Monthly Archives: January 2022

Here Are The 2021 Golden Reel Nominations!

Posted on by Lisa Marie Bowman

For those of your making out your Oscar predictions, here’s some help for predicting the Best Sound nominees.  The Motion Picture Sound Editors have announced their 2021 Golden Reel nominations!

And here they are:

Outstanding Achievement in Sound Editing – Feature Effects / Foley
Belfast
Focus Features
Sound Designer: James Mather
Sound Editor: Tomas Blazukas
Foley Editor: Arthur Grayley
Foley Artists: Sue Harding, Oliver Ferris
Dune
Warner Bros.
Supervising Sound Editors: Theo Green, Mark Mangini MPSE
Sound Designer: Dave Whitehead
Sound Effects Editors: Phil Barrie, Lee Gilmore MPSE, Greg Ten Bosch MPSE, Robert Kellough MPSE, Piero Mura
Foley Editor: Christopher Bonis
Foley Artists: Andy Malcolm, Goro Koyama, Sandra Fox
The Matrix Resurrections
Warner Bros.
Supervising Sound Editors: Dane A. Davis MPSE, Stephanie Flack
Sound Effects Editors: Bryan O. Watkins, Jeremy Peirson, Markus Stemler, Michael Schapiro, Eric Lindemann, Albert Gasser MPSE, Laurent Kossayan MPSE, Caron Weidner
Foley Editors: Frank Kruse, Kuen Il Song
Foley Artist: Daniel Weiss
Nightmare Alley
Searchlight Pictures
Supervising Sound Editor: Nathan Robitaille MPSE
Sound Effects Editor: Dashen Naidoo
Foley Editor: Chelsea Body
Foley Artists: Goro Koyama, Andy Malcolm
No Time to Die
Universal Pictures
Supervising Sound Editors: Oliver Tarney MPSE, James Harrison
Sound Designers: Bryan Bowen, Eilam Hoffman
Sound Effects Editor: Dawn Gough
Foley Editor: Hugo Adams
Foley Artists: Sue Harding, Andrea King
A Quiet Place Part II
Paramount
Supervising Sound Editors: Ethan Van der Ryn, Erik Aadahl MPSE
Sound Designers: Malte Bieler, Brandon Jones
Sound Effects Editors: Chris Diebold, Matt Cavanaugh MPSE
Foley Editor: Jonathan Klein
Foley Artists: Steve Baine, Peter Persaud
Spider-Man: No Way Home
Sony Pictures
Supervising Sound Editor: Steven Ticknor MPSE
Sound Designer: Anthony Lamberti

​Outstanding Achievement in Sound Editing – Feature Dialogue / ADR
Dune
Warner Bros.
Dialogue Editor: David Bach
Last Night in Soho
Universal Pictures
Supervising Sound Editors: Dan Morgan, Julian Slater MPSE
Supervising ADR Editor: Dan Morgan
The Matrix Resurrections
Warner Bros.
Supervising Sound Editors: Stephanie Flack, Dane A Davis MPSE
Dialogue Editors: Marek Forreiter, Benjamin Hörbe, Dominik Schleier, Immo Trümpelmann
Nightmare Alley
Searchlight Pictures
Supervising Sound Editor: Jill Purdy MPSE
Supervising Dialogue Editor: Jill Purdy MPSE
Supervising ADR Editor: Jill Purdy MPSE
Dialogue Editor: Nelson Ferreira MPSE
No Time to Die
Universal Pictures
Supervising Dialogue & ADR Editors: Becki Ponting, Michael Maroussas
Dialogue Editors: Rachael Tate MPSE, Adele Fletcher
Supervising Sound Editor: Oliver Tarney MPSE
The Power of the Dog
Netflix
Supervising Dialogue & ADR Editor: Leah Katz
A Quiet Place Part II
Paramount Pictures
Supervising Sound Editor: Ethan Van der Ryn
Supervising Dialogue & ADR Editors: Vanessa Lapato, Nancy Nugent
Dialogue Editor: Matt Cavanaugh MPSE
The Tragedy of Macbeth
Apple TV+
Supervising Sound Editor: Skip Lievsay
Supervising Dialogue Editor: Michael Feuser

