Wonder Woman is awesome!
I spent a while trying to think of the best way to begin this review. There’s a lot to be said about Wonder Woman, as both a film and as a character. Over the next few weeks, we’re going to be flooded with think pieces. Is Wonder Woman too feminist or not feminist enough? Does Wonder Woman herald a new direction for the DC Expanded Universe or is it destined to just be an anomaly among the ruins of crap like Man of Steel and Suicide Squad? Does it announce the arrival of new star? Is Wonder Woman pro-war or a plea for peace? Does Wonder Woman live up to the rapturous early reviews or is it destined to suffer the same fate as the initially acclaimed, later-reviled Ghostbusters reboot?
Those are all legitimate questions. They’re all worthy of debate and discussion. And I look forward to reading everyone’s thoughts on blah blah blah blah….
Yes, Wonder Woman is empowering, both as a film and as a character. It’s amazing to think that, with all the super hero adaptations that have come out over the past ten years, Wonder Woman is the first one to center around a female super hero.
Yes, Wonder Woman does finally prove that DC Expanded Universe can produce a good film, though I do have to say that two of the best things about Wonder Woman is that it had very little to do with any of the other DCEU films and it felt more like an MCU film. With the period setting (the film takes place during World War I) and it’s weary view of the wars that men fight, Wonder Woman has far more in common with the first Captain America film than it does with Man of Steel.
Yes, Gal Gadot is going to be a huge star and her performance here suggests that she has range beyond action films and comic book melodramas.
Yes, Wonder Woman is a plea for peace but it’s a sincere and honest plea and one that does not ignore the realities of human nature.
And, finally, yes, Wonder Woman deserves those good reviews and I believe it will stand the test of time.
When all is said and done, what really matters is that Wonder Woman is freaking awesome! The teaming of director Patty Jenkins and star Gal Gadot has resulted in one of the most entertaining and exciting comic book movies of recent times. Usually, I resent it when an audience breaks into applause at the end of a movie, largely because it makes me feel as if I’m being pressured to make a snap judgment about a movie’s worth before I’ve had time to give it proper thought. However, this time, when the applause broke out at the Alamo Drafthouse, I happily joined in.
I could be wrong about this but I don’t think Wonder Woman is ever actually called “Wonder Woman” at any point during the film. If she was, I missed it and I’m sure someone will correct me in the comments. Instead, she is referred to by her proper name, Diana. When the film opens (after the obligatory modern-day prologue), Diana is a child living on the island of Themyscira, the home of the legendary Amazons. Diana is the only child among the Amazons. The daughter of Queen Hippolyta (Connie Nielsen), Diana dreams of becoming a warrior but her mother refuses to allow it. When Diana is trained, it’s in secret by her aunt, General Antiope (Robin Wright). At one point, Antiope tells Diana that if she’s going to be warrior, she’s going to have to be prepared to fight for everything. No victory, Antiope tells her, will ever come easily. I nodded at that line and I’m sure every other woman in the audience did so as well. We understood what Antiope was saying.
In 1918, for the first time in centuries, a man reaches the island. His name is Steve Trevor (Chris Pine) and he’s an American spy. No sooner does Steve’s plane crash on the beach then a boat full of Germans arrive. After a genuinely exciting battle (perhaps the first exciting action scene to appear in any of the DCEU films), Steve reveals that the world is at war. Suspecting that it is the influence of Ares, the god of war, that is causing people to kill one another, Diana defies her mother’s orders and leaves the island with Steve. Steve’s goal is to keep the Germans from developing and deploying a lethal gas. Diana, meanwhile, plans to track down and kill Ares.
While Steve is convinced that, as a result of human nature, wars are inevitable, Diana is resolute in her belief that all the evil in the world can be linked to Ares. Their conflicting world views give Wonder Woman far more emotional depth and intellectual resonance than any of the other films that have, so far, been a part of the DC Expanded Universe. By refusing to indulge in portentous hypermasculinity, it avoids becoming a pretentious slog like Man of Steel or Batman v Superman. By refusing to treat war, death, and violence as a joke, it avoids falling into the soulless trap that imprisoned Suicide Squad. When Diana runs and leaps into battle, she’s not just fighting for good against evil. She’s fighting for the soul of humanity.
Some of the action scenes in Wonder Woman are nothing less than amazing. The scene where Diana crosses the aptly named “No-Man’s Land” is destined to be remembered as a classic moment in comic book cinema. I don’t want to spoil too much of the film but I will say that you’ll also never forget the way that Diana takes out a German sniper. It’s an amazing moment, one that is matched by the film’s final battle. Again, I don’t want to spoil anything so I’ll just say that the film’s finale brought tears to my eyes.
After providing Batman v Superman with its only good moments, Gal Gadot finally gets the film that she deserves and she gives an amazing performance. As played by Gadot, Diana is confident but never arrogant, occasionally naive but never foolish. She’s a fighter, one who refuses to surrender even when the rest of the world tells her to go home. (There’s a rather interesting throw-away line, in which Steven’s secretary says that she’s looking forward to getting to vote in her first election. Wonder Woman is saving a world that wouldn’t even allow her a voice in selecting the man who are constantly putting it in danger.) Gal Gadot gives a charismatic and star-making performance.
Also giving a good performance — perhaps a career best if you take Hell or High Water out of the equation — is Chris Pine. When Pine first appears, he seems to be doing a riff on his too-perfect Prince Charming performance in Into the Woods. But, as the film progresses, Pine brings unexpected depth to this role. Special mention should also be made of David Thewlis, who may not have a huge role but who makes the most of his limited screen time.
But, with all that in mind, the most important thing that I can tell you about Wonder Woman is that the film is an absolute blast, a fast-paced and exciting action film that is complimented by strong performances and an unexpectedly poignant subtext.
It’s empowering.
It’s entertaining.
It’s worthy of the applause that filled the Alamo Drafthouse.
In short, it’s absolutely awesome.
See it this weekend.
(Now, Marvel, where’s that Black Widow movie that y’all better be developing?)
Crazy Joe (Peter Boyle) is a gangster with a chip on his shoulder and a self-taught intellectual who can (misquote) Sartre and Camus with the best of them. Sick of being taken for granted, Joe and his brother, Richie (Rip Torn), attempt to challenge the Mafia establishment. The mob sets Joe up and gets him sent to prison. While doing time, Joe befriends a Harlem gangster named Willy (Fred Williamson). Refusing to associate with the other Italian prisoners, Joe allies himself with the black inmates and even helps to start a riot over the prison’s inhumane conditions. When he is released, Joe hits the streets of New York with a vengeance, now backed up by Willy and his criminal organization.
Jamie Shannon (Christopher Walken) is a professional mercenary who is hired, by a British businessman, to overthrow the government of Zangaro. Though Zangaro is currently ruled by a ruthless dictator, Shannon’s employers want to replace him with someone even worse, all so they can get their hands on the country’s platinum mines. After Shannon is captured and tortured by the government, he wants nothing else to do with Zangaro. Instead, he wants to return to New York and propose to his ex-wife (JoBeth Williams). But, when she turns down his proposal, Shannon and his mercenary army return to Zangaro.
Through the Shattered Lens 