Polish Ham: Jack Benny in TO BE OR NOT TO BE (United Artists 1942)


gary loggins's avatarcracked rear viewer

Comedian Jack Benny got a lot of mileage (and a lot of laughs) making fun of his movie career, especially THE HORN BLOWS AT MIDNIGHT . While that film isn’t half as bad as Jack claimed it was, even better was Ernst Lubitsch’s TO BE OR NOT TO BE, a topical (at the time) tale of a band of Polish actors taking on the invading Nazis during WWII. Jack’s got his best film foil here, the marvelous Carole Lombard, and the movie’s got that wonderful “Lubitsch Touch”, a blend of sophistication and sparkling wit evidenced in classic films ranging from THE MERRY WIDOW and DESIGN FOR LIVING to NINOTCHKA and HEAVEN CAN WAIT.

Benny plays Joseph Tura, the self-proclaimed “greatest actor in the world”, and Lombard is his bantering wife Maria. Together, they lead a troupe of actors in Warsaw in a production of “Hamlet”, but every time Tura begins…

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Cleaning Out The DVR: The Hoodlum Priest (dir by Irvin Kershner)


(I recorded The Hoodlum Priest off of TCM on January 6th of this year.)

“I’m not trying to change the world.  I’m just trying to keep the world from changing me.”

— Anti-Death Penalty Activist in The Hoodlum Priest (1961)

The Hoodlum Priest tells the story of two men who have far more in common than may first seem apparent.

Billy Lee Jackson (Keir Dullea) has spent the last few months in prison and seems to be destined to return as soon as possible.  Though he was convicted of armed robbery, the truth was that Billy was little more than a mugger and a petty thief.  It only takes one look at him to see that his tough exterior is largely an act.  Billy is angry, bitter, and often scared but tough he definitely isn’t.  As soon as Billy’s released back onto the streets of St. Louis, he teams up with his friend, Pico (Don Joslyn), and the two of them plot to crack a safe.

Father Charles Dismas Clark (Don Murray) is a Jesuit who has dedicated his life to trying to rehabilitate ex-cons like Billy.  As Father Clark explains it, he is the son of coal miners, a descendant of the original Molly Maguires.  He knows what it means to be on the fringes of society.  As opposed to his colleagues, Father Clark speaks the language of the streets.  (Of course, we’re talking about the streets of 1961 here, which means that Father Clark spends a lot of time saying stuff, “Hey, I ain’t no square!”)  Father Clark’s dream is to open up a halfway house, a place where those released from prison can stay as they try to reintegrate into society.   Helping Father Clark is a famed attorney named Louis Rosen (Larry Gates).  Opposing him and suggesting that Clark is as much a hoodlum as those he claims to be helping is a supercilious journalist named George Hale (Logan Ramsey).

At first, it appears that Billy could be one of Father Clark’s greatest success stories.  After convincing Billy and Pico to abandon their criminal plans, Father Clark arranges for Billy to get a job.  Billy even begins a rather unlikely romance with a wealthy socialite named Ellen (Cindi Wood).  However, no matter how hard Billy tries to resist, the temptation to return to his old ways remains.  While Father Clark struggles to convince people to support his halfway house, Billy finds himself drawn back into a life of crime…

The Hoodlum Priest was based on a true story.  The real Father Clark personally approached Don Murray and told him the story behind the founding of Dismas House.  Murray felt so strongly about Clark’s story that he not only starred in and produced The Hoodlum Priest but also wrote the screenplay.  (The script was credited to Don Deer, which was Murray’s nickname when he was a high school track star.)

That this film was a passion project for Murray is obvious in the intensity of his performance.  As played by Murray, Father Clark is hardly an intellectual.  Instead, he’s frequently as emotional and, at times, as angry as the people that he’s trying to help.  When Billy fails to show proper gratitude after Father Clark rescues him from being sent back to jail, Clark refuses to excuse the snub.  Clark may be sincere but he’s not going to let anyone push him around.  Director Irvin Kershner and cinematography Haskell Wexler bring a gritty realism to the film’s visuals, which keeps the film from getting overwhelmed by its own sincerity.

The Hoodlum Priest is a well-done piece of social commentary, one that features a still relevant message about the struggle of ex-cons to reintegrate into society.  Don Murray brings the same righteous authority to this film that he would later bring to Twin Peaks: The Return.  This is a good one to keep an eye out for on TCM.

Music Video of the Day: My Type by Saint Motel (2014, dir by Sam Winkler)


Sorry, everyone.  I’m pretty ill right now so, instead of going into a lot of detail, I’m just going to share this video of Saint Motel’s My Type and hope that you enjoy!

(This is one of two videos for My Type.  Check out the other one by clicking here!)