Outstanding Achievement in Sound Editing – Feature Music
Dune
Warner Bros.
Supervising Music Editors: Clint Bennett, Ryan Rubin
Music Editor: Peter Myles
Ghostbusters: Afterlife
Sony Pictures
Supervising Music Editor: Curt Sobel
In the Heights
Warner Bros.
Music Editors: Jim Bruening, Jennifer Dunnington, Ben Holiday
The Matrix Resurrections
Warner Bros.
Supervising Music Editor: Gabriel Isaac Mounsey
Music Editors: Hans Hafner, Jonathan Levi Shanes
Nightmare Alley
Searchlight Pictures
Music Editors: Clint Bennett, Kevin Banks MPSE
Scoring Editor: Cecile Tournesac
A Quiet Place Part II
Paramount
Music Editors: Jim Schultz, Nancy Allen MPSE, Del Spiva MPSE, Ramiro Belgardt
tick tick…BOOM!
Netflix
Music Editors: Nancy Allen MPSE, John Davis, Bri Holland
West Side Story
20th Century Studios
Music Editors: Joe E. Rand, Ramiro Belgardt
Scoring Editor: David Channing

Outstanding Achievement in Sound Editing – Feature Animation
Encanto
Walt Disney Animation Studios
Supervising Sound Editor: Shannon Mills
Supervising Dialogue Editor: Brad Semenoff MPSE
Sound Designer: Nia Hansen
Sound Effects Editors: Samson Neslund, Justin Doyle, Cameron Barker, Qianbaihui Yang MPSE
Dialogue Editor: Richard Quinn
Foley Editor: Alyssa Nevarez
Foley Artists: John Roesch MPSE, Shelley Roden MPSE
Supervising Music Editor: Earl Ghaffari
Music Editors: Angie Rubin, Kendall Demarest MPSE
Luca
Pixar Animation Studios
Supervising Sound Editors: Chris Scarabosio, André Fenley
Supervising Dialogue Editor: Rich Quinn
Supervising Foley Editor: Ronni Brown
Sound Effects Editors: Justin Doyle, Pascal Garneau
Foley Editor: E. Larry Oatfield
Foley Artists: Jana Vance, Ronni Brown
Music Editor: Lodge Worster
The Mitchells vs. the Machines
Sony Pictures Animation
Supervising Sound Editor: Geoffrey G. Rubay
Supervising ADR Editor: James Morioka
Sound Designer: John Pospisil
Sound Effects Editors: Kip Smedley, Andy Sisul MPSE, Alec G. Rubay, Dan Kenyon, Greg Ten Bosch MPSE
ADR Editor: Curt Schulkey
Foley Artist: Gregg Barbanell MPSE
Foley Artist: Rick Owens MPSE
Music Editors: Dominick Certo MPSE, Barbara McDermott
Raya and the Last Dragon
Walt Disney Animation Studios
Supervising Sound Editor: Shannon Mills
Supervising Dialogue Editor: Brad Semenoff MPSE
Sound Designer: Nia Hansen
Sound Effects Editors: Samson Neslund, David C. Hughes, Cameron Barker
Foley Editors: Chris Frazier, Steve Orlando
Foley Artists: John Roesch MPSE, Shelley Roden MPSE
Supervising Music Editor: Jim Weidman
Music Editor: David Olson
Sing 2
Illumination / Universal Pictures
Supervising Sound Editor: Dennis Leonard
Supervising Dialogue Editor: Jonathan Greber
Supervising ADR Editor: Daniel Laurie
Sound Designer: Josh Gold
Sound Effects Editors: Lucas Miller, Benjamin A. Burtt
Foley Editors: Shaun Farley MPSE, Jonathon Stevens
Music Editors: Michael Connell, Charles Inouye

Outstanding Achievement in Sound Editing – Feature Documentary
Billie Eilish: The World’s a Little Blurry
Apple TV+
Supervising Sound Editor: Richard Yawn MPSE
Music Editor: Michael Brake MPSE
Dialogue Editor: Rob Getty MPSE
Sound Effects Editor: Steven Avila MPSE
Foley Editor: Shawn Kennelly
Foley Artists: Melissa Kennelly, Vince Nicastro
Flee
NEON
Supervising Sound Editor: Edward Björner
Dialogue Editor: Jens Johansson
Sound Designer: Fredrik Jonsäter
Foley Artists: Rune Van Deurs, Bengt Öberg
The Rescue
Disney+
Supervising Sound Editor: Deborah Wallach
Sound Effects Editor: Roland Vajs
Foley Artist: Nuno Bentro
Music Editor: Ben Smithers
Summer of Soul (or, when the Revolution Could Not Be Televised)
Searchlight Pictures
Supervising Sound Editor: Joshua L. Pearson
Supervising Music Editor: Jimmy Douglass
VAL
Amazon Prime
Supervising Sound Editor: John Bolen
Dialogue Editor: John Bolen
Sound Effects Editor: John Bolen
Foley Editor: John Bolen
The Velvet Underground
Apple TV+
Supervising Sound Editor: Leslie Shatz
Music Editor: Jahn Sood

