The Ghosts Of ’70s Horror Haunt “Winnebago Graveyard”


Trash Film Guru

One nice thing about reviewing a new book a couple of days after it comes out rather than a couple of days before is that it gives you a chance to read what others have to say about it before sitting your ass down in front of the keyboard yourself. You can determine what other critics got right in their assessments, and what they got wrong. See what you agree with and disagree with. All that good stuff.

Take, for example, the first issue of the new Image Comics four-parter Winnebago Graveyard, which comes our way courtesy of veteran horror comics author Steve Niles (who created a little something you may have heard of called 30 Days Of Night before going on to, among other things, co-founding Black Mask Studios), architect-turned-artist Alison Sampson, and master of moody hues Stephane Paitreau. By and large people seem pretty pleased…

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4 Shots From 4 Fulci Films: Beatrice Cenci, Four of the Apocalypse, Contraband, The Beyond


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

Today is the birthday of the Italian film director, Lucio Fulci!  In honor of the big day, here are 4 shots from 4 films!

4 Shots From 4 Films

Beatrice Cenci (1969, dir by Lucio Fulci)

Four of the Apocalypse (1975, dir by Lucio Fulci)

Contraband (1980, dir by Lucio Fulci)

The Beyond (1981, dir by Lucio Fulci)

 

A Movie A Day #160: Ace Eli and Rodger of the Skies (1973, directed by John Erman as “Bill Sampson”)


Sometimes, the story behind a movie is more interesting than the movie itself.

A young Steven Spielberg received a “story by” credit for Ace Eli and Rodger of the Skies but, at one time, he was going to be credited with much more.  Spielberg wrote the treatment for Ace Eli and sold it to 20th Century Fox because he was hoping to make his directorial debut with the film.  However, shortly after selling the story, there was an executive shakeup at the studio.  Spielberg’s supporters were out and the men who replaced them gave the treatment to another screenwriter and director.  Spielberg was so angered by his treatment that it would be close to thirty years before he ever again worked with 20th Century Fox.  (In 2002, 20th Century Fox co-produced Minority Report with Dreamworks.)  Ace Eli ended up being directed by television veteran John Erman, who was so upset by the studio’s final edit of the film that he demanded to be credited under a pseudonym.

The plot of Ace Eli and Rodger of the Skies is recognizably Spielbergian.  Ace Eli (Cliff Robertson, who was a pilot in real life and who, after he won his Oscar of Charly, was involved in several flying films) is a stunt pilot in the 1920s.  After his wife is killed in a crash, Eli and his 11 year-old son, Rodger (Eric Shea), set off on a barnstorming tour.  Going from small town to small town, Eli deals with his pain through nonstop womanaizer.  With Eli refusing to take any responsibility for his actions, Rodger is forced to grow up quickly.  It is a typical Spielberg coming of age story, combining a nostalgia for the past with a clear-eyed portrayal of irresponsible adulthood.

In fact, it is easy to imagine the approach the Spielberg would have taken if he had been allowed to direct his story.  Unfortunately, Spielberg did not get to direct the film and John Erman takes an impersonal approach to the material.  Whereas Spielberg would have captured the excitement of both flying and life on the road, Erman keeps the audience at a distance.  An underrated actor, Cliff Robertson is still miscast as the irresponsible Ace Eli.  The reason why Cliff Robertson was perfect for the role of Uncle Ben in Spider-Man is the same reason why he feels all wrong as Ace Eli.  He is just too upstanding a citizen to be as impulsive as Eli often is.  An actor like Warren Oates would have been perfect for the role.

Steven Spielberg directing Warren Oates in Ace Eli and Rodger of the Skies?  That would have been something worth seeing!

Pre Code Confidential #12: Joan Crawford in DANCE, FOOLS, DANCE (MGM 1931)


cracked rear viewer

MGM co-starred Joan Crawford and Clark Gable for the first time with their 1931 gangland saga DANCE, FOOLS, DANCE. Well, not exactly co-starring; 27-year-old Joan was already a screen veteran and a star, while 30-year-old newcomer Gable was billed sixth in this, his third picture (not counting his extra work). Regardless of billing, the pair had a definite sexual dynamic between them onscreen (and offscreen as well, if you know your Hollywood history), and the studio would team them again in seven more films.

Joan is carefree Chicago socialite Bonnie Jordan, with a twit of a boyfriend (Lester Vail) and a wastrel brother named Roddy (William Bakewell) who’s got a penchant for booze. When the stock market crashes and their Pop croaks on the exchange floor, the kids are left with neither money or marketable skills. Bonnie’s upper-crust boyfriend Bob offers to do the honorable thing and marry her, but that horrified look on her face says it all! Rejecting the twit, Bonnie’s determined…

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