Eurocomics Spotlight : “Bastard”

Ryan C.'s Four Color Apocalypse

Granted, we’re skirting the definition of “Eurocomics” a bit with this one given that Max de Rodigues’ Bastard was originally serialized in mini-comics form by an American publisher (specifically Chuck Forsman’s Oily Comics), but de Rodigues hails from Belgium and brings a decided “outsider’s perspective” to a couple of classic slices of Americana, namely the sprawling landscape of the Southwest and the venerable “criminals on the run” take on the larger “road movie” genre, so forgive me stretching the category out a bit to —“but wait!,” I hear you say, “This isn’t a movie!”

Says you. And while you’re absolutely right on a purely technical level, in point of fact, this new graphic novel collection of de Rodigues’ complete story from Fantagraphics (several pages of which appear to have been either completely re-drawn, or substantially “tightened up” with new, thicker, more fluid inks) plays out with all the pacing…

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One response to “Eurocomics Spotlight : “Bastard”

  1. Pingback: Lisa’s Week In Review: 9/3/2018 — 9/9/2018 | Through the Shattered Lens

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