Yearly Archives: 2022

Retro Television Review: One World 3.3 “The Two Year Itch” and 3.4 “The Race Car”

Posted on by Lisa Marie Bowman

Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past!  On Fridays, I will be reviewing One World, which ran on NBC from 1998 to 2001.  The entire show is currently streaming on Tubi!

The Cast of One World

This week, Jane makes a new friend and Cray gets a new car!  That’s life when you’re living in one world.

Episode 3.3 “The Two Year Itch”

(Directed by Mary Lou Belli, originally aired on October 7th, 2000)

Early on in this episode, Sui’s purse is stolen.

“My life was in that purse!” Sui says.

“You mean like your money and your ID card?” Marci says.

“No, I mean my gum!”

This is a joke format that One World used quite frequently and it always felt incredibly awkward.  It’s certainly not a reflection of how real people talk.  Perhaps that’s understandable, given that this is a TNBC show.  But One World was also meant to be edgy and realistic, a step away from the silliness of Saved By The Bell.  The show’s combination of corny jokes and real world issues was strange at best and cringey at worst.

As for the rest of this episode, it follows Jane as she tracks down Jessie, the runaway who stole Sui’s purse.  It turns out that Jessie is a homeless teenager who is struggling to survive, just as Jane once was.  Jessie has an attitude, just like Jane once did.  Jane decides to take Jessie home with her.  Jane arranges for Jessie to crash in the hippie van that the family refurbished last season but Jane also goes out of her way to try to keep the Blakes from discovering that Jessie is there.  Why?  Because this is a stupid show.

Anyway, the Blake kids see Jane sneaking around and keeping secrets and they decide that she must be on drugs.  An attempted intervention leads to the Blakes discovering that Jessie has been living in the van.  Jessie runs away but later, she decides to go to social services and “enter the system” so she can find a family like Jane’s.  It’s a good thing that the American foster system is known for being efficient and well-managed.

In the B-plot, Cray is selected to appear in an orange juice commercial.  Cray becomes totally focused on getting an agent and pursuing a show biz career.  Dave asks Cray why he’s behaving like this and asks, “Why can’t you just rob a liquor store like other child actors?”  In all fairness, Brandon Baker is actually kind of funny as he lets fame go to his head.  But again, he gets tripped up by One World‘s dumb joke structure.  When he finds out that he’s being replaced as the spokesman for the orange juice company, we get this gem:

“You are being replaced.”

“By a big star?”

“By JoJo the Wonderchimp.”

Seriously …. So.  Cringey.

Episode 3.4 “The Race Car”

(Directed by Mary Lou Belli, originally aired on October 14th, 2000)

The Warehouse, Miami’s “hottest under-21 club,” is holding a contest.  Whoever can keep their hand on a car for the longest amount of time wins it!  Cray wins the car, despite the fact that Marci is assistant manager of the Warehouse and Cray should have been disqualified for being a relative.  Since Cray is only 13, he needs to find someone to drive him around all the time.  St. Neal refuses to do it.  Ben can’t do it because his license is suspended because he keeps parking in handicap spots.  (The audience laughs, even though it’s really not funny.)

Jane agrees to drive Cray around but Jane also leaves the keys in the car.  When Neal and Ben decide to take the car for a joyride, they get approached by a cop who demands to know if they own the car.  When Neal attempts to explain that the car belongs to his “little brother,” the cop accuses Neal of being a gang member and arrests him.  When Ben attempts to explain that Neal is not in a gang, he gets arrested as well.

While Neal and Ben languish in jail, Sui and Marci get ultracompetitive over a tennis game and opening up a jar of pickles.  Naturally, Sui is the ultimate winner because Sui is the coolest character ever.

During this episode, Karen mentioned several times that she was pregnant.  This was a plot development that I has forgotten and, from the amount of times that it was mentioned during this episode, I’m guessing the writers had only recently remembered it as well.

The episode ends with Neal telling off the racist cop while also defending good cops and making it clear that the bad cop was just an aberration, which is the type of ending that would get this show slammed by the AV Club today.  Back in 2000, though, the audience loved it.

