Music Video of the Day: Can’t Fight This Feeling by REO Speedwagon (1985, directed by Sherry Revord and Kevin Dole)


Do you remember the battle of the REOs?

There was once a speed metal band out of Texas that played music that was loud, aggressive, fast, and definitely not radio friendly.  The name of that band was REO Speedealer and they had a strong cult following among metal fans across the country.  In 1998, after they had released their third CD under that name, REO Speedealer received a cease-and-desist letter from REO Speedwagon.

As REO Speedealer’s bassist, “Hot” Rod Skelton explained it to MTV, “”They’re worried about our name being close enough to their name that it would be a conflict in stores. I think it’s silly, but there have been a couple of people who supposedly thought they were buying their record and they bought ours. They e-mail us and say, ‘I think your band sucks shit.’ I think that’s hilarious. We consider that a compliment.”

‘In the same MTV story, REO Speedwagon’s manager, John Baruck argued, “We spent 30 years developing the name REO Speedwagon and promoting their career.  To have another band come out and take three-quarters of the name didn’t seem right.”

In hindsight, I can see where REO Speedwagon was coming from but a cease-and-desist letter still doesn’t seem like a very “sex, drugs, and rock and roll” thing to do.  Of course, just listening to any of REO Speedwagon’s songs will reveal that they were never about any of those things.  REO Speedwagon’s music was the epitome of soft rock.  While REO Speedealer was performing songs like Double Clutchin’ Finger Fuckin’, REO Speedwagon was best known for Keep on Loving You and Can’t Fight This Feeling.

In 1998, it was easy to cast REO Speedwagon as a bunch of bitter has-beens but, to their credit, their music epitomized an era.  Can’t Fight This Feeling is one of the essential songs of the mid-1980s.  It was also one of their biggest hits, spending three weeks at the top of the Billboard Hot 100 chart.  When REO Speedwagon appeared at Live Aid, Can’t Fight This Feeling was the song that they performed.

(Their Live Aid performance was introduced by someone else who epitomized an era, Chevy Chase.)

Two music videos were releases for Can’t Fight This Feeling.  One was a simple video that featured the band performing.  The second one, which is also the one at the top of this post, began with a baby and ended with an old man and was supposed to be about the life-cycle.

Can’t Fight This Feeling continues to be one of REO Speedwagon’s best known songs.  It’s another song that I automatically associate with Grand Theft Auto: Vice City.  It can be heard on Emotion 98.3.  It was playing the night that I first drove my car into the ocean and discovered that Tommy Vercetti couldn’t swim.

REO Speedwagon is still together and, this summer, toured with Chicago.  REO Speedealer is also still together, though they are now simply known as Speedealer.  According to their Facebook page, they should be releasing their new album, Blue Days/Black Knights, in early 2019.

Rest in Peace, Burt Reynolds


Earlier today, Burt Reynolds died of cardiac arrest at a Florida Hospital.  He was 82 years old.

How do you sum up a career as legendary as the career of Burt Reynolds?  It’s not easy.  Burt Reynolds always used to say that he couldn’t act but his fans knew better and the critics sometimes knew better too.  Burt Reynolds always said that most of his film were terrible but, for every Stick or Malone, there were movies like Sharky’s MachineThe Longest Yard, and White Lightning.  Burt always joked that he might never win an Oscar but he had plenty of People’s Choice Awards to make up for it.  Burt did deserve an Oscar nomination for Deliverance and he received one for Boogie Nights.  Reynolds lost to Robin Williams but it does no disservice to Williams’s performance in Good Will Hunting to say that the Oscar should have gone to Burt.

Despite having been born in Michigan, Burt Reynolds was often viewed as being the archetypical good ol’ boy.  He first found fame as a jock, playing football at Florida State University.  After injuries ended his college football career, Reynolds considered becoming a police officer but, at his father’s suggestion, instead transferred to Palm Beach Junior College.  That was where an English professor named Watson B. Duncan heard Reynolds reading Shakespeare in class and was so impressed that he pushed Reynolds into trying out for a play that he was producing.  Reynolds was cast in the lead role and soon had a new career.

As Reynolds would often recount, he didn’t become a star overnight.  He did a few plays in New York and he worked odd jobs.  He auditioned for a film called Sayonara and impressed director Joshua Logan.  Logan said he couldn’t cast him because he looked too much like the film’s star, Marlon Brando, but he still encouraged Reynolds to move out to Hollywood.  Still not feeling confident enough to attempt the transition into movies, Reynolds remained in New York and became a mainstay in TV westerns, including Gunsmoke, where he played Quint Asper.  He also appeared in an episode of The Twilight Zone, playing a pompous method actor who was clearly modeled on Marlon Brando.