“Daygloayhole” : Ben Passmore Proves That The More Things Change —


Ryan C. (fourcolorapocalypse)'s avatarRyan C.'s Four Color Apocalypse

I don’t know what kind of music Ben Passmore listens to, but his work definitely has an admirably DIY punk “vibe” to it, not just aestehtically, but narratively — which may come as something of a surprise to readers only familiar with his best-known book, last year’s Ignatz-winning Your Black Friend. That comic was an expertly-structured treatise on as relevant a topic as one can possibly imagine, emotionally resonant to be sure, but designed primarily to engage readers on an intellectual level. It succeeded in everything it set out to do with flying colors, but marked something of a departure for the newly-minted “genius” cartoonist behind it, who certainly never shied away from the political in his earlier work — but neither did he place it front and center in such a frank manner, choosing instead to let it inform, rather than define, prior efforts.

Now that…

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Music Video of the Day: Cochise by Audioslave (2002, dir by Mark Romanek)


Fireworks seem like a good way to welcome in the month of May.

This video was filmed, over the course of two nights, near the Sepulveda Dam in Los Angeles and apparently, all of the explosions and the fireworks convinced local residents that they were under terrorist attack.  Lead singer Chris Cornell was in rehab at the time of the shooting and commuted directly from the facility to the set and then back again.

Enjoy and let’s make the best of May!

Lisa Reviews Avengers: Infinity War (dir by Joe and Anthony Russo)


(Warning: There are spoilers in this review.  They’re not necessarily huge spoilers but they’re there.  Read at your own risk.)

Avengers: Infinity War is a lot of things.  It’s big, it’s thrilling, it’s emotional, it’s colorful, it’s loud, it’s flamboyant, and, clocking in at two and a half hours, it’s occasionally a bit exhausting.  It’s overwhelming but it’s never boring.  It’s a nearly perfect example of pure cinema, where the story is less about what happens and more how it’s told. It’s a tribute to not just the Marvel Cinematic Universe but also to the audiences who have been flocking to each movie since Iron Man was first released way back in 2008.  Avengers: Infinity War is a pop art masterpiece, one that provides the first part of a climax to a saga that’s been unfolding for ten years.

In the days leading up to the release of Avengers: Infinity War, the main selling point was the assumption that this movie would feature every single character that’s been introduced as a citizen of the MCU so far.  Though the film comes close to including everyone, there are still a few characters who are notable for their absence.  Ant-Man and the Wasp are nowhere to be seen.  None of the Marvel Television characters show up, which is a shame because I’m sure Jessica Jones would have had some choice words about the potential end of the universe.  Two familiar SHIELD agents make a brief appearance, though you have to wonder where they were when New York and Wakanda were being invaded.

That said, all of the big heroes show up.  Tony Stark (Robert Downey, Jr.) flies into space with Dr. Strange (Benedict Cumberbatch) and Spider-Man (Tom Holland).  Thor (Chris Hemsworth) teams up with Rocket Racoon and Groot (voiced by Bradley Cooper and Vin Diesel, respectively).  When Wakanda is attacked, Black Panther (Chadwick Boseman), Captain America (Chris Evans), The Falcon (Anthony Mackie), White Wolf (Sebastian Stan), the Hulk (Mark Ruffalo), Rhodey (Don Cheadle), and Natasha (Scarlett Johansson) are all present to defend it.  Meanwhile, Vision (Paul Bettany) and Wanda (Elizabeth Olsen) continue to pursue their odd relationship while Peter Quill (Chris Pratt) and Gamora (Zoe Saldana) search for Gamora’s father, Thanos (Josh Brolin).

It’s a packed film and the fact that it works as well as it does is a testament to the power of perfect casting and movie star charisma.  At this point, we feel as if we know these characters.  We know that Tony Stark is going to be haunted by what happened the last time Thanos’s minions involved New York.  We know that Spider-Man is going to be desperate to prove that he belongs with the adults, just as we know that Dr. Strange isn’t going to be particularly impressed with anyone he meets.  Needless to say, some characters get more screen time than others.  Despite a good deal of the film taking place in Wakanda, Black Panther largely stays in the background.  I personally wish that both Natasha and Captain America had been given a bit more to do.  Considering just how talented both Anthony Mackie and Don Cheadle are, it’s a shame that neither one of them ever gets to do much in these films.  At the same time, Infinity Wars allows both Elizabeth Olsen and Paul Bettany to come into their own and Chris Hemsworth again shows that he may be the most underrated star in the MCU.  I’ve read a lot of criticism of certain actions taken by Peter Quill towards the end of the film but actually, it’s exactly what you would expect his character to do in the situation and, up until that moment, Chris Pratt is a welcome presence.  It’s important to have someone around who appreciates good music and who can make you laugh, especially considering that Thanos is planning to wipe out 50% of the universe’s population…

Oh yes, Thanos.  After spending years lurking in the background, Thanos finally steps forward in Infinity War.  In fact, it can be argued that Avengers: Infinity War is actually much more of a Thanos film than an Avengers film.  While our heroes are continually spending the film trying to catch up to Thanos and reacting to his latest action, Thanos is always one step ahead.  Thanos is the one who steers the narrative and, for once, you really do believe that an MCU villain views the heroes as being mere distractions.  Thanos is the one on a quest and the film follows him through every step of his search.  In fact, the film’s most emotional moments belong to Thanos.  For all the death and destruction to be found in the film’s surprisingly dark narrative, Thanos is the only character to ever shed a tear.  Like all great villains, Thanos doesn’t view himself as being evil.  Instead, Thanos speaks very sincerely of his desire to bring balance to the universe.  The scary thing about Thanos isn’t that he claims that he’s being merciful when he slaughters millions of beings.  The scary thing about Thanos is that believes it.