Here Are The AFI’s Top Ten Films of 2022!

Posted on by Lisa Marie Bowman

Earlier today. The American Film Institute announced their picks for the top ten films and television shows of 2022.  Over the past few years, the AFI has been one of the most reliable of the award precursors. 

Usually, there’s just one or two films on the AFI list that doesn’t make it into the Best Picture lineup.  This year, I would expect Nope to be replaced by The Banshees of Inisherin.  (Banshees, being an Irish film, was not eligible for the AFI list but it did receive a special award.)  I’m also not totally sold on The Woman King as a best picture contender, though I’m a bit less sure about which film replace it.  Glass Onion, maybe?  Guillermo Del Toro’s Pinocchio?

Being included on the list is definitely good news for She Said, which was in danger of being forgotten after its disastrous box office performance.

Here are the lists:

AFI Movies of the Year
“Avatar: The Way of Water” (20th Century Studios)
“Elvis” (Warner Bros.)
“Everything Everywhere All at Once” (A24)
“The Fabelmans” (Universal Pictures)
“Nope” (Universal Pictures)
“She Said” (Universal Pictures)
“Tár” (Focus Features)
“Top Gun: Maverick” (Paramount Pictures)
“The Woman King” (Sony Pictures)
“Women Talking” (MGM/United Artists Releasing)

AFI Television Programs of the Year
“Abbott Elementary” (ABC)
“The Bear” (FX)
“Better Call Saul” (AMC)
“Hacks” (HBO Max)
“Mo” (Netflix)
“Pachinko” (Apple TV+)
“Reservation Dogs” (FX)
“Severance” (Apple TV+)
“Somebody Somewhere” (HBO)
“The White Lotus” (HBO)

AFI Special Award
“The Banshees of Inisherin” (Searchlight Pictures)

Live Tweet Alert: Join #FridayNightFlix for Young Sherlock Holmes!

Posted on by Lisa Marie Bowman

 

As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, I will be hosting #FridayNightFlix!  The movie? 1985’s Young Sherlock Holmes!

Everyone had to start somewhere!

If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  I’ll be there tweeting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy.

Young Sherlock Holmes is available on Prime and Paramount!  See you there!

Here Are The Sequel-Dominated 2022 Satellite Nominations!

Posted on by Lisa Marie Bowman

The Satellite nominations were announced on Thursday morning. 

What are the Satellites?  For years, they were like a less important version of the Golden Globes.  However, considering all of the recent controversy that has surrounded that Hollywood Foreign Press and the Golden Globes, it wouldn’t surprise me if, in a few years, the International Press Academy and the Satellites became Hollywood’s new favorite shady precursor group.

Like the Globes, the Satellites hand out awards for both film and television.  Below, you’ll find their film nominations.  If you want to see their TV nominations, Next Best Picture has got you covered.

Here are the Satellite noms for 2022!  To me, perhaps the most interesting thing about the nominations is that many of the biggest contenders — Glass Onion, Top Gun: Maverick, Black Panther: Wakanda Forever, Avatar: Way of the Water — are sequels.  It’ll be interesting to see if the Academy follows suit.

ACTRESS IN A MOTION PICTURE DRAMA
Jessica Chastain – The Good Nurse (Netflix)
Cate Blanchett – TÁR (Focus Features)
Michelle Williams – The Fabelmans (Universal Pictures)
Danielle Deadwyler – Till (United Artists Releasing)
Vicky Krieps – Corsage (IFC Films)
Viola Davis – The Woman King (TriStar Pictures)

ACTOR IN A MOTION PICTURE DRAMA
Brendan Fraser – The Whale (A24)
Tom Cruise – Top Gun: Maverick (Paramount Pictures)
Gabriel LaBelle – The Fabelmans (Universal Pictures)
Hugh Jackman – The Son (CAA Media Finance)
Bill Nighy – Living (Sony Pictures)
Mark Wahlberg – Father Stu (Columbia Pictures)

ACTRESS IN A MOTION PICTURE, COMEDY OR MUSICAL
Margot Robbie – Babylon (Paramount Pictures)
Michelle Yeoh – Everything Everywhere All At Once (A24)
Janelle Monáe- Glass Onion: A Knives Out Mystery (Netflix)
Emma Thompson – Good Luck to You, Leo Grande (Searchlight Pictures)

