? And they’re flirting? Didn’t they break up at the start of the season? Yes, they did! But NBC was notorious for showing the episodes of their Saturday morning sitcoms out of order. As a result, shows like California Dreams, Hang Time, City Guys, and One World were notorious for their continuity errors. Of course, as I watched this episode, it didn’t really matter to me because I like Jake and Lorena as a couple and I think they were way too quick to break up. Even though the episode wrecked havoc with the show’s continuity, it was still nice to Jake and Lorena flirting again….
However, I was less amused when Tony started to hit on a girl who wasn’t Sam. I mean, Tony and Sam have been dating forever! This episode was obviously meant to air way back at the start of the third season, even before Jake and Lorena hooked up in Budget Cuts. If it hard aired when intended, it would have set the foundation for Jake and Lorena eventually getting together. And, looking back, Jake and Lorena’s relationship did seem like it kind of came out of nowhere.
As for the rest of this episode, it featured Tony turning into crazed environmentalist after the beach is closed due to pollution. He gets on everyone’s nerves so the Dreams show him the error of his ways by ruining his date with a girl who is not Sam. It turns out that the entire date involves doing or wearing or eating something that was harmful for the environment. Having realized that being an insane environmentalist means never getting laid, Tony apologizes. Good for him! The Dreams then perform at a concert to raise money to “heal the bay.” They do it for free. Poor Sly.
I liked the episode because insane environmentalists are annoying and Lorena and Jake were a cute couple. I just wish it had aired when it was supposed to. Let’s find out if the next episode is any less of a continuity nightmare.
Episode 4.12 “Woo-oops”
(Dir by Patrick Maloney, originally aired on December 30th, 1995)
Samantha’s father entrusts her with a credit card! Yay! Samantha spends a thousand dollars in one day! Oh no! Now, Sam has to work multiple jobs to raise the money to pay off the card or her father is going to make her return to Hong Kong!
If this sounds familiar, it’s because Saved By The Bell did an episode where Lisa Turtle spent too much with her credit card. Hang Time also had a credit card episode. It was a big topic as far as Peter Engel-produced shows were concerned. In this case, Sam fails to raise all of the money but she does raise roughly half of it so her father agrees to let her stay in the U.S, as long as she keeps working to pay him back. That’s a good thing, seeing as how the Dreams didn’t really have anyone who could have replaced her in the band.
As far as continuity is concerned, Jake and Tiffani are a couple in this episode. In fact, there’s a nicely done B-plot where Jake had to find a replacement for a valuable doll that he accidentally destroyed after Tiffani tells him that she’s found a buyer for it. And, of course, Sam and Tony are a couple, just as they should be. Everyone learns an important lesson about spending money, i.e., spend as much as you want and then wait for someone to help you pay it all off. Sounds good to me!
Next week, we return to Lorena’s father’s ski lodge!
4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
Today, the Shattered Lens wishes a happy birthday to actor/director John Stockwell! Though the critics might not always realize it, Galveston-born John Stockwell is responsible for some of the best beach movies of the 21st Century. No one can make the beach and the ocean look as inviting (or as dangerous) as John Stockwell.
It’s time for….
4 Shots From 4 John Stockwell Films
Blue Crush (2002, dir by John Stockwell, DP: David Hennings)
Into the Blue (2005, dir by John Stockwell, DP: Shane Hurlbut and Pete Zuccarini)
Turistas (2006, dir by John Stockwell, DP: Enrique Chediak and Peter Zuccarini)
In the Blood (2014, dir by John Stockwell, DP: P.J. Lopez)
The great British director David Lean was born 115 years ago today.
In honor of his films and his legacy, here is a scene that I love from Lawrence of Arabia. In this scene, Peter O’Toole blowing out a flame transports us straight to a sunrise in the desert. Though Lean started out his career directing small-scale but emotionally rich films like Brief Encounter and Great Expectations, he ultimately became best-known for directing historical epics and cinematic spectacles. This scene shows us why. Even to this day, it seems as if any epic film is destined to be compared to the work of David Lean.