Thanos, you see, is a bit of an intergalactic environmentalist.  As he explains it, the universe only has a finite number of resources.  By killing half of the universe’s population, he is ensuring that the other half will be able to survive in peace and harmony.  Most people would call Thanos’s actions genocidal but Thanos would probably say that he’s merely making the difficult decisions that others don’t have the courage or intelligence to make.  It may all sound rather far-fetched and melodramatic until you consider that, just last week, bureaucrats and doctors in the UK decided it would be better to starve a sick infant to death rather than allow his parents to take him to be treated in another country.  With his mix of narcissism and absolutely belief in his own moral certitude, Thanos is a far more familiar villain than a lot of viewers might want to admit.  As opposed to the forgettable villains who have appeared in so many MCU films, Thanos is a compelling and complicated figure.  It’s interesting to note that two of the best performances of the year so far were given by actors appearing as villains in MCU films, Michael B. Jordan in Black Panther and Josh Brolin in this one.

As befits the film’s subject matter, Infinity War is a sprawling film, one that skips from world to world.  The visuals are frequently spectacular, as are the many battles.  From the opening attack on New York to the final battles in Wakanda and in space, the action is non-stop and thrilling.  (It helps that, as opposed to some of the previous MCU films, it’s always clear who is fighting who and why they’re fighting.)  For me, though, the most memorable scenes are the scenes where Thanos looks and considers the worlds that he’s destroyed.  There’s a scene where an exhausted Thanos rests on a placid planet and it’s one of the strongest images in the history of the MCU.

I’ve been told that I shouldn’t worry too much about all of the characters who are killed over the course of Infinity War.  From what I’ve been told, it’s apparently something of a tradition in Marvel comics to kill off a bunch of recognizable characters and then have them come back to life an issue or two later.  And the fact that the sequel to Infinity War has already been filmed and is set to released next year leads me to suspect that nothing’s permanent.  I mean, if all of these people are really dead, there aren’t going to be many heroes left to make any more movies about.  That said, I still got far more emotional than I probably should have at some of the unexpected demises.  Especially … well, no.  I won’t say the name.  But seriously, it was upsetting.

2018 is shaping up to be the year of Marvel.  So far, Marvel has released two of the best films of the year.  To be honest, a film as huge as Infinity War shouldn’t have worked and yet, it does.  It’s a masterpiece of pop art.*

* For a totally different response to Avengers: Infinity War, check out Ryan’s review by clicking here!

Eurocomics Spotlight : Manuele Fior’s “Blackbird Days”


Ryan C. (fourcolorapocalypse)'s avatarRyan C.'s Four Color Apocalypse

Italian cartoonist Manuele Fior now calls Paris home, but his publishing home is clearly Fantagraphics, who released his breakthrough graphic novels 5,000 KM Per Second and its equally stunning follow-up, The Interview, in 2016 and 2017, respectively, and are now making it three books in three years with their collection of a decade’s worth of his best short strips, Blackbird Days, which is at the very least a showcase for Fior’s incredible artistic and authorial versatility, but at its best is something altogether more.

Case in point : the volume’s longest (and titular) piece bears no direct narrative connection to The Interview, but is clearly set in the same just-slightly-askew world and uses the story of its troubled protagonist — an engineer on the precipice of getting busted for a “white-collar” crime — to set the stage for an intriguingly oblique mini-mystery, but also to lend weight…

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Here’s The Latest Trailer (and the pre-trailer teaser) for Ant-Man and The Wasp!


Hi, everyone!

So, Jeff & I just saw Avengers: Infinity War!  I’ll be working on my review tonight but while I’m writing, feel free to watch the latest trailer for this year’s third Marvel film, Ant-Man and The Wasp!  2018 is truly shaping up to be the year of Marvel so it’ll be interesting to see if people get as excited about Ant-Man and The Wasp as they have about Black Panther and Avengers: Infinity War.

To be honest, the combination of Black Panther and Infinity War have set the bar very high.  Obviously, the film isn’t going to have the cultural cachet of Black Panther.  Nor does it look like it’s going to be quite as colorful as Infinity War.  Instead, this looks very much like a back-to-basics super hero film, one that will make good use of Paul Rudd’s charisma.  Hopefully, he and Evangeline Lilly will have a bit more chemistry in this film than they did in the first Ant-Man.

The video below starts with the “Where was Ant-Man during Infinity War?” teaser that was released yesterday and then it continues on to the trailer, which was released earlier today.