The latest pick for “song of the day” happens to come from a game I just completed playing a first playthrough. The game is BioWare’s latest and the first sequel to their critically-acclaimed fantasy rpg game, Dragon Age: Origins. This time the song is what I would call the “Lelianna’s Song” of Dragon Age 2.
“Rogue Heart” is the song which begins playing once the end credits for Dragon Age 2 begins. The song is once again composed by the same composer who did the music for the first game, Inon Zur. Inon Zur brings back singer Aubrey Ashburn to handle the song. If there was ever a song which I say truly encompassed the relationship of the character I created and played through in the game, Lisamarie Hawke, it would be this song. It’s not just typified the character but the relationship she had with one of the party members that was recruited. The pirate rogue Isabela (the character artwork in the video is Isabela) would be Lisamarie’s companion the moment the two met and would see the game right through to its climactic and ominous ending.
It’s only appropriate that both Lisamarie Hawke and Isabela were rogues thus this song fit them like bodyhugging gear. The game was better than I thought and I would say the same to its accompanying soundtrack and “Rogue Heart” is another example why rpg soundtracks always typified the best of any game soundtracks.
Here’s how it works. Earlier today, I put on a blindfold and then I randomly groped through my DVD collection until I had managed to pull out ten movies. I then promptly stubbed my big toe on the coffee table, fell down to the floor, and spent about 15 minutes cursing and crying. Because, seriously, it hurt! Anyway, I then took off the blindfold and looked over the 10 movies I had randomly selected. Two of them — Dracula A.D. 1972 and A Blade in the Dark — were movies that I had already reviewed on this site. So I put them back and I replaced them with two movies of my own choosing — in this case, Eternal Sunshine of the Spotless Mind and The Unbearable Lightness of Being.
Between now and next Sunday (March 27th), people will hopefully vote in this poll. On Sunday, I will watch and review whichever movie has received the most votes. Even if that movie turns out to be Incubus. *shudder* (Have I mentioned how much I love Eternal Sunshine of the Spotless Mind?)
Now, of course, there’s always the possibility that no one will vote in this poll and I’ll end up looking silly. Those are the risks you take when you set up an online poll. However, I have a backup plan. If nobody votes, I will just spend every day next week shopping for purses at Northpark Mall and then blogging about it. And by that, I mean blogging every single little detail. So, it’s a win-win for me.
Anyway, here’s the list of the 10 films:
1) Barbarella— From 1968, Jane Fonda plays Barbarella who flies around space while getting molested by …. well, everyone. Directed by Roger Vadim.
2) Barry Lyndon — From 1975, this best picture nominee is director Stanley Kubrick’s legendary recreation of 18th-century Europe and the rogues who live there.
3) Caligula — Yes, that Caligula. From 1979, it’s time for decadence, blood, and nudity in the Roman Empire. Starring Malcolm McDowell, Helen Mirren, Peter O’Toole, John Gielgud, John Steiner, and Theresa Ann Savoy.
4) Eternal Sunshine of the Spotless Mind — Oh my God, I love this movie. Jim Carrey breaks up with Kate Winslet and deals with the pain by getting his mind erased by Tom Wilkinson, Mark Ruffalo, Kirsten Dunst, and an amazingly creepy Elijah Wood.
5) Incubus — From 1969, this low-budget supernatural thriller not only stars a young William Shatner but it also features the entire cast speaking in Esperanto. For. The. Entire. Movie.
6) Inland Empire — If you want to give Lisa nightmares, you can vote for David Lynch’s disturbing 3-hour film about lost identity, sexual repression, human trafficking, and talking rabbits.
7) Kiss Me Deadly — From 1955, this Robert Aldrich-directed cult classic features hard-boiled P.I. Mike Hammer and a host of others chasing after a mysterious glowing box and accidentally destroying the world in the process.
8 ) Mandingo — From 1975, this infamous little film is a look at slavery, incest, and rheumatism in the pre-Civil War South. Starring James Mason, Ken Norton, Perry King, and Susan George. Supposedly a really offensive movie, one I haven’t sat down and watched yet.
9) Sunset Boulevard — From 1950, hack screenwriter William Holden ends up the kept man of psychotic former screen goddess Gloria Swanson. Directed by Billy Wilder.
10) The Unbearable Lightness of Being — From 1988, Philip L. Kaufman’s adaptation of Milan Kundera’s classic novel (one of my favorite books, by the way) features Daniel Day-Lewis, Juliette Binoche, and Lena Olin having sex and dealing with ennui. After I first saw this movie, I insisted on wearing a hat just like Lena Olin did.
Everyone, except for me, is eligible to vote. Vote as often as you want. The poll is now open until Sunday, March 27th.