Like his good friend Clint Eastwood, Burt used his television fame to secure low-budget film work in Europe.  He even starred in a Spaghetti western, playing the lead role in Navajo Joe.  Reynolds appeared in several forgettable B-movies before his performance in the Oscar-nominated Deliverance made him a star.  His performance as Lewis Medlock dominated the film.  When Lewis suffered a compound fracture while trying to navigate a raging river, audiences knew that if the river could take down Burt Reynolds, it could take down anyone.  Around the same time, Burt would earn lasting fame (or perhaps infamy) by appearing as the centerfold in an issue of Cosmopolitan.  Reynolds would later describe that as being his biggest mistake, saying that it made him a star but it also prevented him from being nominated for an Oscar but it also kept people from taking him seriously as an actor.

But if Burt never got the awards or the acclaim that he deserved, audiences loved him.  Smoky and the Bandit was his biggest hit.  The critics may have hated it but audiences love it to this day and they know that only Burt Reynolds could have played the Bandit.  When the Bandit looked straight at the camera after escaping police pursuit, that was a move that only Burt Reynolds could have pulled off.  Burt made it look easy.

Burt started off the 80s with one of his best films, Sharky’s Machine.  Unfortunately, the rest of decade saw his career in decline.  No longer getting good scripts and starting to show signs if the ill health that would plague him for the rest of his life, Reynolds became better known for his sometimes messy personal life than his films.  Reynolds eventually returned to television, winning an Emmy, in 1992, for starring in the sitcom Evening Shade.

In the 90s, Reynolds struggled to transition into character parts.  A new generation, including myself, first discovered him when he co-starred in Paul Thomas Anderson’s Boogie Nights.  Reynolds gave one of his best performances as porn director, Jack Horner.  Reynolds invested Horner with what can only be called a wounded dignity.  When Dirk Diggler abandoned him, the betrayal felt as real as Horner’s angery when he was eventually reduced to filming sleazy limo ride hook-ups on video tape instead of his beloved film.  Reynolds received his first and only Oscar nomination for the role of Jack Horner.

Sadly, Reynolds’s poor health kept him from capitalizing on his comeback and he was soon back to appearing in small roles in films that weren’t worthy of his talents.  Quentin Tarantino cast him as George Spahn in Once Upon A Time In Hollywood but Reynolds passed away before filming his scenes.  His final film appearance was as the lead character in the fittingly titled The Last Movie Star.

Burt Reynolds may be gone but his films live on.  Burt may have said he wasn’t a good actor but we all know better.  The outpouring of grief at the news of his death is proof that Burt Reynolds was more than just a movie star.  He was an American icon.

Burt Reynolds, R.I.P.

Just A Good Ol’ Boy: RIP Burt Reynolds


gary loggins's avatarcracked rear viewer

I had just got back from a long afternoon walk on this gorgeous day when, after checking for incoming texts and calls, I checked my Facebook feed and discovered Burt Reynolds had passed away at age 82. Coincidentally, I have a post on Burt’s THE LONGEST YARD scheduled for Saturday, but rather than just move it up, I’ve decided to write this small tribute. Burt Reynolds has earned it. He was arguably the biggest box-office attraction of the 1970’s, number one from 1978-82, and his charismatic, wiseass persona made him a hit with audiences, if not with the critics. But what did they know… Burt Reynolds was The People’s Star.

Born in 1936, Burt’s family moved to Florida when he was ten, his father taking a job as Police Chief of Riviera Beach. Burt may not have been a straight-A student, but he excelled in sports, playing fullback for Palm…

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Lisa’s Early Oscar Predictions for September


It’s that time again!

It’s time for my somewhat random Oscar predictions!

Judging from the reactions at Venice Film Festival, Bradley Cooper’s A Star is Born would appear to be the current Oscar front runner.  At the very least, it seems destined to be nominated.  Personally, I still wonder if a remake of A Star is Born is going to have enough political cachet in a year that, so far, has been dominated by Hollywood virtue signaling.

Anyway, it’s a bit of a cliché to say the Oscar race is wide open but, despite all of the buzz around A Star is Born, it still feels as if it is.  That said, it’s also becoming a bit more clear.  Former front runners like Mary, Queen of Scots have fallen off the radar.  It seems likely the Martin Scorsese’s The Irishman will not be released until next year.  There are rumors that Clint Eastwood’s The Mule might get a December qualifying run but, for now, those are just rumors.

Below are my predictions for this month.  The usual caveats about wishful thinking and wild guesses apply.  To be honest, we won’t know anything for sure until the critics and the guilds make their voices heard in December and January.

Be sure to check out my predictions for January, February, March, April, May, June, July, and August!

