October Music Series: Kukulcan – Tlamictilia Quixtiani

Posted on October 17, 2012 by necromoonyeti

http://www.youtube.com/watch?v=aWVH2bsaQcs

There’s no good reason for pagan metal to be dormant in Central and South America. Hell, they have more to be pissed off about than anyone. As it stands though, Kukulcan is one of the only bands I have ever heard with a distinctly Aztec/Mayan theme. They come from Tlaxcala and Valle de Chalco, areas in the south of Mexico near the capital.

Apparently they have six demos and splits out now, but still no full-length cds. Tlamictilia Quixtiani is the opening track to Yaotlachinolli, their first demo, released in 2006. Here black metal serves as the backdrop for what sounds like a militant call to arms, amidst war horns, native drumming, and a woodwind that wavers between mourning and madness. That symbol in the four corners of the album cover is actually the Aztec swastika, which I couldn’t find much information on. But just in case such ambiguity fails to offend you, they made sure to plant a good old modern swastika in the middle of it. Ah, that must explain the Gothic font they used for their band logo. Such creative young lads…

But really, this demo is pretty great as pagan black metal goes. It’s an angry reassertion of pre-colonial heritage, noisily representing an indigenous American culture that gets largely ignored in the modern world.

Horror Trailer: Carrie (by Kimberly Peirce)

Posted on October 16, 2012 by Arleigh

We finally have the first trailer in the upcoming horror remake Carrie starring Chloe Grace Moretz and directed by Boys Don’t Cry filmmaker Kimberly Peirce.

When news came out that the classic Brian De Palma film adaptation of the Stephen King novel was being remade there wasn’t much of a positive reaction to the news. The usual grumbling about another horror remake being put into production and how Hollywood was running out of ideas was heard throughout the blog land. Then more details surface of who would play the title role which was made famous in the original film by Sissy Spacek. When it was announced that Chlie Grace Moretz would take on the Carrie role then grumbling subsided somewhat.

While there will always be detractors of the film even while it’s still in production the word coming out that the film will not be a straight out remake of the film but more of a faithful adaptation of the novel has made me cautiously optimistic. The fact that the last horror remake Moretz was involved in turned out quite well (Let Me In) is another reason to hope. Plus, Peirce as the director should help put the focus of the film’s narrative on where King originally intended it to be and that’s the social divide between the popular kids in the dangerous world of high school who end up bullying the weaker outcasts.

The teaser trailer gives a hint at how the film looks to follow the novel more than the De Palma film by showing the town in flames and not just the school. Carrie is set for a March 15, 2013 release date.

October Music Series: Стары Ольса – Дрыгула

Posted on October 16, 2012 by necromoonyeti

Time has been getting the better of me so far this month, and I haven’t really been able to structure these posts in the order I’d initially intended. But while the songs I had in mind that require a bit more research go on hold, I offer you another taste of Belarusian folk/early music masterminds Stary Olsa.

I came across Дрыгула (Drygula) while I was posting up Dances, when I discovered that a number of their more recent songs were available for free download on their official website. Drygula is the title track to their 2009 release. To quote their website:

“This CD presents dance music from the late Middle Ages to early baroque, written in the Grand Duchy of Lithuania (Polacak Adversaria) and Western European countries. During these works’ performance, the instruments which correspond to their times are used.”

So according to the band, what you’re hearing here is uncompromised, authentic music of the Middle Ages. That is… pretty hard for me to believe, but who knows? Maybe 16th century Lithuania really was this awesome.

The Name’s Bond, Jimmy Bond: Casino Royale (1954)

Posted on October 16, 2012 by Lisa Marie Bowman

Hi there! On November 9th (which just happens to be my birthday, by the way), the latest James Bond film will opening here in the States. The early reviews of Skyfall have been nothing sort of amazing, with several critics declaring it to be the best Bond film ever. Well, time will tell. The fact of the matter is that many of those same critics said the exact same thing about Quantum of Solace before it was actually released.