Outstanding Achievement in Sound Editing – Foreign Language Feature
Cliff Walkers
Viki
Supervising Sound Editors: Yang Jiang MPSE, Zhao Nan MPSE
ADR Editor: Li Xinghui
Foley Artist: Han Junsheng
Sound Editors: Ann Scibelli, Xiao’ou Olivia Zhang MPSE, Iain Pattison
The Hand of God
Netflix
Supervising Sound Editor: Silvia Moraes
A Hero
Amazon Prime
Supervising Sound Editor: Mohammadreza Delpak
Dialogue Editor: Mohammadreza Delpak
Sound Effects Editor: Mohammadreza Delpak
Titane
Amazon Prime
Sound Editor: Séverin Favriau
Foley Artist: Céline Bernard
A Writer’s Oddyssey
Netflix
Supervising Sound Editor: Xiao Sha Liu
Supervising ADR Editor: Xiao Sha Liu
Sound Designer: Gang Wang
Sound Effects Editors: Shuang Shuang Wang, Hong Rui Ji, Gang Wang, Ruo Qi Mo, Tobias Poppe, Zi Jian Jiang
Dialogue Editor: Zi Jin
Foley Editor: Pei Ya Zhang
Foley Artists: Zi Wei Wang, Yin Miao
Music Editor: Fei Yu

Here Are The 2021 Nominations of the Art Directors Guild

Posted on by Lisa Marie Bowman

The Art Directors Guild, yesterday, announced their nominations for the best of 2021! The winners will be announced on March 5th!

PERIOD FEATURE FILM  
“The French Dispatch”
Production Designer: Adam Stockhausen
“Licorice Pizza”
Production Designer: Florencia Martin
“Nightmare Alley”
Production Designer: Tamara Deverell
“The Tragedy of Macbeth”
Production Designer: Stefan Dechant
“West Side Story”
Production Designer: Adam Stockhausen

FANTASY FEATURE FILM
“Cruella”
Production Designer: Fiona Crombie
“Dune”
Production Designer: Patrice Vermette
“Ghostbusters: Afterlife”
Production Designer: François Audouy
“The Green Knight”
Production Designer: Jade Healy
“Shang-Chi and the Legend of the Ten Rings”
Production Designer: Sue Chan

CONTEMPORARY FEATURE FILM
“Candyman”
Production Designer: Cara Brower
“Don’t Look Up”
Production Designer: Clayton Hartley
“In the Heights”
Production Designer: Nelson Coates
“The Lost Daughter”
Production Designer: Inbal Weinberg
“No Time to Die”
Production Designer: Mark Tildesley
​
ANIMATED FEATURE FILM
“Encanto”
Production Designers: Ian Gooding, Lorelay Bové
“Luca”
Production Designer: Daniela Strijleva
“The Mitchells vs. the Machines”
Production Designer: Lindsey Olivares
“Raya and the Last Dragon”
Production Designers: Paul Felix, Mingjue Helen Chen, Cory Loftis
“Sing 2”
Art Director: Olivier Adam

Music Video of the Day: STOP! by Upsahl (2021, dir by Tsarina Merrin)

Posted on by Lisa Marie Bowman

Stop worrying so much.  Stop making yourself sick with all of you anxiety.  Stop searching online for new things to panic about.  Stop and have a good time.  This video has a good message and it’s one that I happen to agree with.  There’s a difference between staying informed and purposefully driving yourself mad.  Sometimes, you just have to be willing to enjoy yourself.  I fear that there’s a lot of people out there who have forgotten that or who feel guilty if they’re not constantly depressed all the time.

Enjoy yourself.  Dance in the street.  Swim in a stranger’s pool.  Star in a music video.  Hang out in the back seat of someone’s car.  Sing a song about the joys of getting laid.  Whatever it is that you have to do, do it.

As I said, it’s a good message.  Everyone needs to listen to Upsahl.  Or, at the very least, they need to listen to my interpretation of Upsahl.  They need to listen to this song and they also need to listen to Drugs, a song that perfectly captures this current cultural moment.  A good song always captures the period in which it was written.  Of course, a good song also always has a good beat to which you can dance.  Sorry, folk music lovers.

