The Shattered Lens Live Tweets Oscar Sunday


Oscar Sunday started like any other Sunday.

Some members of the TSL Team were less concerned with the Oscars than others:

That said, when the ceremony did start, we had some opinions:

6 Actresses Who I Hope Will Win An Oscar In The Next Ten Years


Continuing the theme from my previous post, here are 6 actresses who I sincerely hope will have won their first competitive Oscar by the time that the 2033 ceremony rolls around.

  1. Aubrey Plaza

With her recent performances in Emily the Criminal, Black Bear, and Ingrid Goes West, Plaza has established herself as one of the most interesting actresses working today.  She’s willing to take risks that other performers are not and, in a perfect world, she would have been rewarded with several nominations to her name.

2. Anna Kendrick

I guarantee that Anna Kendrick would give one of the best acceptance speeches ever.  Add to that, we already know that Anna Kendrick deserved to win for Pitch Perfect so, at this point, the Academy owes her an Oscar.  Get with it, Academy!

3. Thomasin McKenzie

Thomasin McKeznie deserved to be nominated for her poignant performance in Leave No Trace and she seems destined to win an Oscar someday, perhaps for one of her two upcoming films, Eileen and Perfect.  Because of her role in Leave No Trace, a lot of critics have compared McKenzie to Jennifer Lawrence.  Personally, I think she has more in common with Saoirse Ronan.  Like Ronan, McKenzie is one of those performers who seems to disappear into each role she plays and who brings a lot of conviction to each part, even when she’s appearing in something as silly as M. Night Shyamalan’s Old.  When you can give an award-worthy performance in something like Old, that means they’re going to have to give you an Oscar at some point.

4. Kirsten Dunst

Kirsten received her first Oscar nomination for Power of the Dog and, if the film had been a bit stronger, I imagine she probably would have won.  Hopefully, both she and Jesse Plemons will get a second chance to take home an Oscar.  It’s hard to think of another actress who plays depression with as much honesty as Kirsten Dunst.

5. Emily Blunt

Every year, I put Emily Blunt on this list.  I’m kind of amazed that she has yet to even be nominated, not even for Looper or A Quiet Place.  (Okay, neither one of those films were traditional Oscar films but she was brilliant in both of them.) She seems destined to be recognized eventually.  It’s just a question of when.

6. Lindsay Lohan

I hear you laughing but listen, everyone loves a good comeback story.  That’s especially true when it come to bloggers who spend all of their time trying to figure out a way to make the Oscars seem more exciting than they are.  Obviously, Lindsay’s not going to win an Oscar for appearing in a Netflix Christmas film but who knows?  Maybe someone will take a chance on her like the Safdies did when they cast Robert Pattison in Good Time and Adam Sandler in Uncut Gems.  Add to that, with Rachel McAdams and Amanda Seyfried having been recently nominated, it’s time for the Academy to show some love to the rest of the cast of Mean Girls.  

6 Actors Who I Hope Will Win An Oscar In The Next Ten Years


We talk a lot about which performers and directors have been snubbed at Oscar time.

For movie lovers, that’s an important subject. We all know that great actors like Peter O’Toole, Cary Grant, Albert Finney, and far too many others all went to their graves with several nominations but not a single competitive Oscar to their name. Just a few years ago, Kirk Douglas died at the age of 103 without having ever won a competitive Oscar.  We always talk about how certain actors are overdue for their first Oscar but sometimes we forget that being overdue doesn’t always translate into an eventual win. Sometimes, it translates into people watching a movie on TCM and saying, “How did that person never win an Oscar in their lifetime?”

With that in mind, here are 6 actors who I sincerely hope will have won their first Oscar by the time that 2033 rolls around:

  1. Caleb Landry Jones

Caleb Landry Jones is one of the masters of playing the type of eccentric characters who can be both dangerous and yet oddly sympathetic.  (One always get the feeling that Jonses’s characters are haunted by demons that they simply cannot control.)  He’s like a Texas-version of Ben Foster.  This year, he deserved a nomination for his devastating work in Nitram.  Hopefully, he’ll get that first nomination and his first Oscar in the years to come.