That said, the James Bond franchise seems to be one of the few things that everyone on this planet has in common. It seems that everyone has seen (and loved) at least one Bond film. There’s a reason why Skyfall is going to be the number one film in the world despite having a totally generic title. For over 50 years, people have loved Bond.

Here at the Shattered Lens, we’re observing the 50th anniversary of the James Bond franchise by reviewing every single James Bond film that’s ever been made. In the days leading up to the American release of Skyfall, we’ll be taking a look at every single adventure that the cinematic James Bond has had. Everything from the good to the bad to the ugly.

Everyone knows that Sean Connery made his debut of James Bond in 1962’s Dr. No but what they may not know is that Sean Connery was not the first actor to play James Bond. James Bond made his first appearance 8 years earlier when an American television show called Climax! presented a 48-minute adaptation of Ian Fleming’s first Bond novel, Casino Royale.

In this version of Climax!, James Bond was known as Jimmy Bond and he was about as American as you can get. (Felix Leiter, meanwhile, was now English and named Clarence Leiter). Jimmy Bond was played by Barry Nelson, an actor who is probably best known for playing the blandly friendly hotel manager in Stanley Kubrick’s The Shining. Casino Royale’s villain, Le Chiffre, was played by none other than Peter Lorre.

This version of Casino Royale was initially meant to serve as a pilot for a weekly television series but, perhaps fortunately, the Climax version of Casino Royale didn’t get much attention when it was originally aired. According to Sinclair McKay’s authoritative Bond book, The Man With The Golden Touch, this version of Casino Royale was forgotten about until a copy of it was discovered in the 1980s. By that time, of course, everyone knew that James Bond was English and that Felix Leiter was American.

Thanks to YouTube, I’ve seen the Climax! Casino Royale and it’s a curiosity. If Dr. No hadn’t launched the James Bond film franchise, there would be little reason to watch this version of Casino Royale. It moves a bit slowly, is way too stagey, and it reveals that, contrary to what we’ve all heard, live television was not always the greatest thing on the planet. Not surprisingly, this adaptation contains none of the brutality or the moral ambiguity that makes Fleming’s novel such a fun read. American television audiences would not see Jimmy Bond strapped naked to a chair and an American television show would never end with the hero saying, “The bitch is dead.” The best you can say about this version of Casino Royale is that Peter Lorre makes for a good villain (in fact, of the three versions of Casino Royale, the television version is the only one to feature an effective Le Chiffre) and Barry Nelson would have made a good Felix Leiter.

That said, I still find the television version of Casino Royale to be fascinating from a historical point of view. This is the type of show that you watch for curiosity value. This is the type of show that you watch so that you can think about how different things could have been.

So, presented for your viewing pleasure, here’s the original version of Casino Royale:

Coming tomorrow: The James Bond film franchise gets off to its proper start with … Dr. No!

AMV of the Day (Horror Edition): Am I Not Human? (Another)

Posted on October 15, 2012 by Arleigh

Yesterday site anime and manga contributor pantsukudasai56 posted his anime horror post for the month be recommending to everyone to watch the anime horror series Another. Using that as inspiration I’ve chosen the latest “AMV of the Day” by picking an AMV that uses that very series as the foundation for the video.

I’ve still have to find time to watch the series, but I know that Another is a horror anime that seems to have reached cult-status and beyond since it’s release earlier this year. Unlike pantsu here I do enjoy lots of anime horror but I will agree that they’re not in the same realm as mahou shoujo and slice-of-life series in terms of consistent quality. The last horror anime that I thought to be very good was Gakuen Mokushiroku (better known as Highschool of the Dead) but even that series earns much of it’s popularity due to it’s excessive (I thank Zoidberg Jesus for it everyday) use of fanservice shots.