(Edit: Voting is now closed but check below for the results! — Lisa)
I’m not, by any stretch of the imagination, a comic book reader and there’s really only been four comics that I’ve ever actively made it a point to track down and/or read. One was Strangers in Paradise, which I was introduced to by my first college roommate, who told me that she was my Katchoo. Secondly, there was an old comic book series from the 70s called Tomb of Dracula that Jeff loves. The entire series has been collected in four trade paperbacks and, last Christmas, I ordered all four of them. Of course, since I ordered them all in August (patience and impulse-control not being my strong suit), I had a lot of time to read through them before wrapping them up and giving them away. (And, to my surprise, I enjoyed them in all of their platform shoed glory.) Third, there’s The Walking Dead which Arleigh introduced me to. And finally, there’s Dylan Dog.
I haven’t read a lot of Dylan Dog, largely because it’s an Italian comic and English translations aren’t easy to come across. (And apparently, when an American company did try to reprint the series in English, they ended up getting sued by the estate of Groucho Marx.) So, I can’t claim to be an expert on Dylan Dog because almost all of my information about this series comes second-hand. Honestly, if you asked me to tell you about Dylan Dog, I could probably give you the Wikipedia equivalent of an answer (i.e., that Dylan Dog is a private investigator in London who deals with super natural cases.)
Why does Dylan Dog fascinate me? Well, some of it is because of what I’ve heard about it from sources that I trust. I hate that answer because it sounds so flakey and simple-minded but luckily, that’s not the only reason. There’s also the fact that Dylan Dog’s investigative partner is a guy named Groucho who looks (and apparently acts) just like Groucho Marx. The other is that Dylan Dog was created by the same author — Tiziano Scalvi — who is responsible for inspiring one of the greatest movies ever made, Michele Soavi’s Dellamorte Dellamore. In fact, Dellamorte Dellamore started off as an attempt to make a Dylan Dog film and the film’s main character had appeared — in a supporting role — in Dylan Dog. From what I’ve heard, Dellamorte Dellamore — with its use of the paranormal as a metaphor for alienation and other deeper philosophical concerns — captured the sensibility of Dylan Dog.
Finally, one of my favorite authors — Umberto Ecco — is on record as saying, “I can read the Bible, Homer, or Dylan Dog for several days without being bored.”
So, that’s why I raised an eyebrow when I came across the trailer for Dylan Dog: Dead of Night while looking up grindhouse movie trailers on youtube.
And then I watched the trailer and that eyebrow quickly went down.
Number one, no Groucho. That already indicates that this is a compromised film. Number two, I may not be able to “read” Dylan Dog but I can look at it well enough to know that Dylan Dog is not a firing-two-guns-at-once type of hero. Number three — New Orleans? Bleh. I’m officially bored with movies that try to be “colorful” by filming in New Orleans. Number four, Taye Diggs? I’m sorry but any series that could inspire Dellamorte Dellamore deserves better than New Orleans and Taye Diggs.
Dylan Dog: Dead of Night is scheduled to be released in the U.S. on April 29th, 2011.
Apparently, as I sit here in my underwear and glasses, the Earth is about as close to the moon as it will ever get. Because of that, the moon is huge out in the night sky. Or at least that’s what I’m hearing. It looks pretty normal to me but anyway, this is being referred to as being “Supermoon.” I’m not sure why. If I stood less than an inch from your face, would that suddenly make me Super Lisa?
Of course, a gigantic full moon would bring a werewolf film with it. This is one of the thousand or so biker films to come out in the late 60s and early 70s. These films were interesting mostly from the point of view of how they mixed other genres with the biker conventions. Werewolves on Wheels did it with lycanthrophy.
Actually, since it’s a supermoon, we better include two werewolf-themed trailers. This is for the Werewolf of Washington, starring Dean Stockwell. For some reason, I’ve actually got several copies of this on DVD (I think this is one of those films that somehow found its way into the public domain) but I’ve yet to actually sit down and watch it. I think my hesitation has to do with the fact that it appears to be a political satire and it was made in the 70s. That sounds like a combination for boredom, to be honest.
But before Jack Nicholson could become a hippie, he was a sinister gunman in Monte Hellman’s existential grindhouse western, The Shooting. The Shooting, which co-stars Warren Oates and Millie Perkins, is an unacknowledged classic and a movie that I’m going to have to review one of these days. Perkins, by the way, was married to none other than Dean Stockwell.
And then, 7 years later, Hellman, Oates, and Perkins reunited to make an odd little film called Cockfighter. This is another film I have to review though I also have to say that, as a former country girl who has actually seen a few cockfights, cockfighting is right up there with dogfighting as far as sickening sadism is concerned.*
Finally, since we’re under a supermoon, here’s the trailer for Jesus Franco’s infamous (and frequently banned) slasher Bloody Moon. I haven’t seen Bloody Moon (copies aren’t that easy to find) but seriously, the involvement of Jesus Franco tells me all I probably need to know.**
*If you’ve got a cock, use it to spread love, not hate.
** Well, we’ll see about that. I just ordered a copy off of Amazon.