Lisa Marie Review A Best Picture Nominee: Raiders of the Lost Ark (dir by Steven Spielberg)


I can hear you right now.

“Really? You’re reviewing Raiders of the Lost Ark for Horrorthon? That’s not a horror movie!”

Well, you’re right, it’s not. That said, it’s definitely a film that borrows from the genre even if it doesn’t embrace it. If you’ve got a thing about spiders, you’ll cringe when Indiana Jones (Harrison Ford) has to wipe all of those tarantulas off of that guy’s shirt while they’re exploring the Peruvian temple. If you’ve got a thing about snakes, you’ll share Indiana’s reaction when the cobra hisses at him. And don’t even get me started on the justifiably famous finale. “It’s beautiful!” Belloq (Paul Freeman) shouts right before the angels turn into skeletons. A man’s eyes pop out of his head. Another one melts. Another explodes. There are plenty of scary moments in Raiders of the Lost Ark, but it’s such a thrill ride that the fear doesn’t necessarily linger the way that it would need to for Raiders to actually be considered a horror film. We’re too busy cheering on Indy and Marion Ravenwood (Karen Allen) to duck behind the couch. That said, I think Raiders of the Lost Ark is still a perfect film for the Halloween month. Though it was released a little before my time, I imagine that Indiana Jones, with his hat and his bullwhip, was a popular figure when Halloween rolled around in 1981.

I rewatched Raiders of the Lost Ark on Tuesday and, as always, I found myself more than a little amazed at how well it holds up. There’s not a single wasted moment. The action scenes are still exciting. The moments of humor — that poor swordsman! — still make me laugh. There’s not a single weak performance to be found in the film’s large cast. Denholm Elliott is instantly lovable as Prof. Brody and John Rhys-Davies plays Sallah with just the right amount of gusto. Ronald Lacey and Wolf Kahler are thoroughly hissable as the Nazi villains and Paul Freeman brings just enough wit to the role of the duplicitous Belloq that you can understand why he and Indiana were once friends. Of course, the film truly belongs to Karen Allen and Harrison Ford. Karen Allen projects a toughness and an inner strength that keeps Marion from being just another damsel-in-distress. Harrison Ford was the perfect choice for Indiana Jones and he’s equally believable whether he’s running through the jungle, falling into a crypt, or teaching a class. (Indiana is so cute when he puts on his glasses!) My mom always used to say that she liked the way Indiana would smile in a semi-confused way before taking decisive action. For all the arguments about why the last two Indiana Jones movies failed, the answer is pretty simple. They forgot that an Indiana Jones movie is supposed to be about Indiana Jones, not Shia LaBeouf and certainly not some condescending Brit. Harrison Ford is Indiana Jones. He’s the reason we watch.

Raiders of the Lost Ark is a film that is so good that I think there’s a tendency to take it for granted. That’s why, much like with the best of the James Bond films, I think it’s important to rewatch it and re-experience just how good it is. Producer George Lucas and director Steven Spielberg sought to recreate the experience of watching the serials and the adventure films of their youth and they succeeded. Spielberg directs like a man in love with the movies and, as a result, it’s hard not to fall in love with this movie.

Raiders of the Lost Ark was, of course, a huge box office success. It was nominated for several Oscars, including Best Picture and Best Director. Harrison Ford was (unforgivably, in my opinion) not nominated for Best Actor. In the end, the Academy selected Warren Beatty over Steven Spielberg and Chariots of Fire over Raiders of the Lost Ark.

A Movie A Day #146: The Dogs of War (1981, directed by John Irvin)


Jamie Shannon (Christopher Walken) is a professional mercenary who is hired, by a British businessman, to overthrow the government of Zangaro.  Though Zangaro is currently ruled by a ruthless dictator, Shannon’s employers want to replace him with someone even worse, all so they can get their hands on the country’s platinum mines.  After Shannon is captured and tortured by the government, he wants nothing else to do with Zangaro.  Instead, he wants to return to New York and propose to his ex-wife (JoBeth Williams).  But, when she turns down his proposal, Shannon and his mercenary army return to Zangaro.