With this AMV we get one from a high-quality horror anime and also paired up with one of the music industry’s preeminent producers of musical scores from Two Steps From Hell. This time around AMV producer AnimeFanOtaku123 uses that groups song, “Am I Not Human?”, to be the score for the chosen scenes from Another to complete the video. In fact, AnimeFanOtaku123 does such a great job with this AMV that one could easily say that it works perfectly well as a trailer for the series if one didn’t think it was an AMV to begin with.

I’ll probably have one or two more horror-related AMV’s before the end of the month, but this is a good choice for this month..

Anime: Another

Song: “Am I Not Human?” by Two Steps From Hell

Creator: AnimeFanOtaku123

Past AMVs of the Day

6 Horror-Filled Trailers!

Posted on October 15, 2012 by Lisa Marie Bowman

Continuing with our horror theme this month, this latest edition of Lisa Marie’s Favorite Grindhouse and Exploitation Film Trailers is dedicated to films that are perfect for Halloween.

Some of you may have noticed that there was no Trailer Kitty at the end of last week’s post. Well, I’m happy to say that, after intensive negotiations with the Mascot Union, the strike is over and the trailer kitties have returned! Yay!

1) Beyond the Door (1974)

I think I may have included this trailer before but oh well. I’ll include it again because the movie that it’s advertising is just so amazingly bad.

2) Sand Sharks (2011)

Stay away from the beach! Seriously..agck!

3) The House On Haunted Hill (1959)

This trailer is a classic.

4) The Tingler (1959)

As always, a Vincent Price trailer should be followed up another Vincent Price trailer.

5) Hillside Cannibals (2006)

I haven’t actually seen this film but, judging from the trailer, it could have used a little Vincent Price.

6) The Texas Chainsaw Massacre (1974)

Much like Beyond the Door, this is a trailer that I’ve featured in the past but I think that, with it being the October season, I’m justified in featuring it again. I consider this to be one of the most effective trailers of all time.

What do you think, Trailer Kitty?

In this case, I agree with trailer kitty! Those trailers were way too scary!

Which Way Forward For The “Batman” Movie Franchise? Take Fifteen : Meet The New (Crime) Boss

Posted on October 15, 2012 by Ryan C. (fourcolorapocalypse)

The man you see pictured above is one Carmine Falcone, (former, as far as current Bat-continuity goes) crime boss of Gotham City. You may remember him from Batman Begins, of course, where he was played by Tom Wilkinson — a curious choice being that Mr. Wilkinson neither looks nor sounds especially Italian, but whatever.

He’s also largely immaterial to this post given that we’ve already established that the Harvey Dent/Jim Gordon/”Bat-Vigilante” trifecta has already locked him away at the start of our hypothetical Batman I movie, but the slack left in the absence of him and the other incarcerated Crime Lords has been picked up, to an extent, in our imaginary flick by one Vincent Lucchesi, a name I dropped earlier but that we now will be meeting in earnest for the first time in a scene that, I freely admit, is heavily influenced by Nolan’s first Bat-flick.

Now, I confess — last time around, I left you with the distinct impression that our next segment would revolve around a TV interview with Bruce Wayne, but looking at things more closely over the last couple of days, I’ve decided that now might be a good time to introduce Mr. Lucchesi, since he’s going to figure prominently in this (again, completely imaginary) film, and because I think I’d like to show Batman in action for the first time at right about this point — although, fair warning, that’s going to be our focus tomorrow : one thing at a time, as always!

Anyway, I started this post with a picture of Falcone because Lucchesi is an entirely invented character (at this point — he’s going to eventually become a fairly well-known member of the Batman “Rogues’ Gallery,” but again, let’s not get too far ahead of ourselves!) but he’s a bad-ass Gotham crime boss, and if you want to find pics of a bad-ass Gotham crime boss to kick off your blog post with, you’re stuck with Falcone images — this one, needless to say, from Loeb and Sale’s Batman : The Long Halloween (yes, again!).

