Sucker Punch (2nd Trailer)


Still recovering from the SF Giants winning the 2010 World Series so my review of the pilot episode of The Walking Dead is still in need of completion. To show that I haven’t been slacking off on my postings (Lisa Marie’s really been on a posting tear these past couple days. So proud of her.) I decided that what better stopgap until the review is up than to post the newly released 2nd trailer for Zack Snyder’s upcoming fantasy film, Sucker Punch, that seems to be a who’s who of the industry’s hottest young actresses. It has Emily Browning, Abbie Cornish, Vanessa Hudgens, Jamie Chung and (one of Lisa Marie’s favorites) Jena Malone. To help chaperone this quintet of hotness are the mature stylings of Carla Gugino and Scott Glenn.

This latest trailer gives a bit more of the narrative to Sucker Punch, but even with that the visuals may be what brings in the audience. Snyder looks to be the king of the hyperstylized visuals in Hollywood today. Whether that translates into a well-made product is still being debated, but one can never accuse Snyder of not having the eye for the spectacular.

The trailer shows more action with dragons, anime-style mecha, samurai, Nazis and zombies. Interestingly enough the trailer skimps on the Moulin Rouge-type sequence the Comic-Con trailer showed. I’m sure those scenes will be in the final film, but Legendary Pictures look to be using the stylized action to sell the flick. I’m for it either way. If sex doesn’t sell then cool violence does in Hollywood.

I’m wondering how much Legendary Pictures ended up paying Led Zeppelin to use “When the Levee Breaks” to score this trailer. It has to be some major coinage which tells me that the studio has high-expectations about this film succeeding and raking in even more coinage.

For Your Oscar Consideration


It’s November and that means that we have now officially entered Oscar season.  For the next two months, movies specifically designed to win awards will be released in theaters across America.  Movies like Fair Game, The King’s Speech, True Grit, For Colored Girls, Another Year, and 127 Hours will be presented for “your consideration,” as they always put it in the Oscar ads.  Don’t get me wrong, I’m looking forward to seeing quite a few of those films.  Fair Game looks like its going to be a bit of a pain (seriously, Sean Penn, it’s great you were right about Iraq and all but get over yourself)  and For Colored Girls seems like it’ll be one of those films that people are scared to admit disliking.  However, The King’s Speech looks like it might be a funny and sweet little movie and  127 Hours looks like it might be the film that proves that James Franco is a major hottie who could use and abuse me in any way he…uhmm, sorry, where was I?  Oh yeah — Oscar season!

The unfortunate thing about Oscar season is that often it seems that movies that were released before the end of the year are either totally forgotten or only given a few sympathy nods.  So, here’s my personal list of a few contenders that, though released pre-Oscar season, I think are just as deserving of consideration as Fair Game.

1) Best Picture — Exit Through The Gift Shop

People either love this film or they hate it.  I love it.  I think it’s a great mindfuck and, as of now, it’s my favorite film of 2010.  In a perfect world, it would not only be the first documentary to be nominated for best picture but the first one to win as well.  Unfortunately, the Mainstream hates having its mind fucked.  Which is why I say — Grindhouse Victory for Exit Through The Gift Shop!

2) Best Picture — Animal Kingdom

This grim yet compelling Australian crime thriller plays like an unromanticized version of The Town, which is probably why it will be no where to be seen once the nominations are announced.  Animal Kingdom also features award worthy work from actors Jacki Weaver, Ben Mendelsohn, Guy Pearce, and director David Michod.

3) Best Picture — Scott Pilgrim Vs. The World

Yes, it crashed and burned at the box office and it’s been the victim of an anti-Michael Cera backlash but Scott Pilgrim Vs. The World was one of the best and most original films of the summer.  If the best movies succeed by creating their own unique worlds, then Scott Pilgrim Vs. The World deserves to be recognized as one of the best.