2. Steve Carell

Steve Carell was nominated for Best Actor for playing against type in Foxcatcher.  I’m always a little bit surprised to be reminded that Foxcatcher is, to date, Carell’s only Oscar nomination.  Part of the problem for Carell is that he’s so well-known for being a comedic actor that it’s easy to forget that he can handle dramatic roles as well.  (The Academy still has a bias against comedy.)  Another part of the problem is that some of Carell’s best performances have been in films that were otherwise underwhelming, like Beautiful Boy.  Here’s hoping that Carell finally finds the right role and the Academy takes notice.  By most accounts, he is one of the nicest guys in the business and I’m sure his acceptance speech would bring us all to tears.

3. Jesse Plemons

The heir to Philip Seymour Hoffman received his first Oscar nomination for The Power of the Dog.  He didn’t win but at least the Academy acknowledged that Plemons is one of the best character actors around.  This year, he has a starring role in Martin Scorsese’s Killers of the Flower Moon.  Though most of the early publicity has focused on Leonardo DiCaprio and Robert De Niro, it’s said that Plemons is actually the film’s main character so it will be interesting to see if the Academy again takes notice.

4. Matt Damon

Matt Damon actually does have an Oscar, for co-writing Good Will Hunting.  Still, it seems odd that Damon has yet to pick up an Oscar for acting.  It seems even stranger that he’s only been nominated three times, for Good Will Hunting, Invictus, and The Martian.  (I will still always be amazed that Damon wasn’t even nominated for Steven Soderbergh’s last truly good film, The Informant.)   There’s strong buzz around Air, though the film’s April release might mean that it’ll be out of the awards conversation by the time the precursor season starts in December.

5. Paul Dano

Paul Dano’s another really good actor who has somehow never been nominated, not even for The Fabelmans!  That said, it’s hard not to believe that Dano will be honored more sooner than later.

6. Brendan Gleeson

Gleeson actually could be an Oscar winner by the end of tonight.  If not, I hope he gets another chance soon.  He’s one of the best character actors around and it’s somewhat amazing that his nomination for The Banshees of Inisherin, while being very deserved, was also the first of his career.

6 Directors Who I Hope Will Win An Oscar In The Next 10 Years


6. Todd Field

Todd Field has only directed three films over the past 23 years but all three of them have been outstanding.  In The Bedroom is a film that grows in power with each subsequent viewing.  Unfairly overlooked when it was originally released, Little Children is the film that movies like American Beauty and Revolutionary Road can only pretend to be.  And finally, TAR is a film that will probably still be remembered after most of the other best picture nominees have been forgotten.

Todd Field received an Oscar nomination for his work on TAR so, technically, he could be an Oscar winner by the end of tonight.  Realistically, though, it appears that The Daniels have got the award sewn up and Field will have to wait for another opportunity.  I just hope that it doesn’t take Field another 16 years to film a follow-up to TAR.

Here are 5 other directors who I hope win an Oscar over the next ten years!

5. Joseph Kosinski

This year, Kosinski deserved a nomination for his work on Top Gun: Maverick.  He didn’t receive one, largely because Top Gun Maverick was viewed as being more of a Tom Cruise movie than a Joseph Koskinski movie.  While Cruise undoubtedly played a huge role in Maverick’s production, I think it’s a mistake to overlook the fact that Kosinski did a great job directing the film, respectfully paying homage to the visual style of the first film while also adding his own little quirks.  With the wrong director, Maverick could have come across like a vanity project for an aging star.  Under Kosinski’s direction, it was a terrific crowd-pleaser and one of the best of the year.

4. Robert Eggers

Robert Eggers seems destined to someday win an Oscar.  The Witch, The Lighthouse, and The Northman were all films that could have fallen apart with the wrong director at the helm.  Instead, Eggers was able to turn each one into a succes d’estime.  Eggers will undoubtedly get his chance to add Oscar winner to his resume, probably sooner than later.

3. Paul Schrader

The acceptance speech would be legendary.

2. Michael Bay

Ambulance was good!  I’m slowly coming around to Michael Bay.  Movies have become so self-important lately that it’s kind of hard not to appreciate Michael Bay’s refusal to treat them as being anything other than an excuse to blow stuff up and have a good time.  Plus, Michael Bay winning an Oscar would lead to an epic meltdown on the part of Film Twitter and who doesn’t want to witness that?

  1. Debra Granik

Granik is responsible for two of the best films of the last 15 years, Winter’s Bone and Leave No Trace.  Both of these films took a sympathetic look at life on the fringes of conventional society and both of them introduced an exciting new talent to viewers, Jennifer Lawrence in Winter’s Bone and Thomasin McKenzie in Leave No Trace.  Granik is one of those directors who tends to take her time between feature film projects but I still can’t wait to see what she does next!

