June Positivity: Worth: The Testimony of Johnny St. James (dir by Jenn Page)


First released in 2012, Worth is a film about a hostage situation.

Ugh.

Listen, I’m just going to be honest with you here.  With a few obvious exceptions (i.e., Dog Day Afternoon), I am not a huge fan of films about hostage situations.  It doesn’t matter how talented the cast may be or how much the director tries to keep things interesting.  Usually, as soon as the hostage taker pulls that gun and yells, “Nobody move!,” whatever narrative momentum that the film may have had going comes to a screeching halt and thing proceed to get very stagey.  The audience is expected to sit through at least 90 minutes of wailing hostages, feverish monologues, and Stockholm syndrome.  And, of course, we can’t forget the SWAT team threatening to kill both the hostage taker and the hostages while a harried negotiator tries to bring everything to a peaceful solution.  It’s all very predictable and usually a bit tedious to sit through.

Worth is also a film about alcoholics so double ugh.  I’m not a huge fan of alcoholics or films where people spend all of their time giving speeches about why they started drinking and what happened to make them hit rock bottom.  Don’t get me wrong.  There’s been a lot of great films made about alcoholism but there’s also been a lot of films that seem to exist to remind us of just how whiny alcoholics can be.  Mixing alcoholics and hostages is rarely a good thing.

On the plus side, Worth has got Eric Roberts in it.  No, Roberts does not play the hostage taker.  Nor does he play one of the hostages.  Roberts ends up with the unenviable task of having to negotiate with the hostage taker.  Eric Roberts’s role is not a big one.  One gets the feeling that it probably took two days (maybe three) for him to shoot all of his scenes.  Still, his role here is bigger (and more important) than his role in Amityville Death House.

Worth’s main character is Johnny St. James (Jeffrey Johnson), a former seminarian who ended up becoming a cop.  Ten years ago, Johnny’s pregnant wife was killed by a drunk driver and Johnny himself has been an alcoholic ever since.  Johnny is finally ready to attend his first AA meeting and his friend and partner, Hickey (Eric Roberts), tags along for moral support.  While Johnny is inside the church for the meeting, Hickey is the one who waits in the car and calls into headquarters and tells the chief that Johnny’s at an emergency dental appointment.

Unfortunately, Johnny discovers that the AA meeting is being led by Earl (Vincent Irizarry), the man who was driving the car that struck and killed Johnny’s wife.  Earl did several years in prison and became a minister during his time behind bars.  Earl may not recognize Johnny but Johnny automatically knows who Earl is.  Johnny sits in the back of the church, listening as the other members of the group give their testimony.  After listening to Chad (Corey Feldman) talk about how difficult it is to be sober, Johnny snaps, pull out his gun, and — ugh — the hostage situation begins.

The movie starts out well, with both Eric Roberts and Vincent Irizarry offering up strong supporting performances.  I mean, even Corey Feldman isn’t that bad.  But as soon as Johnny pulls that gun and starts shouting and bullying everyone and barking out orders, the film turns into a bit of an endurance test.  There’s only so much time that someone can spend listening to one guy yell at people about not moving before mentally checking out.  Johnny traps himself in that church as soon as he pulls that gun but the film also traps itself by not leaving itself anywhere else to go.  Johnny has a tragic backstory and the film does share an important message about the power of forgiveness but Johnny himself was such an annoying character than even I wanted the SWAT team to storm the church and take that douchebag out.

Worth was no Dog Day Afternoon.

Previous Eric Roberts Films That We Have Reviewed:

  1. Star 80 (1983)
  2. Blood Red (1989)
  3. The Ambulance (1990)
  4. The Lost Capone (1990)
  5. Love, Cheat, & Steal (1993)
  6. Love Is A Gun (1994)
  7. Sensation (1994)
  8. Dark Angel (1996)
  9. Doctor Who (1996)
  10. Most Wanted (1997)
  11. Mr. Brightside (2004)
  12. Six: The Mark Unleased (2004)
  13. Hey You (2006)
  14. In The Blink of an Eye (2009)
  15. The Expendables (2010) 
  16. Sharktopus (2010)
  17. Deadline (2012)
  18. Miss Atomic Bomb (2012)
  19. Lovelace (2013)
  20. Self-Storage (2013)
  21. This Is Our Time (2013)
  22. Inherent Vice (2014)
  23. Road to the Open (2014)
  24. Rumors of War (2014)
  25. Amityville Death House (2015)
  26. A Fatal Obsession (2015)
  27. Stalked By My Doctor (2015)
  28. Joker’s Poltergeist (2016)
  29. Stalked By My Doctor: The Return (2016)
  30. The Wrong Roommate (2016)
  31. Stalked By My Doctor: Patient’s Revenge (2018)
  32. Monster Island (2019)
  33. Seven Deadly Sins (2019)
  34. Stalked By My Doctor: A Sleepwalker’s Nightmare (2019)
  35. The Wrong Mommy (2019)
  36. Free Lunch Express (2020)
  37. Her Deadly Groom (2020)
  38. Top Gunner (2020)
  39. Just What The Doctor Ordered (2021)
  40. Killer Advice (2021)
  41. The Poltergeist Diaries (2021)
  42. My Dinner With Eric (2022)

Lisa’s Way, Way, Way, Way, Way, Way, Way Too Early Oscar Predictions for January


It’s a new year and that means that it’s once again time for me to do something spectacularly stupid.

Below, you’ll find a list of Oscar predictions.  However, this is not a list of what I think will be nominated on January 13th.  No, instead, these are my predictions for the upcoming year.  This the first installment of my monthly predictions for which 2020 films will be nominated next year at this time.

Just in case it’s not already obvious how foolish this is, consider the following: Last year, at this time, no one had heard of Parasite.  Maybe a handful of people knew that Noah Baumbach’s next film was going to be called Marriage Story.  There were vague rumors about 1917 and there were still serious doubts as to whether Scorsese would ever finish putting together The Irishman.  In short, trying to predict the Oscars 12 months out is impossible.

Needless to say, I haven’t seen a single one of these films listed below so I can’t tell you one way or the other whether or not they’re going to set the world on fire.  Instead, what is listed below is a combination of random guesses and my own gut feelings.  You’ll notice that there are a lot of big names listed, Spielberg, Anthony Hopkins, Ron Howard, and Glenn Close.  Yes, all of them could very well be Oscar contenders.  At the same time, they’re all also a known quantity.  They’ve all got a good track record with the Academy and, as of right now, that’s all that I have to go on.

You may also notice that I’ve listed several films that will, in just a few weeks, be playing at the Sundance Film Festival.  Again, it’s not that I know anything about these films that the rest of the world doesn’t.  Instead, it’s simply a case of I looked at the list of Sundance films, I read the plots, and a few times I said, “That sounds like it could potentially be a contender.”  After all, it seems like at least one nominee comes out of Sundance every year.  Why shouldn’t it happen again?

My point is that you shouldn’t take these predictions too seriously.  Some of the films and performers below may be nominated.  Some definitely will not be.  But, next year, we will at least be able to look back at this list and have a laugh!

So, without further ado, here are my Oscar predictions for January!

Best Picture

Dune

Hillbilly Elegy

The Many Saints of Newark

Minari

News of the World

Respect

Tenet

The Personal History of David Copperfield

The Trial of the Chicago 7

West Side Story

Best Director

Paul Greengrass for News of the World

Ron Howard for Hillbilly Elegy

Christopher Nolan for Tenet

Steven Spielberg for West Side Story

Denis Villeneuve for Dune

Best Actor

Bradley Cooper in Bernstein

Tom Hanks in News of the World

Lance Henriksen in Falling

Anthony Hopkins in The Father

Michael Keaton in Worth

Best Actress

Amy Adams in Hillbilly Elegy

Glenn Close in Four Good Days

Jennifer Hudson in Respect

Elisabeth Moss in Shirley

Amy Ryan in Lost Girls

Best Supporting Actor

Willem DaFoe in The Last Thing He Wanted

Richard E. Grant in Everybody’s Talking About Jamie

Mark Rylance in The Trial of the Chicago 7

Forest Whitaker in Respect

Steven Yeun in Minari

Best Supporting Actress

Glenn Close in Hillbilly Elegy

Vera Farmiga in The Many Saints of Newark

Tilda Swinton in The Personal Life of David Copperfield

Marisa Tomei in The King of Staten Island

Helena Zengel in News of the World