ACTOR IN A MOTION PICTURE, COMEDY OR MUSICAL
Collin Farrell – The Banshees Of Inisherin (Walt Disney Studios Motion Pictures)
Austin Butler – Elvis (Warner Bros.)
Diego Calva – Babylon (Paramount Pictures)
Adam Sandler – Hustle (Netflix)
Ralph Fiennes – The Menu (Walt Disney Studios Motion Pictures)
Daniel Craig – Glass Onion: A Knives Out Mystery (Netflix)

ACTRESS IN A SUPPORTING ROLE
Jean Smart – Babylon (Paramount Pictures)
Angela Bassett – Black Panther: Wakanda Forever (Walt Disney Studios Motion Pictures)
Kerry Condon – The Banshees Of Inisherin (Walt Disney Studios Motion Pictures)
Dolly de Leon – Triangle Of Sadness (Neon)
Claire Foy – Women Talking (United Artists Releasing)
Jamie Lee Curtis – Everything Everywhere All At Once (A24)

ACTOR IN A SUPPORTING ROLE
Eddie Radmayne – The Good Nurse (Netflix)
Ben Whishaw – Women Talking (United Artists Realising)
Paul Dano – The Fabelmans (Universal Pictures)
Brendan Gleeson – The Banshees Of Inisherin (Walt Disney Studios Motion Pictures)
Ke Huy Quan – Everything Everywhere All At Once (A24)
Jeremy Strong – Armageddon Time (Focus Features)

MOTION PICTURE, DRAMA
Top Gun: Maverick (Paramount Pictures)
Living (Sony Pictures)
The Fabelmans (Universal Pictures)
Till (United Artists Releasing)
Women Talking (United Artists Releasing)
Avatar: The Way Of The Water (Walt Disney Studios Motion Pictures)
TÁR (Focus Feature)
Black Panther: Wakanda Forever (Walt Disney Studios Motion Pictures)

MOTION PICTURE, COMEDY OR MUSICAL
Triangle Of Sadness (Neon)
Everything Everywhere All At Once (A24)
RRR (Variance Films)
Glass Onion: A Knives Out Mystery (Netflix)
The Banshees Of Inisherin (Walt Disney Studios Motion Pictures)
Elvis (Warner Bros.)

MOTION PICTURE, INTERNATIONAL
Argentina, 1985 (Argentina)
Decision To Leave (Korea)
Holy Spider (Denmark)
Close (Belgium)
War Sailor (Norway)
Corsage (Austria)
Bardo (Mexico)
The Quiet Girl (Ireland)

MOTION PICTURE, ANIMATED OR MIXED MEDIA
Turning Red (Walt Disney Studios Motion Pictures)
Marcel The Shell With Shoes On (A24)
Guillermo del Toro’s Pinocchio (Netflix)
Inu-Oh (GKIDS)
The Bad Guys (DWA)

MOTION PICTURE, DOCUMENTARY
The Territory (National Geographic Documentary Films)
All The Beauty And The Bloodshed (Neon)
Moonage Daydream (Neon)
Fire Of Love (Neon)
Descendant (Netflix)
The Return of Tanya Tucker: Featuring Brandi Carlile (Sony Pictures)
Good Night Oppy (Amazon Prime Video)
All That Breathes (HBO Documentary Films)
Young Plato (Yleisradio)

DIRECTOR
Baz Luhrmann – Elvis (Warner Bros.)
James Cameron – Avatar: The Way Of The Water (Walt Disney Studios Motion Pictures)
Steven Spielberg – The Fabelmans (Netflix)
Joseph Kosinski – Top Gun: Maverick (Paramount Pictures)
Martin McDonagh – The Banshees Of Inisherin (Walt Disney Studios Motion Pictures)
Sarah Polley – Women Talking (United Artists Releasing)