If you’ll recall, busting Lucchesi has proven tough for the Dark Knight Detective because his deepest, darkest, most well-hidden secret seems to be that he’s importing an entirely legal, if obscure, experimental liquid compound through a string of front companies, and it seems only logical that in the two-day interregnum between Bruce Wayne’s “official” return to Gotham and his Monday morning chat-show appearance, he might want to have a look at one of these shipments in his Bat-persona.

To that effect, our next scene will show Lucchesi in a plush, Penthouse-type office, smoking an imported cigarette in a long holder, and meeting with a few of his less-than-trusted henchmen. Their conversation will be revolving around a shipment coming in that night, and Lucchesi will naturally ask who’s been tasked to provide “security” for the set-up. When one of the goons replies “Flass,” Luchessi will slam his fist on the desk and yell “Flass??????? You imbecile! Dent and Gordon just sent him upriver this morning!!!!!!!!!!,” thus hearkening back to our “Meet Jim Gordon” scene from a posts (but only a few minutes, movie-wise) ago. “Aren’t you clowns on top of any of the information that’s going around this town?”

“Gosh, we’re sorry, Mr. Lucchesi, so many guys been going down it’s gettin’ kinda hard to keep up!,” one of the toadies will stammer in response, to which Lucchesi will reply,” Well, it’s gettin’ too damn late to bring in anybody else, and I sure as hell can’t leave it to you nitwits, so it looks like I’m just gonna have to go down and oversee this operation myself. We’re at too critical a stage right now to leave it to a bunch’a goddamn amateurs!” At that point Lucchesi, immaculately dressed in an expensive Italian suit, will grab his equally-expensive Italian overcoat and hat and storm out of his office, his lackeys in tow behind him as he swears on his mother’s grave extreme vengeance, delivered with interest, upon Harvey Dent for all the trouble he’s been causing his operation.

If he knew the gruesome fate that was in store for him, he’d have stayed back at the office and farmed the job out after all —

Anime You Should Be Watching Horror Edition: Another

Posted on October 14, 2012 by pantsukudasai56

Being the time of year that it is, I felt I should stay on the horror theme for my rare contribution. Last year I presented to you all my thoughts on the Higurashi series. This year I’m focusing on an anime that came out at the beginning of this year by relative newcomer studio P.A. Works called Another.

Horror anime are rather difficult to do well. That’s because unlike with live action, you are acutely aware that what is happening is not real. Sure, with live action if you sit back and look at most of the horror shows, you can’t necessarily take them seriously, but at least for me there’s a difference in my mind between watching something with real live people in it, and watching 2D drawings moving. So, horror anime either try to pretend they’re still live action and hope you can immerse yourself in them despite it obviously not being real, or they just go for the crazy, over the top exaggerated sequences with lots of blood and gore and just hope the mood feels right. Another takes the second approach. It’s not a constant bloodbath, but it seems to take much delight in coming up with the craziest, most unrealistic deaths it can think of. I think of it almost like an animated version of the Final Destination films. I’ll try and avoid too many spoilers here, but the first death we see should give you an idea of just how crazy and over the top they can get.

So, the basic premise of the show is that many years ago a student in class 3-3 died during the school year. Some classmates, unable to really deal with his death decided to pretend that he was still alive. Soon the rest of the class, including the teachers joined in. This was all well and good, except that when they took their class photos, the student who was supposed to be dead appeared in the photo. Since that time, class 3-3 has been like a portal to the afterlife, allowing the dead to come back and join the class. This has resulted in class 3-3 always having one extra person in it, although during the time which it occurs nobody is aware who the extra person is. They know there is one, but their memories have been altered so that the extra person seems like they’ve always been there. Also, the person who is dead, or the Another, also is unaware that they are dead. Fast forward 20 some years and we come to where the story starts, with transfer student Koichi Sakakibara joining class 3-3. There he meets the girl with the eyepatch, Mei Misaki. However, the rest of the class seems to not acknowledge her existence. The reason for this is revealed later on, but since it’s a mildly important plot point, I’ll leave that up to the readers to watch and see for themselves.

