Late Night Retro Television Review: CHiPs 1.21 “Crack-Up”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983.  The entire show is currently streaming on Freevee!

This week, Ponch rides with Getraer!

Episode 1.21 “Crack-Up”

(Dir by Phil Bondelli, originally aired on March 9th, 1978)

After causing an accident that lands Officer Baker in the hospital, street racer and tow truck drive Niles (Joey Aresco) has a psychotic break and decides that he wants to put as many police officers in the hospital as possible.  He starts driving recklessly in his tow truck, all the better to get the attention of highway patrol officers.  Soon, Officer Grossman has joined Baker in the hospital.

Meanwhile, with his partner laid up, Ponch faces his greatest nightmare.  His temporary partner is none other than Sgt. Getraer!  Getraer tells Ponch that he expects Ponch to do everything by the book.  He expects Ponch to follow orders and observe official procedure.  Ponch, however, is more concerned with saving lives and getting results than following the book.  Ponch is a rebel!

And that’s fine, except for the fact that there’s never been anything about Erik Estrada’s performance that has ever made Ponch seem like he’s actually the rebel who everyone claims he is.  Estrada plays Ponch as someone who is quick to smile and quick to brag on himself and quick to get annoyed if a motorist doesn’t pull over for him.  In short, Estrada has always been convincing when he plays Ponch as being a jackass but far less convincing when it comes to convincing us that Ponch is a cop who deliberately breaks the rules for the greater good.

While Getraer and Ponch get on each other’s nerves, Baker lies in bed and insists that he’s ready to get back on his bike.  Wanda (Phyllis Diller), who is visiting her husband in the hospital, frequently stops by to tell jokes.  When I saw this episode was going to be co-starring Phyllis Diller, I cringed because CHiPs seems like the type of show that would screw something like that up.  But actually, Diller gives a really good performance as Wanda and her scenes were the best in the episode.  She told a lot of jokes but, as she admitted to Baker, she was only joking to distract herself from worrying about her husband.

In the end, things work out.  Baker gets back on his bike.  Getraer and Ponch come to respect each other.  And, eventually, Niles the mad mechanic is captured.  To be honest, it’s kind of weird that it took so long to capture Niles.  After Baker was injured, Niles called the police to say that someone has stolen his car an hour or so before.  He also got another mechanic, Ray (Gary Sandy), to lie and provide him with an alibi.  But then, Niles went driving around in his tow truck and that’s what he was driving when he injured Grossman.  So, really, a smart cop would have said, “Hey, that stolen car belonged to a tow truck driver and now, another office has been injured by someone driving a tow truck!  Maybe we should go talk to that guy again….”

This episode was better than I was expecting, largely due to Phyllis Diller and the comedic interplay between Officers Grossman and Baker.  As always, the California scenery was the real star of the show and the state looked lovely.

Streets of Ghost Town (1950, directed by Ray Nazarro)


Years ago, Bill Donner (George Cheseboro) double-crossed the other members of the Selby Gang and ran off with all of their stolen gold.  Now, Donner is blind and half-crazy.  When he says that he hid the gold in the ghost town of Shadeville, the Durango Kid (Charles Starrett), Smiley Burnette, and Sheriff Dodge (Stanley Andrews) ride off to find it.

Shadeville is long abandoned and, as the three men spend the night in a deserted saloon, Smiley is worried about ghosts.  The Durango Kid tells the story of the first time he met the Selby Gang.  The next morning, they discover that they are not the only ones who have come to Shadeville to look for the gold.

Like many of the later Durango Kid movies, Streets of Ghost Town is mostly made up of stock footage to Starrett’s earlier films.  This was a cost-cutting technique on the part of Columbia Pictures but it actually works because the flashbacks were always to the horse chases and the gunfights that the audience came to see in the first place.  In the days before home video and cable, those scenes were probably still new to many of the people sitting in the theater.

Starrett always made for a good hero and Smiley Burnett’s comic relief never took away from the films’s storylines.  This outing features a great scene where Durango shoots a skull in the dark just to let anyone watching him know that he’s a good shot.  I also enjoyed George Cheseboro’s manic performance as a man who really loves his gold.  Despite all of the stock footage, Streets of Ghost Town is still an above average Durango Kid film, predictable but entertaining if you’re a fan of the genre.

Retro Television Review: Miami Vice 2.9 “Bushido”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

This week, a man from the past returns to haunt Castillo.

Episode 2.9 “Bushido”

(Dir by Edward James Olmos, originally aired on November 22nd, 1985)

This week’s episode opens with yet another intricately plotted drug bust going awry.  This time, a dealer ends up dead, a DEA Agent ends up knocked out and tied up in a bathroom, and $50,000 goes missing.  Watching the tapes of the bust, Castillo is shocked to spot a familiar face on the scene.  Castillo says that Jack Gretsky (Dean Stockwell) was his partner when he was working for the CIA in Vietnam.  Gretsky has long been thought dead but there he is, on tape and ruining Castillo’s bust.