As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter. I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie! Every week, we get together. We watch a movie. We tweet our way through it.
Tonight, for #ScarySocial, Tim Buntley will be hosting 2013’s 13 Eerie!
If you want to join us on Saturday night, just hop onto twitter, start the film at 9 pm et, and use the #ScarySocial hashtag! The film is available on Prime. I’ll probably be there and I imagine some other members of the TSL Crew will be there as well. It’s a friendly group and welcoming of newcomers so don’t be shy.
For a while, me and my bestie Evelyn tried to recreate today’s music video of the day every weekend.
This video is based on the 80s film, Earth Girls Are Easy. I haven’t ever watched Earth Girls Are Easy but it’s apparently about aliens who land on Earth and discover that the title is true. (So that’s why there’s been so many UFO sightings lately….) In this video, Iggy lands in Britney’s pool and gets an immediate makeover. In retrospect, this is kind of a sad video. Britney’s just so happy to have a friend come by. At the end of the video, Britney’s really excited to be taken to another world, one where she presumably will not be forced to live under anyone else’s rules and she’ll be free. I’m just happy that Britney and Iggy Azalea got to have some fun.
Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Half Nelson, which ran on NBC from March to May of 1985. Almost all nine of the show’s episodes can be found on YouTube!
The year was 1985 and actor/singer Joe Pesci was at an interesting place in his film career.
In 1980, Joe Pesci was nominated for Best Supporting Actor for his performance as Robert De Niro’s brother in Raging Bull. Raging Bull was Pesci’s second film and he earned critical acclaim for his performance as the second most angry member of the LaMotta family. In the years immediately following his first Oscar nomination, Pesci went on to play character roles in a handful of other films, including Dear Mr. Wonderful, Easy Money,Once Upon A Time In America, and Eureka. While no one could deny Pesci’s talent or his unique screen presence, it was also obvious that Hollywood wasn’t quite sure what to do with him. While Pesci was apparently high on everyone’s list when it came to playing gangsters with hair-trigger tempers, no one was willing to give Pesci a starring role.
Fortunately, television always has room for an Oscar nominee and, in 1985, Half Nelson came calling. Created by veteran television producers Glen A. Larson and Lou Shaw, Half Nelson was a detective show. Joe Pesci starred as Rocky Nelson, a tough New York cop who relocated to Los Angeles to pursue his acting career. While waiting for his big break, Rocky worked for Beverly Hills Security and lived in Dean Martin’s guest room. And when I say that Rocky was living in Dean Martin’s guest house, what I mean is that Dean Martin actually appeared on the show, playing himself.
NBC liked the idea enough to air the pilot film and then schedule the show as a mid-season replacement. Audiences were a bit less interested in the show and Half Nelson was canceled after only 8 weeks. Pesci went on to win an Oscar for Goodfellas and he never starred in another television show. Half Nelson would probably be forgotten if not for the fact that someone recently came across the opening credits on YouTube. When shared on Twitter, this video went viral as “the most 80s thing” ever created.
After I watched that video, I knew I simply had to review Half Nelson as soon as I finished up The Brady Bunch Hour. Fortunately, almost all of the episodes have been uploaded to YouTube so, for the next few weeks, I’ll be taking a look at HalfNelson, starring Joe Pesci!
Episodes 1 & 2 “The Pilot”
(Dir by Bruce Bilson, originally aired on March 24th, 1985)
Half Nelson begins in New York City, with NYPD’s finest, Detective Rocky Nelson (Joe Pesci), disguising himself as a waiter and sneaking into a mafia-owned restaurant. After punching out two guards, Rocky enters a backroom and discovers a group of guys with a lot of heroin. Rocky arrests them and becomes a hero. As Rocky explains in a voice-over, it’s the biggest drug bust in history. When Hollywood asks for the rights to the story, Rocky insists that he be allowed to audition for the lead role. Rocky quits the NYPD and heads out to Los Angeles. Rocky’s going to be a star!