Before winning an Oscar for The Deer Hunter and becoming one of our most popular character actors, Christopher Walken was a finalist for the role of Han Solo in Star Wars.  If not for George Lucas’s decision to hire Harrison Ford to read lines for the actors at the auditions, Christopher Walken’s career could have developed far differently.  The Dogs of War, which was Walken’s first big film after the high of The Deer Hunter and the low of Heaven’s Gate, features Walken playing a character who has much in common with George Lucas’s original conception of Han Solo, an amoral mercenary who will work for anyone who pays him.  Walken is almost too good as Jamie, playing the part as being so aloof and ruthless that it is sometimes hard to feel any sympathy for him at all.  If he had taken that approach to playing Han Solo, audiences would have really been shocked when Han returned to attack the Death Star.  They would probably be worried that he had returned because the Empire offered him a thousand credits to kill Luke.

The Dogs of War has an intriguing premise but it’s a very slow movie that gets caught up in all the minutia that goes into staging a coup.  It’s exciting when Walken and his mercenaries finally attack the dictator’s compound but it takes forever to get there.  The book, by Frederick Forsyth, is a well-written page turner but the film adaptation largely falls flat.

The Savior of the Universe: Flash Gordon (1980, directed by Mike Hodges)


Flash GordonLife on the planet Mongo is not easy.  Aided by Darth Vader wannabe Klytus (Peter Wyngarde) and the sadistic General Kala (Mariangela Melato), the evil Emperor Ming (Max Von Sydow) rules with an iron fist.  All of the citizens are heavily taxed and kept in a state of perpetual war in order to keep them from joining together and rebelling.  Those who attempt to defy Ming are executed.

There are many different races living on both Mongo and its moons. The Arborians, also known as the tree people, live in a jungle and are ruled by Prince Barin (Timothy Dalton).  Until Ming overthrew his father, Barin was the rightful heir to the throne of Mongo.  Barin is also one of the many lovers of Aura (Ornella Muti), Ming’s rebellious daughter.

Barin distrusts the Hawkmen, a group of winged barbarians.  Led by the boisterous Prince Vultan (the one and only Brian Blessed), the Hawkmen live in a palace that floats above Mongo.  Both Vultan and Barin share a desire to overthrow Ming but neither one of them can set aside their own dislike and distrust of each other.

Ming grows bored easily but Klytus has found him a new play thing, an obscure planet in the S-K system.  “The inhabitants,” Klytus says, “refer to it as the planet Earth.”

It all leads to this:

You may have been too busy listening to Queen’s theme song to notice (and I don’t blame you if you were) but I have always found it strange that, even though Ming had never heard of Earth before Klytus brought it to his attention, he still had a button labeled “Earthquake.”  Whenever I watch Flash Gordon, I wonder if I am the only one who has noticed this.

With Ming plaguing Earth with tornadoes, hurriances, and “hot hail,” it is up to three Earthlings to travel to Mongo  and defeat him.  Dr. Zarkov (Topol) is an eccentric scientist who was forced out of NASA because of his belief in Mongo.  Dale Arden (Melody Anderson) is a reporter.  And, finally, Flash Gordon (Sam J. Jones) is a professional athlete.  Because this movie is a fantasy, Flash Gordon is a superstar quarterback for the New York Jets.

The character of Flash Gordon was first introduced in a 1934 comic strip and was played by Buster Crabbe in several classic serials.  Among Flash’s many young fans was a future filmmaker named George Lucas, who would later cite Flash’s adventures as being a major inspiration for the Star Wars saga.  After the unprecedented success of Star Wars: A New Hope, it only made sense that someone would try to make a Flash Gordon film.

That someone was producer Dino De Laurentiis.  (Before writing the script for Star Wars, Lucas attempted to buy the rights for Flash Gordon from De Laurentiis.)  To write the script that would bring Flash into the 80s, De Laurentiis hired Lorenzo Semple, Jr.  Semple was best known for helping to create the 1960s version of Batman and he brought a similarly campy perspective to the character and story of Flash Gordon.  As a result, the film ended up with scenes like this one, where Flash interrupts one of Ming’s ceremonies with an impromptu football scrimmage:

It also led to Brian Blessed’s entire performance as Prince Vultan, which is especially famous for the way that Blessed delivered one line:

(That also makes for a great ringtone.)

Sam J. Jones and Melody Anderson often seem to be stranded by Semple’s script but Max Von Sydow, Topol, Brian Blessed, Peter Wyngarde, and Ornella Muti all get into the swing of things.  Seen today, Flash Gordon is entertaining but too intentionally campy for its own good.  On the positive side, the images still pop off the screen and the soundtrack sounds as great as ever.  When you listen to Queen’s theme song, you have no doubt that “he’ll save every one of us.”

As Flash Gordon himself put it after he saved the universe: “YEAAAAH!”

Yeah