Welcome to Oscar Sunday!


oscar trailer kitties

Happy Oscar Sunday!

Today is an unofficial holiday among the humans.  Today is the day that rich people give awards to other rich people and a few other people watch on TV, hoping that someone will slap someone else!

Have a wonderful Oscar Sunday and be sure to remember: awards don’t make a film great.  Greatness makes a film great!

Plus, how can you take any awards show seriously when there’s no category for Best Animal Performance?  This year’s winner?  Jenny the Donkey of The Banshees of Inisherin!

The Cat has spoken.

Enjoy the Oscars on ABC at 7 eastern/4 pacific!  And check back on the Shattered Lens for a whole day of Oscar-related stuff (and maybe some non-Oscar related stuff as well!)

Music Video of the Day: Is Everybody Happy by David Hasselhoff (1989, dir by ????)


Seriously, we are so lucky to have the Hoff.

Is everybody happy?  Well, it is Oscar Sunday so some people will be very happy but even more people are going to be bitterly disappointed that they are not going to get to go home with an Oscar.  I’m not particularly enthused about sitting through the Jimmy Kimmel-hosted ceremony but I am happy that, after all the build-up, we have finally reached the Big Day!

This is going to be a big day here at TSL.  I’m looking forward to it!

Set the mood, Hoff!

Enjoy!

Lisa Marie’s Week In Television: 3/5/23 — 3/11/23


Here’s just a few thoughts on what I watched this week:

Abbott Elementary (Wednesday Night, ABC)

Now, I want to play Drought.

Accused (Tuesday Night, FOX)

After missing the previous two episodes, I caught the latest episode of Accused on Tuesday night.  Whitney Cummings played a comedian who was a raped by another comedian.  Mary Lynn Rajskub played the clingy fan who offered support but who later turned out to be dangerous in her own way.  This episode was a bit overwritten, which tends to be a problem with many anthology shows.  But it was saved by the excellent performances of Rajskub and Cummings.

American Idol (Sunday Night, ABC)

The auditions moved to Nashville!  A lot of talented singers made it through to Hollywood but …. eh, I don’t know.  The best singers are usually the ones who may not be technically perfect but who bring their own individual personality to their performances.  So far, there hasn’t been much personality this season.  Everyone’s a bit too polished and the judges already seem to know who is going through before they ever hear one note.  I guess I’m old-fashioned as far as my reality show preferences go.  I don’t care how tragic your life has been or what your family is like.  I just care about whether or not you’re an interesting and entertaining performer.

The Bachelor (Monday Night, ABC)

Eh.  Who cares?

Bar Rescue (Weekday Mornings, Paramount)

I watched two episodes on Wednesday morning.  Both featured bars that were so disgusting and filthy that it made me happy to be a non-drinker.  The second episode that I watched actually featured the bar’s cook taking a bath in the dishwashing area.  BLEH!  That was not exactly something I needed to see.

Bubblegum Crisis (Night Flight Plus)

I have no idea what was actually happening in this animated series from Japan but the imagery was nice and a lot of things blew up.

Court Cam (Weekday Mornings, A&E)

I watched two episodes on Wednesday.  Angry defendants were making trouble.  Dan Abrams breathlessly narrated every single event.  One defendant attacked his own lawyer.  I’m going to assume that someone else probably handled his appeal after he was convicted for that.

Farmer Wants A Wife (Wednesday Night, FOX)

Apparently, this show is 1) based on a British program and 2) also a reboot of a show that aired on the CW way back in 2008.  Basically, a bunch of city girls compete for the chance to marry four farmers.  The  dramatic high point of the first episode came when the farmers had to ask each girl, “Do you want to come back to my farm?” and the women were then given the choice to say yes or to walk out.  Only one girl walked out.  Everyone else was like, “I’d love to go back to the farm with you!”  This show felt a lot like Burning Love, the brilliant and much-missed parody of The Bachelor franchise.

I enjoyed the first episode, though.  With The Bachelor a bit of a bore this season, Farmer Wants A Wife might temporarily replace it as my new guilty pleasure show.  I’m always torn between my love of the city and my nostalgia for the country so this is a show to which I can relate.  Plus, the farmers are all handsome and strong and they don’t look like the types to spend a lot of time crying about the state of the world.  This show brings out my country girl side.  I think my accent got a hundred times more Southern while I was watchin’ it.