And, at first, it seems like Rocky’s dream might actually come true. The film’s director (played by the veteran TV character actor, George Wyner) watches Rocky’s audition and announces that Rocky has the screen presence and talent of Al Pacino. Unfortunately, Rocky is also only 5’3. “You’re too short to play Rocky Nelson,” the director explains.
“But I am Rocky Nelson!” Rocky exclaims.
Despite the fact that Rocky’s telling the truth, it doesn’t matter. A tall British actor is cast in the film. As a dejected Rocky leaves the audition, he’s approached by a security guard who offers Rocky a job with Beverly Hills Patrol, a private security firm. Rocky’s skeptical until the security guard mentions that Rocky will get to live in Dean Martin’s guest house.
We jump forward six months. Rocky is now a trusted employee of Beverly Hills Patrol. When he’s not working as a bodyguard, he’s auditioning for roles. At the office, his boss is Chester (Fred Williamson) and the office manager is Annie O’Hara (Victoria Jackson). Chester is cool and all-business. Annie is flighty and has an obvious crush on Rocky. She also gives Rocky a pit bull named Hunk. Hunk is very loyal but also very quick to attack anyone who isn’t Rocky. I don’t know if a show could get away with a comic relief pit bull today but whatever. Hunk is a cute dog with a ferocious bark.
In just six months, Rocky has become surprisingly well-known in L.A. Some of that might be because he lives with Dean Martin. Martin appears in three scenes of the pilot and, to be honest, he definitely looks and sounds a bit worse for wear. Half Nelson was Dean’s final acting role. (He died ten years after the show was canceled.) But even though Dean was clearly not in the best shape when he appeared in the pilot, his natural charisma still shines through and there’s a lot of pleasure to be found in his scenes with Joe Pesci. For one thing, Pesci himself seems to be genuinely excited about acting opposite Martin.
Along with becoming friends with Dean Martin, Rocky has also befriended Parsons (George Kennedy), a Los Angeles police chief who is eager for Rocky to quit the Beverly Hills Patrol and to join the LAPD. Rocky turns down the offer, however. Rocky is done with police work. He’s going to be a star!
Of course, he’ll also find time to solve some crimes along the way.
For instance, in the pilot, Rocky investigates the death of his best friend and co-worker, Jerry (Nicholas Surovy). Parsons insists that all the evidence shows that Jerry murdered his girlfriend, Monika (Morgan Brittany), and then shot himself. However, Rocky doesn’t think Jerry would do something like that. When Jerry’s father (veteran screen actor Rory Calhoun) asks Rocky to find the people who killed his son, Rocky doesn’t have to be asked twice.
It turns out that Jerry and Monika were taking money from a tabloid magazine publisher (Terry Kiser). They had a video tape that would have been very embarrassing to some prominent Angelinos, including a businessman (Rod Taylor), a restauranter (Tony Curtis), a general (Mills Watson), an astronaut (Gary Lockwood), and a television executive (Bernie Kopell). Rocky assumes that the people on the tape ordered the murders but then he learns that, while the general did send two government agents to find the tape, he also made clear that no one was supposed to be killed. Instead, someone else who wanted the tapes committed the murders on his own.
Searching for the killer means that Rocky will have to assume many disguises and show off his acting skills. As an actor, he’s able to wander into the local movie studio and not only raid their wardrobe department but also borrow their cars. Over the course of the film, Rocky disguses himself as both a cowboy and a traffic cop. He also drives a Ferrari, a Cadillac, a jeep, a motorcycle, and KITT, the talking car from Knight Rider. (KITT, unfortunately, does not talk in Half Nelson.) On the one hand, the use of disguises is a little bit silly because Joe Pesci is always going to be Joe Pesci regardless of what costume he is wearing. The pilot’s silliest scene involves Rocky dressed up like a cop to confront two men who have been following him. Somehow, they fail to pick up on the fact that the 5’3 cop with the New York accent is the same 5’3 New Yorker who they’ve been tailing for the last few days. And yet, it’s one of those things that’s so ludicrous that you can’t help but think that the show was showing a bit of self-awareness and commenting on just how ludicrous most television shows tend to be.