Anyway, enjoy!

I’m up all night online
I’m looking up my symptoms
Tell myself I’m fine
But my system just ain’t listenin
Like oooh
This aint normal how Im feelin, no
ooh
Running higher than a fever

When palms start to sweat
I feel it in my stomach
This is how I get
Every time I know you’re comin’ over

Whooo
Sometimes I think that I might die with you
Whooo
It’s like I’m almost too alive with you

Ahhh ahhh ahhha ahhh
Ooh ohh ooh
Oh it feels like…

My hearts gonna beat so fast, gonna beat so fast
Gonna beat so fast that it might stopOh it feels like…
My hearts gonna beat so fast, gonna beat so fast
Gonna beat so fast that it might stop
Hit my chest like
Wooohh ooh ooh oohh, Wooohh ooh ooh oohh, boom boom
Wooohh ooh ooh oohh, Wooohh ooh ooh oohh, boom boom

Kiss my neck
Whisper in my ear
‘You aint seen nothing yet’
Cool me down and catch my breath like
Whoo
This is aint normal how I’m feeling, no
ooh
Say whatever, I’ll believe it cause
Ahhh ahhh ahhh ahh ahh ahh

When you’re touching my…
Ahhh ahh ahh ahh ahh
Ohh ohh ohh

Oh it feels like…

My hearts gonna beat so fast, gonna beat so fast
Gonna beat so fast that it might stopOh it feels like…
My hearts gonna beat so fast, gonna beat so fast
Gonna beat so fast that it might stop
Hit my chest like
Wooohh ooh ooh oohh, Wooohh ooh ooh oohh, boom boom
Wooohh ooh ooh oohh, Wooohh ooh ooh oohh, boom boom
Wooohh ooh ooh oohh, Wooohh ooh ooh oohh, boom boom
Wooohh ooh ooh oohh, Wooohh ooh ooh oohh, boom boom
My hearts gonna beat so fast, gonna beat so fast
Gonna beat so fast that it might stop

Mason of the Mounted (1932, directed by Harry L. Fraser)

Posted on by Jedadiah Leland

Bill Mason (Bill Cody) is a member of the Canadian Mounted Police who is sent over the border to track down a murderous horse thief.  Going undercover, Mason discovers that a nearby frontier town is being terrorized by rustlers.  The townspeople have named Calhoun (LeRoy Mason) as the head of the local posse but Mason soon discovers that Calhoun is actually the horse thief!

Mason of the Mounted is only 57 minutes long but it’s a very slow-moving 57 minutes.  It’s also a pre-Code film but, other than a grisly shot of a dead body at the start of the film, there’s nothing about Mason of the Mounted that you wouldn’t expect to find in a western made under the production code.  Much of the film centers around Mason befriending an American teenager named Andy Talbot (played by Andy Shuford).  This was actually one of 8 films that Bill Cody and Andy Shuford made together.  Cody was a genuine cowboy who performed in wild west shows before and after his film career.  Shuford was a child actor whose career was primarily in Westerns.  During World War II, he enlisted in the U.S. Army Air Corps, flew many missions out of England, and eventually reached the rank of colonel.  He never returned to making films.

As for Mason of the Mounted, Bill Cody has some authentic cowboy grit and is credible when he’s on a horse or shooting a gun but the plot moves too slowly and most of the cast is stiff and awkward.  I did like the idea of the main rustler disguising himself as the only person capable of stopping the rustlers.  That was an interesting idea and I wish the movie had done more with it.  This is a film that’s mostly for fans of the genre and even the most undemanding western fan will probably have a hard time making their way through the whole thing.

Cleaning out the DVR: The Boy In The Plastic Bubble (dir by Randal Kleiser)

Posted on by Lisa Marie Bowman

This made-for-television film from 1976 tells the story of Tod Lubitch (played by a pre-Saturday Night Fever John Travolta).  Tod was born without an immune system and, as a result, he’s had to spend his entire life in a germ-free, plastic bubble.  When Tod was a child, it wasn’t such a big deal not being able to leave his house without getting in a plastic ark beforehand.  But now, he’s in his teens and he wants to do teenager stuff.  His parents (Robert Reed and Diana Hyland) are overprotective.  His doctor (Ralph Bellamy) says that there’s little chance that Tod’s condition will ever improve.  But the girl next door, Gina (Glynnis O’Connor), finds herself falling in love with Tod and she wants to help him live a normal life.  Gina loves to ride horses and Tod wants to ride one with her.  As we all know, horses are totally germ-free.

