Insomnia File #47: Downhill (dir by Nat Faxon and Jim Rash)

What’s an Insomnia File? You know how some times you just can’t get any sleep and, at about three in the morning, you’ll find yourself watching whatever you can find on cable or Netflix? This feature is all about those insomnia-inspired discoveries!

If you were having trouble getting to sleep at two in the morning last night, you could have turned over to HBO and watched Downhill, the remake of Force Majeure that was released in February.

Downhill tells the story of annoying family taking a ski vacation in Austria. Billie Stanton (Julia Louis-Dreyfus) is a high-powered attorney who gets annoyed when things don’t go perfectly. Pete Stanton (Will Ferrell) is …. well, he’s Will Ferrell playing a typical Will Ferrell role. He’s a big. annoying dofus who spends all of his time on his phone and who is constantly telling the same long, boring, faux profound story about his dead father. They have two annoying sons and it’s pretty obvious from the start that neither Billie nor Pete is particularly happy with how their marriage or their lives have turned out. When Pete abandons his family during a minor avalanche, it leads to Billie realizing that Pete doesn’t really seem to be that much into his family or his marriage. But, since that was obvious from the start, it’s not really that big of a revelation for the audience.

Downhill is a frustrating film to watch, especially if you’ve seen Force Majeure. Downhill takes the basic storyline of Force Majeure and all of the issues that were raised by Force Majeure and then it explores them in the shallowest way possible. A lot of the trouble comes down to the fact that Will Ferrell is a good comedian but he’s an inconsistent dramatic actor. The film tries to work as a dramedy but Ferrell approaches each scene as if it were a sketch on Saturday Night Live. As a result, Downhill is less like Force Majeure and more like an episode of The Office where D’Angelo Vickers takes everyone skiing. Julia Louis-Dreyfus is a little bit more grounded in reality but there’s really not much to her role, beyond being annoyed.

I did like the performance of Zach Woods, playing a pretentious friend of the couple and bragging about how he went skiing on shrooms. Woods has a talent for suggesting the oddness that often hides behind the most straight-laced of facades. And the scenes with Miranda Otto as a decadent libertine would have been funny if they didn’t feel as if they belonged in a totally different move. For the most part, though, Downhill fell flat.