Eventually, Rocky figures out that the killer is …. SPOILER ALERT …. Parsons! That’s right. The same police chief who kept offering Rocky a job with the LAPD turned out to be the murderer for whom Rocky was looking. What’s interesting is that, after realizing that Parsons is the killers, Rocky doesn’t arrest Parsons or attack him or do any of the other things that a typical TV detective might. And Parsons doesn’t try to flee or fight. Instead, the two men take a leisurely drive and talk about life, morality, and regret. Parsons talks about how he was once an honest cop but Los Angeles corrupted him. Rocky expresses some sympathy and says that he hates that he discovered that Parsons was the murderer. It’s a well-acted and surprisingly well-written scene. When Rocky asks Parsons about the murders, Parsons replies, “I had to empty my gun, just to drown out their screams.” (Yikes!) Parsons lets Rocky out of the car and tells him, “Don’t let them get to you, kid.” Parsons then drives the car over a cliff as Roberta and Chester (who have been tailing Parsons) run up to Rocky.
“Hard to believe that a man like that would kill himself!” Roberta says.
“That’s just the funeral,” Rocky replies as Parsons car explodes, “He died a long time ago.”
Wow, that’s dark! Fortunately, the mood is lightened during the show’s final scene, in which Rocky’s pit bull attacks boxer Larry Holmes.
The pilot for Half Nelson was nicely done. It set up the series and it gave us an introduction to the characters, which is exactly what a pilot is supposed to do. The cast showed off their chemistry and the final scene between Parsons and Rocky indicated that the show had the potential to be something more than just another mid-80s detective show. The pilot’s greatest strength, not surprisingly, was Joe Pesci. Pesci has played so many mobsters and crooked lawyers that it’s easy to forget what a likable actor he can be. The pilot featured Pesci at his most amiable and it also gave him a chance to show off his comedic timing. All-in-all, the pilot was a success and I could understand why NBC would have ordered more episodes after watching it.
But what about the series? Would the series live up to the promise of the pilot or would it just become another generic detective show? We’ll find out over the next 8 weeks!
Dealing with life and crimes of serial killer and cannibal Jeffrey Dahmer (played by Evan Peters), Dahmer premiered on Netflix last September and, despite not getting a lot of promotional push, it went on to become Netflix’s most-watched miniseries to date. I first tried to watch it in October. Then I tried again in November. And I tried a third time in January. All three times, I couldn’t make it through the first episode. The whole thing seemed so oppressively sad and dark that I couldn’t bring myself to stick with it. The image of Dahmer killing people in his ugly apartment and then drinking a beer while watching The Exorcist III was not an image that I wanted in my head.
This week, I decided to give the miniseries another shot. I did so for the most shallow of reasons. The Emmys are approaching and I don’t want to end up pulling a repeat of last year, where I had to scramble to somehow cram watching all of the possible contenders into a two-and-a-half week period. Because it’s a Netflix show and it’s a Ryan Murphy production and it portrays Dahmer has being the type of white male killer who could only thrive in a society shaped by systemic racism, Dahmer will probably be an Emmy contender. So, this week, I finally watched the entire miniseries.
Using the same jumbled chronology that sabotaged Ryan Murphy’s The Assassination of Versace, Dahmer tells the story of Dahmer, his crimes, and some of his victims. The first episode features Dahmer’s eventual arrest. The second, third, and fourth episodes give us a look at his childhood. The sixth episode tells the story of one of his victims. The remaining four episodes focus on the aftermath of Dahmer’s crimes. For the most part, the series is well-acted and it makes a convincing case that Dahmer could have been stopped if not for the biases and the incompetence of the Milwaukee police. That said, it’s also ten hours long and ten hours is a long time to spend mired in the darkness of Jeffrey Dahmer’s life and crimes. Much as with the second half of The Assassination of Versace, Dahmer gets bogged down by its refusal to trust the audience to be able to understand the show’s message. Any point that is made once in Dahmer will be made four more times, just to make sure that everyone picked up on it.