Best Picture

Beautiful Boy

BlackKklansman

Black Panther

Crazy Rich Asians

The Favourite

First Man

Green Book

If Beale Street Could Talk

Roma

A Star is Born

Best Director

Damien Chazelle for First Man

Jon M. Chu for Crazy Rich Asians

Bradley Cooper for A Star is Born

Alfonso Cuaron for Roma

Spike Lee for BlackKklansman

Best Actor

Steve Carell in Beautiful Boy

Bradley Cooper in A Star is Born

Ryan Gosling in First Man

Rami Malek in Bohemian Rhapsody

Robert Redford in Old Man and the Gun

Best Actress

Glenn Close in The Wife

Olivia Colman in The Favourite

Nicole Kidman in Destroyer

Melissa McCarthy in Can You Ever Forgive Me?

Julia Roberts in Ben Is Back

Best Supporting Actor

Mahershala Ali in Green Book

Timothee Chalamet in Beautiful Boy

Sam Elliott in A Star is Born

Ben Foster in Leave No Trace

Michael B. Jordan in Black Panther

Best Supporting Actress

Claire Foy in First Man

Regina King in If Beale Street Could Talk

Sissy Spacek in Old Man and the Gun

Rachel Weisz in The Favourite

Michelle Yeoh in Crazy Rich Asians

Barry and Oscar

Music Video of the Day: Peace Sells by Megadeth (1986, directed by Robert Longo)


“I was homeless at the time, and I was living in a rehearsal place in Vernon, California. I was seeing a girl, Diana – there were a lot of songs I wrote about her. I actually wrote the lyrics to that song on the wall, in that building. I didn’t have any paper in the studio, but I had a Sharpie, so I just wrote on the wall. Whoever inherited our rehearsal room after I moved out, saw the original lyrics to ‘Peace Sells’ on the wall. They probably painted right over it and didn’t even know it.”

— Dave Mustaine on Peace Sells

The video for Peace Sells was directed by the painter, Robert Longo, and is probably best known for the cut scene that features a teenager in a Slayer t-shirt telling his angry father that the video and the news are one in the same.  Among Longo’s other videos: R.E.M.’s The One I Love and New Order’s Bizarre Love Triangle.  He also directed the regrettable cyberpunk movie, Johnny Mnemonic.

If the opening bass line sounds familiar, you may have heard it used as the opening theme for MTV News.  Or maybe, like me, you spent an early being chased by the police in Vice City while listening to Megadeth on V-Rock.

Gotta love those Vice City memories!

Come On Down To “Border Town”


Ryan C. (fourcolorapocalypse)'s avatarRyan C.'s Four Color Apocalypse

Let’s be honest : DC has attempted something like a half-dozen or so re-launches of their once-venerable Vertigo line over the last decade-plus, and they’ve all run out of gas — usually sooner rather than later. Something about their latest attempt at a “do-over,” though, feels a little bit different.

Maybe it’s because they’ve re-named the imprint “DC Vertigo.” Maybe it’s because it coincides with the label’s 25th anniversary. Maybe it’s because it’s anchored by a slew of Sandman spin-off titles boasting at least a modicum of involvement from Neil Gaiman himself. Or maybe it’s because the new creator-owned books they’re launching more-or-less in conjunction with The Sandman Universe appear to have a unifying ethos of some sort behind them (politically aware, by authors either entirely or relatively new to the comics medium, many hailing from creative backgrounds bordering on the exotic), as well as some actual promotional muscle.

Case…

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Eurocomics Spotlight : “Bastard”


Ryan C. (fourcolorapocalypse)'s avatarRyan C.'s Four Color Apocalypse

Granted, we’re skirting the definition of “Eurocomics” a bit with this one given that Max de Rodigues’ Bastard was originally serialized in mini-comics form by an American publisher (specifically Chuck Forsman’s Oily Comics), but de Rodigues hails from Belgium and brings a decided “outsider’s perspective” to a couple of classic slices of Americana, namely the sprawling landscape of the Southwest and the venerable “criminals on the run” take on the larger “road movie” genre, so forgive me stretching the category out a bit to —“but wait!,” I hear you say, “This isn’t a movie!”

Says you. And while you’re absolutely right on a purely technical level, in point of fact, this new graphic novel collection of de Rodigues’ complete story from Fantagraphics (several pages of which appear to have been either completely re-drawn, or substantially “tightened up” with new, thicker, more fluid inks) plays out with all the pacing…

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Trailer: Halloween


Halloween 2018

October 19, 2018. Keep that date in mind.

It’s the date for the latest entry to the Halloween franchise. It’s to be a sequel to the original film. It will also discard every other Halloween sequel ever made. So, for those who are so anti-remake/reboot this should alleviate any of those triggers.

David Gordon Green (who co-wrote this sequel with Danny McBride and Jeff Fradley) directs this sequel as a continuation of the events which happened with the original film. A follow-up that’s 40 years in the making, literally.

So, once again, remember October 19th and make sure to check this film out. I have a sneaking suspicion that it’ll be the true sequel to Carpenter’s classic.