SCREENPLAY, ORIGINAL
Daniel Scheinert & Daniel Kwan – Everything Everywhere All At Once (A24)
Tony Kushner & Steven Spielberg – The Fabelmans (Universal Pictures)
Martin McDonagh – The Banshees Of Inisherin (Walt Disney Studios Motion Pictures)
Ruben Östlund – Triangle Of Sadness (Neon)
Todd Field – TÁR (Focus Features)
Lukas Dhont & Angelo Tijssens – Close (A24)

SCREENPLAY, ADAPTED
Sarah Polley – Women Talking (United Artists Releasing)
Samuel D. Hunter – The Whale (A24)
Rian Johnson – Glass Onion: A Knives Out Mystery (Netflix)
Peter Craig, Ehren Kruger, Justin Marks, Christopher McQuarrie & Eric Warren Singer – Top Gun: Maverick (Paramount Pictures)
Kazuo Ishiguro – Living (Sony Pictures)
Rebecca Lenkiewicz – She Said (Universal Pictures)

ORIGINAL SCORE
Harold Faltermeyer, Lady Gaga, Hans Zimmer, Lorne Balfe – Top Gun: Maverick (Paramount Pictures)
Terence Blanchard – The Woman King (TriStar Pictures)
Justin Hurwitz – Babylon (Paramount Pictures)
John Williams – The Fabelmans (Universal Pictures)
Carter Burwell – The Banshees Of Inisherin (Walt Disney Studios Motion Pictures)
Hildur Guðnadóttir – Women Talking (United Artists Releasing)

ORIGINAL SONG
“Hold My Hand” – Lady Gaga: Top Gun: Maverick (Paramount Pictures)
“Lift Me Up” – Rihanna: Black Panther: Wakanda Forever (Walt Disney Studios Motion Pictures)
“Naatu Naatu” – Kala Bhairava, M.M. Keeravani & Rahul Sipligunj: RRR (Variance Films)
“Vegas” – Doja Cat: Elvis (Warner Bros.)
“Carolina” – Taylor Swift: Where The Crawdads Sing (Columbia Pictures)
“Applause” – Diane Warren: Tell It Like a Woman (Samuel Goldwyn Films)

CINEMATOGRAPHY
Claudio Miranda – Top Gun: Maverick (Paramount Pictures)
Linus Sandgren – Babylon (Paramount Pictures)
Roger Deakins – Empire of Light (Searchlight Pictures)
Ben Davis – The Banshees Of Inisherin (Walt Disney Studios Motion Pictures)
Russell Carpenter – Avatar: The Way Of The Water (Walt Disney Studios Motion Pictures)
Mandy Walker – Elvis ( Warner Bros)

FILM EDITING
Eddie Hamilton – Top Gun: Maverick (Paramount Pictures)
Jonathan Redmond, Matt Villa – Elvis (Warner Bros.)
Sarah Broshar, Michael Kahn – The Fabelmans (Universal Pictures)
Paul Rogers – Everything Everywhere All At Once (A24)
Monika Willi – TÁR (Focus Features)
Terilyn A. Shropshire – The Woman King (TriStar Pictures)

SOUND ( Editor / Mixer )
Top Gun: Maverick – Mark Weingarten, James H. Mather, Al Nelson (Paramount Pictures)
Avatar: The Way Of The Water – Christopher Boyes (Supervising Sound Editor / Re-Recording Mixer ), Gwendolyn Yates Whittle Dick Bernstein (Supervising Sound Editors), Gary Summers, Michael Hedges (Re-Recording Mixers), Julian Howarth (Production Sound Mixer) (Walt Disney Studios Motion Pictures)
Babylon – Steve Morrow, Ai-Ling Lee, Mildred Iatrou Morgan, Andy Nelson (Paramount Pictures)
Elvis – David Lee, Wayne Pashley, Andy Nelson, Michael Keller (Warner Bros.)
The Woman King – Becky Sullivan, Kevin O’Connell, Tony Lamberti, Derek Mansvelt (Sony Pictures)
RRR – Raghunath Kemisetty, Boloy Kumar Doloi, Rahul Karpe (Variance Films)