It’s a typical Ryan Murphy true crime production. While Murphy didn’t direct any of Dahmer’s ten episodes, he did produce and co-write the first four episodes. Both Murphy and Evan Peters have insisted that the show was not meant to make excuses for Dahmer. Murphy reportedly told the directors to make sure that the story was never told from Dahmer’s point of view and to keep the audiences on the outside looking in. To its credit, Dahmer doesn’t glorify him by portraying him as being witty, erudite, or in any way clever. As portrayed in this miniseries, Jeffrey Dahmer was an alcoholic loser who peaked in high school, despite the fact that he really wasn’t that impressive back then either.
But again, Dahmer is ten hours long and there are really only three episodes in which Dahmer is not the main character. Episode six is told from the point of view for Tony Hughes (Rodney Burford), who was one of Dahmer’s victims. Episode seven is told from the point of view of Glenda Cleveland (Niecy Nash), who was traumatized as a result of being Dahmer’s neighbor and who later became an activist on behalf of the families of Dahmer’s victims. In one of the many infuriating moments of the Dahmer saga, Glenda attempts to help one of Dahmer’s drugged victims, 14 year-old Konerak Sinthasomphone, just for the police to tell her to stay out of it before taking the 14 year-old back to Dahmer’s apartment. (Perhaps aware of how unbelievable that this scene will seem to some viewers, the show includes actual audio of the call that Glenda made to the police to check on what had happened to the child that she tried to save. As Glenda points out that the child was bleeding and obviously drugged, the police brusquely tell her to mind her own business.) Episode eight focuses on Lionel (Richard Jenkins), Dahmer’s guilt-stricken father. All of three — especially Richard Jenkins — give stand-out performances but it is ultimately Dahmer who dominates. Indeed, though the miniseries portrays Dahmer as being a compulsive killer, it still can’t resist portraying his grandmother as being a fundamentalist scold who won’t stop telling Dahmer that he needs to go to church. It still can’t resist portraying Dahmer’s first victim as being a homophobe. It still can’t resist a sequence depicting the execution of an unrepentant John Wayne Gacy, as if to argue, “At least Dahmer said he was sorry!” Intentional or not, the decision to put Dahmer at the center of the story does encourage the viewer to make excuses for him.
With the exception of the episodes centering on Tony Hughes and Konerak Sinthasomphone, it is hard not to feel that the documentary focuses on Dahmer at the expense of his victims. (It should be noted that Tony Hughes’s mother is among those who have been critical of the miniseries and its portrayal of Tony as being Dahmer’s “boyfriend” before his murder.) Until the end of the miniseries, we don’t find out the names of the majority of Dahmer’s victims and it largely feels like an afterthought.
In the end, the miniseries is overlong and, while it certainly doesn’t glorify him, it still occasionally falls into the trap of making excuses of Dahmer. The film ends by ruefully noting that, despite the efforts of Glenda Cleveland, no memorial has ever been built for the victims of Jeffrey Dahmer. This miniseries could have been that memorial if it had focused on them instead of on him.
As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter. I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie! Every week, we get together. We watch a movie. We tweet our way through it.
Tonight, at 10 pm et, #FridayNightFlix has got 1981’s Super Snooper!
Directed by Sergio Corbucci and starring Terence Hill and Ernest Borgnine, Super Snooper is the story of an amiable Florida cop who can do just about anything. The film is better known as Super Fuzz but, for some reason, Prime is going with Super Snooper. Whatever. We’re going to live tweet the Heck out of it, regardless of which title it’s under.
If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag! It’s a friendly group and welcoming of newcomers so don’t be shy.
Super Snooper is available on Prime and YouTube! See you there!
Today’s music video of the day is the atmospheric video for Raincatchers, by Birdy. This song is from Birdy’s upcoming album, Portraits, which will be released in July.