4) Best Picture — Never Let Me Go

Mark Romanek’s low-key but affecting adaption of Kazou Ishiguro’s award-winning novel takes a familiar Sci-Fi plot — clones are raised in seclusion so that their organs can eventually be harvested — and turns it into a haunting meditation on life, death, love, and fate.  Carey Mulligan, who deserved the Oscar last year for An Education, holds the film together with quiet strength while Kiera Knightley and Andrew Garfield make the most of the more showy supporting roles.

5) Best Actor — Patrick Fabian, The Last Exorcism

Yes, Fabian will never be nominated because The Last Exorcism was a box office flop, a horror film, and it had an ending that generated a lot of negative word of mouth.  However, I believe that Fabian gave the best performance of the year (so far) in this film.  One reason why that over-the-top ending upset so many viewers was because Fabian had kept the film so grounded in reality that the sudden appearance of the supernatural almost felt like a betrayal.  Incidentally, I think that Fabian’s performance was meant to be an homage to former child evangelist Marjoe Gortner.  (And yes, I realize that’s like the 100th time I’ve casually mentioned Marjoe Gortner on this site.  It doesn’t mean anything.  Or does it?)

6) Best Actress — Noomi Rapace, The Girl With The Dragon Tattoo

The Mainstream has pretty much already declared Annette Bening to be the winner for her work in The Kids Are All Right but the Grindhouse knows that 2010 was the year of The Girl With The Dragon Tattoo.

7) Best Actress — Katie Jarvis, Fish Tank

Fish Tank probably played too early in the year to be properly remembered by the Academy but that doesn’t change the fact that it’s one of the best films of the year.  Playing an angry but naive British teen, Katie Jarvis gives a fearlessly vulnerable performance.  Just consider the harrowing scene where, after kidnapping her older lover’s daughter, she realizes what a mistake she’s made.

8 ) Best Supporting Actor — John Hawkes, Winter’s Bone

While I hope Winter’s Bone, at the very least, receives nominations for best picture, best actress for Jennifer Lawrence, and a best director nod for Debra Granik, I fear that John Hawkes will be forgotten.  That’s a shame because Hawkes, arguably, gives the strongest performance in the film.  As Lawrence’s drug addicted uncle, Hawkes is both scary and heroic.  If Lawrence represents hope for the future, Hawkes epitomizes the doom of the present.

9) Best Supporting Actress — Chloe Grace Moretz, Kick-Ass

If Moretz is nominated, it’ll probably be for her performance in Let Me In.  However, good as she was in that film, I think her performance in Kick-Ass is even better.  Playing the controversial character of Hit-Girl, Moretz was the film’s foul-mouthed, borderline-psychotic heart.

10) Best Cinematography — Twelve

Yes, Twelve is a dire film that manages to turn a good book into a silly melodrama but the movie is gorgeous to look at.

11) Best Original Score — Machete

As performed by the band Chingon (which features the film’s director, Robert Rodriguez, on guitar), Machete’s score was much like the film itself: over-the-top, shameless, and a lot of fun.   In much the same way that Hans Zimmer’s score made you believe in the world of Inception, Machete’s score literally forces the viewer into the proper Grindhouse mindset.

12) Best Original Song — “Pimps Don’t Cry” from The Other Guys

Oh, why not?

13) Best Feature-Length Documentary — Best Worst Movie

A charming documentary about the making of that infamous film, Troll 2, Best Worst Movie is also a look at how a movie can be so amazingly bad that it eventually becomes a beloved classic.

14) Best Animated Feature — A Town Called Panic 

This surreal, French, stop-motion film only played for a week down here in Dallas and I nearly didn’t get to see it.  I’m glad I did because, seriously, this movie — oh my God.  The best description I’ve heard of it comes from Empire Magazine where it was referred to as being “Toy Story on absinthe.”  Of course, since apparently California can’t even handle legalized weed, it’s probably hoping too much that they’ll be willing to drink the absinthe.

As just a sidenote, isn’t the poster for A Town Called Panic just adorable?  I swear, just looking at it makes me feel happy.