The Boy In The Plastic Bubble is one of those movies that has a reputation.  It’s usually cited as being the epitome of 70s schmaltz and, indeed, it is very 70s and it is very schmaltzy.  It’s one of those films where the big dramatic moments are so overdone that they instead often become kind of comedic.  When Tod finally convinces his parents to allow him to attend school, he does so while wearing a special protective outfit that makes him look like a cross between an old school astronaut and a demented teddy bear.  When it looks like his suit might be malfunctioning, he runs into the plastic cell that’s been set up in the back of the classroom and strips it off while all of his classmates watch.  Everyone’s truly impressed by both Tod’s positivity and the sight of a 22 year-old John Travolta rolling around in gym shorts.

Indeed, while watching the film, it’s impossible not to ask certain questions.  In what world, for instance, could Robert Reed, best known for playing the patriarch on The Brady Bunch, be John Travolta’s father?  Why is there such a weird tension between Tod and his mother?  (It may have had something to do with the fact that Travolta was dating Diana Hyland at the time.)  How does Tod keep his hair so perfect while living in a plastic bubble?  Did anyone think that the scene where Tod is carried onto the beach inside a plastic box would be so odd to watch?  Reportedly, The Boy In The Plastic Bubble was based on the lives of two young men who has the same condition as Tod.  According to Wikipedia, one of them was very amused by the idea the Todd’s protective outfit would keep him safe at school.  And, then of course, there’s the film’s ending, which tries to offer a ray of hope but instead leaves you convinced that Tod is going to die at any minute.

And yet, for all the obvious flaws, The Boy In The Plastic Bubble is slightly redeemed by the sincerity that Travolta and O’Connor bring to their roles.  In particular, Travolta brings a smoldering anger to his role, which may not have been present in the script but which feels appropriate for the character.  As played by Travolta, Tod may understand why he’s in the bubble but he’s still pissed off about it.  O’Connor has an even more difficult role to play because Gina’s actions often don’t make a lot of sense.  But O’Connor makes you believe that she’s sincere in her desire to give the Bubble Boy the high school experience that he deserves.  It’s a schmaltzy film but Travolta and O’Connor bring a few moments of emotional honesty to it.

Director Randal Kleiser later worked with John Travolta on Grease.  I don’t think Danny Zuko would have been a good influence on the Boy in the Plastic Bubble.

Music Video of the Day: No More Kissing In The Rain by Trentemøller (2022, dir by Fryd Frydendahl)

Posted on by Lisa Marie Bowman

No more kissing in the rain?  But what else is the rain for?

If you’ve been following and reading this site long enough, you know how obsessed I am with the rain.  As far as I’m concerned, rain is perfect for any occasion.  Any movie is improved by at least one storm.  Any book is improved by at least one chapter that begins with a description of cloudy skies. And any kiss is improved by the rain.  I’m a big fan of the rain.

I’m also a fan of moody, atmospheric music videos like this one.

Enjoy!

My dear,
I am running out of time
Out of sync and closing down
And the light begins to fade

I close my eyes in the dark
One look reveals that it’s time to leave

Is this the end of everything?
I think It’s time to tear it all apart

Some days can feel like razorblades
Cutting through the naked skin
Ready for the next attack?

I catch your eyes in the dark
One look can tell that it is time to go

Is this the end of everything?
Maybe it’s time to tear it all apart

No more kissing in the rain

I think we need this last goodbye
You know I know we’re growing colder

No more kissing in the rain

Lisa Marie’s Week In Review 1/17/22 — 1/23/22

Posted on by Lisa Marie Bowman

This week, I got caught up on a lot of movies.  I have a lot more that I still need to see because, at the end of the upcoming week, I plan on posting my picks for the best and the worst of 2021!