Realizing that Gretsky was sending him a message, Castillo decides to deal with the situation personally.  After visiting two CIA agents (Jerry Hardin and Tom Bower) who work out of an adult novelty shop, Castillo tracks Gretsky down to a Buddhist temple.  The two of them talk.  Gretsky reveals that he’s married to a Russian woman and that he has a son.  He asks Castillo to watch over them if anything happens to him.  The stoic Castillo agrees and then gives Gretsky a hug.  Castillo says that he has to arrest Gretsky.  Gretsky says he knows and then pulls a machine gun, forcing Castillo to kill him.  The CIA agents are happy to no longer have to deal with Gretsky.

A day later, the coroner’s office calls Vice and says that Gretsky was terminally ill with cancer and probably only had a few days left to live.  When Crockett and Tubbs go to tell Castillo, they find his badge and a note sitting in the office.  Castillo is fulfilling Gretsky’s final wish and protecting his wife (Natasha Schneider) and his son, Marty (Robin Kaputsin).  Castillo sees it as being a part of the samurai code by which he lives his life.  Meanwhile, a rogue CIA agent named Surf (David Rasche, giving a wonderfully unhinged performance) is working with the KGB to track down Gretsky’s family.

Directed by Edward James Olmos, Bushido is a wonderfully odd episode.  With a combination of skewed camera angles and deliberately eccentric performances from Dean Stockwell and David Rasche, this episode plays out with the relentless intensity of a fever dream.  (The opening drug bust even features Zito burying himself in the sand and using a straw to breathe until its time to emerge and knock out one of the bad guys.  It’s weird but it’s great.)  Olmos contrasts Castillo’s trademark stoicism with the more verbose characters played by Stockwell and Rasche and, as a result, Castillo emerges as an honorable man who hides his emotions because he knows that’s the only way to survive in his world.  To fall in love like Jack or to get cocky like Surf can only lead to one’s downfall.

After a few uneven episodes, Bushido is a nice reminder of what Miami Vice was capable of at its best.

Monday Live Tweet Alert: Join Us For Aftershock!


As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasion ally Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie!  Every week, we get together.  We watch a movie.  We snark our way through it.

Tonight, for #MondayActionMovie, the film will be 1990’s Aftershock!  Selected and hosted by Rev. Magdalen, this movie is about life after an eclipse!  So, you know it has to be good!

It should make for a night of fun viewing and I invite all of you to join in.  If you want to join the live tweets, just hop onto Mastodon, pull up Aftershock on YouTube, start the movie at 8 pm et, and use the #MondayActionMovie hashtag!  The live tweet community is a friendly group and welcoming of newcomers so don’t be shy.   

Song of the Day: Brain Damage/Eclipse by Pink Floyd


I was torn about whether or not to listen to Pink Floyd’s Dark Side of the Moon during the eclipse because — bleh! — Roger Waters. But then I remembered that the other members of the band hate Roger Waters as well and I was able to use that to justify things. I mean, seriously, some things are just made for eclipses and that’s certainly true of the somewhat silly and portentous but still effective Dark Side of the Moon.

(Silly, portentous, and effective is also a good description of Pink Floyd as a whole.)

So, with that in mind, here is today’s special Eclipse Day song of the day. Actually, I guess I should say that these are today’s songs of the day because technically, they are two separate songs. But they might as well be two.

Scenes I Love: The Trip from A Field In England


Happy Eclipse Day!

In honor of the eclipse that I will probably not be able to see because of the clouds and the rain, today’s scene that I love comes from 2014’s A Field In England.  This film may (or may not) take place during a solar eclipse.  I won’t try to explain everything that is happening in the scene, beyond stating that this particular field in England is home to some interesting mushrooms.  I encourage you see to watch the film for yourself.

Mia Goth and Ti West take us to 1985 in the MaXXXine Trailer!


The X trilogy kind of snuck up on everyone. The end of March 2022’s “X” gave us a sneak peek at Pearl, which ended up releasing later in theatres that same year. Now, director Ti West and actress Mia Goth are closing the loop with MaXXXine, which arrives in theatres this summer.

MaXXXine is a direct sequel to X, with our heroine still wanting to be a major star after the events of the first film. Though she may not realize it, Maxine has a lot in common with Pearl, and those elements may put her into some dark circles.

MaXXXine also stars Kevin Bacon, Halsey, Bobby Cannavale, Elizabeth Debicki, Lily Collins, Giancarlo Esposito, and Michelle Monaghan.

Music Video of the Day: Eclipse by Robert Koch, featuring Julian Marchal (2016, dir by Mickael Le Goff)


Happy Eclipse Day to all who celebrate!

The prediction down here is that it’s going to be cloudy and rainy today so we probably won’t have the best view of the eclipse.  That’s okay, though.  I’m always tempted to look straight at the sun during an eclipse and, apparently, that’s one reason why my eyesight gets worse with each passing year.  My friend Tammy says that it doesn’t matter because it will still get dark so we’ll know the eclipse is happening, even if we can’t see it.

Where as I?

Oh yeah …. enjoy!