VISUAL EFFECTS
Top Gun: Maverick – Ryan Tudhope, Scott R. Fisher, Seth Hill, Bryan Litson (Paramount Pictures)
Avatar: The Way Of The Water – Joe Letteri, Eric Saindon, Richie Baneham, Dan Barrett (Walt Disney Studios Motion Pictures)
Babylon – Jay Cooper, Elia Popov, Kevin Martel, Ebrahim Jahromi (Paramount Pictures)
Good Night Oppy – Abishek Nair, Marko Chulev, Steven Nichols (Amazon Prime Video)
The Batman – Dan Lemmon, Russell Earl, Anders Langlands, Dominic Tuohu (Warner Bros)
RRR – V. Srinivas Mohan (Variance Films)

PRODUCTION DESIGN
RRR – Sabu Cyril (Variance Films)
Babylon – Florencia Martin, Anthony Carlino (Paramount Pictures)
Elvis – Catherine Martin, Karen Murphy (Warner Bros.)
Avatar: The Way Of The Water – Dylan Cole, Ben Procter (Walt Disney Studios Motion Pictures)
The Fabelmans – Rick Carter (Universal Pictures)
A Love Song – Juliana Barreto Barreto (Bleecker Street Media)

COSTUME DESIGN
Ruth E. Carter – Black Panther: Wakanda Forever (Walt Disney Studios Motion Pictures)
Mary Zophres – Babylon (Paramount Pictures)
Cathrine Matrin – Elvis (Warner Bros.)
Gersha Phillips – The Woman King (TriStar Pictures)
Sandy Powell – Living (Sony Pictures)
Alexandra Byrne – Empire of Light (Searchlight Pictures)

ENSEMBLE MOTION PICTURE: Glass Onion: A Knives Out Mystery (Netflix)

The National Board of Review Honors Top Gun: Maverick

Posted on by Lisa Marie Bowman

Earlier today, the National Board of Review announced their picks for the best of 2022.  For best film, they selected Top Gun: Maverick!  Typically, the NBR’s winner does receive an Oscar nomination.  (One of the few times, in recent history, this didn’t happen was when the NBR named A Most Violent Year the best picture of 2014.)  That said, the last time that the NBR’s winner went on to also win the Best Picture Oscar was in 2008, when Slumdog Millionaire was named Best Picture by both the Academy and the NBR.

Here are the winners from the National Board of Review:

Best Film: Top Gun: Maverick

Best Director: Steven Spielberg – The Fabelmans

Best Actor: Colin Farrell – The Banshees Of Inisherin

Best Actress: Michelle Yeoh – Everything Everywhere All At Once

Best Supporting Actor: Brendan Gleeson – The Banshees Of Inisherin

Best Supporting Actress: Janelle Monáe – Glass Onion: A Knives Out Mystery

Best Original Screenplay: Martin McDonagh – The Banshees Of Inisherin

Best Adapted Screenplay: Edward Berger, Lesley Paterson & Ian Stokell – All Quiet on the Western Front

Breakthrough Performance: Danielle Deadwyler – Till

Breakthrough Performance: Gabriel LaBelle – The Fabelmans

Best Directorial Debut: Charlotte Wells – Aftersun

Best Animated Feature: Marcel the Shell With Shoes On

Best International Film: Close

Best Documentary: Sr.

Best Ensemble: Women Talking

Outstanding Achievement in Cinematography: Claudio Miranda – Top Gun: Maverick

NBR Freedom of Expression Awards: All the Beauty and the Bloodshed & Argentina, 1985

Top Films (in alphabetical order):
Aftersun
Avatar: The Way Of The Water
The Banshees Of Inisherin
Everything Everywhere All At Once
The Fabelmans
Glass Onion: A Knives Out Mystery
RRR
Till
The Woman King
Women Talking

Top 5 International Films (in alphabetical order):
All Quiet on the Western Front
Argentina, 1985
Decision To Leave
EO
Saint Omer

Top 5 Documentaries (in alphabetical order):
All the Beauty and the Bloodshed
All That Breathes
Descendant
Turn Every Page – The Adventures of Robert Caro and Robert Gottlieb
Wildcat

Top 10 Independent Films (in alphabetical order):
Armageddon Time
Emily the Criminal
The Eternal Daughter
Funny Pages
The Inspection
Living
A Love Song
Nanny
The Wonder
To Leslie

Retro Television Reviews: City Guys 3.3 “Alley Oops” and 3.4 “Face the Music”

Posted on by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing City Guys, which ran on NBC from 1997 to 2001.  The entire show is currently streaming on Tubi!