Ghosts (Thursday Night, CBS)

This week’s episode was great.  I hope Matt Walsh makes a guest appearance every season.

Jared From Subway (Monday Night, ID)

This three-hour documentary detailed, in repulsive detail, the crimes of Jared Fogle and his associate, Russell Taylor.  On the one hand, it did a good job of showing how America’s cult of celebrity allowed Jared to flourish.  On the other hand, Rochelle Herman, the journalist who first recorded Jared talking about his desires, often came across as being more concerned with promoting herself than anything else.  Between the use of blurry reenactments and the people who were interviewed solely so they could talk about how “beautiful” Rochelle was, the documentary was occasionally its own worst enemy.

The New Wave Theatre (Night Flight Plus)

I watched an episode of this 80s cable access show on Saturday morning.  The music was good and loud.

Night Court (Tuesday Night, NBC)

Abby is all excited because her favorite podcast host is in the court to serve as a witness.  Abby thinks that the going-ons at the court would make a great podcast!  The host, however, only wants to interview Dan.  Dan talks about running for the city council in the 80s and bribing people to vote.  “It was hard to get people to vote in the 80s,” Dan says, “there were other things to do …. like cocaine!  Plus, Pac-Man had just come out and that was the perfect surface on which to do cocaine.”  Okay, that made me laugh.  The rest of the episode was fairly forgettable.  The problem is that Dan is the only consistently well-written character and John Larroquette so completely dominates the show that it’s hard not to kind of resent having to spend time with any of the other characters.

Night Flight (Night Flight Plus)

On Friday, I watched an episode from the early 80s.  It was about erotic imagery in music videos.  Prince and Madonna were heavily featured.

Poker Face (Thursday Night, Peacock)

Though it took me a month and a half to get around to it, I finally watched the first episode of Poker Face on Tuesday night. I resisted because the commercials (“Meet Charlie Cale, you’re going to like her.”) annoyed me and the show’s creator Rian Johnson is undeniably talented but also makes films that occasionally seem to be a bit too impressed with their own cleverness. However, Poker Face has been critically acclaimed since it premiered and I do like Natasha Lyonne and Benjamin Bratt so I decided to finally give the show a chance.

The first episode was set in Nevada and set up the premise of the series. Lyonne stars as Charlie, who has the ability to tell whenever anyone is lying. Over the course of the episode she discovered that her boss (played by Adrian Brody) was a liar and, after his suicide, she had to go on the run. The episode looked great. I loved the sight of Charlie’s little trailer sitting in the desert and I also liked the contrast between the opulent casino and the messy house where the episode’s murder actually took place. Plotwise, it suffered from a problem that is typical of pilots in that it tried to cram too much information into a limited amount of time. That said, it held my interest and Natasha Lyonne was sympathetic and likable as Charlie. I did find myself wishing that Charlie would cut down on the alcohol but I guess that’s what people do when they’re stuck in a go-nowhere situation. They drink to dull the pain.

The second episode was set in New Mexico and featured Charlie not only solving the murder of a Subway employee who had just won the lottery but also proving that a trucker was not a murderer.  The mystery itself wasn’t that interesting (and really, since both episodes opened with showing us the murder being committed, it technically really wasn’t a mystery) but, again, the episode was entertaining due to Lyonne’s performance.  Since this show is apparently going to reveal the identity of the murderer at the start of each murderer and then show how Charlie eventually learns the truth, it’s important that the lead character be likable and interesting.  As much as I hate to admit it, the commercials were right.  I like Charlie Cale.

South Park (Wednesday Night, Comedy Central)

“Written by Trey Parker and ChatGPT.”

I loved this week’s episode, mostly because it confirmed that ChatGPT is going to eventually transform the world into a cold, barren place where people have no appreciation for art or literature.  It’s not a happy vision of the future but at least we’ve been warned so it won’t be too much of a shock.

Survivor (Wednesday Night, CBS)

I wrote about the latest episode of Survivor at the Reality TV Chat Blog!

Here Are The 2022 Razzie Results


Ugh.  I hate the Razzies.  Blonde was pretty bad, though.  I don’t agree with Tom Hanks as Worst Supporting Actor, though.  Tom Hanks’s performance may have been strange but it was appropriate for Elvis.