The character designs and the attention to detail in this show are fantastic, as is pretty much par for the course with P.A. Works. The character designs were based on concepts by Noizi Ito, who’s probably best known for her work as the illustrator for the Haruhi Suzumiya novels. What’s also par for the course for a P.A. Works show is that it meanders a bit and almost gets lost in the middle. We’ll set aside the ridiculousness of the deaths because this show isn’t trying to be ultra serious. It’s not going for the camp appeal, but it is using the gore as a sort of fanservice for people who are into that sort of thing. Don’t get too attached to any secondary characters, because there are a ton of deaths in this show. I’ll admit, one or two of the deaths did sadden me a bit, mainly because I liked that particular character and had hoped that they’d survive the curse. This particular class year seems to be extra unlucky, since they showed previous class records and there didn’t seem to be quite as many deaths from the curse as there was in this year.

A complaint that was tossed around when the show finished was that the identity of the Another, which is revealed at the end, was too difficult to figure out. Much like with The Sixth Sense, all the clues are shown once their identity is revealed, and there are quite a few red herrings thrown in there to keep you off the track, but it’s certainly possible to figure out who it is. I’ll say that I was wrong in who I thought it was, but at least my guess wasn’t eliminated until the very end. In fact, I largely suspect that the person whom I thought it was was who the creators wanted us to think was the Another from the get go. In that aspect, I can only tip my hat to them and say they did a good job in getting me to dance to their tune.

All in all, love it or hate it, P.A. Works deserves a lot of credit for not just sticking with a single genre of anime and trying something different to diversify. How true they were to the source material, I’m not entirely certain as I have not read the novel, written by Yukito Ayatsuji however I can say that if I see that P.A. Works is doing another horror anime, I’ll certainly be tuning in. The ride may be a little rocky in the middle, but it’s still a fun ride.

Horror Review: The Walking Dead S3E01 “Seed”

Posted on October 14, 2012 by Arleigh

“Holy shit!” — Axel

[some spoilers within]

It’s been a year since the cliffhanger which ended Season 2 of AMC’s widely popular The Walking Dead. We found Rick and his group escaping from the herd of zombies which swarmed into and over Hershel’s farm. The group lost two more to the walkers in the form of hapless Jimmy and Patricia. Andrea has gotten separated from the main group with most of the guns. It’s only through the timely intervention of a hooded stranger dragging along two incapacitated walkers that Andrea even gets to make it to this new season. It’s this hooded stranger and the last image we see of a darkened prison complex in the distance that has brought a new sense of optimism for the show which had been up and down through most of it’s sophomore season.

The second season had been rife with struggles not just for the characters in the show but also behind-the-scenes as original showrunner and executive producer Frank Darabont was unceremoniously fired from the very show he helped bring off the ground. Fans of the show and of Darabont saw this as a bad decision, but as the season unfolded there seemed to be a major consensus that Darabont might have been the problem to why the first half of the second season moved along even slower than the walkers. The second half saw new showrunner Glen Mazzara taking over and even though some of the same problems in terms of characterization and dialogue still remained the show in the second half seemed to move with a better sense of urgency which culminated in two of the series’ best episodes to date to close off the season.

Season 3 now begins with the episode titled “Seed” (directed by veteran series director Ernest Dickerson) and we get a major timeskip from the end of last season to tonight’s premiere. Rick and his group look to still be on the move with no safe haven in sight. In what looks like a hint of good things to come in terms of pacing and dialogue the show starts off gangbusters as Rick and his group raid a country home, dispatching the walkers within with ruthless efficiency and searching the place for supplies and other useful things real fast. There wasn’t any time for standing around or even going off into long expositional scenes to try and convey what had happened between the end of last season to tonight’s start.