Let’s get this over weight.  No, no …. I’m not at all second-guessing my decision to sit through every episode of City Guys.  Not at all …. this is definitely the best decision that I’ve ever made.

Episode 3.3 “Alley Oops”

(Dir by Frank Bonner, originally aired on September 18th, 1999)

Oh God.  This episode not only features a lot of bowling but Ms. Nobel gets a storyline as well.

Even though it’s never been mentioned before, it turns out that Jamal, Chris, Al, and Dawn are all on the same bowling team.  What?  Like seriously, where did this come from?  Anyway, it turns out that the team would be great except for the fact that Dawn is a terrible bowler.  Okay, that makes sense.  There’s never been any indication that Dawn would be a good bowler.  And since Dawn has never been portrayed as being a member of the group’s “inner circle,” you have to kind of wonder how she ended up on the team in first place.

Anyway, there’s a big game coming up against a Puerto Rican team that is led by the flamboyant Lupe Guadalupe (Jose Urbina).  One of the interesting things about City Guys is that for all of its “Open up your eyes, we’re all the same” rhetoric and liberal posturing, it was a show that had absolutely no problem making fun of people of either Asian or Spanish descent.  Lupe and his team all speak with exaggerated accents and randomly drop Spanish words into their conversation, which the live studio audience finds to be hilarious.  On the one hand, Lupe is a stereotype.  On the other hand, he’s also the best character in this episode because he never stop taunting the City Guys.  Lupe is the better bowler and he knows it and he makes no apologies and it’s impossible not to enjoy the exaggerated rituals that he goes through before rolling the ball down the lane.  Considering that this show often acted as if Jamal and Chris were the center of the universe, it’s good to see a character who doesn’t have any respect for them and who is actually better than them at something.  Go Lupe!

Anyway, realizing that she sucks, Dawn fakes a wrist injury so that L-Train can take her place on the team.  L-Train is a great bowler and it looks like the City Guys might win the trophy!  But then Dawn cheers too hard and the cast on her wrist flies off.  Everyone really she wasn’t actually injured and an important lesson is learned about something.  I don’t know what the lesson was to be honest.  I don’t bowl.

While this was going on, Ms. Nobel developed a crush on the new substitute teacher, Mr. Washington.  But then she saw Mr. Washington with a younger woman and she assumed she was his girlfriend.  It turns out she was just his sister so yay!  Ms. Nobel’s getting it tonight.

Let’s move on….

Episode 3.4 “Face The Music”

(Dir by Frank Bonner, originally aired on September 18th, 1999)

“Lionel,” Ms. Nobel tells L-Train towards the end of this episode, “I think you learned an important lesson tonight.  Before you show your songs to anyone, you should copyright them.”

Finally!  A lesson that all of City Guys‘s audience could take to heart!

Anyway, in this episode, it’s revealed that L-Train is a huge fan of the blues, a songwriter, and a follower of Slick Willie (Sherman Hemsley), a veteran bluesman.  Much as with the bowling league, all of this kind of came out of nowhere but, by this point, I’m kind of used to that as far as City Guys is concerned.  L-Train, Chris, and Jamal go to see Slick Willie perform at the local blues club.  L-Train lets Slick Willie see one of this songs.  Slick Willie steals the song and puts it on his next album.

Didn’t the same thing happen to Jake on California Dreams?

This felt like a bit of a throw-away episode, as if Peter Engel called the writers into his office and said, “We’ve got Sherman Hemsley for a day, find something for him to do!” and the writers panicked and just recycled an old California Dreams script.  It’s funny that a show about copyright law basically stole its plot from another show.  How much you want to bet that we’ll never hear another word about L-Train being an aspiring blues musician?

Eh.  You’re disappointing me, City Guys!