Films I Watched:

  1. American Ninja 3 (1989)
  2. American Revolution 2 (1969)
  3. Another Round (2020)
  4. Ape vs Monster (2021)
  5. Assault on VA-33 (2021)
  6. Beverly Hills Cop (1984)
  7. Breezy (1973)
  8. Cicero March (1966)
  9. The Courier (2021)
  10. Dear Comrades! (2020)
  11. Dog Day Afternoon (1975)
  12. The Fan (1996)
  13. Looking for Mr. Goodbar (1977)
  14. The Murder of Fred Hampton (1971)
  15. The Night Stalker (1972)
  16. Nobody (2021)
  17. The Octagon (1980)
  18. Patty Hearst (1988)
  19. Ron’s Gone Wrong (2021)
  20. Summer of Soul (2021)
  21. Swan Song (2021)
  22. The Urban Crisis and the New Militants Module 6 – Black Moderates and Black Militants (1969)
  23. Wall Street (1987)

Television Shows I Watched:

  1. The Amazing Race
  2. B Positive
  3. Football Game: Buccaneers vs Rams
  4. Full House
  5. Ghosts
  6. The United States of Al

Books I Read:

  1. The 103rd Ballot (1976) by Robert K. Murray
  2. Scarface (1930) by Armitage Tail

Music To Which I Listened:

  1. Ava Max
  2. Blondie
  3. Calvin Harris
  4. Carly Simon
  5. The Chemical Brothers
  6. Chromatics
  7. Dillon Francis
  8. DJ Snake
  9. Fatboy Slim
  10. Grimes
  11. The Heavy
  12. Julee Cruise
  13. Lindsey Stirling
  14. Muse
  15. O-Town
  16. The Prodigy
  17. Rita Coolidge
  18. Saint Motel
  19. Spice Girls
  20. Susie van der Meer
  21. Tiesto
  22. Underworld

Awards Season:

  1. Set Decorators Society Nominations
  2. Denver Film Critics Society Winners
  3. Visual Effects Society Nominations
  4. Houston Film Critics Society Winners
  5. Seattle Film Critics Society Winners
  6. North Dakota Film Society Winners
  7. African-American Film Critics Association Winners

News From Last Week:

  1. Top editorial staff leaving A.V. Club entertainment site after refusing to relocate from Chicago to new offices in LA
  2. Actress Yvette Mimieux Dies
  3. French actor Gaspar Ulliel dies in skiing accident
  4. German actor Hardy Kruger Dies
  5. Singer and actor Meat Loaf Dies 
  6. Comedian Louie Anderson Dies
  7. Dylan Dog Creator Michelangelo La Neve Dies
  8. Film Producer Mace Neufeld Dies
  9. EXCLUSIVE: Alec Baldwin Sued by Fallen Marine Family for $25 million
  10. Kings of the Hill, Again: Greg Daniels, Mike Judge Discuss Their New Animation Company

Links From Last Week:

  1. The Undoing of Joss Whedon
  2. “The Godfather” Turns 50! Here’s A New Trailer For The Upcoming Re-Release!
  3. The World Common Tater’s Week In Books, Movies, and Television

Links From The Site:

  1. I shared music videos from Tiesto and Ava Max, Meat Loaf, Muse, Julee Cruise, O-Town, Huey Lewis and Gwyneth Paltrow, and Blondie!
  2. I shared my week in television and an AMV of the Day and a short film from David Lynch!
  3. I paid tribute to Jim Jarmusch and David Lynch!
  4. I shared a scene from Twin Peaks: The Return!
  5. I reviewed Armitage Trail’s Scarface, Revenge of the Ninja, Mass, Assault on VA-33, and Stillwater!
  6. Erin shared Martin Luther King, A House In The Uplands, Spicy Adventure Stories, Find My Killer, Feeling No Pain, Shame, and the Night Thorn!
  7. Erin took a look at The Fan and the Covers of Variety Detective!
  8. Jeff reviewed Desolation Canyon, The Bravos, Romance of the West, Black Hills, Tumbleweed Trail, Frontier Marshal, and The New Frontier!  He took a look at The A-Team, Locked Room, and Spider-Man and the Dallas Cowboys!
  9. Ryan reviewed Jinx Freeze, Methods of Dyeing, and The Maspeth Witch!

More From Us:

  1. Ryan has a patreon!  Consider subcribing!
  2. For Reality TV Chat Blog, I reviewed the latest episode of The Amazing Race!
  3. At my music site, I shared songs from The Heavy, Grimes, Fatboy Slim, Julee Cruise, Susie Van Der Meer, Blondie, and The Brady Bunch!
  4. At Days Without Incident, Leonard shared a song from Queens of the Stone Age!
  5. At Pop Politics, Jeff shared Looking Ahead, More Retirements, That Was Really Something, Overhyped Chuck, Borrowed Credibility, Ignore Gene Wu, and Bucs vs Rams!
  6. At her photography site, Erin shared Rocks in the Water, Speed Hump Ahead, Kiss, Cross, The Old Regal, and Looking Out!

Want to see what I did last week?  Click here!