Glen Mazzara, the show’s new showrunner had promised that the show would be taking on a new direction when he took over halfway through season 2, but we’re finally able to see his experience as a TV show producer and writer bear strong fruit with tonight’s premiere. We get to see Rick and his crew acting with more of a sense of urgency in just the first twnety minutes of the show than they had in the first two seasons. We’re finally seeing everyone realizing that they’re now stuck in a world with new rules that doesn’t make room for personal quirks and emotional issues (though we still get hints that they’re still but set aside for the greater good of the group) that just saps the energy from everyone. This group looks more like the sort of team that Shane would’ve thrived in and it looks like Rick has taken on the role of leader much more forcefully. It hasn’t mended the rift between him and Lori for what had transpired over two seasons of interpersonal conflicts that got more than just his best friend killed but others as well.

Tonight’s episode does a great job of explaining through their actions and behavior just how much time has passed between the seasons and how that intervening time has tested the groups mettle and made them harder and more capable in holding their own against the walkers. Even useless characters like Beth, Carol and Carl have become more adept in protecting themselves. It’s surprising to see Carl actually becoming the character he was in the comic book. I’m sure some parent groups will not be approving of Carl actually handling his gun with expertise but this is that kind of show and just because one is a kind doesn’t mean they have to be helpless.

If there were complaints about Darabont’s handling of the show during his short tenure it was that he was too much into creating a very slow burn that culminated into a huge climactic finish. It was fine for a truncated first season, but it showed just how ill-conceiveda narrative style it was for a tv series over a full season. I don’t sense that same feeling with tonight’s episode. One could tell that Mazzara was now fully in charge and not working on whatever Darabont had come up with for season 2. It’s a great start to the new season which has a good chance in reversing some of the ill-will last season’s very slow burns and wheel-spinning had created with a segment of the fan-base.

It also helps that we didn’t have to wait too long to see the official appearance of Danai Gurari in the role of fan-favorite Michonne with her zombie pets and katana. It wasn’t an episode spent directly introducing us to her but enough time was spent away from the group in the prison. Michonne as a character could become too much a caricature of the badass comic book female character, but for tonight it was just refreshing to see a female character on this show as capable and clear-headed as her. There’s even a hint of the sort of friendship that seemed to have grown between Michonne and Andrea since the end of season 2. Shane may have been a bad influence (though helpful in getting Andrea out of her suicidal rut) in season 2, but here’s to hoping that Michonne will be the sort of influence that Andrea will be needing to get her to become the badass characteron the show that her character is in the comic book.

One thing that tonight’s episode also did great that we only saw hints of with the first two seasons was the action such a series could have when given a chance. This is a series about the zombie apocalypse and those trying to survive in it. While I don’t expect each episode to be as action-packed as tonight’s premiere it was an encouraging start to what looks to be the real beginning of the Glen Mazzara era of The Walking Dead.

Now onto episode 2. With tonight’s cliffhanger ending (one that really got me by surprise) it’s going to be interesting to see how Rick and the new group in the end will get along or will they. Just as long as it doesn’t take the show all of the first half of the season to do it then I am all for intergroup conflict until the walkers become a more pressing problem.