Anyway, here are the results:

Worst Picture
WINNER: Blonde
Disney’s Pinocchio
Good Mourning
The King’s Daughter
Morbius

Worst Actor
Colson Baker (aka Machine Gun Kelly) / Good Mourning
Pete Davidson (Voice Only) / Marmaduke
Tom Hanks (as Gepetto) / Disney’s Pinocchio
WINNER: Jared Leto / Morbius
Sylvester Stallone / Samaritan

Worst Actress
WINNER: The Razzies*
Bryce Dallas Howard / Jurassic Park: Dominion
Diane Keaton / Mack & Rita
Kaya Scodelario / The King’s Daughter
Alicia Silverstone / The Requin

*The Razzies withdrew 12-year-old Firestarter star Ryan Kiera Armstrong’s nomination after sparking controversy online and nominated itself in the category.

Worst Remake/Rip-off/Sequel
Blonde
BOTH 365 Days sequels — 365 Days: This Day and The Next 365 Days [a Razzie BOGO]
WINNER: Disney’s Pinocchio
Firestarter
Jurassic World: Dominion

Worst Supporting Actress
WINNER: Adria Arjona / Morbius
Lorraine Bracco (voice only) / Disney’s Pinocchio
Penélope Cruz / The 355
Fan Bingbing / The 355 and The King’s Daughter
Mira Sorvino / Lamborghini: The Man Behind the Legend

Worst Supporting Actor
Pete Davidson (cameo role) / Good Mourning
WINNER: Tom Hanks / Elvis
Xavier Samuel / Blonde
Mod Sun / Good Mourning
Evan Williams / Blonde

Worst Screen Couple
Colson Baker (aka Machine Gun Kelly) and Mod Sun / Good Mourning
Both Real Life Characters in the Fallacious White House Bedroom Scene / Blonde
WINNER: Tom Hanks and His Latex-Laden Face (and Ludicrous Accent) / Elvis
Andrew Dominik and His Issues With Women / Blonde
The Two 365 Days Sequels (both released in 2022)

Worst Director
Judd Apatow / The Bubble
WINNER: Colson Baker (aka Machine Gun Kelly) and Mod Sun / Good Mourning
Andrew Dominik / Blonde
Daniel Espinosa / Morbius
Robert Zemeckis / Disney’s Pinocchio

Worst Screenplay
WINNER: Blonde / Written for the screen by Andrew Dominik, adapted from the bio-novel by Joyce Carol Oates
Disney’s Pinocchio / Screenplay by Robert Zemeckis and Chris Weitz (not authorized by the estate of Carlo Collodi)
Good Mourning / “Written” by Machine Gun Kelly and Mod Sun
Jurassic World: Dominion / Screenplay by Emily Carmichael and Colin Trevorrow, story by Trevorrow and Derek Connolly
Morbius / Screen story and screenplay by Matt Sazama and Burk Sharpless

Lisa Marie’s Final 2022 Oscar Predictions


Since the Oscars are now 24 hours away, I guess it’s time for me to make my final predictions as to how the show will go on Sunday.

Best Picture — Everything Everywhere All At Once

Best Director — The Daniels for Everything Everywhere All At Once

Best Actor — Brendan Fraser in The Whale

Best Actress — Michelle Yeoh in Everything Everywhere All At Once

Best Supporting Actor — Ke Huy Quan in Everything Everywhere All At Once

Best Supporting Actress — Angela Bassett in Black Panther: Wakanda Forever

Best Original Screenplay — Everything Everywhere All At Once

Best Adapted Screenplay — Women Talking

Best Animated Feature Film — Marcel The Shell With Shoes On

Best International Feature Film — All Quiet On The Western Front

Best Documentary Feature — Nalvany

Best Documentary Short Subject — Stranger At The Gate

Best Live Action Short Film — The Red Suitcase

Best Animated Short Film — My Year of Dicks

Best Original Score — The Banshees of Inisherin

Best Original Song — Naatu Naatu from RRR

Best Sound — Top Gun: Maverick

Best Production Design — Babylon

Best Cinematography — Elvis

Best Makeup and Hairstyling — The Whale

Best Costume Design — Babylon

Best Film Editing — Top Gun: Maverick

Best Visual Effects — Avatar: The Way of Water

We’ll see how accurate I am tomorrow!