NOTES

I’m quite surprised how quickly the show got the group to the prison. So, unlike season 2 which would’ve have the group wandering around in circles for 2-3 more episodes before finding their way to the complex.
It looks like Rick has gotten tired of what must’ve been Lori’s incessant harping during the months the show timeskipped between season 2 and the premiere of season 3 tonight.
Carl still hasn’t found a way to get himself lost thus get someone else killed which could be a nice change of pace for the character.
On a good note, Carl looks to be growing up and taking a handle on becoming a useful member of the group. He even does his share of some coldblooded killing of walkers in the episode’s intro.
In fact Carol becomes quite useful as well with Rick even commenting out of hand how much she grown to become a good shot with the AK-47 she was wielding.
All the talk of ‘shipping Daryl and Carol will get even louder as the two spent a brief moment flirting with each other after the group had taken over the prison courtyard.
Lori…Lori…Lori still looks to be the emotional weak point of the group and show, but this time around everyone in the group is either tuning her out or just trying to keep her focus and attention on keeping her unborn child safe. Even Hershel makes a point to remind her that this wasn’t about her anymore and that she should stop her complaining. It’s all about the baby and that’s all he and she should care about.
Beth and Carl…too cute.
Way to cockblock our boy Carl, Hershel…
Armored zombies, ’nuff said.
Some great work by Greg Nicotero and his team over at KNB EFX. A special note would be on the gas mask walker who got it’s face unceremoniously ripped off when Rick pulled off the gas mask. As a hardcore gorehound even I had to wince at that scene. It was great!
In what could be a way to reconcile the character of Dale in the comics who lasted longer than in the show the writers may be substituting Hershel in that role. The next couple episodes will tell if that’s the case.
I think whoever is the prop guy for this show has read Max Brook’s zombie novel World War Z if the makeshift “Lobo” Glenn was wielding is any indication.
Zombie Kill Count for tonight’s episode: I stopped counting after 30.

First Impression: Telltale Games’ The Walking Dead: Episode 3 “Long Road Ahead”

Posted on October 14, 2012 by Arleigh

What is there to say about Telltale Games’ work on the adventure game The Walking Dead other than they seem to have gotten exactly what has made the comic book series so popular with both readers and critics. The show has slowly gotten to the same level, but not until Telltale Games has a spin-off of Robert Kirkman’s title gotten it all right. The first two episodes has been a great exercise in showing the panic, strain and utter despair that falls on the remaining living survivors of a zombie apocalypse that has descended on the world.

Episode 3, “Long Road Ahead”, continues where the previous episode left off with Lee, Clementine and the rest of the group back at their walled off motel compound outside of Macon, Georgia. It’s only been a couple weeks or so since the events at the dairy farm and we see the added strain of dwindling supplies has brought on. We also see the decisions made by certain characters at the farm affecting the group and creating even bigger divisions between Lily and Kenny. Stuck in between these two strong personalities is Lee (the player) and this episode does an even greater job of making his decisions that much harder to pick when situations (usually stressful ones) come up.

This episode has been seen by fans of the games as the turning point which has cemented this title as one of the best games of 2012. The writing continued to improve under the pen of Gary Whitta who seem to be channeling his inner Kirkman as some heartwrenching moments and deaths occur throughout Episode 3. One such death has become one of the biggest WTF moments in gaming for 2012 that I would be surprised if it doesn’t make many top 10 lists for the year when it comes to gaming’s biggest moments. I know that the sequence surprised me which led to lots of stunned silence, followed up by screaming at my TV then admiration for actually pulling off something that could turn off many players, but instead hooked those still on the fence about whether they should continue playing this episodic title.

The other deaths in this episode were more of a slow burn where we already know the fate of one of the characters and the reaction of another to this situation was unbearably sad, but understandable considering the situation which led up to it. All througout these situations the player as Lee was forefront in how things developed and the choices one gets to choose from doesn’t telegraph how things would unfold. It didn’t help that the timer on making each decision still added a level of stress that most games never fully grasp despite higher budgets and better graphics.

If there was one thing that kept this episode from becoming truly great it’s the controls when something interactive actually occurs where players have to do more than choose what to say. It’s still clunky and awkward on both the Xbox 360 and the PS3, but not as much on the PC which tells me that Telltale Games have been porting the title from a PC base rather than the other way around. For some gamers this keeps the game from becoming immersive despite the great writing, but for me it was a minor inconvenience that never took away from the narrative and the visuals.

The episode ends with a bit of hope as Lee and his group picks up three new faces, but also ends in an ominous cliffhanger as we find out that Clementine may have been keeping things from Lee that could endanger (this being the world of The Walking Dead its a good bet it’ll be dangerous) not just her, but the rest of the group. The fourth episode has now been released for all systems and with the new season of the tv show set to premiere it looks like now is a good time to get back to the Walking Dead state-of-mind.